• Mezzo Live HD

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      • Chlorine Free feat. Soweto Kinch + NYA

        Chlorine Free feat. Soweto Kinch + NYA; Virgile Lorach, bass; David Monet, keyboard; Romain Clerc-Renaud, Fender Rhodes; Maxime Zampieri, drums; Yann Cley, flute; Benoît Giffard, trombone; Michel Escande, percussion, machines; Soweto Kinch, saxophones; Nya, lyric; Disque étonnant et incomparable, ' Free Speech ' de Chlorine Free est un mélange intelligent et bouillonnant d'univers musicaux et vocaux axés sur la communication et l'expérimentation, tout en mettant l'humain au centre de la démarche. Un projet excitant et intense, sans temps mort et aussi addictif qu'intrigant - Indiemusic; 17 pistes qui sont autant de pépites que l'on redécouvre avec le meme émerveillement á chaque nouvelle écoute. Voici un album qui vous nettoie les oreilles sans produit chloré - Djam; Les apprentis chimistes de Chlorine Free remettent le couvert avec ' Free Speech ', brillant 3e album au groove complexe. L'album nous entraîne dans une déambulation au travers de paysages sonores protéiformes, contemplatifs et subtilement rythmés. Chlorine Free affirme ici encore plus en profondeur cette alchimie si particuliére qui entre electronica, broken beat, jazz-funk avant-gardiste et hip-hop. Le groupe prend pleinement sa place dans ce courant musical refusant toute étiquette rébarbative et en plein essor qui, avec un esprit décloisonné, sait rassembler autour de lui des auditeurs de tous les horizons. Les invités Soweto Kinch et Nya étoffent et enrichissent la palette du groupe. Le groove hip-hop old-school de Chlorine Free porte des textes engagés dans leur troisiéme opus, entre hymne écolo et appel á prendre en main sa destinée. Recorded on May 11, 2018 at the Grand Auditoire, Like a jazz machine festival, Dudalange, Luxembourg; TV Director, Samuel Thiebautt (60 min)

      • InterMezzo

        (58 min)

      • Eugene Onegin by Boris Eifman, Eifman Ballet of St. Petersburg

        Eugene Onegin; Choreography, Boris Eifman; Based on the novel in verse by Alexander Pushkin; Music by Pyotr Tchaikovsky, Alexander Sitkovetsky; Director of photography: Daniele Nannuzzi; Sets, Zinovy Margolin; Costumes, Olga Shaishmelashvili, Pyotr Okunev, Anna Yakushchenko; Onegin, Oleg Gabyshev; Tatyana, Anastasia Sitnikova; Lensky, Dmitry Fisher; Olga, Natalia Povoroznyuk; General, Sergey Volobuev; and the dancers of the Eifman Ballet of St. Petersburg; Recorded on.... 201... at... TV Director, Boris Eifman (84 min)

      • Brothers Karamazov by Boris Eifman, Eifman Ballet of St. Petersburg

        Beyond Sin; Choreography, Boris Eifman; Based on the novel by Fyodor Dostoyevsky, The Brothers Karamazov; Music by Sergei Rachmaninoff, Richard Wagner, Modest Mussorgsky; Director of photography, Alexander Burov; Sets and costumes, Vyacheslav Okunev; Alexey Karamazov, Dmitry Fisher; Ivan Karamazov, Sergey Volobuev; Dmitry Karamazov, Oleg Gabyshev; Grushenka, Maria Abashova; Fyodor Pavlovich Karamazov, Igor Polyakov; and the dancers of the Eifman Ballet of St. Petersburg; Recorded the.... 201.... at... TV Director, Boris Eifman (85 min)

      • Kris Bowers featuring Lina Easterlin - Stockholm Jazz Festival

        KRIS BOWERS featuring JULIA EASTERLIN AT THE STOCKHOLM JAZZ FESTIVAL; Kris Bowers: piano; Julia Easterlin: vocals; Training in classical and jazz, who grew up to the sound of 90s' rap and hip-hop, influenced by the great composers of film music of recent decades, Kris Bowers delivers music that, while being strongly rooted in tradition, remains open to multiple influences. These contributions give it a freshness and energy that draws in keeping with the times. The rich and eclectic tastes Bowers are obvious from the first notes of 'Heroes + Misfits,' his first album on Concord Jazz. Here in Stockholm, he makes us discover its pianistic delicate and subtle 'touché' in a duo with the marvelous Julia Easterin. (58 min)

      • InterMezzo

        (60 min)

