• Mezzo Live HD

    • Mezzo Live HD od do

      • InterMezzo

        (37 min)

      • Valery Gergiev conducts the Queen of Spades by Tchaikovsky

        The Queen of Spades, by Pyotr Tchaikovsky; Mariinsky Orchestra, Valery Gergiev (Conductor); Children's Chorus of the Saint Petersburg Television & Radio, Igor Gribkov (Chorus Master); Alexei Stepanyuk (Stage Director); Alexander Orlov (Sets), Irina Cherednikov (Costumes), Alexander Sivaev (Lighting), Llya Ustyantsev (Choreography); Maxim Aksenov (Herman); Roman Burdenko (Count Tomsky); Vladislav Sulimsky (Prince Eletsky); Maria Maksakova (Countess); Irina Churilova (Lisa); Yekaterina Sergeyeva (Pauline); Recorded on 27 & 29 May 2015 at the Mariinsky Theatre, Saint Petersburg; Directed by Louise Narboni (186 min)

      • InterMezzo

        (17 min)

      • Yuri Temirkanov conducts the Orchestre de Paris: Prokofiev and Tchaikovsky

        Orchestre de Paris, Yuri Temirkanov (Conductor); Leonidas Kavakos (violin); Sergei Prokofiev; Symphony no. 1 in D major opus 25 ''Classical''; Violin Concerto no. 2 in G minor opus 63; Piotr Ilych Tchaikovsky; Swan Lake, suite opus 20a; Recorded on February 25, 2015 at the Philharmonie de Paris; Directed by Franck Chaudemanche (86 min)

      • Paavo Järvi conducts Tchaikovsky and Shostakovich with the Orchestre de Paris

        Orchestre de Paris, Paavo Jarvi (Conductor); Janine Jansen (violin); PIotr Ilych Tchaikovsky; Concerto for violin in D major op. 35; Dmitri Shostakovich; Symphony no. 5 in D minor op. 45; Recorded on January 22th, 2015 at the Philharmonie de Paris; Directed by Don Kent (93 min)

      • InterMezzo

        (51 min)

      • Fred Hersch Solo - St Emilion Jazz Festival

        Fred Hersch solo at St Emilion Jazz Festival; TV Director, Eric Michaud (55 min)

      • Seun Kuti - SingJazz festival

        Seun Kuti at the festival SingJazz 2016; With Egypt 80; Recorded on March, the 6h 2016 at the Marina Bay Sands, Singapore; Amos Rozenberg, TV director (61 min)

      • Avishai Cohen 'New York Division' - Jazz a Vienne

        Avishai Cohen (vocals, bass), Diego Urcola (trumpet), Steve Davis (trombone), Kurt Rosenwinkel (guitar), Nitai Hershkovits (piano), Daniel Dor (drums) (81 min)

      • InterMezzo

        (63 min)

      • Gergiev conducts the Munich Phiharmonic: Bruckner Symphonies 1 & 3

        Munich Philharmonic Orchestra, Valery Gergiev (Conductor); Anton Bruckner; Symphony no. 1 in C minor; Symphony no. 3 in D minor; Recorded on September 25th 2017 at Saint Florian Monastery, Linz; TV director, François-René Martin (146 min)

      • Daniel Harding and the Orchestre de Paris: Mahler Symphony no. 2

        Orchestre de Paris, Daniel Harding (Conductor); Ch?ur de l'Orchestre de Paris, Lionel Sow (Chorus master); Christiane Karg (soprano), Wiebke Lehmkuhl (mezzo-soprano); Gustav Mahler; Symphony no. 2 in C minor 'Resurrection'; Recorded on 24 & 25 May 2017 at the Philharmonie de Paris; Directed by Julien Condemine (88 min)

      • InterMezzo

        (19 min)

      • Shabaka Hutchings 'The comet is coming' - Like a Jazz Machine

        The comet is coming; Shabaka Hutchings, saxophone ténor; Dan Leavers, synthétiseur; Max Hallet, batterie; Sixty years after Sun Ra released his debut album, the influence of the late avant garde jazz musician and 'cosmic philosopher' persists. Sun Ra is a clear touchstone for futurists band The Comet is coming. They're formed of saxophonist Shabaka Hutchings (aka King Shabaka), and the two members of Soccer96: synths guy Dan Leavers (aka Danalogue The Conqueror) and drums man Maxwell Hallett (aka Betamax Killer). Formed in 2013 after saxophonist Shabaka Hutchings spontaneously joined funk duo Soccer96 on stage, the trio combines Sun Ra's mythological themes and love of the experimental, whipping up a fusion of jazz, Afrobeat and electronica in an improvisational, intergalactic mash-upstyle, starting with an orthodox jazz sensibility and taking it to the dancefloor. For millennia, humankind has viewed comets as harbingers of doom, portents of change and destruction. The Comet Is Coming are here to recognize these world-altering prophecies and to help us dance like it's the end of the world. Recorded on May 25th 2017 at Like a Jazz Machine Festival, Dudelange, Luxembourg; TV Director, Samuel Thiebaut (60 min)

