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Martin Porat at La Grange de Meslay
Martin Porat (piano); Domenico Scarlatti; Sonata K.32; François Couperin; La Muse-Plantine; Leos JanáCek; Nur blindes Schicksal; Felix Mendelssohn; Lieder ohne Worte opus 62 no. 1; Edvard Grieg; Lyric piece opus 12 no. 1; Béla Bartók; From the Diary of a Fly; Johannes Brahms; Intermezzo opus 116 no. 5; Frédéric Chopin; Mazurka opus 17 n°2; Pierre Boulez; Notation no. 11; Robert Schumann; Vogel als Prophet; Eric Satie; Gnossienne no. 2; Claude Debussy; Des pas sur la neige; Johann Sebastian Bach; Gigue; Dmitri Chostakovitch; Lyric Waltz; George Antheil; Toccata no. 1; Piotr Ilich Tchaikovsky; Tendres reproches; Ludwig van Beethoven; Bagatelle no. 7 opus 33; Pierre Boulez; Notation no. 4; Wolfgang Amadeus Mozart; Gigue K.574; Franz Liszt; Vallée d'Obermann; György Ligeti; Musica Ricercata V; György Kurtág; Doina; Pierre Boulez; Notation no. 8; Alexandre Scriabine; Vers la flamme opus 72; Alexandre Porat; Improvisation; Domenico Scarlatti; Sonata K. 32; Recorded on 23 June 2013 at La Grange de Meslay; Directed by François-René Martin (61 min)
InterMezzo
(16 min)
Saul by Haendel at the Glyndebourne Festival
Saul, by Georg Friedrich Haendel; Libretto by Charles Jennens; Orchestra of the Age of Enlightenment, Ivor Bolton (Conductor); Glyndebourne Festival Chorus; Barrie Kosky (Stage Direction); Katrin Lea Tag (Sets), Otto Pichler (Choreography), Joachim Klein (Lighting); Lucy Crowe (Merab); Sophie Bevan (Michal); Christopher Purves (Saul); Iestyn Davies (David); Paul Appleby (Jonathan); Benjamin Hulett (High Priest); John Graham-Hall (Witch of Endor); Recorded on August 20 & 22, 2015 at the Glyndebourne Festival; Directed by François Roussillon (171 min)
InterMezzo
(36 min)
Lucas Debargue at La Grange de Meslay: Scarlatti, Mozart, Ravel, Liszt
Lucas Debargue (piano); Domenico Scarlatti; Sonata in A major K.208; Sonate in A major K.24; Sonate in C major K.132; Sonate in D minor K.141; Wolfgang Amadeus Mozart; Piano Sonata in A minor K.310; Maurice Ravel; Gaspard de la Nuit; Franz Liszt; Mephisto Waltz no. 1; Erik Satie; Gnossienne no. 1; Frédéric Chopin; Grande valse brillante en mi bémol majeur opus 18; Recorded on 26 June 2016 at the Grange de Meslay; Directed by François-René Martin (80 min)
Nicholas Angelich at La Grange de Meslay: Chopin, Schumann, Liszt
Nicholas Angelich (piano); Frédéric Chopin; Nocturne op. 55 No. 2 in E-flat major; Étude Op. 10, No. 10 in A-flat major; Robert Schumann; Kreisleriana opus 16; Franz Liszt; Sonata in B minor S. 178; Frédéric Chopin; Mazurka in G sharp minor Op.33 No.1; Mazurka in F minor Op.63 No.2; Recorded on June 25th 2016 at the Grange de Meslay, Fetes Musicales en Touraine; TV direction by François-René Martin (95 min)
InterMezzo
(57 min)
Keith B Brown - Strasbourg Jazz Festival
KEITH B. BROWN - Guitar & vocal; ETIENNE PRIEURET - Guitar; EMMANUEL DUCLOUX - Bass (62 min)
Keith Brown Trio feat. Baptiste Herbin - Jazz En Tete
How a talented young man who left Madagascar a few years earlier with nothing in mind but jazz records his first album and embarks on a series of concerts and important encounters. An initial selective musical autobiography on the occasion of a friendly confrontation with Keith Brown at the Jazz en Tete festival. In four parts. (53 min)
The Bad Plus at Skoda Jazz Festival
Ethan Iverson: piano; Reid Anderson: bass; David King: drums (60 min)
InterMezzo
(20 min)
Anima Eterna Brugge and Jos van Immerseel: Gershwin
Anima Eterna Brugge, Jos van Immerseel (Conductor); Claron McFadden (soprano), Bart Van Caenegem (piano); George Gershwin; Catfish Row, Symphonic suite in five movements from Porgy and Bess, arrangements by Steven D. Bowen; An American in Paris; The man I love; I got Rhythm; My Man's Gone Now; By Strauss; Rhapsody in Blue; Recorded on March 3, 2017 at the Concertgebouw Brugge; Directed by Nicolas Foulon (95 min)
