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Harold Lopez-Nussa - Banlieues Bleues
Harold Lopez-Nussa; El Viaje; Harold Lopez-Nussa, piano; Alioune Wade, bass; Ruy Adrian Lopez-Nussa, drums, bongos, cajón; This prodigious heir to the great Cuban piano school displays his deeply inventive technique, in search of an all-encompassing form of jazz. Over the past ten years and since his first solo album, the virtuoso pianist, who trained at the best music schools in Havana, has made a number of recordings exploring his influences as a classical pianist and his Cuban roots. He is back with a trio, his favourite format, including Senegalese bass player Alioune Wade and his brother on percussions. His remarkable style serves an open form of jazz, more mature and supremely inventive. World class. Recorded on 15 March 2017 at Espace 93, Clichy-sous-Bois, as part of the 'Banlieues Bleues' Festival; TV director, Guillaume Dero (57 min)
InterMezzo
(60 min)
Le Comte Ory by Rossini at the Opéra-Comique
Le Comte Ory, by Gioachino Rossini (1792 - 1868); Libretto by Eugéne Scribe and Charles-Gaspard Delestre-Poirson; First performance in Paris, Opéra, 20 August 1828; Orchestre des Champs-Elysées, Louis Langrée (Conductor); les éléments, Joël Suhubiette (Chorus Master); Denis Podalydés (Stage Direction); Eric Ruf (Sets), Christian Lacroix (Costumes), Stéphanie Daniel (Lighting); Philippe Talbot (Le Comte Ory); Julie Fuchs (La Comtesse); Gaëlle Arquez (Isolier); Éve-Maud Hubeaux (Dame Ragonde); Patrick Bolleire (Le Gouverneur); Jean-Sébastien Bou (Raimbaud); Jodie Devos (Alice); Laurent Podalydés, Léo Reynaud (Comédiens); Recorded on December 27 and 29, 2017 at the Opéra-Comique, Paris; Directed by Vincent Massip (150 min)
InterMezzo
(26 min)
Vicente Amigo - Jazz á Séte
Vicente Amigo (guitar); Rafael de Utrera (vocals); Guy Fletcher (keyboard); Paquito Gonzalez (drums); Mike McGoldrick (flute); John McCusker (violin); Danny Cummings (percussions); Ewen Vernal (bass); Aňil Fernandez (guitar) (59 min)
InterMezzo
(60 min)
Hindi Zahra et Fatoumata Diawara - Banlieues Bleues
Hindi Zahra et Fatoumata Diawara; Olympic Café Tour; Banlieues Bleues Festival; Hindi Zahra, voice; Fatoumata Diawara, voice, guitar; Yacouba Kone, guitar, keyboards, Sekou Bah, bass; Zé Luis Nascimento, drums; This new production celebrates a friendship born ten years ago far from the limelight, when these two singers first shared the stage. That was in the early 2000's, before success came. At the time, Hindi Zahra and Fatoumata Diawara often appeared at the Olympic Café, a classic venue for new music, in the Paris district of 'La Goutte d'Or'. The two singers soon made a name for themselves, building bridges between cultures and making modern Africa shine in the world. Today, they revisit their early days, their friendship bringing together inventive folk music and soul. Recorded on 2017 19th March at the Pôle musical d'Orgemont, Epinay-sur-Seine, as part of the 'Banlieues Bleues' Festival; TV Director, Laurent Hasse (58 min)
Harold Lopez-Nussa - Banlieues Bleues
Harold Lopez-Nussa; El Viaje; Harold Lopez-Nussa, piano; Alioune Wade, bass; Ruy Adrian Lopez-Nussa, drums, bongos, cajón; This prodigious heir to the great Cuban piano school displays his deeply inventive technique, in search of an all-encompassing form of jazz. Over the past ten years and since his first solo album, the virtuoso pianist, who trained at the best music schools in Havana, has made a number of recordings exploring his influences as a classical pianist and his Cuban roots. He is back with a trio, his favourite format, including Senegalese bass player Alioune Wade and his brother on percussions. His remarkable style serves an open form of jazz, more mature and supremely inventive. World class. Recorded on 15 March 2017 at Espace 93, Clichy-sous-Bois, as part of the 'Banlieues Bleues' Festival; TV director, Guillaume Dero (57 min)
Naissam Jalal - Banlieues Bleues
