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      • Cos? fan tutte by Mozart at the Opéra National de Paris

        Cos? fan tutte, by Wolfgang Amadeus Mozart; Libretto by Lorenzo Da Ponte; Orchestre et Choeurs de l'Opéra national de Paris, Philippe Jordan (Conductor); Alessandro Di Stefano (Chorus master); Anne Teresa De Keersmaeker (Stage Director, Choreography); Jan Versweyveld (Set design), An D'Huys (Costume design), Jan Versweyveld ( Lighting design), Jan Vandenhouwe ( Dramaturgy); Jacquelyn Wagner (Fiordiligi); Mich?le Losier (Dorabella); Frédéric Antoun (Ferrando); Philippe Sly (Guglielmo); Paulo Szot (Don Alfonso); Ginger Costa-Jackson (Despina); Dancers; Cynthia Loemij (Fiordiligi); Samantha Van Wissen (Dorabella); Michaël Pomero (Guglielmo); Julien Monty (Ferrando); Marie Goudot (Despina); Boštjan Antončič (Don Alfonso); Recorded at the Palais Garnier, Opéra National de Paris, on February 16, 2017 (180 min)

      • InterMezzo

        (24 min)

      • The Bronze Horseman

        The Bronze Horseman; Ballet in three acts; Choreography by Rostislav Zakharov and Yuri Smekalov; Music by Reinhold Gliere; Libretto by Pyotr Abolimov, after a poem by Alexander Pushkin; Mariinsky Orchestra and Chorus; Valery Gergiev, musical director and conductor; Andrei Sevbo, production designer; Tatiana Noginova, costume; Alexander Naumov, lights; Alexander Logvinov, video graphics designer; Wth; Vladimir Shklyarov, Eugene; Viktoria Tereshkina, Parasha; Vladimir Ponomarev, Peter I; Yekaterina Kondaurova, the Queen of the Ball; Sofia Ivanova-Skoblikova, Columbine; Vasily Tkachenko, Harlequin; Grigory Popov, Balakirev the Jester; Recorded at the Théâtre Mariinsky II on June 15th and 17th 2016; TV direction by Louise Narboni (130 min)

      • InterMezzo

        (79 min)

      • Lully's Cadmus et Hermione at the Paris Opéra Comique

        Cadmus et Hermione, opera by Jean-Baptiste Lully; André Morsch (Cadmus), Claire Lefiliâtre (Hermione), Isabelle Druet (Charité, Melisse) Camille Poul (Amour, Pal?s), Arnaud Marzorati (Arbas, Pan) Jean-François Lombard (Nourrice, Echion); Le Po?me Harmonique. Vincent Dumestre (musical direction), Benjamin Lazar (stage direction); Directed for video by Martin Fraudreau; Recorded at the Paris Opéra Comique in 2008 (123 min)

      • InterMezzo

        (112 min)

      • Balkan Fever w/ Krystjan Jarvi at Skopje Jazz Festival

        Kristjan Järvi (conductor), Vlatko Stefanovski (guitar), Miroslav Tadic (guitar), Theodosii Spassov (kaval), Macedonia Philharmonic Orchestra (87 min)

      • John Abercrombie Quartet at Skopje Jazz Festival

        John Abercrombie (guitar), Marc Copland (piano), Drew Gress (doublebass), Joey Baron (drums) (54 min)

      • Golden Gate Quartet - Jazz? Vienne

        Paul Bremly (baritone), Frank Davis (1st tenor), Michael Robinson (2nd tenor), Terry Francis (bass), Nabiel Pines (p, keys), Joël Rocjer (g, b), Pascal Riou (dms) (87 min)

      • InterMezzo

        (57 min)

      • Tugan Sokhiev conducts Berlioz's Requiem at the Bolshoi

        Orchestre national du Capitole de Toulouse, Tugan Sokhiev (conductor); Saimir Pirgu (tenor); Bolshoi Theatre Chorus, Valery Borisov (Chorus Master); Hector Berlioz; Grande messe des morts, Op. 5, H 75; Recorded on April, the 5th 2016 at the Bolshoi Theatre, Moscow; Jean-Pierre Loisil, TV director (98 min)

