• Mezzo Live HD

    • Mezzo Live HD od do

      • InterMezzo

        (26 min)

      • Tannhaüser by Richard Wagner at the Teatro La Fenice

        Tannhäuser, by Richard Wagner; Chorus & Orchestra of the Teatro La Fenice, Omer Meir Wellber (Conductor); Calixto Bieito (Stage Direction); Michael Bauer (Lighting), Ingo Krügler (Costumes); Stefan Vinke (Tannhäuser); Liene Kinča (Elisabeth); Ausrine Stundyte Venus; Christoph Pohl (Wolfram von Eschenbach); Cameron Becker (Walter von der Vogelweide); Alessio Cacciamani (Biterolf); Paolo Antognetti (Heinrich der Schreiber); Mattia Denti (Reinmar von Zweter); Recorded on 24 & 28 January 2017 at the Teatro La Fenice di Venezia; Directed by Stéphane Vérité (200 min)

      • InterMezzo

        (7 min)

      • The Orchestre National de Lyon plays Saint-Saëns, Ravel and Debussy

        Orchestre National de Lyon, Leonard Slatkin (Conductor); Renaud Capuçon (violin), Jean-Louis Capezzali (oboe); Camille Saint-Saëns; Bacchanale from Samson et Dalila, op. 47; Violin Concerto no. 3 in B minor, op. 61; Claude Debussy; Pagodes, from Estampes (orch. André Caplet); Qigang Chen; Extase, for oboe and orchestra; Maurice Ravel; La Valse, poeme chorégraphique; Recorded at the Auditorium Maurice Ravel, Lyons, on 19 December 2013; Directed by Isabelle Soulard (80 min)

      • Jukka-Pekka Saraste and the Orchestre National de Lyon: Sibelius and Brahms

        Orchestre national de Lyon, Jukka-Pekka Saraste (Conductor); Leonidas Kavakos (violin); Jean Sibelius; The Tempest, opus 109: n°2 Berceuse, n°9 The Oak Tree; Johannes Brahms; Concerto for violin and orchestra in D major, op. 77; Jean Sibelius; Symphony no2 in D major, opus 43; Recorded on March the 10th, 2016 at the Auditorium Maurice-Ravel, Lyon; TV Direction, Pierre-Martin Juban (98 min)

      • InterMezzo

        (52 min)

      • Laurent De Wilde and Otisto 23 'Fly' with Guillaume Perret - Banlieues Bleues

        LAURENT DE WILDE AND OTISTO 23 'FLY!' INVITE GUILLAUME PERRET LIVE AT LA DYNAMO; With Nico Ticot (video) Xlrproject; Part Two of Laurent de Wilde and Otisto 23's musical experiments. This time, they have transcended themselves. Let us go back to the basic concept: a piano and a computer - Laurent generates sounds on his instrument, with the keyboard of course, but also the strings, felt, wood, metal, anything that can be plucked, scraped and rubbed, producing an infinitely varied sound matter that Otisto processes in real time through his computer, bouncing it back to Laurent, who then responds with new sounds... and this is how the music develops. After the experience of their first album 'PC Pieces', de Wilde et Otisto are meeting again on stage and in the studio. More intuitive, their music now involves more piano and electronics, as in 'Lost' with its long cadence on the piano, meandering through the filters of the machine, and 'B Flat Seven' where a single B Flat generates an extensive technoid epic in seven tableaux. From this encounter, a deeply organic music is born, a dialogue, a conversation which at times solidifies into an incandescent ball of sound or slims down to the most delicate hieroglyphs. An anecdote involves a herd of cows, grazing in the vicinity of the studio where the album was being recorded, to the accompaniment of a colony of flies, who soon invaded the room where the two musicians were working. There ensued a track entitled 'Eau de Mouche n°5', and the realisation that the insects' constant buzzing was influencing their entire repertoire. FLY! invites us to defy gravity, carried aloft by an intimate and precious musical conversation. (75 min)

