• Mezzo Live HD

    • Mezzo Live HD od do

      • Beyond the memory - tribute to Paco de Lucia at Jazz in Marciac

        Jorge Pardo flute; Antonio Sanchez guitar; Jose-Maria Bandera guitar; Antonio Serrano harmonica, keyboards; Alain Perez bass; Carles Benavent bass; El Pirana percussions; Rubem Dantas percussions; David de Jacoba voice; Duquende voice; Grilo dance; Paco de Lucia's band (including Antonio Sanchez, Antonio Serrano, David de Jacoba, Carles Benavent Jorge Pardo...) pays a tribute to the master! (54 min)

      • InterMezzo

        (16 min)

      • Gossec: Messe des Morts at Versailles

        Ensemble Les Si?cles; Chantal Santon (soprano), Emiliano Gonzalez-Toro (tenor), Arnaud Richard (baritone); François-Joseph Gossec; Grande Messe des morts; Recorded on October 17th, 2013 at the Chapelle Royale, Château de Versailles (80 min)

      • Sacred Music for Louis XIV: Charpentier, Du Mont, Robert

        Les Pages & les Chantres du Centre de musique baroque de Versailles, Olivier Schneebeli (musical direction); Ensemble La R?veuse, Benjamin Perrot et Florence Bolton (artistic direction); Chantal Santon (dessus); Erwin Aros (haute-contre); Jean-François Novelli (taille); Arnaud Marzorati (basse-taille); Marc-Antoine Charpentier (1643-1704); Missa Assumpta est Maria; Henry du Mont (1610-1684); Magnificat; Pierre Robert (1620-1699); Nolite me considerare; Recorded on October 5th, 2013 at the Chapelle Royale, Château de Versailles (81 min)

      • InterMezzo

        (30 min)

      • Music for the Funeral of King Louis XIV in Versailles

        Ensemble Pygmalion, Raphaël Pichon (Conductor); Céline Scheen (Soprano), Lucile Richardot (Mezzo-soprano), Samuel Boden (Tenor), Marc Mauillon (Baritone), Christian Immler (Baritone); Jean Colin; Miserere, faux-bourdon; André Danican Philidor; Tambour & Marche fun?bre pour le Convoi du Roy; Michel-Richard de Lalande; De Profundis, Grand Motet; Plain Chant et Faux Bourdon; Jean Colin; Pie Jesu, faux-bourdon; Fanfare 'Le Roy est mort! Vive le Roy!'; Recorded on November 3rd and 4th, 2015, at the Chapelle Royale, Château de Versailles; Directed by Stéphane Vérité (98 min)

      • Great Motets of the Age of Enlightenment in Versailles - Pygmalion

        Ensemble Pygmalion, Raphaël Pichon (musical direction); Céline Scheen (dessus); Eugénie Warnier (dessus); Samuel Boden (haute-contre); Emiliano Gonzalez-Toro (taille); Benoît Arnould (basse); Great Motets of the Age of Enlightenment; Jean-Philippe Rameau; In convertendo; Quam dilecta; Jean-Joseph Cassanéa de Mondonville; In exitu Israel; Georg Philipp Telemann; Deus Judicium tuum; Recorded on 23 October 2013 at the Chapelle Royale, Château de Versailles (112 min)

      • InterMezzo

        (21 min)

      • TRIO JOACHIM KÜHN - DANIEL HUMAIR - BRUNO CHEVILLON « WE RE-REMEMBER J.F. » at LIKE A JAZZ MACHINE

        Joachim Kühn is one of the great piano virtuosos of our time. Although he has reached the highest stage of musical maturity, he remains nonetheless open for new encounters. His playing defies all categorization, and has earned him a place as a world class musician. He has already left his mark on contemporary jazz and given it a new direction. He sees himself as part of the jazz tradition, connected to European concert music and yet directly indebted to a contemporary musical language. He displays vehemence and sensibility, a virtuoso technique and imagination and an unfailing sense of dynamics. He formed a legendary trio with Jean-François Jenny-Clarke and Daniel Humair and played with such diverse musicians as Gato Barbieri, Don Cherry, Phil Woods, Michel Portal, Billy Cobham, Michael Brecker, Albert Mangelsdorff, Joe Lovano, and his brother Rolf Kühn. Since 1996, he worked repeatedly with Ornette Coleman. Be it in his interaction with long-time musical partners such as Daniel Humair, the great Swiss drummer, or Bruno Chevillon, one of the foremost bassists of the younger generation, in ever new and challenging musical constellations, or alone in his solo performances, Kühn always manages to make his concerts into a unique experience. (54 min)

      • Ryan Keberle & Catharsis - WINTER JAZZ FEST

        Ryan Keberle & Catharsis; Ryan Keberle - trombone / Mike Rodriguez - trumpet / Jorge Roeder - bass / Kenny Wolleson - drums / Camila Meza - voice (45 min)