      • Stephane Kerecki - French Touch - Like a jazz machine Festival

        Stéphane Kerecki - French Touch; Stéphane Kerecki, double bass; Julien Lourau, saxophone; Fabrice Moreau, drums; Jozef Dumoulin, piano, Fender Rhodes; Stéphane Kerecki made a name for himself by playing with Daniel Humair, Sheila Jordan, Michel Portal, Jacky Terrasson. He is leading his own trio, with saxophonist Matthieu Donarier and drummer Thomas Grimmonprez. His recordings received many awards, including the Grand Prix de l'Académie Charles Cros, Disque d'Emoi de l'année 2007 (Jazz Magazine), Choc du Monde de la Musique a.o. Kerecki's most ambitious project to date, ' Nouvelle Vague ', an homage to the movies of Jean-Luc Godard, François Truffaut, Louis Malle, Jacques Demy, and the music it generated, features re-adapted works by Miles Davis, Martial Solal, Georges Delerue, Antoine Duhamel and Michel Legrand. His new project 'French Touch' explores the influence of contemporary French popular music, made by groups like Air, Daft Punk, Motorbass, Kavinsky and Phoenix, on today's music scene worldwide. Recode on May 11, 2018 at the Grand Auditoire, Dudelange, Luxembourg. TV Director, Samuel Thiebaut (57 min)

      • Chlorine Free feat. Soweto Kinch + NYA

        Chlorine Free feat. Soweto Kinch + NYA; Virgile Lorach, bass; David Monet, keyboard; Romain Clerc-Renaud, Fender Rhodes; Maxime Zampieri, drums; Yann Cley, flute; Benoît Giffard, trombone; Michel Escande, percussion, machines; Soweto Kinch, saxophones; Nya, lyric; Disque étonnant et incomparable, ' Free Speech ' de Chlorine Free est un mélange intelligent et bouillonnant d'univers musicaux et vocaux axés sur la communication et l'expérimentation, tout en mettant l'humain au centre de la démarche. Un projet excitant et intense, sans temps mort et aussi addictif qu'intrigant - Indiemusic; 17 pistes qui sont autant de pépites que l'on redécouvre avec le meme émerveillement á chaque nouvelle écoute. Voici un album qui vous nettoie les oreilles sans produit chloré - Djam; Les apprentis chimistes de Chlorine Free remettent le couvert avec ' Free Speech ', brillant 3e album au groove complexe. L'album nous entraîne dans une déambulation au travers de paysages sonores protéiformes, contemplatifs et subtilement rythmés. Chlorine Free affirme ici encore plus en profondeur cette alchimie si particuliére qui entre electronica, broken beat, jazz-funk avant-gardiste et hip-hop. Le groupe prend pleinement sa place dans ce courant musical refusant toute étiquette rébarbative et en plein essor qui, avec un esprit décloisonné, sait rassembler autour de lui des auditeurs de tous les horizons. Les invités Soweto Kinch et Nya étoffent et enrichissent la palette du groupe. Le groove hip-hop old-school de Chlorine Free porte des textes engagés dans leur troisiéme opus, entre hymne écolo et appel á prendre en main sa destinée. Recorded on May 11, 2018 at the Grand Auditoire, Like a jazz machine festival, Dudalange, Luxembourg; TV Director, Samuel Thiebautt (60 min)

      • Michel Meis 4tet - Like a jazz machine Festival

        Michel Meis 4tet; Michel Meis, drums+ compositions; Cédric Hanriot, piano; Stephan Goldbach, double bass; Alisa Klein, trombone; Born in Luxembourg Michel Meis made his first experience with the drums at the early age of 7 at the Conservatory of Luxembourg, Luxembourg City. After finishing his diploma's in Chamber Music, Classical Percussion and Jazz drums in 2014 with the teachers Guy Frisch, Paul Mootz, Rainer Kind and Al Ginter, Michel entered the Jazz section of the 'Hochschule für Musik Saar' doing his Bachelor in Jazz drums. Since 2011, Michel is also a member of the Luxembourg Military Band and has played in several Jazz-clubs and festivals like the Hong Kong Jazz Festival, Beishan Jazz Festival, Sibiu Jazz Festival, Fete de la Musique Liege and the Brussels Jazz Marathon. Michel is a drummer with ' Everwaiting Serenade ', Dock in Absolute, Juan Gonzalez Trio. He also played drums for The Grund Club Voices and the Grund Club Quartet in 2015 and 2016. Their first record 'Lost in translation' will feature 7 original tunes and a cover of 'Heaven' by Depeche Mode. This album will be relased on January 2019, on Double Moon Records. Recorded on May 11, 2018 at the Grand Auditoire, Like a jazz machine festival, Dudalange, Luxembourg; TV Director, Samuel Thiebaut (60 min)

