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Daniele Gatti conducts Salome by Strauss at the DNO Amsterdam
Salome, by Richard Strauss; Royal Concertgebouw Orchestra, Daniele Gatti (Conductor); Ivo van Hove (Stage Direction); Jan Versweyveld (Sets), An D'Huys (Costumes), Jan Versweyveld (Lighting); Lance Ryan (Herodes); Doris Soffel (Herodias); Malin Byström (Salome); Evgeny Nikitin (Jochanaan); NN (Narraboth); Hanna Hipp (Ein Page der Herodias); Dietmar Kerschbaum (1. Jude); Thomas Ebenstein (2. Jude); Mark Omvlee (3. Jude); Marcel Beekman (4. Jude); Alexander Vassiliev (5. Jude); James Creswell (1. Nazarener); Roger Smeets (2. Nazarener); Recorded on June 27, 2017 at De Nationale Opera, Het Muziektheater, Amsterdam (165 min)
InterMezzo
(13 min)
Naharin's Virus choreography by Ohad Naharin, Batsheva Dance Company. Théâtre de Chaillot
Naharin's Virus; Choreography by Ohad Naharin in collaboration with the dancers; After Peter Handke theatre piece, 'Outrage au public'; Original Music, Karni Postel, Habib Alla Jamal, Shama Khader; Costume, Rakefet Levy; Light, Avi Yona Bueno (Bambi); With the dancers from the Batsheva Dance Company; TV Director, Tommy Pascal; Recorded on December 20th 2014 at the Théâtre national de Chaillot - Jean Vilar Hall, Paris (63 min)
Deca Danse by the Batsheva Dance Company. Chaillot Theater
Deca Dance; Choreography, Ohad Naharin; Dancers of the Batsheva Dance Company; Lights, Avi Yona Bueno (Bambi); Costumes, Rakefet Levi (except Seder Sharon Eyal); Designed for the first time in 2000, the program then celebrated the 10 years worth of creations of Ohad Naharin with the company, offering a striking collage of excerpts from his work. The piece has been steadily reworked and enhanced, and now gives the Israeli choreographer a chance to display his various inspirations - from the most demonstrative movement to very intimate expression - as well as to interrogate the key elements of his work. More than a collection of selected works, it is a genuine recreation whose repertoire provides continuously revisited material. Energetic and sensual, always walking a fine line between body and soul emotions, dance becomes its own theater. An enthralling experience for spectators, caught up in a whirlwind of unforgettable movements, sounds and images delivered by a company at its best. The visionary choreographer also devised the music (Maxim Waratt, Maurice Ravel, Arvo Pärt, Seefeel, Chari Chari, Antonio Vivaldi, Ali Hassan Kuban, Avi Belleli, Dan Makov...), the lights and the scenography. Directed for video by Luc Riolon - 2013 (75 min); Recorded on 2013 at the Théâtre national de Chaillot (74 min)
El Djoudour (Roots), choreography by Abou Lagraa. Chaillot Theater
El Djoudour (Roots); Choreography, scenography and artistic direction Abou Lagraa; Artistic and educational advisor Nawal Ait Benalla-Lagraa; Lights Nicolas Faucheux; Music Olivier Innocenti; Voice Houria Aichi; With Nawal Ait Benalla-Lagraa, Lydie Alberto, Ali Brainis, Sarah Cerneaux, Nassim Feddal, Laurent Jocelyn, Oussama Kouadria, Bilel Madaci, Marion Renoux, Fanny Sage, Féroz Sahoulamide, Tanné Uddén, Angela Vanoni, Bernard Wayack Pambe, Zoubir Yahiaoui; El Djoudour, meaning 'Roots', is the story of the choreographer's return to the land of his ancestors. Born and educated in France, Abou Lagraa revisits Algeria, the land his family came from. There he finds an Arab-Muslin culture based on mutual support, generosity and daily rituals where the body - an object of desire, sacred or rejected - is omnipresent. From the reunion with the culture that nourished his identity, he fashions a moving work, accompanied with sacred chants, that was selected for the Opening Night of the Marseille Provence festival of 2013. After Nya in 2010, which won the 'Grand Prix de la Critique', here is another contribution to the cross-Mediterranean Franco-Algerian project Abou Lagraa has been involved in since 2010. With a foot on each shore, Lagraa questions the place of the individual and his desire for freedom in an increasingly multi-cultural society. Steeped in history, and resolutely facing the future. Recorded at the Chaillot National Theater; TV Director Luc Riolon (75 min)