      • Charles Lloyd & Jason Moran - Jazz sous les pommiers

        Charles Lloyd & Jason Moran duo - Jazz sous les pommiers festival 35th edition; With; Charles Lloyd, saxophone; Jason Moran, piano; A lesson of serenity by Charles Lloyd... who fits today as a giant in the exclusive world of jazz. This duet between a saxophonist among the most lyrical and most daring of his generation and one of today best pianists, shines with its eclecticism, finesse and intelligence. The poetic stroll revisits in a very intimate way a repertoire that mixes Ellington, Gershswin, Strayhorn, the Beach Boys and Dylan, with personal compositions, including a suite in memory of his great-grandmother, sold to a slave trader at the age of ten years. About this repertoire, Lloyd says: 'Music has always been for me both inspiration and consolation. The sentiments I would like to share with those who listen to me. '; Recorded on May 6th 2016, at the Municipal Theatre of Coutances; TV direction by Thierry Villeneuve (85 min)

      • InterMezzo

        (95 min)

      • René Jacobs conducts King Arthur by Purcell at the Staatsoper Berlin

        King Arthur, by Henry Purcell; Semi-Opera in five, text by John Dryden; Akademie für Alte Musik Berlin, Staatsopernchor, René Jacobs (Conductor); Martin Wright (Chorus Master); Sven-Eric Bechtolf (Stage Director); Julian Crouch (Sets), Gail Skrela (Choregraphy), Kevin Pollard (Costumes), Olaf Freese (Lighting), Joshua Higgason (Video); Annett Fritsch (soprano / Philidel); Robin Johannsen (soprano); Benno Schachtner (alto); Mark Milhofer, Stephan Rügamer (tenors); Johannes Weisser, Arttu Kataja (basses); Spoken characters; Michael Rotschopf (Arthur), Max Urlacher (Oswald), Axel Wandtke (Conon), Oliver Stokowski (Osmond), Tom Radisch (Grimbald), Steffen Scheumann (Aurelius), Meike Droste (Emmeline), Sigrid Maria Schnückel (Matilda); Recorded at the Staatsoper Berlin, Schiller Theater, on January 21, 2017 (180 min)

      • InterMezzo

        (45 min)

      • Grand Gala Opening of the New Mariinsky II Theatre in Saint Petersburg

        Mariinsky Theatre Orchestra, Ballet & Chorus, Valery Gergiev (conductor); Anna Netrebko (soprano), Olag Borodina (mezz-soprano), Ekaterina Gubanova (mezzo-soprano), Sergei Semishkur (tenor), Plácido Domingo (baritone), Alexei Markov (baritone), Yevgeny Nikitin (bass-baritone), Ildar Abdrakazov (bass), René Pape (bass), Mikhail Petrenko (bass); Denis Matsuev (piano), Leonidas Kavakos (violin), Yuri Bashmet (viola); Ekaterina Kondaurova, Uliana Lopatkina, Diana Vishneva, Daria Pavlenko, Yuri Smekalov (balerinas); Vasily Barkhatov (Stage Director); Works for orchestra, opera arias and ballet excerps by Stravinsky, Bizet, Verdi, Mozart, Rossini, Mussorgsky, Wagner, Gounod and Tchaikovsky; Recorded at the MariinskyII Theatre, Saint-Petersburg, on May 2, 2013 (122 min)

      • Valery Gergiev conducts Rachmaninov and Scriabin with the Mariinsky Orchestra

        Mariinsky Theatre Orchestra, Valery Gergiev (Conductor); Daniil Trifonov (piano); Sergei Rachmaninov; Symphonic Dances, Op. 45; Piano Concerto no. 1 in F sharp minor, op. 1; Alexander Scriabin; Piano Concerto in Fsharp minor, Op. 20; Po?me de l'extase, op. 54; Recorded at the Mariinsky Concert Hall on December 22, 2014; Directed by Vincent Massip (117 min)

      • Cos? fan tutte by Mozart at the Opéra National de Paris

        Cos? fan tutte, by Wolfgang Amadeus Mozart; Libretto by Lorenzo Da Ponte; Orchestre et Choeurs de l'Opéra national de Paris, Philippe Jordan (Conductor); Alessandro Di Stefano (Chorus master); Anne Teresa De Keersmaeker (Stage Director, Choreography); Jan Versweyveld (Set design), An D'Huys (Costume design), Jan Versweyveld ( Lighting design), Jan Vandenhouwe ( Dramaturgy); Jacquelyn Wagner (Fiordiligi); Mich?le Losier (Dorabella); Frédéric Antoun (Ferrando); Philippe Sly (Guglielmo); Paulo Szot (Don Alfonso); Ginger Costa-Jackson (Despina); Dancers; Cynthia Loemij (Fiordiligi); Samantha Van Wissen (Dorabella); Michaël Pomero (Guglielmo); Julien Monty (Ferrando); Marie Goudot (Despina); Boštjan Antončič (Don Alfonso); Recorded at the Palais Garnier, Opéra National de Paris, on February 16, 2017 (180 min)

      • InterMezzo

        (12 min)

      • Lisa Simone - Jazz in Marciac

        Lisa Simone @ Jazz in Marciac; Lisa Simone, voice; Hervé Samb, guitar; Reggie Washington, bass; Sonny Troupé, drums; Recorded on August 3rd 2016 at Jazz in Marciac, Chapiteau; TV Director, Jean-Marc Birraux (57 min)