Adrien Perruchon and the Symfonieorkest Vlaanderen: Coppens, Lalo, Ginastera, Copland, Ravel
Symfonieorkest Vlaanderen, Adrien Perruchon (conductor); Josef Spacek (violin); Claude Coppens; Music for Orchestra, op. 12; Edouard Lalo; Symphonie espagnole for violin and orchestra op. 21; Alberto Ginastera; Dances from Estancia, op. 8a; Aaron Copland; El Salón México; Maurice Ravel; Boléro; Arturo Márquez; Danzón no. 2; Recorded on March 1st 2017 at the Concertgebouw, Bruges; TV Director, Nicolas Foulon (107 min)
Anima Eterna Brugge and Jos Van Immerseel: Ravel, Falla, Enesco
Anima Eterna Brugge, Jos Van Immerseel (director); Chouchane Siranossian (violin), Claire Chevallier (piano); Maurice Ravel; Ma mere l'oye; Rhapsodie Espagnole; Tzigane; Manuel de Falla; Noches en los jardines de Espa?a; George Enesco; Romanian Rhapsody no. 1; Recorded on March, the 4th 2016 at the Concertgebouw, Bruges (105 min)
InterMezzo
(11 min)
Jamie Cullum at Jazz a Vienne
In 2011, with classic jazz in bright new colours and popular dance tunes, the brilliant British singer and pianist's fifth album was an illustration of his eclectic taste. The Rocheford-born musician admits to a variety of influences, already apparent in his early career at the turn of the century. His repertoire ranges from standards by Gershwin and contemporary trip-hop influences, combining them with his own sense of harmony and moving from one to the other at breakneck speed. After the worldwide success of 'Catching Tales' in 2005, Cullum took a break for a few years. He nevertheless collaborated with Clint Eastwood on the soundtrack to 'Gran Torino'. In 2012, he appeared on French television next to singer Sophie Maurin in the charming pop song 'Far Away'. His sixth album, 'Momentum', was released last spring. Jamie Cullum remains true to himself, at once a rock star and a crooner, with his unmistakable English accent. This amazing stage performer is back in Vienna (he was here in 2011) with an orchestra more like a rock band: 'It's the first time I'm older than the other musicians', he says. Thirteen years after his sensational entrance on the jazz (pop, rock?) scene, Jamie is back with a vengeance. (53 min)
Robin McKelle - Jazz a Vienne
Robin McKelle; Jazz a Vienne 2016; With; Robin McKelle, Jake Sherman (keyboards), Eli Menezes (guitar), Matt Brandau (bass), Adam Jackson (drums); Recorded on July 13th 2016 at the Théâtre Antique; TV direction by Eric Michaud (72 min)
Golden Gate Quartet - Jazz a Vienne
Paul Bremly (baritone), Frank Davis (1st tenor), Michael Robinson (2nd tenor), Terry Francis (bass), Nabiel Pines (p, keys), Joël Rocjer (g, b), Pascal Riou (dms) (87 min)
InterMezzo
(18 min)
Tribute to Hans Van Manen, Dutch National Ballet, Festival de Danse de Montpellier
Tribute to Hans Van Manen; Dutch National Ballet; Adagio Hammerklavier (1973); For 6 dancers; Ludwig van Beethoven, music (sonata for piano n°29, opus 106 in B major); Olga Khoziainova, piano; Jean-Paul Vroom, set and costume; Jan Hofstra, lighting; Two Gold Variations (1999); For 14 dancers; Jacob ter Veldhuis, music (Goldrush, Concerto Goldmine and All this Gold this Mountain has); Keso Dekker, set and costume; Joop Caboort, lighting; Sarcasmen (Pianovariations II) (1981); For 2 dancers; Sergei Prokofiev., music (Five Sarcasms opus 17); Robert Greuter, Piano; Hans van Manenn, costume; Jan Hofstra, lighting; Frank Bridge Variations (2005); For 10 dancers; Benjamin Britten, music (Variations on a Theme of Frank Bridge (opus 10): Introduction; and Theme, Adagio, March, Bourrée Classique, Wiener Walzer, Moto Perpetuo, Funeral march, Chant, Fugue and Final); Keso Dekker, set and costume; Metaforen (1965); For 12 dancers; Daniel-Jean-Yves Lesur, music (Variations for organ and string orchestra); Jan van der Wal, Jean-Paul Vroom, set and costume; Jan Hofstra, lighting; Recorded on July 4th and 5the 2017 at the Opéra Berlioz/Corum, Festival de Danse de Montpellier; TV Director, Vincent Massip (99 min)