William Christie conducts Hippolyte et Aricie by Rameau at Glyndebourne
Hippolyte et Aricie, by Jean-Philippe Rameau; Orchestra of the Age of Enlightenment, William Christie (conductor); The Glyndebourne Chorus; Jonathan Kent (Stage Director); Ed Lyon ( Hippolyte); Christiane Karg (Aricie); Sarah Connolly (Phedre); Stéphane Degout (Thésée); Katherine Watson (Diane); François Lis (Pluton/Jupiter/Neptune); Julie Pasturaud (OEnone); Samuel Boden (Mercure); Aimery Lefevre (Arcas/Deuxieme Parque); Loic Felix (Tisiphone); Ana Quintans (Cupidon/Une matelotte); Emmanuelle de Negri (Grande Pretresse/Chasseresse); Mathias Vidal (Premiere Parque); Callum Thorpe (Troisieme Parque); Charlotte Beament (Pretresse); Timothy Dickinson (Chasseur); Recorded in 2013 at the Glyndebourne Festival (181 min)
InterMezzo
(57 min)
Hadouk Trio at Paris Jazz Festival
Hadouk Trio Live at the Paris Jazz Festival; In the Parc Floral de Paris, during the festival, underneath a cold summer sun, the vagabonds of Hadouk Trio are back. The audience enters into the dream, feeling delicious new emotions. Loy Erlich, Steve Shehan, Didier Malherbe listen and respond to each other like old friends, it's joyful. We find ourselves swept off our feet, flying over a blue planet. These dancing acoustic sounds seem to come from a world juke box. It all makes perfect sense. We are lifted in the air. It's as if an electrical current connects the shivering public and this trio with a childlike soul. (51 min)
Hugh Masekela at Paris Jazz Festival
Hugh Masekela celebrates Mama Afrika; Hugh MASEKELA flugelhorn, vocals / Cameron WARD guitar / Fana ZULU bass / Randal SKIPPERS keyboards / Lee-Roy SAULS drums / Francis Manneh FUSTER percussions; With Abdullah Ibrahim, Masekela is one of the pioneering figures of South African jazz. With his music, the trumpeter, flugelhornist, singer and composer has strongly influenced the political emergence of the anti-apartheid movement which he helped bring to international attention, through noted performances such as the one he gave in Monterey alongside Otis Redding and Jimi Hendrix back in 1967, or his appearance on Paul Simon's multi-million selling Graceland album. Fresh from his presence at Barack Obama's second inauguration ball, Masekela will present his latest project at Parc Floral, a celebration of his late wife, South African diva Miriam Makeba. (55 min)
Sidsel Endresen and Stian Westerhus - Porgy And Bess (Wien. Austria)
There is little more courageous and exciting singers that Norwegian Sidsel Endresen. In a language invented by her, Sidsel delivers blazing improvisations. With guitarist Stian Westerhus, she found her perfect alter ego, furious improviser, capable of any excess, saturation, larsens, distortion pedal fully, but also hovering flights. Together they form a duo unmatched in the music scene. (56 min)
InterMezzo
(115 min)
Claudio Abbado conducts Mozart and Schubert in Salzburg
Orchestra Mozart, Claudio Abbado (conductor); Rachel Harnisch, Roberta Invernizzi (sopranos), Sara Mingardo (alto), Javier Camarena, Paolo Fanale (tenors), Alex Esposito (bass); Arnold Schoenberg Choir; Wolfgang Amadeus Mozart; Missa solemnis in C minor K. 139 'Waisenhausmesse'; Franz Schubert; Mass in E flat major D. 950; Directed by Michael Bayer; Recoded at the Salzburg Festival 2012 (104 min)
Nikolaus Harnoncourt conducts sacred works by Mozart in Salzburg
Concentus Musicus Wien, Nikolaus Harnoncourt (conductor); Sylvia Schwatz (soprano), Elisabeth von Magnus (mezzosoprano), Jeremy Ovenden (tenor), Florian Boesch (baritone); Arnold Schönberg Choir; Wolfgang Amadeus Mozart; Litaniae de venerabili altaris sacramento K.243; Missa longa in C Major K. 262; Directed by Félix Breisach; Recorded at the Salzburg Cathedral in 2012 during the Salzburg Festival (74 min)
InterMezzo
(18 min)
Ariadne auf Naxos by Strauss at the Glyndebourne Festival
