• Mezzo Live HD

    • Mezzo Live HD od do

      • InterMezzo

        (83 min)

      • Il Barbiere di Siviglia by Rossini at the Grand Théâtre de Genéve

        Il Barbiere di Siviglia, opera buffa in two acts by Gioachino Rossini (1792 - 1868); Libretto by Cesare Sterbini based on 'Le Barbier de Séville' by Pierre-Augustin Caron de Beaumarchais; First performance in Rome, Teatro Argentina, 20 February 1816; Orchestre de la Suisse Romande, Jonathan Nott (Conductor); Chorus of the Grand Théâtre de Genéve, Alan Woodbridge (Chorus Master); Sam Brown (Stage Director); Bogdan Mihai (Il Conte di Almaviva); Bruno Taddia (Figaro); Lena Belkina (Rosina); Bruno de Simone (Bartolo); Marco Spotti (Basilio); Mary Feminear (Berta); Rodrigo Garcia (Fiorello); Aleksandar Chaveev (Un Ufficiale); Peter Baekeun (Ambrogio); Furio Longhi (Il Notario); Recorded on September 20, 2017 at the Grand Théâtre de Genéve; Directed by Isabelle Soulard (158 min)

      • InterMezzo

        (18 min)

      • Lau - EFG London Jazz Festival

        LAU; Aidan O'Rouke (violin); Kris Dreve (voice and guitar); Martin Green (accordion) (64 min)

      • InterMezzo

        (54 min)

      • The Orchestre de la Suisse Romande and Jonathan Nott: Brahms, Stravinsky

        Orchestre de la Suisse Romande, Jonathan Nott (condiuctor); Sergey Khachatryan (violin); Johannes Brahms (1833 - 1813); Violin concerto in D major, op.77; Igor Stravinsky (1882 - 1971); The Rite of Spring; Recorded on June 1st 2017 at the Victoria Hall, Geneva; Directed by Andy Sommer (92 min)

      • The Orchestre de la Suisse Romande and Jonathan Nott: Liszt, Ravel, Schoenberg, Rachmaninov

        Orchestre de la Suisse Romande, Jonathan Nott (conductor); Alexei Volodin (piano), Vincent Thévenaz (organ); Franz Liszt (1811 - 1886); Prelude and Fugue on B-A-C-H, S 260; Arnold Schönberg (1874 - 1951); Variations for Orchestra, op. 31; Sergei Rachmaninov (1873 - 1943); Rhapsody on a Theme of Paganini, op. 43; Maurice Ravel (1875 - 1937); Boléro; Recorded on November 15, 2017 at the Victoria Hall, Genéva; Directed by Andy Sommer (92 min)

      • InterMezzo

        (54 min)

      • Il Barbiere di Siviglia by Rossini at the Grand Théâtre de Genéve

        Il Barbiere di Siviglia, opera buffa in two acts by Gioachino Rossini (1792 - 1868); Libretto by Cesare Sterbini based on 'Le Barbier de Séville' by Pierre-Augustin Caron de Beaumarchais; First performance in Rome, Teatro Argentina, 20 February 1816; Orchestre de la Suisse Romande, Jonathan Nott (Conductor); Chorus of the Grand Théâtre de Genéve, Alan Woodbridge (Chorus Master); Sam Brown (Stage Director); Bogdan Mihai (Il Conte di Almaviva); Bruno Taddia (Figaro); Lena Belkina (Rosina); Bruno de Simone (Bartolo); Marco Spotti (Basilio); Mary Feminear (Berta); Rodrigo Garcia (Fiorello); Aleksandar Chaveev (Un Ufficiale); Peter Baekeun (Ambrogio); Furio Longhi (Il Notario); Recorded on September 20, 2017 at the Grand Théâtre de Genéve; Directed by Isabelle Soulard (158 min)

      • InterMezzo

        (52 min)

      • Bach: Cantatas BWV 103, 105, 199 & 25 - Pygmalion, Raphaël Pichon

        Ensemble Pygmalion, Raphaël Pichon (Conductor); Sabine Devieilhe (soprano), Benno Schachtner (alto), Reinoud Van Mechelen (tenor), Manuel Walser (bass); Marina Abramovic (video); Johann Sebastian Bach (1685 - 1750); Cantata BWV 103 'Ihr werdet weinen und heulen'; Cantata BWV 105 'Herr, gehe nicht ins Gericht'; Cantata BWV 199 ' Mein Herze schwimmt im Blut'; Johann Michael Bach (1648 - 1694); Unser Leben währet siebenzig Jahr; Johann Sebastian Bach; Cantata BWV 25 'Es ist nichts Gesundes an meinem Leibe'; Recorded on January 30, 2018 at la Cité de la Musique, Paris; Directed by Isabelle Soulard (89 min)