      • Roy Ayers - Worldwide festival

        Roy Ayers @ Worldwide festival; Few artists have made an impact like Roy Ayers. He's written some of the most important soul, jazz and funk music of all time, and continues to influence musicians from across the musical spectrum. The hip-hop world, particularly, owes him a huge debt. Notorious B.I.G., Dr. Dre, A Tribe Called Quest, Mary J Blige and 2Pac are just a handful of the countless acts that have used a Roy Ayers break. Play list; 1- Searching (written and composed by Roy Ayers); 2- Wanna Do For You (written and composed by Roy Ayers); 3- Everybody Loves The Sunshine (written and composed by Roy Ayers); 4- Running Away (written and composed by Roy Ayers et Edwin Birdsong); 5- The Third Eye (written and composed by Roy Ayers); 6- Red Black & Green (written and composed by Rson Birdsong Michelle Ande, Roselle Weaver and Roy Ayers); 7- Love Will Bring Us Back Together (written and composed by Roy Ayers); 8- Sweet Tears ( (written and composed by Roselle Weaver and Roy Ayers); 9- Evolution (written and composed by Roy Ayers); 10- We live in Brooklyn (written and composed by Roy Ayers); Recorded on July 6th 2015 at the Sea Theater, Sete, Worlwide festival, France; TV Director, Alexandre Buisson (45 min)

      • InterMezzo

        (115 min)

      • The Merry Widow by Lehár with Renée Fleming at the Metropolitan Opera

        The Merry Widow, by Franz Lehár; The Metropolitan Opera Orchestra and Chorus, Andrew Davis (Conductor); Susan Stroman (Stage Director); Julian Crouch ( Set Designer); William Ivey Long (Costume Designer); Paul Constable (Lighting designer); Renée Fleming (Hanna Glawari); Kelli O'Hara (Valencienne); Nathan Gunn (Count Danilovitch); Alek Shrader (Camille de Rosillon); Thomas Allen (Baron Zeta); Jeff Mattsey (Vicomte Cascada); Alexander Lewis (Raoul de St. Brioche); Carson Elrod (Njegus); Emalie Savoy (Sylviane); Wallis Giunta (Olga); Margaret Lattimore (Praskowia); Daniel Mobbs (Kromow); Mark Schowalter (Bogdanovitch); Gary Simpson (Pritschitsch); Andrea Coleman (Woman); Jason Simon (Maitre D'); Recorded at the Metropolitan Opera House, New York, on January 17, 2015; Directed by Gary Halvorson (138 min)

      • InterMezzo

        (94 min)

      • The Tatarstan National Symphony Orchestra plays Prokofiev, Liszt and Lutoslawski with Denis Matsuev

        Tatarstan State Symphony Orchestra, Alexander Sladkovsky (conductor); Denis Matsuev (piano); Franz Liszt; Concerto No. 2 for Piano and Orchestra; Witold Lutoslawski; Variations on Paganini's theme for Piano and Orchestra; Sergei Prokofiev; Concerto No.3 for Piano and Orchestra; Sergei Rachmaninov; Symphony No.1; Recorded on March 10th, 2014 at the Great Hall of the Moscow Conservatory; TV Director, François Goetghebeur (115 min)

      • Tatarstan National Symphony Orchestra: Glinka, Tchaikovsky and Moussorgsky

        Tatarstan National Symphony Orchestra, Alexander Sladkovsky (Conductor); Denis Matsuev (piano); Mikhail Glinka; Ouverture to Ruslan and Lyudmila; Piotr Tchaikovsky; Piano Concerto no. 2 in G major op. 44; Modest Mussorgsky (orch. Maurice Ravel); Pictures at an exhibition; Recorded on December 6, 2016 at the Musikverein, Vienna (85 min)

      • InterMezzo

        (20 min)

