• Mezzo Live HD

    • Mezzo Live HD od do

      • InterMezzo

        (42 min)

      • Lucky Peterson 'The son of the bluesman' at JAZZ IN MARCIAC

        Lucky Peterson (guitar, hamond organ, vocals); Marvin Hollie (keyboards); Shawn Kellerman (guitar); Timothy Waites (bass); Raul Valdes (drums); A major figure in blues and R&B, Lucky Peterson has already provided ample evidence of his showmanship at Marciac. He has wowed audiences with his commanding vocals, frenzied guitar and Hammond organ riffs, and mastery of the effects pedal. Peterson is a worthy successor to B.B. King and Buddy Guy, blending blues, soul, gospel and pure emotion in a music that both goads and caresse (58 min)

      • Stanley Clarke band - Jazz in Marciac

        Beka Gochiashvili, piano; Cameron Graves, keyboards; Stanley Clarke, bass; Michael Mitchell, drums (53 min)

      • Chick Corea solo - Jazz in Marciac

        Chick Corea, piano solo (62 min)

      • InterMezzo

        (24 min)

      • Parade and Frontier by Crystal Pite, Nederlands Dans Theatre company

        Parade; Frontier; Choreographies by Crystal Pite; Ballet, Nederlands Dans Theater (NDT); Composer for Parade, Owen Belton; Composer for Frontier, Owen Belton, Eric Whitacre; Recorded in 2013 at Nederlands Dans Theater, The Hague, Nederlands; TV Director, Jeff Tudor (85 min)

      • The NDT dance Studio 2 & Swan Song by S. León and P. Lightfoot

        Studio 2; Choreography by Sol León and Paul Lightfoot; Company, Nederlands Dans Theater; Music by Arvo Pärt - Tabula Rasa (Ludus & Silentium), double concerto for two violin, string orchestra and prepared piano; Sol León and Paul Lightfoot created Studio 2 to mark the company's 50th anniversary in 2009. It is partly a tribute to the rehearsal room where these choreographers have worked for twenty of those fifty years on an oeuvre that currently numbers over forty choreographies. The music they use alludes to Tabula Rasa, Ohad Naharin's first great dance work, so it is also an ode to this significant inheritance. In León and Lightfoot's view, it could just be that the true history of the soul of NDT is permeated in the dance floor, walls and mirrors of this rehearsal room. -----------------------------------; Swan Song; Choreography by Sol León and Paul Lightfoot; Company, Nederlands Dans Theater; Music by Philip Glass, Double Concerto for Violin, Cello and Orchestra. Swan Song (2010) is a farewell ballet. The ballet is dedicated to former dancer Stefan Żeromski, who ended his dance career with this piece. As a muse of León and Lightfoot he was of great artistic significance. Philip Glass created a new composition specially for this ballet: Double Concerto for Violin, Cello and Orchestra. Glass has been one of León and Lightfoot's sources of inspiration for many years now. Swan Song is the first choreography León and Lightfoot made on music composed expressly for them. Recorded on 2013, at the Het Lucent Danstheater, The Hague, Nederlands; TV Director, Jeff Tudor (71 min)

      • Garden choreography by Medhi Walerski

        Garden; for 10 dancers; Choreography by Medhi Walerski; Dramaturgy by Pierre Pontvianne; Music by Camille Saint-Saëns - Quintet for string and piano in A minor op. 14, Andante sostenuto. Sound creation by Pierre Pontvianne; Light creatin and scenography by Theun Mosk; Costume by Medhi Walerski and Joke Visser; World creation on September 22nd 2016, at the Zuiderstrandtheater, The Hague, Netherlands; Nederlands Dans Theater's dancers: Chloé Albaret, Jon Bond, Olivier Coëffard, Chuck Jones, Anne Jung, Marne van Opstal, Sarah Reynolds, Yukino Takaura, Rupert Tookey, Katarina van den Wouwe; Recorded on October 20th & 21st 2016 at the Lucent Theater, The Hague, TV Director, Louise Narboni (24 min)

      • InterMezzo

        (42 min)

