• Mezzo Live HD

    • Mezzo Live HD od do

      • InterMezzo

        (42 min)

      • Mariss Jansons conducts Beethoven and Bruckner at the Concertgebouw

        Royal Concertgebouw Orchestra, Mariss Jansons (conductor); Lars Vogt (piano); Ludwig van Beethoven; Piano Concerto no. 1; Anton Bruckner; Symphony no. 9; Recorded from the Concertgebouw, Amsterdam on March 21st 2014; TV Director, Joost Honselaar (106 min)

      • Yo-Yo Ma, Daniele Gatti and the Royal Concertgebouw Orchestra: Shostakovich, Tchaikovsky, Stravinsky

        Royal Concertgebouw Orchestra, Daniele Gatti (Conductor); Yo-Yo Ma (Cello); Dmitri Shostakovich; Cello Concerto No. 1; Pyotr Ilyich Tchaikovsky; Suite from 'Nutcracker'; Igor Stravinsky; Firebird: Suite (version 1919); Recorded on September 10, 2015, at the Concertgebouw, Amsterdam (99 min)

      • Mariss Jansons conducts Rossini, Shostakovich and Prokofiev at the Concertgebouw

        Royal Concertgebouw Orchestra, Mariss Jansons (conductor); Yuja Wang (piano), Omar Tomasoni (trumpet); Gioachino Rossini; Overture to 'La gazza ladra'; Dmitri Shostakovich; Piano concerto no. 1 opus 35; Sergei Prokofiev; Symphony no. 5 in B flat major, op. 100; Recorded at the Concertgebouw, Amsterdam, 19 September 2014; TV director Joost Honselaar (91 min)

      • Andris Nelsons conducts Strauss and Brahms at the Concertgebouw

        Royal Concertgebouw Orchestra, Andris Nelsons (direction); Richard Strauss; Macbeth, op. 23; Till Eulenspiegels lustige Streiche, op. 28; Johannes Brahms; Symphony no. 2 in D major, op. 73; Recorded May 8th, 2014 at the Concergebouw, Amsterdam; Directed by Joost Honselaar (89 min)

      • InterMezzo

        (51 min)

      • Yom 'Back to the Klezmer' - Banlieues Bleues

        Like David Krakauer, the intrepid clarinettist navigates with ease between the acoustic tradition and more electric experiments. With his new quartet, he declares his love for klezmer music. YOM CLARINETS, MAXIME ZAMPIERI TAPAN, DARIO IVKOVIC ACCORDEON, BENOÎT GIFFARD TROMBONE AND TUBA (51 min)

      • X, Suite For Malcolm, Francesco Bearzatti

        Francesco Bearzatti; Tinissima Quartet; X-Suite for Malcom; Francesco Bearzatti's 2008 tribute CD to actress, photographer and revolutionary Tina Modotti is considered one of the finest revelations in European jazz this decade. 'After the project dedicated to Tina Modotti, it was natural for me to think of Malcolm X, who I discovered when I was a kid. I read his autobiography and was impressed by his life and struggle for the rights of Black Americans. At the time I was very sad to read that they weren't allowed to go into restaurants or stay in the same hotel as white musicians.'; For this project, Bearzatti kept the same dazzling line-up of transalpine musicians (Giovanni Falzone, Danilo Gallo and Zeno De Rossi) and same basic structure. Over the ten sequences that unfold like tableaus inspired by the brief but extraordinary life of Malcolm X - from his birth in 1925 to his assassination in 1965 - Bearzatti releases his often unbridled creative enthusiasm, free from the constraints of form and style and far from academism while nonetheless remaining extremely faithful the genre. As such, the listener encounters funk, vintage electronic, hip hop and rock throughout X (Suite for Malcolm). Francesco Bearzatti: tenor sax, clarinet; Giovanni Falzone: trumpets and vocal effects; Danino Gallo: acoustic bass guitar; Zeno de Rossi: drums and percussions (68 min)