Angelin Preljocaj, New York pieces by A. Preljocaj, Montpellier Danse
Pieces from New York; Angelin Preljocaj, choreographer; Ballet Preljocaj; Spectral Evidence (2013); For 8 dancers; Music, John Cage; Costume, Olivier Theyskens; Lighting, Mark Stanley; Recreated by, Dany Leveque; With; Victor Caliz Martinez, Baptiste Coissieu, Verity Jacobsen, Jean-Charles Jousni; Emilie Lalande, Céline Marié, Nuriya Nagimova, Simon Ripert; La Stravaganza (1997); For 12 dancers; Music by: Antonio Vivaldi (Concerto n°8, RV249, extracts from Dixit Dominus, Laudate Pueri Dominum); Evelyn Ficarra (Source of Uncertainty); Serge Morand (Naives); Robert Normandeau (Eclats de voix); Ake Parmerud (Dark Objects); Scenography, Maya Schweizer; Costume, Hervé Pierre; Lighting, Mark Stanley; Recreated by, Noémie Perlov; With; Verity Jacobsen, Nuriya Nagimova, Emilie Lalande, Anna Tatarova, Margaux Coucharriere, Céline Marié, Victor Caliz Martinez, Simon Ripert, Baptiste Coissieu, Jean-Charles Jousni, Aaron Smeding, Redi Shtylla; Live from Festival Montpellier Danse, Opéra Berlioz - Le Corum; TV Director, Denis Caiozzi (112 min)
InterMezzo
(5 min)
Anima Eterna Brugge and Jos van Immerseel: Gershwin
Anima Eterna Brugge, Jos van Immerseel (Conductor); Claron McFadden (soprano), Bart Van Caenegem (piano); George Gershwin; Catfish Row, Symphonic suite in five movements from Porgy and Bess, arrangements by Steven D. Bowen; An American in Paris; The man I love; I got Rhythm; My Man's Gone Now; By Strauss; Rhapsody in Blue; Recorded on March 3, 2017 at the Concertgebouw Brugge; Directed by Nicolas Foulon (95 min)
Iván Fischer and the Budapest Festival Orchestra: Requiem by Mozart
Budapest Festival Orchestra, Collegium Vocale Gent, Iván Fischer (Conductor); Zsolt Fejérvári (double-bass), Ákos Ács (basset clarinet), Norma Nahoun (soprano), Barbara Kozelj (mezzosoprano), Bernard Richter (tenor), Hanno Müller-Brachmann (bass); Wolfgang Amadeus Mozart; Per questa belle mano, K. 612; Clarinet concerto in A major, K. 622; Requiem en D minor, K. 626; Recordded on May the 14th, 2016 at the Concertgebouw, Bruges; Nicolas Foulon, TV director (96 min)
InterMezzo
(14 min)
Jamie Cullum at Jazz a Vienne
In 2011, with classic jazz in bright new colours and popular dance tunes, the brilliant British singer and pianist's fifth album was an illustration of his eclectic taste. The Rocheford-born musician admits to a variety of influences, already apparent in his early career at the turn of the century. His repertoire ranges from standards by Gershwin and contemporary trip-hop influences, combining them with his own sense of harmony and moving from one to the other at breakneck speed. After the worldwide success of 'Catching Tales' in 2005, Cullum took a break for a few years. He nevertheless collaborated with Clint Eastwood on the soundtrack to 'Gran Torino'. In 2012, he appeared on French television next to singer Sophie Maurin in the charming pop song 'Far Away'. His sixth album, 'Momentum', was released last spring. Jamie Cullum remains true to himself, at once a rock star and a crooner, with his unmistakable English accent. This amazing stage performer is back in Vienna (he was here in 2011) with an orchestra more like a rock band: 'It's the first time I'm older than the other musicians', he says. Thirteen years after his sensational entrance on the jazz (pop, rock?) scene, Jamie is back with a vengeance. (53 min)
Robin McKelle - Jazz a Vienne
Robin McKelle; Jazz a Vienne 2016; With; Robin McKelle, Jake Sherman (keyboards), Eli Menezes (guitar), Matt Brandau (bass), Adam Jackson (drums); Recorded on July 13th 2016 at the Théâtre Antique; TV direction by Eric Michaud (72 min)
Golden Gate Quartet - Jazz a Vienne
Paul Bremly (baritone), Frank Davis (1st tenor), Michael Robinson (2nd tenor), Terry Francis (bass), Nabiel Pines (p, keys), Joël Rocjer (g, b), Pascal Riou (dms) (87 min)
InterMezzo
(18 min)