      • X, Suite For Malcolm, Francesco Bearzatti

        Francesco Bearzatti; Tinissima Quartet; X-Suite for Malcom; Francesco Bearzatti's 2008 tribute CD to actress, photographer and revolutionary Tina Modotti is considered one of the finest revelations in European jazz this decade. 'After the project dedicated to Tina Modotti, it was natural for me to think of Malcolm X, who I discovered when I was a kid. I read his autobiography and was impressed by his life and struggle for the rights of Black Americans. At the time I was very sad to read that they weren't allowed to go into restaurants or stay in the same hotel as white musicians.'; For this project, Bearzatti kept the same dazzling line-up of transalpine musicians (Giovanni Falzone, Danilo Gallo and Zeno De Rossi) and same basic structure. Over the ten sequences that unfold like tableaus inspired by the brief but extraordinary life of Malcolm X - from his birth in 1925 to his assassination in 1965 - Bearzatti releases his often unbridled creative enthusiasm, free from the constraints of form and style and far from academism while nonetheless remaining extremely faithful the genre. As such, the listener encounters funk, vintage electronic, hip hop and rock throughout X (Suite for Malcolm). Francesco Bearzatti: tenor sax, clarinet; Giovanni Falzone: trumpets and vocal effects; Danino Gallo: acoustic bass guitar; Zeno de Rossi: drums and percussions (68 min)

      • Gretchen Parlato - Lotos Jazz Festival

        Gretchen Parlato's 2009 sophomore breakthrough, In a Dream, signaled the arrival of an incredibly inventive modern jazz singer. Her follow-up, The Lost and Found, demonstrates that she has staying power. In a Dream garnered international acclaim with Billboard magazine hailing it as 'the most alluring jazz vocal album of 2009'; it also made it onto the top year-end polls for Jazz Times, the Boston Globe, the Village Voice and NPR. The Lost and Found shows immediate weight and intensity, exposing a greater dynamic range. 'I feel like I stepped out of my own way and allowed myself to be more revealing and vulnerable through the music,' reflects Parlato. (60 min)

      • Billy Cobham Quintet at Nancy Jazz Pulsations

        Billy Cobham (drums); Jean-Marie Ecay (guitar); Christophe Cravero (keyboards, violin); Camélia Ben Naceur (keyboards); Michael Mondésir (bass) (62 min)

      • InterMezzo

        (101 min)

      • Lucky Peterson 'The son of the bluesman' at JAZZ IN MARCIAC

        Lucky Peterson (guitar, hamond organ, vocals); Marvin Hollie (keyboards); Shawn Kellerman (guitar); Timothy Waites (bass); Raul Valdes (drums); A major figure in blues and R&B, Lucky Peterson has already provided ample evidence of his showmanship at Marciac. He has wowed audiences with his commanding vocals, frenzied guitar and Hammond organ riffs, and mastery of the effects pedal. Peterson is a worthy successor to B.B. King and Buddy Guy, blending blues, soul, gospel and pure emotion in a music that both goads and caresse (58 min)

      • Stanley Clarke band - Jazz in Marciac

        Beka Gochiashvili, piano; Cameron Graves, keyboards; Stanley Clarke, bass; Michael Mitchell, drums (53 min)

      • Chick Corea solo - Jazz in Marciac

        Chick Corea, piano solo (62 min)

      • InterMezzo

        (50 min)

      • The Artemis Quartet at the Wiener Konzerthaus: Dvorák, Shostakovich, Tchaikovsky

        Artemis String Quartet; Vineta Sareika (Violin), Gregor Sigl (Violin), Friedemann Weigle (Viola), Eckart Runge (Cello); Antonín Dvorák; String Quartet no. 12 in F major op. 96 ''American''; Dmitri Shostakovich; String Quartet no. 5 in B major op. 92; Piotr Ilych Tchaikovsky; String Quartet no. 1 in D major op. 11; Recorded on 28 February 2015 at the Wiener Konzerthaus, Mozart -Saal; Directed by Corentin Leconte (98 min)