      • InterMezzo

        (58 min)

      • The Tatarstan Symphony Orchestra plays Scriabin, Prokofiev, Rachmaninov and Tchaikovsky

        Tatarstan National Symphony Orchestra, Alexander Sladkovsky (conductor); Piotr Ilych Tchaikovsky; Francesca da Rimini, op. 32; Sergei Rachmaninov; Three Russian songs, op.41; Alexander Scriabin; Poem of ecstasy, op. 54; Sergei Prokofiev; Symphony No.3, op. 44; Recorded at the Saydashev Grand Concert Hall, City of Kazan (Russia) on June 06th, 2014 (78 min)

      • Mariss Jansons and the Bavarian Radio Symphony Orchestra with Daniel Barenboim: Beethoven, Prokofiev

        Bavarian Radio Symphony Orchestra, Mariss Jansons (Conductor); Daniel Barenboim (Piano); Ludwig van Beethoven; Piano Concerto No 5 in E-flat major, op. 73 'Emperor'; Sergei Prokofiev; Symphony No 5 in B-flat major, op. 100; Live from the Philharmonie im Gasteig, Munich; TV Director, Birgit Malzer (95 min)

      • InterMezzo

        (36 min)

      • La Bayadére by Marius Petipa, Kiev ballet

        La Bayadére; Marius Petipa, Libretto and choreography, Ludwig Minkus, music; Natalia Makarova's version (1980); , staging; , Light; , sets; , costume; Kiev opera orchestra; , conductor; With the Kiev ballet; And; Nataliia Matsak (Nikiya); Vladyslav Ivashchenko (Dugmanta, Rajah of Golconde); Olga Golytisia (Gamzatti, Dugmanta's daughter); Matthew Golding (Solor, noble warrior); Sergii Lytvynenko (Hight Brahmin); Vitalii Netrunenko (Magedaveya, fakir); Lina Volodina (Manu); Nadiia Malenko (Aya, slave); Raisa Betankourt, Mariia Nelen (Gumpe); Ieliza Veta Gogidze, Volodymyr Kutuzov, Viacheslav Stelmakh (Dance with drum); Oleksandr Skulkin (Bronze idol); Iryna Borysova, Kateryna Kurchenko, Ganna Muromtseva (pas de trois); Iryna Borysova, Alina Dulesova, Kateryna Kurchenko, Ganna Muromtseva (Pas d'action); Denys Odintsov (Solor's friend); Recorded on February 17th 2018 at the Kiev Opera; TV Director, Laurent Gentot (150 min)

      • Class Concert by Asaf Messerer, Kiev Ballet

        Class Concert; Asaf Messerer, choreography; Mikhail Messerer, staging; Igor Samarets, lighting; Kiev National Opera Orchestra; Allin Vlasenko, conductor; Music, Alexander Glazunov, Anatoly Lyadov, Sergei Liapunov and Dmitri Chostakovitch; Arranged by A.Zseitlin; With; Elena Filipeva, Kristina Balaban, Anna Dorach, Denis Matvienko, Jan Vana; The Kiev Ballet; Recorded on June 6, 2012 at the Kiev National Opera; TV Director, Laurent Gentot (40 min)

      • InterMezzo

        (16 min)

      • The Tatarstan National Symphony Orchestra plays Prokofiev, Liszt and Lutoslawski with Denis Matsuev

        Tatarstan State Symphony Orchestra, Alexander Sladkovsky (conductor); Denis Matsuev (piano); Franz Liszt; Concerto No. 2 for Piano and Orchestra; Witold Lutoslawski; Variations on Paganini's theme for Piano and Orchestra; Sergei Prokofiev; Concerto No.3 for Piano and Orchestra; Sergei Rachmaninov; Symphony No.1; Recorded on March 10th, 2014 at the Great Hall of the Moscow Conservatory; TV Director, François Goetghebeur (115 min)

      • Mariss Jansons and the Bavarian Radio Symphony Orchestra: Strauss and Dvořák

        Bavarian Radio Symphony Orchestra, Mariss Jansons (Conductor); Yo-Yo Ma (Cello); Richard Strauss; Don Quixotte; Antonín Dvořák; Symphony no. 8; Recorded on January 30th, 2016 at the Philharmonie am Gasteig, Munich (111 min)

