
Mezzo Live HD
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Yefim Bronfman and the Concertgebouw Orchestra: Beethoven, Brahms
Royal Concertgebouw Orchestra, Philippe Herreweghe (Conductor); Yefim Bronfman (piano); Ludwig van Beethoven; Piano Concerto No. 4; Johannes Brahms; Symphony No. 2; Recorded on November 2, 2018, at the Concertgebouw, Amsterdam (110 min)
InterMezzo
(7 min)
The Tatarstan National Symphony Orchestra plays Rachmaninov and Tchaikovsky with Denis Matsuev
Tatarstan National Symphony Orchestra, Alexander Sladkovsky (conductor); Denis Matsuev (piano); Sergei Rachmaninov; Isle of the dead, op. 29; Concerto for piano and orchestra No. 1 in F sharp minor, op. 1; Piotr Ilych Tchaikovsky; Symphony 'Manfred' in B minor, op. 58; Recorded at the Saydashev Grand Concert Hall, City of Kazan (Russia) on June 05th, 2014 (108 min)
Tatarstan National Symphony Orchestra: Glinka, Tchaikovsky and Moussorgsky
Tatarstan National Symphony Orchestra, Alexander Sladkovsky (Conductor); Denis Matsuev (piano); Mikhail Glinka; Ouverture to Ruslan and Lyudmila; Piotr Tchaikovsky; Piano Concerto no. 2 in G major op. 44; Modest Mussorgsky (orch. Maurice Ravel); Pictures at an exhibition; Recorded on December 6, 2016 at the Musikverein, Vienna (85 min)
Wayne Shorter Quartet - Stockholm Jazz Festival
Wayne Shorter (saxophone), Danilo Perez (piano), John Patitucci (Doublebass), Brian Blade (drums); Award winning Grammy Awards, jazz icon Wayne Shorter comes to Stockholm Jazz Festival with his acclaimed quartet. Shorter is one of the most influential musicians of Modern Jazz. Since the 1950s, he was a dominant musical force, known as one of the improvisers and the world's most important composers. He played in virtually all with the greatest of Art Blakey to Miles Davis for jazz fusion group Weather Report, and has published more than 20 albums under his own name. With his quartet, Shorter changes the rules by his egalitarian operation and wins with youthful insolence as one of the most exciting groups of the early twenty-first century. (93 min)
InterMezzo
(10 min)
Eugene Onegin by Boris Eifman, Eifman Ballet of St. Petersburg
Eugene Onegin; Choreography, Boris Eifman; Based on the novel in verse by Alexander Pushkin; Music by Pyotr Tchaikovsky, Alexander Sitkovetsky; Director of photography: Daniele Nannuzzi; Sets, Zinovy Margolin; Costumes, Olga Shaishmelashvili, Pyotr Okunev, Anna Yakushchenko; Onegin, Oleg Gabyshev; Tatyana, Anastasia Sitnikova; Lensky, Dmitry Fisher; Olga, Natalia Povoroznyuk; General, Sergey Volobuev; and the dancers of the Eifman Ballet of St. Petersburg; Recorded on.... 201... at... TV Director, Boris Eifman (84 min)
Brothers Karamazov by Boris Eifman, Eifman Ballet of St. Petersburg
Beyond Sin; Choreography, Boris Eifman; Based on the novel by Fyodor Dostoyevsky, The Brothers Karamazov; Music by Sergei Rachmaninoff, Richard Wagner, Modest Mussorgsky; Director of photography, Alexander Burov; Sets and costumes, Vyacheslav Okunev; Alexey Karamazov, Dmitry Fisher; Ivan Karamazov, Sergey Volobuev; Dmitry Karamazov, Oleg Gabyshev; Grushenka, Maria Abashova; Fyodor Pavlovich Karamazov, Igor Polyakov; and the dancers of the Eifman Ballet of St. Petersburg; Recorded the.... 201.... at... TV Director, Boris Eifman (85 min)
InterMezzo
(68 min)
Rodelinda by Haendel at the Opéra de Lille
Rodelinda, by Georg Friedrich Haendel (1685-1759); Opera in three acts; Libretto Nicola Francesco Haym; Le Concert d'Astrée, Emmanuelle Haim (Conductor); Jean Bellorini (Stage Direction); Jean Bellorini, Véronique Chazal (Sets), Macha Makeieff (Costumes), Luc Muscillo (Lighting); Jeanine De Bique (Rodelinda); Tim Mead (Bertarido); Benjamin Hulett (Grimoaldo); Avery Amereau (Eduige); Jakub Józef Orliński (Unolfo); Andrea Mastroni (Garibaldo); Recorded at the Opéra de Lille on October 11, 2018 (210 min)
Monteverdi: Selva Morale e Spirituale, by Vincent Dumestre - Misteria Paschalia