      • René Jacobs conduts Pergolesi in Beaune

        Akademie für Alte Musik Berlin, René Jacobs (conductor); Sophie Karthäuser (Soprano), Christophe Dumaux (Alto), Julien Behr (tenor), Konstantin Wolff (Bass); Giovanni Battista Pergolesi; Septem verba a Christo (The Seven Last Words of Christ); Oratorio after the Holy Gospel according to John, Luke and Matthew; Stabat Mater; Oratorio composed in 1736; Directed by Olivier Simonnet; Recorded at the Festival d'Opéra Baroque de Beaune 2012 (120 min)

      • InterMezzo

        (19 min)

      • Cos? fan tutte by Mozart at the Opéra National de Paris

        Cos? fan tutte, by Wolfgang Amadeus Mozart; Libretto by Lorenzo Da Ponte; Orchestre et Choeurs de l'Opéra national de Paris, Philippe Jordan (Conductor); Alessandro Di Stefano (Chorus master); Anne Teresa De Keersmaeker (Stage Director, Choreography); Jan Versweyveld (Set design), An D'Huys (Costume design), Jan Versweyveld ( Lighting design), Jan Vandenhouwe ( Dramaturgy); Jacquelyn Wagner (Fiordiligi); Mich?le Losier (Dorabella); Frédéric Antoun (Ferrando); Philippe Sly (Guglielmo); Paulo Szot (Don Alfonso); Ginger Costa-Jackson (Despina); Dancers; Cynthia Loemij (Fiordiligi); Samantha Van Wissen (Dorabella); Michaël Pomero (Guglielmo); Julien Monty (Ferrando); Marie Goudot (Despina); Boštjan Antončič (Don Alfonso); Recorded at the Palais Garnier, Opéra National de Paris, on February 16, 2017 (180 min)

      • InterMezzo

        (49 min)

      • John Scofield Quartet - D'Jazz Nevers

        John Scofield @ D'Jazz Nevers; John Scofield, guitar; Larry Golding, organ, piano; Steve Swallow, electric bass; Bill Stewart, drums; 'Sco' brilliantly continues his exploration of swing and country music. Brought into the limelight by Miles Davis in the 1980's, John Scofield explores all forms of jazz, including the blues, funk and country music. The American musician teams up with Steve Swallow, who now plays electric bass, and Bill Stewart on drums. John Scofield began playing the guitar as a teenager, discovered the standards of jazz before being drawn to jazz-rock and studying at the Berklee College of Music in Boston. In the 1970's, his career started as a side man with trumpeter and singer Chet Baker and pianist George Duke, among others. In the 1980's the general public discovered his swing, when he played for three years alongside the legendary Miles Davis. Later, Sco's brand of jazz fusion absorbed elements of soul and of the 'New Orleans Spirit', as he played with the greatest musicians of his generation, Chick Corea, Herbie Hancock and Jim Hall. Recorded on November 12th at the festival D'Jazz Nevers (Nevers, France) - (Maison de la Culture, hall); TV Director, Samuel Thiebaut (60 min)

      • Avishai Cohen quartet - D'jazz Nevers

        Avishai Cohen quartet @ D'Jazz Nevers; Avishai Cohen, trumpet; Yonathan Avisahi, piano; Yoni Zelnik, bass; Jonathan Black, drums; Bill Evans has two incarnations, as a pianist and a saxophonist. So has Avishai Cohen, a bass player and, tonight, a trumpeter. His musical friendships are long standing. For a decade now, he has been playing with pianist Yonathan Avishai, and hooked up with Nasheet Waits as soon as he arrived in New York from Israel in the 90's. His beard may be on the wild side, but his sound on the trumpet is one of the purest you can hear today. His first album for ECM, 'Into the Silence', was composed six months after Cohen's father died. 'Into the Silence' is about absence, a pregnant silence, deeply intimate, which does not preclude a sense of revolt, rich with vital energy. On four consecutive years, Cohen was voted 'Rising Star' in the 'trumpeter' category by DownBeat, the reference American jazz magazine. An absolute must. Recorded on November 11th at the festival D'Jazz Nevers (Nevers, France) - (Maison de la Culture, Philippe Genty hall); TV Director, Samuel Thiebaut (60 min)