      • Valery Gergiev conducts Samson et Dalila by Saint-Säens

        Samson et Dalila, by Camille Saint-Saëns; Libretto by Ferdinand Lemaire; Mariinski Theatre Orchestra & Chorus, Valery Gergiev (Conductor); Andrei Petrenko (Chorus Master); Yannis Kokkos (Stage Director, Sets); Yannis Kokkos, Paola Mariani (Costumes), Anne Blancard (Dramaturgy), Michael Bauer (Lighting), Maxim Petrov (Choreography), Eric Duranteau (Video); Ekaterina Semenchuk (Dalila); Gregory Kunde (Samson); Roman Burdenko (Le Grand Pretre de Dagon); Mikhail Petrenko (Abimélech); Recorded on 25 Mai & 2 June 2016 at the Mariinsky (Saint Petersburg); Directed by Louise Narboni (132 min)

      • Yefim Bronfman and the Concertgebouw Orchestra: Beethoven, Brahms

        Royal Concertgebouw Orchestra, Philippe Herreweghe (Conductor); Yefim Bronfman (piano); Ludwig van Beethoven; Piano Concerto No. 4; Johannes Brahms; Symphony No. 2; Recorded on November 2, 2018, at the Concertgebouw, Amsterdam (110 min)

      • InterMezzo

        (7 min)

      • The Tatarstan National Symphony Orchestra plays Rachmaninov and Tchaikovsky with Denis Matsuev

        Tatarstan National Symphony Orchestra, Alexander Sladkovsky (conductor); Denis Matsuev (piano); Sergei Rachmaninov; Isle of the dead, op. 29; Concerto for piano and orchestra No. 1 in F sharp minor, op. 1; Piotr Ilych Tchaikovsky; Symphony 'Manfred' in B minor, op. 58; Recorded at the Saydashev Grand Concert Hall, City of Kazan (Russia) on June 05th, 2014 (108 min)

      • Tatarstan National Symphony Orchestra: Glinka, Tchaikovsky and Moussorgsky

        Tatarstan National Symphony Orchestra, Alexander Sladkovsky (Conductor); Denis Matsuev (piano); Mikhail Glinka; Ouverture to Ruslan and Lyudmila; Piotr Tchaikovsky; Piano Concerto no. 2 in G major op. 44; Modest Mussorgsky (orch. Maurice Ravel); Pictures at an exhibition; Recorded on December 6, 2016 at the Musikverein, Vienna (85 min)

      • Wayne Shorter Quartet - Stockholm Jazz Festival

        Wayne Shorter (saxophone), Danilo Perez (piano), John Patitucci (Doublebass), Brian Blade (drums); Award winning Grammy Awards, jazz icon Wayne Shorter comes to Stockholm Jazz Festival with his acclaimed quartet. Shorter is one of the most influential musicians of Modern Jazz. Since the 1950s, he was a dominant musical force, known as one of the improvisers and the world's most important composers. He played in virtually all with the greatest of Art Blakey to Miles Davis for jazz fusion group Weather Report, and has published more than 20 albums under his own name. With his quartet, Shorter changes the rules by his egalitarian operation and wins with youthful insolence as one of the most exciting groups of the early twenty-first century. (93 min)

      • InterMezzo

        (10 min)

      • Eugene Onegin by Boris Eifman, Eifman Ballet of St. Petersburg

        Eugene Onegin; Choreography, Boris Eifman; Based on the novel in verse by Alexander Pushkin; Music by Pyotr Tchaikovsky, Alexander Sitkovetsky; Director of photography: Daniele Nannuzzi; Sets, Zinovy Margolin; Costumes, Olga Shaishmelashvili, Pyotr Okunev, Anna Yakushchenko; Onegin, Oleg Gabyshev; Tatyana, Anastasia Sitnikova; Lensky, Dmitry Fisher; Olga, Natalia Povoroznyuk; General, Sergey Volobuev; and the dancers of the Eifman Ballet of St. Petersburg; Recorded on.... 201... at... TV Director, Boris Eifman (84 min)

      • Brothers Karamazov by Boris Eifman, Eifman Ballet of St. Petersburg

        Beyond Sin; Choreography, Boris Eifman; Based on the novel by Fyodor Dostoyevsky, The Brothers Karamazov; Music by Sergei Rachmaninoff, Richard Wagner, Modest Mussorgsky; Director of photography, Alexander Burov; Sets and costumes, Vyacheslav Okunev; Alexey Karamazov, Dmitry Fisher; Ivan Karamazov, Sergey Volobuev; Dmitry Karamazov, Oleg Gabyshev; Grushenka, Maria Abashova; Fyodor Pavlovich Karamazov, Igor Polyakov; and the dancers of the Eifman Ballet of St. Petersburg; Recorded the.... 201.... at... TV Director, Boris Eifman (85 min)