      • Avishai Cohen quartet - D'jazz Nevers

        Avishai Cohen quartet @ D'Jazz Nevers; Avishai Cohen, trumpet; Yonathan Avisahi, piano; Yoni Zelnik, bass; Jonathan Black, drums; Dream Like a child, Into the Silence; Quiescence; Behind the broken glass; Bill Evans has two incarnations, as a pianist and a saxophonist. So has Avishai Cohen, a bass player and, tonight, a trumpeter. His musical friendships are long standing. For a decade now, he has been playing with pianist Yonathan Avishai, and hooked up with Nasheet Waits as soon as he arrived in New York from Israel in the 90's. His beard may be on the wild side, but his sound on the trumpet is one of the purest you can hear today. His first album for ECM, 'Into the Silence', was composed six months after Cohen's father died. 'Into the Silence' is about absence, a pregnant silence, deeply intimate, which does not preclude a sense of revolt, rich with vital energy. On four consecutive years, Cohen was voted 'Rising Star' in the 'trumpeter' category by DownBeat, the reference American jazz magazine. An absolute must. Recorded on November 11th at the festival D'Jazz Nevers (Nevers, France) - (Maison de la Culture, Philippe Genty hall); TV Director, Samuel Thiebaut (56 min)

      • InterMezzo

        (55 min)

      • Don Giovanni by Mozart at La Monnaie in Brussels

        Don Giovanni, by Wolfgang Amadeus Mozart; La Monnaie Symphony Orchestra & Chorus, Ludovic Morlot (Conductor); Krzysztof Warlikowski (Stage Director); Malgorzata Szczesniak (Sets & costumes); Felice Ross (Lighting); Christian Longchamp (Dramaturgy); Claude Bardouil (Choreography); Denis Guéguin (Video); Jean-Sébastien Bou (Don Giovanni); Willard White (Il Commendatore); Barbara Hannigan (Donna Anna); Topi Lehtipuu (Don Ottavio); Rinat Shaham (Donna Elvira); Andreas Wolf (Leporello); Jean-Luc Ballestra (Masetto); Julie Mathevet (Zerlina); Recorded at the Théâtre de la Monnaie / De Munt, Brussels, in December 2014; TV Director, Myriam Hoyer (190 min)

      • InterMezzo

        (46 min)

      • The Orchestre National de Lille plays Berlioz, Parra, Khachaturian and Stravinsky

        Orchestre national de Lille; Nemanja Radulovic (violin); Jean-Claude Casadesus (Conductor); Hector Berlioz; Benvenuto Cellini, Overture; Alexandre Bloch (Conductor); Hector Parra; InFALL; Aram Khachaturian; Violin Concerto in D minor; Igor Stravinsky; Firebird, ballet; Recorded on 29 & 30 September at the Nouveau Siecle, Lille; Directed by Nicolas Foulon (117 min)

      • Christian Zacharias and the Orchestre National de Lille: Schumann

        Orchestre national de Lille, Christian Zacharias (Conductor and Piano); Robert Schumann; Manfred, Overture op. 115; Piano Concerto in A minor op. 54; Symphony no. 4 in D minor op. 120; Recorded on 6,7 & 8 October 2016 at the Nouveau Siecle, Lille; Directed by Nicolas Foulon (77 min)

      • InterMezzo

        (6 min)

      • Puccini's Manon Lescaut at La Monnaie

        Manon Lescaut, by Giacomo Puccini; Opera in four acts (1893), libretto by Luigi Illica, Giuseppe Giacosa and Marco Praga; Symphony Orchestra and Chorus of La Monnaie, Carlo Rizzi (Conductor); Martino Faggiani (Chorus Master); Mariusz Treliński (Stage Director); Boris Kudlička (Sets), Magdalena Musialr (Costumes), Felice Ross (Lighting), Tomasz Wygoda (Choreography), Bartek Macias (Video), Krystian Lada (Dramaturgy); Eva-Maria Westbroek (Manon Lescaut); Aris Argiris (Lescaut); Brandon Jovanovich (Il cavaliere Renato des Grieux); Giovanni Furlanetto (Geronte di Ravoir); Julien Dran (Edmondo); Alexander Kravets (Il maestro di ballo / Un lampionaio); Guillaume Antoine (L'oste / Un sergente); Audrey Kessedjian (Un músico); Amalia Aviilan - Anne-Fleur Inizan - Camille Merckx - Julie Mossay (Coro del madrigale); Recorded on January 29th, 2013 at the Théâtre de la Monnaie/De Munt, Brussels; Directed by Roberto Maria Grassi (122 min)