      • Yannick Nézet-Séguin and the Orchestre Métropolitain: Elgar, Ravel, Debussy

        Orchestre Métropolitain de Montréal, Yannick Nézet-Séguin (Conductor); Stéphane Tétreault (Cello), Alexandre Tharaud (piano); Edward Elgar (1857 - 1934); Cello Concerto in E minor, op. 85; Maurice Ravel (1875 - 1937); Concerto for the left hand; Claude Debussy (1862- 1918); La Mer; Recorded on December 2, 2017 at the Philharmonie de Paris (99 min)

      • InterMezzo

        (18 min)

      • Jonathan Nott conducts the OSR with Nelson Freire: Schumann, Brahms

        Orchestre de la Suisse Romande, Jonathan Nott (Conductor); Nelson Freire (Piano); Robert Schumann (1810 - 1856); Concerto for piano and orchestra in A minor, op.54; Johannes Brahms (1833 - 1897); Symphony No. 4 in E minor, op.98; Recorded on March 22nd 2017 at the Victoria Hall, Geneva; Directed by Andy Sommer (84 min)

      • Jonathan Nott and the Orchestre de la Suisse Romande: Mahler

        Orchestre de la Suisse Romande, Jonathan Nott (Conductor); Ensemble vocal de Lausanne, Maîtrise du Conservatoire Populaire de Musique, Danse et Théâtre de Genéve; Mihoko Fujimura (mezzo-soprano); Gustav Mahler (1860 - 1911); Symphony no. 3 in D minor; Recorded on May 24, 2018 at the Victoria Hall, Genéve; Directed by Andy Sommer (112 min)

      • InterMezzo

        (39 min)

      • Hindi Zahra et Fatoumata Diawara - Banlieues Bleues

        Hindi Zahra et Fatoumata Diawara; Olympic Café Tour; Banlieues Bleues Festival; Hindi Zahra, voice; Fatoumata Diawara, voice, guitar; Yacouba Kone, guitar, keyboards, Sekou Bah, bass; Zé Luis Nascimento, drums; This new production celebrates a friendship born ten years ago far from the limelight, when these two singers first shared the stage. That was in the early 2000's, before success came. At the time, Hindi Zahra and Fatoumata Diawara often appeared at the Olympic Café, a classic venue for new music, in the Paris district of 'La Goutte d'Or'. The two singers soon made a name for themselves, building bridges between cultures and making modern Africa shine in the world. Today, they revisit their early days, their friendship bringing together inventive folk music and soul. Recorded on 2017 19th March at the Pôle musical d'Orgemont, Epinay-sur-Seine, as part of the 'Banlieues Bleues' Festival; TV Director, Laurent Hasse (58 min)

      • Naissam Jalal - Banlieues Bleues

        Naissam Jalal Live at Banlieues Bleues 2017; Naissam Jalal feat. Hamid Drake, Quest of invisible F. Naissam Jalal, compositions, flute, nay; Leonardo Montant, piano; Claude Tchamitchian, bass; Harmid Drake, battery, drums; The flautist continues her search for meaning with a dream quartet to approach the mystical and spiritual side of jazz. From her early days, Naissam Jalal has been oscillating between the West, symbolized by the traverso she studied at the Conservatory, and the East, represented by the ney, which she studied with great masters in Damascus and Cairo. In residence at the Dynamo, she sets a new objective: to integrate improvised modal jazz with non-western traditions, like the Arab dhikr, the Indian raga, and Gnawa trance. A specialist of the genre, drummer and percussionist Hamid Drake immediately recognized in her the ability he himself acquired alongside Don Cherry and Pharoah Sanders. He is now part of the adventure. Recorded on 2017, March 28th at the Dynamo of Banlieues Bleues, Pantin, as part of the 'Banlieues Bleues' Festival; TV Director, Gilles Le Mao (58 min)