      • Alcione by Marin Marais at the Opéra-Comique

        Alcione, by Marin Marais; Le Concert des Nations, Jordi Savall (Conducteur); Louise Moaty (Stage Direction); Raphaëlle Boitel (Circus Choreography); Tristan Baudoin, Louise Moaty (Sets); Alain Blanchot (Costumes), Maël Iger (Lighting); Lea Desandre (Alcione); Cyril Auvity (Ceix); Marc Mauillon (Pelée); Lisandro Abadie (Pan, Phorbas); Antonio Abete (Tmole, Grand-Pretre /Neptune); Hasnaa Bennani (Ismene, 1ere Matelote); Hanna Bayodi-Hirt (Bergere, 2eme Matelote, Pretresse); Pauline Journe, Tarek Aitmeddour, Alba Faivre, Cyril Combes, Emily Zuckerman, Valentin Bellot, Mikael Fau, Maud Payen (Danseurs et Circus artists); Recorded on May 6th, 2017, at the Opéra-Comique, Paris; TV Director, François Roussillon (200 min)

      • InterMezzo

        (25 min)

      • Stephan Thoss: The Darkroom, The Rite of Spring - Ballet de l'Opéra national du Rhin

        LA CHAMBRE NOIRE (The Darkroom); Choreography, set, costume, lights, Stephan Thoss; Music, Jean-Sébastien Bach, Hans Zimmer, Javier Naverette, Kronos Quartet, Kimmo Pohjonen, Samuli Kosminen, Felix Mendelssohn-Bartholdy; Choreography assistant, Mia Johansson; With The corps de ballet de l'Opéra national du Rhin; LE SACRE DU PRINTEMPS (The Rite of Spring); Choreography, set, Stephan Thoss; Music, Igor Stravinsky; Costume, Katharina Meintke; Choreography assistant, Mia Johansson; Created by the Ballet du Théâtre national de Wiesbaden; With The corps de ballet de l'Opéra national du Rhin; Recorded on November 2015 at the Opéra national du Rhin; TV Director, Stéphane Lebard (67 min)

      • Don Quixote, Lost illusion, choreography by Rui Lopes Graça

        DON QUIXOTE, LOST ILLUSION; Choreography by Rui Lopes Graça after Marius Petipa - Deanna Blacher (Fadango); Music by Léon Minkus + music from the seventeenth century to the present day; Sets and costumes by Bruno de Lavenere; Strasbourg Philharmonic Orchestra; Musical direction Myron Romanul; With the Opéra National du Rhin Ballet; Between his dreams of adventure and his nostalgia for the past, Don Quixote's genius lies in his courage, in his noble ardor and audacity. Two choreographers try to capture his duality: in Act One, Rui Lopes Graça, a young Portuguese choreographer, presents a modern version of Don Quixote and explores the more contemporary issues in Cervantes's masterpiece. In Act Two, our singular hero is catapulted into the classical world of Marius Petipa. This bravura piece is not so much a reference to classical ballet, rather an invitation to imagine the future. TV Director, Isabelle Soulard; Recorded at La Filature in Mulhouse, 12 February 2013 (74 min)

      • InterMezzo

        (60 min)

      • The Merry Widow by Lehár with Renée Fleming at the Metropolitan Opera

        The Merry Widow, by Franz Lehár; The Metropolitan Opera Orchestra and Chorus, Andrew Davis (Conductor); Susan Stroman (Stage Director); Julian Crouch ( Set Designer); William Ivey Long (Costume Designer); Paul Constable (Lighting designer); Renée Fleming (Hanna Glawari); Kelli O'Hara (Valencienne); Nathan Gunn (Count Danilovitch); Alek Shrader (Camille de Rosillon); Thomas Allen (Baron Zeta); Jeff Mattsey (Vicomte Cascada); Alexander Lewis (Raoul de St. Brioche); Carson Elrod (Njegus); Emalie Savoy (Sylviane); Wallis Giunta (Olga); Margaret Lattimore (Praskowia); Daniel Mobbs (Kromow); Mark Schowalter (Bogdanovitch); Gary Simpson (Pritschitsch); Andrea Coleman (Woman); Jason Simon (Maitre D'); Recorded at the Metropolitan Opera House, New York, on January 17, 2015; Directed by Gary Halvorson (138 min)

      • InterMezzo

        (93 min)