      • Royal Concertgebouw Orchestra and Thomas Hengelbrock: Schubert, Mozart

        Royal Concertgebouw Orchestra, Thomas Hengelbrock (Conductor); Balthasar-Neumann-Chor; Franz Schubert; Stabat Mater; Symphony no. 8 'Unfinished'; Wolfgang Amadeus Mozart; Requiem KV 626; Recorded at the Concertgebouw, Amsterdam on March 24th 2017; TV Director, Dick Kuijs (135 min)

      • InterMezzo

        (29 min)

      • Andrew McCormack solo at Bimhuis (Amsterdam)

        Andrew McCormack (piano); Recorded at Bimhuis (Amsterdam) in November 2014 (40 min)

      • Roller trio at Bimhuis (Amsterdam)

        Roller Trio; James Mainwaring (tenor sax/electronics), Luke Wynter (guitar), Luke Reddin-Williams (drums); Recorded at Bimhuis (Amsterdam) in November 2014 (54 min)

      • John Escreet trio at Bimhuis (Amsterdam)

        John Escreet trio; John Escreet piano, John Hebert bass, Tyshawn Sorey drums; Recorded at Bimhuis (Amsterdam) in November 2014; TV Director, Jean-Pierre Zirn (58 min)

      • InterMezzo

        (46 min)

      • The Great Fugue, choreography by Lucinda Childs, Opéra de Lyon ballet

        The Great Fugue; Choreography by Lucinda Childs; Music, Ludwig van Beethoven; Transcription for string orchestra; Assistant, Caitlin Scranton; Scenography, lights and costume, Dominique Drillot; With Opéra de Lyon Ballet; Recorded on November 16th 2016 at the Opéra de Lyon; TV Director, Marie-Hélene Rebois (30 min)

      • Lied Ballet by Thomas Lebrun. Maison de la Danse of Lyon

        Lied Ballet; Choreography by Thomas Lebrun; Musical creation David François Moreau; Light cration Jean-Marc Serre; Sound creation Mélodie Souquet; Costume creation Jeanne Guellaff; Costume, Jeanne Guellaff, Sylvie Ryser; Benjamin Alunni, tenor; Thomas Besnard, piano; Music by Giacinto Scelsi, Alban Berg, Gustav Mahler, Arnold Schoenberg; With Maxime Camo, Anthony Cazaux, Raphaël Cottin, Anne-Emmanuelle Deroo,Tatiana Julien, Anne-Sophie Lancelin, Matthieu Patarozzi, Léa Scher; Recorded on 2014 October 7 & 8 octobre at the Maison de la Danse of Lyon; TV Director, Luc Riolon (72 min)

      • Meyer, Writing Ground by Alonzo King. Maison de la Danse de Lyon

        MEYER and WRITING GROUND; Two choreographies by Alonzo King; Lines Ballet; MEYER; Original music by Edgar Meyer; Lights by Axel Morgenthaler; Costumes by Robert Rosenwasser; WRITING GROUND; Sacred music from the Jewish, Christian, Muslim and Tibetan traditions; Lights by Axel Morgenthaler; Costumes and sets by Robert Rosenwasser; Alonzo King founded the Alonzo King Lines Ballet in 1982. 31 years later, it has become one of the world's most prestigious companies. Alonzo King is a great admirer of classical ballet, in which he sees a wonderful science of movement. To this virtuoso technique, he brings a physical, muscular sensuality, an almost feline fluidity refined to the point of pure esthetic pleasure. Meyer, his last creation, was premiered on the 30th anniversary of the company. Written in collaboration with American composer and bass player Edgar Meyer, the music brings purpose and rhythm to bodies and movement. Writing Ground draws its inspiration from the words of writer Colum McCann. In this piece, Alonzo King explores the wealth of traditional music from the Jewish, Christian, Muslim and Tibetan traditions. His choreography becomes a language, at once poetic and electrifying. Recorded at the Maison de la Danse in Lyon, 29 November 2013; Directed by Denis Caiozzi (86 min)

      • InterMezzo

        (37 min)