      • Tetzlaff Quartet plays Mozart, Shostakovich and Sibelius

        Tetzlaff Quartet; Christian Tetzlaff (Violin), Elisabeth Kufferath (Violin), Hanna Weinmeister (Viola), Tanja Tetzlaff (Cello); Wolfgang Amadeus Mozart; String Quartet No.16 in E-flat major, K.428; Dmitri Shostakovich; String quartet no. 11 in F major, op. 122; Jean Sibelius; String Quartet ''Voces intimae'', Op.56; Recorded in January 2016 at the Philharmonie 2, Cité de la Musique, Salle de Concerts, Paris; Directed by par Franck Chaudemanche (80 min)

      • InterMezzo

        (54 min)

      • Modigliani Quartet plays Mozart, Shostakovich and Schumann

        Quatuor Modigliani; Philippe Bernhard (Violin), Loic Rio (Violin), Laurent Marfaing (Viola), François Kieffer (Cello); Wolfgang Amadeus Mozart; String Quartet No.15 in D minor, K.421; Dmitri Shostakovich; String Quartet No. 1 in C major, Op. 49; Robert Schumann; String Quartet No. 3 in A major, Op. 41 No. 3; Recorded in January 2016 at the Philharmonie 2, Cité de la Musique, Salle de Concerts, Paris; Directed by par Franck Chaudemanche (78 min)

      • Casals Quartet plays Schubert, Shostakovich and Beethoven

        Casals Quartet; Vera Martínez Mehner (Violin), Abel Tomas (Violin), Jonathan Brown (Viola), Arnau Tomas; (Cello); Franz Schubert; String quartet no. 12 in C minor, D. 703 'Quartettsatz'; Dmitri Shostakovich; String quartet no. 6 in G major op. 101; Ludwig van Beethoven; String quartet no. 8 in E minor, op. 59 no. 2 ''Razumovsky''; Recorded in January 2016 at the Philharmonie 2, Cité de la Musique, Salle de Concerts, Paris; Directed by par Franck Chaudemanche (71 min)

      • InterMezzo

        (51 min)

      • The Belcea String Quartet plays Beethoven in Vienna: Quartets Nos.2, 5 & 15

        Belcea String Quartet; Corina Belcea (violin); Axel Schacher (violin); Krzysztof Chorzelski (viola); Antoine Lederlin (cello); Ludwig van Beethoven; The String Quartets; String quartet no. 2 in G major ('Compliments'), Op. 18/2 (27 mns); String quartet no. 5 in A major, Op. 18/5 (28 mns); String quartet no. 15 in A minor, ('Heiliger Dankgesang'), Op. 132 (40 mns); Recorded at the Konzerthaus, Vienna, in 2012; Directed by Frédéric Delesque (99 min)

      • The Belcea String Quartet plays Beethoven in Vienna: Quartets Nos.9 & 14

        Belcea String Quartet; Corina Belcea (violin); Axel Schacher (violin); Krzysztof Chorzelski (viola); Antoine Lederlin (cello); Ludwig van Beethoven; The String Quartets; String quartet no. 9 in C major ('Rasumovsky '), Opus 59/3 (35 mns); String quartet no. 14 in C sharp minor, Opus 131 (38 mns); Recorded at the Konzerthaus, Vienna, in 2012; Directed by Frédéric Delesque (71 min)

      • InterMezzo

        (30 min)

      • Macbeth by Giuseppe Verdi at the Gran Teatre del Liceu, Barcelona

        Macbeth, by Giuseppe Verdi; Libretto by Francesco Maria Piave; Symphony Orchestra and Chorus of the Liceu Opera Barcelona, Giampaolo Maria Bisanti (Conductor); Christof Loy (Stage Director); Jonas Dahlberg (Sets), Ursula Renzenbrink (Costumes), Brend Purkrabek (Lighting); Ludovic Tézier (Macbeth); Vitalij Kowaljow (Banquo); Martina Serafin (Lady Macbeth); Anna Puche (Dama di Lady Macbeth); Saimir Pirgu (Macduff); Albert Casals (Malcolm); David Sánchez (Medico); Marc Canturri (Domestico di Macbeth, sicario); Recorded on October 16 & 20, 2016 at the Gran Teatre del Liceu, Barcelona; Directed by Fabrice Castanier (152 min)

      • InterMezzo

        (85 min)