• Mezzo Live HD

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      • Royal Concertgebouw Orchestra and Thomas Hengelbrock: Mozart, Dvorak

        Royal Concertgebouw Orchestra, Thomas Hengelbrock (Conductor); Diana Damrau (Soprano); Wolfgang Amadeus Mozart; Don Giovanni, Overture, Kv 527; 'L'amer?, sar? constante' from Il re pastore, Kv 208; Bella mia fiamma, addio - Resta, oh cara, Kv 528; Symphony No. 32, Kv 318; 'E Susanna non vien! - Dove sono i bei momenti' from Le nozze di Figaro, Kv 492; Antonín Dvořák; Symphony No. 8 in G major, Op. 88; Recorded at the Concertgebouw, Amsterdam, on September 14th, 2017; TV Director, Dick Kuijs (120 min)

      • InterMezzo

        (24 min)

      • Cos? fan tutte by Mozart at the Opéra National de Paris

        Cos? fan tutte, by Wolfgang Amadeus Mozart; Libretto by Lorenzo Da Ponte; Orchestre et Choeurs de l'Opéra national de Paris, Philippe Jordan (Conductor); Alessandro Di Stefano (Chorus master); Anne Teresa De Keersmaeker (Stage Director, Choreography); Jan Versweyveld (Set design), An D'Huys (Costume design), Jan Versweyveld ( Lighting design), Jan Vandenhouwe ( Dramaturgy); Jacquelyn Wagner (Fiordiligi); Michele Losier (Dorabella); Frédéric Antoun (Ferrando); Philippe Sly (Guglielmo); Paulo Szot (Don Alfonso); Ginger Costa-Jackson (Despina); Dancers; Cynthia Loemij (Fiordiligi); Samantha Van Wissen (Dorabella); Michaël Pomero (Guglielmo); Julien Monty (Ferrando); Marie Goudot (Despina); Boštjan Antončič (Don Alfonso); Recorded at the Palais Garnier, Opéra National de Paris, on February 16, 2017 (183 min)

      • InterMezzo

        (22 min)

      • The Prazak Quartet and Raphaël Sévere at La Grange de Meslay: Haydn, Janacek, Brahms

        Pražák Quartet, Raphaël Sévere (clarinet); Joseph Haydn; String quartet in G major op. 77 no. 1 Hob. III. 81; Leoš Janáček; String quartet no2 'Intimate Letters'; Johannes Brahms; Quintet for clarinet and string quartet in B minor op. 115; Recorded on June 26th 2016 at the Grange de Meslay, Fetes Musicales en Touraine; TV direction by François-René Martin (99 min)

      • Martin Porat at La Grange de Meslay

        Martin Porat (piano); Domenico Scarlatti; Sonata K.32; François Couperin; La Muse-Plantine; Leos JanáCek; Nur blindes Schicksal; Felix Mendelssohn; Lieder ohne Worte opus 62 no. 1; Edvard Grieg; Lyric piece opus 12 no. 1; Béla Bartók; From the Diary of a Fly; Johannes Brahms; Intermezzo opus 116 no. 5; Frédéric Chopin; Mazurka opus 17 n°2; Pierre Boulez; Notation no. 11; Robert Schumann; Vogel als Prophet; Eric Satie; Gnossienne no. 2; Claude Debussy; Des pas sur la neige; Johann Sebastian Bach; Gigue; Dmitri Chostakovitch; Lyric Waltz; George Antheil; Toccata no. 1; Piotr Ilich Tchaikovsky; Tendres reproches; Ludwig van Beethoven; Bagatelle no. 7 opus 33; Pierre Boulez; Notation no. 4; Wolfgang Amadeus Mozart; Gigue K.574; Franz Liszt; Vallée d'Obermann; György Ligeti; Musica Ricercata V; György Kurtág; Doina; Pierre Boulez; Notation no. 8; Alexandre Scriabine; Vers la flamme opus 72; Alexandre Porat; Improvisation; Domenico Scarlatti; Sonata K. 32; Recorded on 23 June 2013 at La Grange de Meslay; Directed by François-René Martin (61 min)

      • InterMezzo

        (73 min)