Ariadne auf Naxos, by Richard Strauss; London Philharmonic Orchestra, Vladimir Jurowski (Conductor); Katharina Thoma (Stage Director); Julia Müer (Set Designer); Irina Bartels (Costume Designer); Olaf Winter (Lighting Designer); Thomas Allen (Music Master); Soile Isokoski (Ariadne); Kate Lindsey (Composer); Laura Claycomb (Zerbinetta); Dmitri Vargin (Harlequin); James Kryshak (Scaramuccio); Torben Jürgens (Truffaldino); Andrew Stenson (Brighella); Sergey Skorokhodov (Bacchus); Wolfgang Ablinger-Sperrhacke (Dancing Master); Ana Maria Labin (Naiad); Adriana Di Paola Dryad; Gabriela Istoc (Echo); William Relton (The Major-Domo); Recorded at the Glyndebourne Festival, June 22, 2013 (122 min)
Zubin Mehta and the Israel Philharmonic Orchestra
Israel Philharmonic Orchestra, Zubin Mehta (conductor); Denis Matsuev (piano), David Radzynski (violin), Emanuele Silvestri (cello), Dudu Carmel (oboe), Daniel Mazaki (bassoon); Joseph Haydn; Symphony no. 88 in G major, Hob.I:88; Wolfgang Amadeus Mozart; Piano Concerto no. 17 in G major, K. 453; Joseph Haydn; Sinfonia Concertante for violin, cello, oboe and bassoon in B-flat major, Hob.I:105; Recorded at the Charles Bronfman Auditorium (Heichal Hatarbut), Tel-Aviv on May 27, 2017 (120 min)
InterMezzo
(14 min)
Orlando Poléo - Jazz a Foix
Orlando Poleo - congas; Simon Ville - timpani; Carlos Esposito - percussions; Félix Toca - bass; Renaud Palisseaux - piano; Allen Hoist - sax, flute; Philippe Slominski - trumpet (57 min)
Ricky Ford Quartet - Jazz a Foix
Ricky Ford (sax tenor); Kirk Lightsey (piano); Gilles Naturel (bass); Doug Sides (drums) (53 min)
Steve Kuhn Trio - Jazz A Foix
Jazz pianist Steve Kuhn was born in Brooklyn in 1938. He started the piano at the age of five. He played with Ornette Coleman, Don Cherryl and Kenny Dorham. In 1961, he joined John Coltrane's quartet, and later started his own ensemble, with Pete La Roca, Scott Lafaro and Steve Swallow. In the mid 50's, he founded the 'All Star Trio' with Ron Carter and Al Foster, inviting brilliant bass players David Finck, Gary Peacock and George Mraz along with drummers Lewis Nash, Billy Drummond (who will play at the Foix festival), Aldo Romano and Bill Stewart. Steve Kuhn's delicate touch and clear articulation are particularly well-suited to intimate pieces. A highly recommended concert, a unique and mesmerizing musical adventure. With Steve Swallow (double bass), Billy Drummond (drums) (53 min)
InterMezzo
(26 min)
Nikolaus Harnoncourt conducts sacred works by Mozart in Salzburg
Concentus Musicus Wien, Nikolaus Harnoncourt (conductor); Sylvia Schwatz (soprano), Elisabeth von Magnus (mezzosoprano), Jeremy Ovenden (tenor), Florian Boesch (baritone); Arnold Schönberg Choir; Wolfgang Amadeus Mozart; Litaniae de venerabili altaris sacramento K.243; Missa longa in C Major K. 262; Directed by Félix Breisach; Recorded at the Salzburg Cathedral in 2012 during the Salzburg Festival (74 min)
Claudio Abbado conducts Mozart and Schubert in Salzburg
Orchestra Mozart, Claudio Abbado (conductor); Rachel Harnisch, Roberta Invernizzi (sopranos), Sara Mingardo (alto), Javier Camarena, Paolo Fanale (tenors), Alex Esposito (bass); Arnold Schoenberg Choir; Wolfgang Amadeus Mozart; Missa solemnis in C minor K. 139 'Waisenhausmesse'; Franz Schubert; Mass in E flat major D. 950; Directed by Michael Bayer; Recoded at the Salzburg Festival 2012 (104 min)
InterMezzo
(24 min)
Claudio Abbado conducts Mozart and Schubert in Salzburg
Orchestra Mozart, Claudio Abbado (conductor); Rachel Harnisch, Roberta Invernizzi (sopranos), Sara Mingardo (alto), Javier Camarena, Paolo Fanale (tenors), Alex Esposito (bass); Arnold Schoenberg Choir; Wolfgang Amadeus Mozart; Missa solemnis in C minor K. 139 'Waisenhausmesse'; Franz Schubert; Mass in E flat major D. 950; Directed by Michael Bayer; Recoded at the Salzburg Festival 2012 (104 min)
Nikolaus Harnoncourt conducts sacred works by Mozart in Salzburg
Concentus Musicus Wien, Nikolaus Harnoncourt (conductor); Sylvia Schwatz (soprano), Elisabeth von Magnus (mezzosoprano), Jeremy Ovenden (tenor), Florian Boesch (baritone); Arnold Schönberg Choir; Wolfgang Amadeus Mozart; Litaniae de venerabili altaris sacramento K.243; Missa longa in C Major K. 262; Directed by Félix Breisach; Recorded at the Salzburg Cathedral in 2012 during the Salzburg Festival (74 min)
InterMezzo
(52 min)