      • Extended Hanoi Duo - Like a Jazz Machine

        Extended Hanoi Duo; Nguyen Le, electric and accoustic guitar; Ngo Hong Quang, traditional instruments, voice; Mieko Miyazaki, koto; Paolo Fresu, trumpet; Edouard Prabhu, tabals; Alex Tran, percussions; Hao Nhiem Pham, flute; The celebrated French-Vietnamese guitarist Nguyen Le is a masterful, inventive player who has cultivated a wholly unique voice on the instrument, ranking right up there with Bill Frisell, John Scofield, Mike Stern and Allan Holdsworth in the post-Hendrix world of jazz guitar. He has developed a distinctive sound that draws upon rock, funk and jazz as well as traditional Algerian, Indian and Vietnamese styles. His ethereal and colourful music acts like a powerful detonator which every time creates new and unheard soundscapes. On his latest album he teams up with young traditionalist singer Ngo Hong Quang, on lute, Vietnamese fiddle, Jew's harp, to portray 'the soul of Vietnam' and its quickening evolution. There are jaunty folkish tunes, temple bells and ethereal melodies, and a storm of electric guitars. Nguyen's life-long friend, the famous Italian trumpeter Paolo Fresu adds elegant Miles Davis-like peaks to a powerful, fauvism-coloured fusion of ancient and modern. Recorded on May 25th 2017 at Like a Jazz Machine Festival, Dudelange, Luxembourg; TV Director, Samuel Thiebaut (58 min)

      • All stars band, L. White, B. Lagrene, A. Farao, E. Gomez - Jazz en Baie

        All stars band; Jazz en Baie; Antonio Farao, piano; Eddie Gomez, double bass; Bireli Lagrene, guitar; Lenny White, drums; Recoded at Festival Jazz en Baie on August 15th 2015; TV Director, Laurent Preyale (67 min)

      • InterMezzo

        (32 min)

      • The Little Mermaid by Jan Kodet, Czech National Ballet

        The Little Mermaid; Choreography: Jan Kodet; ChoréLibretto: Jan Kodet, Martin Kukučka, Lukáš Trpišovský; Music: Zbyněk Matějů; Stage director: SKUTR (Martin Kukučka and Lukáš Trpišovský); Sets: Jakub Kopecký; Costumes: Alexandra Grusková; Lighting design: Daniel Tesař; Musical preparation: Andreas Sebastian Weiser; The National Theatre Orchestra; Andreas Sebastian Weiser, conductor; Czech National Ballet; With; Little Mermaid, Magdaléna Matějková ou Alina Nanu; The prince, Ondřej Vinklát ou Matěj Šust; The Grandmother, Tereza Podařilová ou Miho Ogimoto; The Witch, Michaela Wenzelová ou Klára Jelínková; Seraphin, Mathias Deneux ou Jonáš Dolník; The Strange princess, Aya Watanabe ou Kristina Kornová; The King/ Father, Marek Svobodník ou Michal Štípa; The young witch, Alice Petit ou Louise Corpechot; The Lover, Giovanni Rotolo ou Petr Strnad; The Queen / Mother, Michaela Černá; The Lighthouse keeper, Dadja Altenburg-Kohl; Recorded on September 22nd and 23rd 2017 at the National Theater Opera (113 min)

      • The Nutcracker and the Cuddly Mouse with the Czech National Ballet

        The Nutcracker and the Cuddly Mouse; Choreographie & mise en scene, Petr Zuska; Livret, Petr Zuska, Ernst Theodor Amadeus Hoffmann; National Theatre Orchestra; Direction musicale, Václav Zahradník, Sergej Poluektov; Décors, Pavel Svoboda; Costumes, Alexandra Grusková; Création lumiere, Daniel Tesař; Animation, Šimon Koudela, Karel Mařík; With; YOU, Klára Jelínková; I, Štěpán Pechar; Mother, Miho Ogimoto; Father, Giovanni Rotolo; Santa Claus, Marek Svobodník; Angel, Magdaléna Matějková; Devil, Ondřej Vinklát; Miss Nutcracker, Andrea Kramešová; The king mice, Francesco Scarpato; The Star, Nikola Márová; The Czech National Ballet; &; The preparatory school of the Czech National Ballet; Recorded on December 7th & 8th 2016 at the Prague National Theater (Czech Republica); TV director, Patrick Lauzé (102 min)