      • Kamilya Jubran and Sarah Murcia at Au Fil Des Voix Festival

        Kamilya Jubran (voice and oud); Sarah Murcia (double bass); After several collaborations over the years, Palestinian singer/oud player Kamilya Jubran and French bass player Sarah Murcia join their multifaceted talents in a new project entitled 'Nhaoul' ('Loom' in Arabic). A subtle dialogue between strings and poetry, leading to a common discourse, ideally suited to Kamilya's moving voice. Sarah is familiar with the quarter tones in oriental music while Kamilya is totally at home with the most complex rhythmical structures. On stage, they are accompanied by a string trio (cello, viola and violin) adding a sophisticated rhythmical element. The choice of texts and songs is equally interesting and includes Bedouin poetry from the Sinai and Negev deserts, poems by contemporay Arab writers (Hassan Najmi, Salman Masalha) and a magnificent song by the master of popular Egyption music from the beginning of the century, Sayed Darwich, one of Kamilya's main references. Kamilya and Sarah long-established musical friendship brings us nothing but delight. Recorded at 'Au Fil des Voix' in 2013 - Directed by Giuseppe De Vecchi - Duration: 56min (56 min)

      • Kneebody at Jazz a la Villette

        Ben Wendel - saxophone; Shane Endsley - trumpet; Kaveh Rastegar - bass; Adam Benjamin - Fender Rhodes; Nate Wood - drums (55 min)

      • Archie Shepp All star 'Tribute to John Coltrane'

        Archie Shepp, musical direction, saxophones; Ambrose Akinmusire, trumpet; Jason Moran, piano; Richard Davis, double bass; Billy Hart, drums; With guests: Marion Rampal, voice; Izidor Leitinger, trumpet; Sébastien Llado, trombone; Jean-Philippe Scali, baritone saxophone; Playlist; Naima - John Coltrane - Arranged by Izidor Leitinger; Cousin Mary - John Coltrane - Arranged by Izidor Leitinger; Blasé - Archie Shepp; Prelude to a Kiss - Duke Ellington; Los Olvidados - Archie Shepp; In 1960, Archie Shepp attended a concert by John Coltrane at the Five Spot, the mythical club on the Lower East Side. Totally fascinated, he decided to pick up the tenor saxophone. Five years later, Shepp - already a reference in the world of free jazz - recorded alongside his hero. The resulting album, 'Ascension', was released in 1966, and remains today one of the great monuments of free improvisation. To celebrate the fiftieth anniversary of Coltrane's death - at the age of forty - the most Parisian representative of the New York avant-garde pays tribute to the brilliant composer of 'A Love Supreme', with a Franco-American all-star band not unlike that which recorded the revolutionary 'Ascension'. A giant of jazz pays tribute to one of his gods... Recorded on September 3rd 2016 at the Grande Halle of la Villette; TV Director, Frank Cassenti (56 min)

      • InterMezzo

        (115 min)

      • Saul by Haendel at the Glyndebourne Festival

        Saul, by Georg Friedrich Haendel; Libretto by Charles Jennens; Orchestra of the Age of Enlightenment, Ivor Bolton (Conductor); Glyndebourne Festival Chorus; Barrie Kosky (Stage Direction); Katrin Lea Tag (Sets), Otto Pichler (Choreography), Joachim Klein (Lighting); Lucy Crowe (Merab); Sophie Bevan (Michal); Christopher Purves (Saul); Iestyn Davies (David); Paul Appleby (Jonathan); Benjamin Hulett (High Priest); John Graham-Hall (Witch of Endor); Recorded on August 20 & 22, 2015 at the Glyndebourne Festival; Directed by François Roussillon (171 min)

      • InterMezzo

        (62 min)

      • The London Symphony Orchestra and Antonio Pappano: Sibelius, Bernstein, Nielsen

        London Symphony Orchestra, Antonio Pappano (Conductor); Janine Jansen (violin); Jean Sibelius; The Oceanides; Leonard Bernstein; Serenade; Carl Nielsen; Symphony No 4 ('The Inextinguishable'); Live from the the Barbican Hall, London; TV Director, Corentin Leconte (83 min)

      • Simon Rattle and the London Symphony Orchestra: Ravel, Dutilleux, Delage

        London Symphony Orchestra, Sir Simon Rattle (conductor); Julia Bullock (soprano), Leonidas Kavakos (violin); Maurice Ravel; Le tombeau de Couperin; Henri Dutilleux; L'arbre des songes; Maurice Delage; Four Hindu Poems; Henri Dutilleux; Métaboles; Maurice Ravel; Daphnis and Chloe - Suite No 2; Recorded on January 13rd 2016 at the Barbican Hall, London; TV Director, François-René Martin (96 min)

      • InterMezzo

        (24 min)