      • Magnetic Ensemble - D'Jazz Nevers

        Magnetic Ensemble @ D'Jazz Nevers; Antonin Leymarie, artistic direction, composition, drums; Benjamin Flament, treated metallic percussions, vibraphone; Sylvain Lem?tre, digital and orchestral percussions; Linda Olah, voice; Fabrizio Rat, prepared piano; Adrien Spirli, bass synthesizer; Adrian'Aladin' Bourget, sound designer; Thomas Veyssi?re, scenoraphy, lights; Guest; François Corneloup, saxophone; What to you call a birthday party that doesn't end on the dance floor? A fiasco! No danger of this with the Magnetic Ensemble. They turned the Maison de la Culture into a proper dance floor. No beatbox for Antonin Leymarie's quintet. Why use one when you can do so much better yourself? Techno has not been very popular with jazzmen, largely for its lack of flexibility (a rigid tempo, a uniformity of sound). The Magnetic Ensemble picks up the challenge and demonstrates brilliantly that techno can be human, very human. Prepare yourself for a technoid trance, slow, progressive, polyrhythmic, irresistible, wild, frenzied. This music is made for movement! Recorded on November 12th at the festival D'Jazz Nevers (Nevers, France) - (Maison de la Culture, hall); TV Director, Samuel Thiebaut (60 min)

      • InterMezzo

        (13 min)

      • Paul McCreesh conducts L'Allegro, Il Penseroso ed Il Moderato by Haendel

        Gabrieli Consort and Players, Paul Mc Creesh (Conductor); Gillian Webster (soprano); Jeremy Ovenden (tenor); Ashley Riches (bass); Ruth Provost (soprano); Georg Friedrich Haendel; L'Allegro, il Penseroso ed il Moderato; Libretto by Charles Jennens, after John Milton; Recorded on 28 July 2013 at the Festival International d'Opéra Baroque de Beaune; Directed by Jean-Christophe Ponti?s (104 min)

      • Verdi's Requiem conducted by Mariss Jansons at the Musikverein

        Symphonieorchester des Bayerischen Rundfunks, Mariss Jansons (conductor); Chor des Bayerischen Rundfunks; Krassimira Stoyanova (Soprano); Marina Prudenskaja (alto); Saimir Pirgu (tenor); Orlin Anastassov (bass); Giuseppe Verdi; Messa da Requiem; Recorded at the Großer Saal, Musikverein, Vienna, on October 15th, 2013; TV Director, Michael Beyer (91 min)

      • InterMezzo

        (10 min)

      • Tugan Sokhiev conducts Berlioz's Requiem at the Bolshoi

        Orchestre national du Capitole de Toulouse, Tugan Sokhiev (conductor); Saimir Pirgu (tenor); Bolshoi Theatre Chorus, Valery Borisov (Chorus Master); Hector Berlioz; Grande messe des morts, Op. 5, H 75; Recorded on April, the 5th 2016 at the Bolshoi Theatre, Moscow; Jean-Pierre Loisil, TV director (98 min)

      • René Jacobs conduts Pergolesi in Beaune

        Akademie für Alte Musik Berlin, René Jacobs (conductor); Sophie Karthäuser (Soprano), Christophe Dumaux (Alto), Julien Behr (tenor), Konstantin Wolff (Bass); Giovanni Battista Pergolesi; Septem verba a Christo (The Seven Last Words of Christ); Oratorio after the Holy Gospel according to John, Luke and Matthew; Stabat Mater; Oratorio composed in 1736; Directed by Olivier Simonnet; Recorded at the Festival d'Opéra Baroque de Beaune 2012 (120 min)

      • InterMezzo

        (19 min)