Le Poéme Harmonique, Vincent Dumestre (conductor); musicAeterna, Vitaly Polonsky (choirmaster); Deborah Cachet (soprano), Eva Zaicik (mezzo-soprano), Jean-François Lombard (alto), Sébastien Obrecht (tenor), Cyril Auvity (tenor), Geoffroy Buffiére (bass); Claudio Monteverdi; Orfeo - Toccata; Andrea Falconieri; Battalla de Barabaso yerno de Satanas; Anonymous; Psalm in fauxbordon - Dixit Dominus; Claudio Monteverdi; Selva morale e spirituale - Dixit Dominus II; Annibale Gregori; Mai non disciolgasi (ciaccona); Claudio Monteverdi; Selva morale e spirituale - Gloria; Claudio Monteverdi; Selva morale e spirituale - Crucifixus; Claudio Monteverdi; Selva morale e spirituale - Salve Regina; Giovanni Gabrieli; Canzon a 12; Claudio Monteverdi / Aquilino Coppini; O gloriose martyr; Claudio Monteverdi; Selva morale e spirituale - Magnificat Primo; Recorded at the Church of St. Catherine of Alexandria, Krakow, on April 10, 2017 during the Misteria Paschalia Festival; TV Director, Jean-Pierre Loisil (94 min)
Ian Bostridge, John Butt and the Dunedin Consort at the Misteria Paschalia Festival: Haendel
Dunedin Consort, John Butt (Conductor); Ian Bostridge (tenor); Georg Friedrich Haendel; Concerto Grosso, Op. 6 no. 4 in A minor; Waft her, Angels through the Sky (Jephtha); As Steals the morn; Ode for St. Cecilia's Day; Recorded on April 2, 2018 at the Misteria Paschalia Festival, Cracovie; Directed by Jean-Pierre Loisil (70 min)
InterMezzo
(41 min)
Valery Gergiev conducts Samson et Dalila by Saint-Säens
Samson et Dalila, by Camille Saint-Saëns; Libretto by Ferdinand Lemaire; Mariinski Theatre Orchestra & Chorus, Valery Gergiev (Conductor); Andrei Petrenko (Chorus Master); Yannis Kokkos (Stage Director, Sets); Yannis Kokkos, Paola Mariani (Costumes), Anne Blancard (Dramaturgy), Michael Bauer (Lighting), Maxim Petrov (Choreography), Eric Duranteau (Video); Ekaterina Semenchuk (Dalila); Gregory Kunde (Samson); Roman Burdenko (Le Grand Pretre de Dagon); Mikhail Petrenko (Abimélech); Recorded on 25 Mai & 2 June 2016 at the Mariinsky (Saint Petersburg); Directed by Louise Narboni (132 min)
Gianandrea Noseda conducts the War Requiem by Britten at the Concertgebouw
Royal Concertgebouw Orchestra, Gianandrea Noseda (Conductor); Groot Ormroepkoor, Vlaams Radio Koor, Nationaal Kinderkoor; Elena Stikhina (soprano), Mark Padmore (tenor), Michael Volle (baritone); Benjamin Britten; War Requiem, op. 66; Recorded on October 12, 2018, at the Concertgebouw, Amsterdam; Directed by Dick Kuijs (90 min)
InterMezzo
(10 min)
The Tatarstan National Symphony Orchestra plays Prokofiev, Liszt and Lutoslawski with Denis Matsuev
Tatarstan State Symphony Orchestra, Alexander Sladkovsky (conductor); Denis Matsuev (piano); Franz Liszt; Concerto No. 2 for Piano and Orchestra; Witold Lutoslawski; Variations on Paganini's theme for Piano and Orchestra; Sergei Prokofiev; Concerto No.3 for Piano and Orchestra; Sergei Rachmaninov; Symphony No.1; Recorded on March 10th, 2014 at the Great Hall of the Moscow Conservatory; TV Director, François Goetghebeur (115 min)
Mariss Jansons and the Bavarian Radio Symphony Orchestra: Strauss and Dvořák
Bavarian Radio Symphony Orchestra, Mariss Jansons (Conductor); Yo-Yo Ma (Cello); Richard Strauss; Don Quixotte; Antonín Dvořák; Symphony no. 8; Recorded on January 30th, 2016 at the Philharmonie am Gasteig, Munich (111 min)
InterMezzo
(12 min)
Stephane Kerecki - French Touch - Like a jazz machine Festival
Stéphane Kerecki - French Touch; Stéphane Kerecki, double bass; Julien Lourau, saxophone; Fabrice Moreau, drums; Jozef Dumoulin, piano, Fender Rhodes; Stéphane Kerecki made a name for himself by playing with Daniel Humair, Sheila Jordan, Michel Portal, Jacky Terrasson. He is leading his own trio, with saxophonist Matthieu Donarier and drummer Thomas Grimmonprez. His recordings received many awards, including the Grand Prix de l'Académie Charles Cros, Disque d'Emoi de l'année 2007 (Jazz Magazine), Choc du Monde de la Musique a.o. Kerecki's most ambitious project to date, ' Nouvelle Vague ', an homage to the movies of Jean-Luc Godard, François Truffaut, Louis Malle, Jacques Demy, and the music it generated, features re-adapted works by Miles Davis, Martial Solal, Georges Delerue, Antoine Duhamel and Michel Legrand. His new project 'French Touch' explores the influence of contemporary French popular music, made by groups like Air, Daft Punk, Motorbass, Kavinsky and Phoenix, on today's music scene worldwide. Recode on May 11, 2018 at the Grand Auditoire, Dudelange, Luxembourg. TV Director, Samuel Thiebaut (57 min)