      • Daniel Harding and the Orchestre de Paris: Stravinsky, Schubert, Beethoven

        Orchestre de Paris, Duncan Ward (Conductor); Igor Stravinsky; Suites no. 1 & 2 for small orchestra; Franz Schubert; Symphony no. 3 in D major, D 200; Ludwig van Beethoven; Symphony no. 4 in B flat major, op. 60; Recorded on July 12, 2017 at the Festival international d'art lyrique d'Aix-en-Provence, Grand Théâtre de Provence; Directed by Julien Condemine (81 min)

      • Daniel Harding and the Orchestre de Paris: Berg and Mahler

        Orchestre de Paris, Daniel Harding (Conductor); Isabelle Faust (violin), Christina Landshamer (Soprano); Alban Berg; Violin concerto 'To the memory of an angel'; Gustav Mahler; Symphony no 4 in G major; Recorded on May, the 19th 2016 at the Philharmonie of Paris; Jean-PIerre Loisil, TV director (97 min)

      • InterMezzo

        (25 min)

      • Shabaka Hutchings 'The comet is coming' - Like a Jazz Machine

        The comet is coming; Shabaka Hutchings, saxophone ténor; Dan Leavers, synthétiseur; Max Hallet, batterie; Sixty years after Sun Ra released his debut album, the influence of the late avant garde jazz musician and 'cosmic philosopher' persists. Sun Ra is a clear touchstone for futurists band The Comet is coming. They're formed of saxophonist Shabaka Hutchings (aka King Shabaka), and the two members of Soccer96: synths guy Dan Leavers (aka Danalogue The Conqueror) and drums man Maxwell Hallett (aka Betamax Killer). Formed in 2013 after saxophonist Shabaka Hutchings spontaneously joined funk duo Soccer96 on stage, the trio combines Sun Ra's mythological themes and love of the experimental, whipping up a fusion of jazz, Afrobeat and electronica in an improvisational, intergalactic mash-upstyle, starting with an orthodox jazz sensibility and taking it to the dancefloor. For millennia, humankind has viewed comets as harbingers of doom, portents of change and destruction. The Comet Is Coming are here to recognize these world-altering prophecies and to help us dance like it's the end of the world. Recorded on May 25th 2017 at Like a Jazz Machine Festival, Dudelange, Luxembourg; TV Director, Samuel Thiebaut (60 min)

      • Extended Hanoi Duo - Like a Jazz Machine

        Extended Hanoi Duo; Nguyen Le, electric and accoustic guitar; Ngo Hong Quang, traditional instruments, voice; Mieko Miyazaki, koto; Paolo Fresu, trumpet; Edouard Prabhu, tabals; Alex Tran, percussions; Hao Nhiem Pham, flute; The celebrated French-Vietnamese guitarist Nguyen Le is a masterful, inventive player who has cultivated a wholly unique voice on the instrument, ranking right up there with Bill Frisell, John Scofield, Mike Stern and Allan Holdsworth in the post-Hendrix world of jazz guitar. He has developed a distinctive sound that draws upon rock, funk and jazz as well as traditional Algerian, Indian and Vietnamese styles. His ethereal and colourful music acts like a powerful detonator which every time creates new and unheard soundscapes. On his latest album he teams up with young traditionalist singer Ngo Hong Quang, on lute, Vietnamese fiddle, Jew's harp, to portray 'the soul of Vietnam' and its quickening evolution. There are jaunty folkish tunes, temple bells and ethereal melodies, and a storm of electric guitars. Nguyen's life-long friend, the famous Italian trumpeter Paolo Fresu adds elegant Miles Davis-like peaks to a powerful, fauvism-coloured fusion of ancient and modern. Recorded on May 25th 2017 at Like a Jazz Machine Festival, Dudelange, Luxembourg; TV Director, Samuel Thiebaut (58 min)

      • Keith B Brown - Strasbourg Jazz Festival

        KEITH B. BROWN - Guitar & vocal; ETIENNE PRIEURET - Guitar; EMMANUEL DUCLOUX - Bass (62 min)

      • InterMezzo

        (47 min)