      • Chick Corea & Stanley Clarke - JAZZ IN MARCIAC

        Chick Corea (piano), Stanley Clarke (double bass); Chick Corea is one of the world's greatest jazz pianists, thanks in no small part to his stylistic versatility and constant innovation. He played with Stan Getz and Miles Davis, began exploring jazz-rock in the early 1970s with ensembles Circle and Return to Forever, and developed his own solo and solo-ensemble repertoire ranging from Latin American to European classical. Corea is also one of the world's most popular jazz concert performers, and makes regular festival appearances. He continues to be as prolific as ever: recent projects have included a reunion of the Return to Forever crew in 2011, playing his concerto 'The Continents', and performances by his trio Further Explorations in 2012. Some artists become synonymous with their instruments: John Coltrane and the saxophone, Miles Davis the trumpet, Jimi Hendrix the guitar, Billy Cobham the drums, and Stanley Clarke the double bass. This exceptional instrumentalist began his career with Art Blakey and Joe Henderson, and joined Return to Forever in 1972. His 1976 album, School Days, is a milestone in jazz rock. He formed the Clarke/Duke Project with George Duke in the 1980s, and has also written numerous original film scores and been involved in countless collaborations. (63 min)

      • Beyond the memory - tribute to Paco de Lucia at Jazz in Marciac

        Jorge Pardo flute; Antonio Sanchez guitar; Jose-Maria Bandera guitar; Antonio Serrano harmonica, keyboards; Alain Perez bass; Carles Benavent bass; El Pirana percussions; Rubem Dantas percussions; David de Jacoba voice; Duquende voice; Grilo dance; Paco de Lucia's band (including Antonio Sanchez, Antonio Serrano, David de Jacoba, Carles Benavent Jorge Pardo...) pays a tribute to the master! (54 min)

      • InterMezzo

        (18 min)

      • Renaud & Armide - Médée & Jason - ballets by Noverre - Versailles Royal Opera

        Renaud and Armide; Médée and Jason; Ballet by Jean-Georges Noverre; Music by Jean-Joseph Rodolphe; Recorded at the Royal Opera of Versailles; L'Eventail company; Marie-Genevi?ve Massé, choregorapher; Le concert Spirituel; Hervé Niquet, conductor; RENAUD ET ARMIDE; (Stuttgart version, 1763); Sabine Novel, Armide; Noah Hellwig, Renaud; Olivier Collin, The danish knight; Bruno Benne, Ubalde; Volodia Lesluin et Romain Arreghini, The sea monsters; Béreng?re Bodénan, Adeline Lerme, Anne-Sophie Berring, Naiad; Marie Blaise, Sarah Berreby, Adrian Navarro, Karin Modigh, Ir?ne Ginger et Émilie Bregougnon, The sea dwellers; MÉDÉE ET JASON; (Versailles version, 1775); Sarah Berreby, Médée; Adrian Navarro, Jason; Émilie Brégougnon, Créüse; Daniel Housset, Créon; Ir?ne Ginger, The governess; Béreng?re Bodénan, The fire; Bruno Benne, The iron; Volodia Lesluin, The poison; Marie Blaise, The evil spirit; Olivier Collin, Corinthian prince; Adeline Lerme et Anne-Sophie Berring, Corinthian princess; Karin Modigh, Sabine Novel, Noah Hellwig et Romain Arreghini, the people of Corinth; Koupa?a Bodénan et Bertille Pécusseau, Children of Médée & Jason; Hubert Hazebroucq, Anna Romani et Emmanuel Soulhat, extra dancers; TV Director, Yan Proefrock; Recorded on 2013 at Versailles Royal Opera (87 min)

      • The Fair Lady, choreography by Béatrice Massin

        The Fair Lady; Choreography by Béatrice Massin; Compagnie F?tes Galantes; Sylvain Boruel from the Rhine Ballet; Florence Maloire, violin; Tami Troman, violin; Blandine Rannou, harpsichord; Charles Limouse, Flute; Guido Balestracci, viola de gamba; Marie-Ange Petit, percussion; A tribute to Francine Lancelot; A dancer, choreographer, pedagogue and researcher, Francine Lancelot played a major part in the French rediscovery of 17th century 'belle danse'. This production is an invitation to navigate between a selection of her choreographies (La Gavotte et ses doubles, Les Caracth?res de la danse), to discover the repertoire she admired so: ball dances (Pécour'sPassepied, Feuillet's La Patelotte...) as well as theatre dances (Pécour's Le Rigaudon des vaisseaux). 'Francine initiated me to the belle danse; she guided me through my work as a choreographer. Together, we gave dancing lectures and co-signed a number of choreographies. I had the priviledge to be her assistant right from the early stages of Atys and through all its revivals. This event, planned with her in mind, is a humble way to share our dues to this Fair Lady.'; Béatrice Massin, February 2010; TV Director, Marie-Hél?ne Rebois; Recorded on 2011 at the Théâtre Montansier at Versailles (57 min)

      • InterMezzo

        (87 min)