Michel Meis 4tet - Like a jazz machine Festival
Michel Meis 4tet; Michel Meis, drums+ compositions; Cédric Hanriot, piano; Stephan Goldbach, double bass; Alisa Klein, trombone; Born in Luxembourg Michel Meis made his first experience with the drums at the early age of 7 at the Conservatory of Luxembourg, Luxembourg City. After finishing his diploma's in Chamber Music, Classical Percussion and Jazz drums in 2014 with the teachers Guy Frisch, Paul Mootz, Rainer Kind and Al Ginter, Michel entered the Jazz section of the 'Hochschule für Musik Saar' doing his Bachelor in Jazz drums. Since 2011, Michel is also a member of the Luxembourg Military Band and has played in several Jazz-clubs and festivals like the Hong Kong Jazz Festival, Beishan Jazz Festival, Sibiu Jazz Festival, Fete de la Musique Liege and the Brussels Jazz Marathon. Michel is a drummer with ' Everwaiting Serenade ', Dock in Absolute, Juan Gonzalez Trio. He also played drums for The Grund Club Voices and the Grund Club Quartet in 2015 and 2016. Their first record 'Lost in translation' will feature 7 original tunes and a cover of 'Heaven' by Depeche Mode. This album will be relased on January 2019, on Double Moon Records. Recorded on May 11, 2018 at the Grand Auditoire, Like a jazz machine festival, Dudalange, Luxembourg; TV Director, Samuel Thiebaut (60 min)
Chlorine Free feat. Soweto Kinch + NYA
Chlorine Free feat. Soweto Kinch + NYA; Virgile Lorach, bass; David Monet, keyboard; Romain Clerc-Renaud, Fender Rhodes; Maxime Zampieri, drums; Yann Cley, flute; Benoît Giffard, trombone; Michel Escande, percussion, machines; Soweto Kinch, saxophones; Nya, lyric; Disque étonnant et incomparable, ' Free Speech ' de Chlorine Free est un mélange intelligent et bouillonnant d'univers musicaux et vocaux axés sur la communication et l'expérimentation, tout en mettant l'humain au centre de la démarche. Un projet excitant et intense, sans temps mort et aussi addictif qu'intrigant - Indiemusic; 17 pistes qui sont autant de pépites que l'on redécouvre avec le meme émerveillement á chaque nouvelle écoute. Voici un album qui vous nettoie les oreilles sans produit chloré - Djam; Les apprentis chimistes de Chlorine Free remettent le couvert avec ' Free Speech ', brillant 3e album au groove complexe. L'album nous entraîne dans une déambulation au travers de paysages sonores protéiformes, contemplatifs et subtilement rythmés. Chlorine Free affirme ici encore plus en profondeur cette alchimie si particuliére qui entre electronica, broken beat, jazz-funk avant-gardiste et hip-hop. Le groupe prend pleinement sa place dans ce courant musical refusant toute étiquette rébarbative et en plein essor qui, avec un esprit décloisonné, sait rassembler autour de lui des auditeurs de tous les horizons. Les invités Soweto Kinch et Nya étoffent et enrichissent la palette du groupe. Le groove hip-hop old-school de Chlorine Free porte des textes engagés dans leur troisiéme opus, entre hymne écolo et appel á prendre en main sa destinée. Recorded on May 11, 2018 at the Grand Auditoire, Like a jazz machine festival, Dudalange, Luxembourg; TV Director, Samuel Thiebautt (60 min)
Orlando Poléo - Jazz á Foix
Orlando Poleo - congas; Simon Ville - timpani; Carlos Esposito - percussions; Félix Toca - bass; Renaud Palisseaux - piano; Allen Hoist - sax, flute; Philippe Slominski - trumpet (57 min)
InterMezzo
(60 min)
The Tatarstan Symphony Orchestra plays Scriabin, Prokofiev, Rachmaninov and Tchaikovsky
Tatarstan National Symphony Orchestra, Alexander Sladkovsky (conductor); Piotr Ilych Tchaikovsky; Francesca da Rimini, op. 32; Sergei Rachmaninov; Three Russian songs, op.41; Alexander Scriabin; Poem of ecstasy, op. 54; Sergei Prokofiev; Symphony No.3, op. 44; Recorded at the Saydashev Grand Concert Hall, City of Kazan (Russia) on June 06th, 2014 (78 min)
The Finnish Radio Symphony Orchestra and Hannu Lintu: Bartók, Lutoslawski
Finnish Radio Symphony Orchestra, Hannu Lintu (Conductor); Christian Tetzlaff (violin); Béla Bartók; Violin Concerto No. 2, Sz.112; Violin Concerto No. 1, Sz. 36; Witold Lutoslawski; Symphony No. 4; Recorded on October 18, 2017, at the Helsinki Music Centre, Concert Hall; TV directors, Anu Holttinen and Teemu Holttinen (85 min)