      • Lucio Silla by Mozart at the Teatro Real, Madrid

        Lucio Silla, by Wolfgang Amadeus Mozart; Orquesta Sinfónica de Madrid, Ivor Bolton (conductor); Andrés Máspero (Chorus Master); Claus Guth (Stage director); Tine Buyse (Revival stage director),Christian Schmidt (Set and costume designer), Manfred Voss (Lighting designer), Ronny Dietrich (Dramaturg); Kurt Streit (Lucio Silla); Patricia Petibon (Giunia); Silvia Tro Santafé (Cecilio); Inga Kalna (Lucio Cinna); María José Moreno (Celia); Kenneth Tarver (Aufidio); Recorded on September 21st and 23rd 2017 at the Teatro Real, Madrid; TV Director, Jérémie Cuvillier (210 min)

      • InterMezzo

        (20 min)

      • Noé by Thierry Malandain, Théâtre national de Chaillot

        Noé; Choreography byThierry Malandain; Music, Messa di Gloria de Gioacchino Rossini; Set and costume, Jorge Gallardo; Lights, Francis Mannaert; Costumes productin, Véronique Murat; With; Ione Miren Aguirre, Raphaël Canet, Mickaël Conte, Ellyce Daniele, Frederik Deberdt, Romain Di Fazio, Baptiste Fisson, Clara Forgues, Michaël Garcia, Jacob Hernandez Martin, Irma Hoffren, Miyuki Kanei, Mathilde Labé, Hugo Layer, Guillaume Lillo, Claire Lonchampt, Nuria López Cortés, Arnaud Mahouy, Ismaël Turel Yagüe, Patricia Velazquez, Laurine Viel, Daniel Vizcayo, Lucia You González; Recorded on May 24th 2017 at the Théâtre national de Chaillot; TV Director, Patrick Lauze (73 min)

      • Light by M. Béjart. Béjart Lausanne Ballet. Chaillot Theater

        Light; Choreography by Maurice Béjart; Béjart Ballet of Lausanne; Artistic direction by Gil Roman; Originally premiered by the Ballet du XXe Siecle; at the Royal Circus, Bruxelles (22 septembre 1981); Music by Antonio Vivaldi, The Residents, Tuxedomoon; The Béjart Ballet is celebrating its 25th anniversary and is returning to the Théâtre de Chaillot, where one of Maurice Béjart's greatest hits was performed - Le Presbytere (The Rectory); The revival of Light, first presented in 1981, has been much anticipated. This special anniversary production is directed by Gil Roman. Vivaldi and Venice were Béjart's main source of inspiration but he also drew on San Francisco and the energy of its music with bands such as The Residents and Tuxedomoon. On stage, we get to see Tiepolo's Pulcinella, Casanova, a gold digger and a pregnant woman, a tribute to Carolyn Carlson's Blue Lady. Light, with sets and costumes by Nuno Côrte-Real is also a journey of discovery. The Béjart Ballet at the peak of its art and energy. TV Director, Arantxa Aguirre (2013 - 90 mns); Filmed at the Théâtre de Chaillot in Paris in June 2013 (77 min)

      • Now, choreography by Carolyn Carlson. Théâtre de Chaillot

        Now; Choreography by Carolyn Carlson; Choreography assistant, Colette Malye; Original Music, René Aubry; Lights, Patrice Besombes; Scenography, Maxime Ruiz (photo), Benoît Simon (vidéo); Costume, Chrystel Zingiro; Artistic advisor, Claire de Zorzi; With; Constantine Baecher, Juha Marsalo, Céline Maufroid, Riccardo Meneghini, Yutaka Nakata, Sara Orselli, Sara Simeoni; Recorded on November 13 & 14 2014 at the Théâtre national de Chaillot; TV Director, Denis Caiozzi (85 min)

      • Saul by Haendel at the Glyndebourne Festival

        Saul, by Georg Friedrich Haendel; Libretto by Charles Jennens; Orchestra of the Age of Enlightenment, Ivor Bolton (Conductor); Glyndebourne Festival Chorus; Barrie Kosky (Stage Direction); Katrin Lea Tag (Sets), Otto Pichler (Choreography), Joachim Klein (Lighting); Lucy Crowe (Merab); Sophie Bevan (Michal); Christopher Purves (Saul); Iestyn Davies (David); Paul Appleby (Jonathan); Benjamin Hulett (High Priest); John Graham-Hall (Witch of Endor); Recorded on August 20 & 22, 2015 at the Glyndebourne Festival; Directed by François Roussillon (171 min)

      • InterMezzo

        (27 min)