      • Harold Lopez-Nussa - Banlieues Bleues

        Harold Lopez-Nussa; El Viaje; Harold Lopez-Nussa, piano; Alioune Wade, bass; Ruy Adrian Lopez-Nussa, drums, bongos, cajón; This prodigious heir to the great Cuban piano school displays his deeply inventive technique, in search of an all-encompassing form of jazz. Over the past ten years and since his first solo album, the virtuoso pianist, who trained at the best music schools in Havana, has made a number of recordings exploring his influences as a classical pianist and his Cuban roots. He is back with a trio, his favourite format, including Senegalese bass player Alioune Wade and his brother on percussions. His remarkable style serves an open form of jazz, more mature and supremely inventive. World class. Recorded on 15 March 2017 at Espace 93, Clichy-sous-Bois, as part of the 'Banlieues Bleues' Festival; TV director, Guillaume Dero (57 min)

      • InterMezzo

        (60 min)

      • Le Comte Ory by Rossini at the Opéra-Comique

        Le Comte Ory, by Gioachino Rossini (1792 - 1868); Libretto by Eugéne Scribe and Charles-Gaspard Delestre-Poirson; First performance in Paris, Opéra, 20 August 1828; Orchestre des Champs-Elysées, Louis Langrée (Conductor); les éléments, Joël Suhubiette (Chorus Master); Denis Podalydés (Stage Direction); Eric Ruf (Sets), Christian Lacroix (Costumes), Stéphanie Daniel (Lighting); Philippe Talbot (Le Comte Ory); Julie Fuchs (La Comtesse); Gaëlle Arquez (Isolier); Éve-Maud Hubeaux (Dame Ragonde); Patrick Bolleire (Le Gouverneur); Jean-Sébastien Bou (Raimbaud); Jodie Devos (Alice); Laurent Podalydés, Léo Reynaud (Comédiens); Recorded on December 27 and 29, 2017 at the Opéra-Comique, Paris; Directed by Vincent Massip (150 min)

      • InterMezzo

        (26 min)

      • Vicente Amigo - Jazz á Séte

        Vicente Amigo (guitar); Rafael de Utrera (vocals); Guy Fletcher (keyboard); Paquito Gonzalez (drums); Mike McGoldrick (flute); John McCusker (violin); Danny Cummings (percussions); Ewen Vernal (bass); Aňil Fernandez (guitar) (59 min)

      • InterMezzo

        (60 min)

      • Hindi Zahra et Fatoumata Diawara - Banlieues Bleues

        Hindi Zahra et Fatoumata Diawara; Olympic Café Tour; Banlieues Bleues Festival; Hindi Zahra, voice; Fatoumata Diawara, voice, guitar; Yacouba Kone, guitar, keyboards, Sekou Bah, bass; Zé Luis Nascimento, drums; This new production celebrates a friendship born ten years ago far from the limelight, when these two singers first shared the stage. That was in the early 2000's, before success came. At the time, Hindi Zahra and Fatoumata Diawara often appeared at the Olympic Café, a classic venue for new music, in the Paris district of 'La Goutte d'Or'. The two singers soon made a name for themselves, building bridges between cultures and making modern Africa shine in the world. Today, they revisit their early days, their friendship bringing together inventive folk music and soul. Recorded on 2017 19th March at the Pôle musical d'Orgemont, Epinay-sur-Seine, as part of the 'Banlieues Bleues' Festival; TV Director, Laurent Hasse (58 min)

      • Harold Lopez-Nussa - Banlieues Bleues

        Harold Lopez-Nussa; El Viaje; Harold Lopez-Nussa, piano; Alioune Wade, bass; Ruy Adrian Lopez-Nussa, drums, bongos, cajón; This prodigious heir to the great Cuban piano school displays his deeply inventive technique, in search of an all-encompassing form of jazz. Over the past ten years and since his first solo album, the virtuoso pianist, who trained at the best music schools in Havana, has made a number of recordings exploring his influences as a classical pianist and his Cuban roots. He is back with a trio, his favourite format, including Senegalese bass player Alioune Wade and his brother on percussions. His remarkable style serves an open form of jazz, more mature and supremely inventive. World class. Recorded on 15 March 2017 at Espace 93, Clichy-sous-Bois, as part of the 'Banlieues Bleues' Festival; TV director, Guillaume Dero (57 min)