Naissam Jalal Live at Banlieues Bleues 2017; Naissam Jalal feat. Hamid Drake, Quest of invisible F. Naissam Jalal, compositions, flute, nay; Leonardo Montant, piano; Claude Tchamitchian, bass; Harmid Drake, battery, drums; The flautist continues her search for meaning with a dream quartet to approach the mystical and spiritual side of jazz. From her early days, Naissam Jalal has been oscillating between the West, symbolized by the traverso she studied at the Conservatory, and the East, represented by the ney, which she studied with great masters in Damascus and Cairo. In residence at the Dynamo, she sets a new objective: to integrate improvised modal jazz with non-western traditions, like the Arab dhikr, the Indian raga, and Gnawa trance. A specialist of the genre, drummer and percussionist Hamid Drake immediately recognized in her the ability he himself acquired alongside Don Cherry and Pharoah Sanders. He is now part of the adventure. Recorded on 2017, March 28th at the Dynamo of Banlieues Bleues, Pantin, as part of the 'Banlieues Bleues' Festival; TV Director, Gilles Le Mao (58 min)
InterMezzo
(60 min)
Jonathan Nott conducts the OSR with Nelson Freire: Schumann, Brahms
Orchestre de la Suisse Romande, Jonathan Nott (Conductor); Nelson Freire (Piano); Robert Schumann (1810 - 1856); Concerto for piano and orchestra in A minor, op.54; Johannes Brahms (1833 - 1897); Symphony No. 4 in E minor, op.98; Recorded on March 22nd 2017 at the Victoria Hall, Geneva; Directed by Andy Sommer (84 min)
Jonathan Nott and the Orchestre de la Suisse Romande: Mahler
Orchestre de la Suisse Romande, Jonathan Nott (Conductor); Ensemble vocal de Lausanne, Maîtrise du Conservatoire Populaire de Musique, Danse et Théâtre de Genéve; Mihoko Fujimura (mezzo-soprano); Gustav Mahler (1860 - 1911); Symphony no. 3 in D minor; Recorded on May 24, 2018 at the Victoria Hall, Genéve; Directed by Andy Sommer (112 min)
Cinderella by Alexei Ratmansky. Mariinsky Theater
Cinderella; Choreography by Alexei Ratmansky; Ballet in 3 acts; Music by Sergei Prokofiev; Libretto by Nikolai Vloklov after Charles Perrault'fairy tail; Mariinsky orchestra; Valery Gergiev, conductor; With, Diana Vishneva, Cinderella - Vladimir Shklyarov, The Prince - Yekaterian Kondaurova, The Cruel mother; Recorded at the Mariinsky Theater in June 2013; TV Director, Olivier Simonnet (110 min)
Bach: Cantatas BWV 21, 82 - Pygmalion, Raphaël Pichon
Ensemble Pygmalion, Raphaël Pichon (Conductor); Robin Johannsen (soprano), Lucile Richardot (alto), Robin Tritschler (tenor), Stéphane Degout (baritone), Tomáš Král (bass), Anne Alvaro (reading); Johann Sebastian Bach (1685 - 1750); Motet BWV deest 'Der Gerechte kömmt um'; Cantata BWV 82 'Ich habe genug ' Aria 1 & Récitatif 2; Johann Christoph Bach (1642 - 1703); 'Mit weinen hebt sich's an'; Johann Sebastian Bach; Cantata BWV 82 'Ich habe genug' Aria 3 & Récitatif 4; Johann Christoph Bach; Es ist nun aus; Johann Sebastian Bach; Cantata BWV 82 'Ich habe genug' Aria 5; Sven-David Sandström (b. 1942); Es ist genug; Johann Sebastian Bach; Cantata BWV 21 'Ich hatte viel Bekümmernis'; Recorded on May 14, 2018 at la Cité de la Musique, Paris; Directed by Colin Laurent (75 min)
InterMezzo
(18 min)
The Orchestre de la Suisse Romande and Jonathan Nott: Dvořák, Strauss
Orchestre de de la Suisse Romande, Jonathan Nott (conductor); Xavier Philipps (cello); Antonín Dvořák (1841 - 1904); Concerto for cello and orchestra in B minor, op. 104; Richard Strauss (1864 - 1949); Ein Heldenleben, op. 40; Recorded on May 8, 2018 at the Teatro Colón, Buenos Aires; Directed by Andy Sommer (95 min)
The Orchestre de la Suisse Romande and Jonathan Nott: Debussy, Ravel, Brahms
Orchestre de de la Suisse Romande, Jonathan Nott (Conductor); Nelson Goerner (piano); Claude Debussy (1862 - 1918); Prélude á l'aprés-midi d'un faune; Maurice Ravel (1875 - 1937); Piano Concerto in G; Johannes Brahms (1833 - 1897); Symphony no 3 in F major, op. 90; Recorded on May 7, 2018 at the Teatro Colón, Buenos Aires; Directed by Andy Sommer (75 min)
InterMezzo
(66 min)
Il Barbiere di Siviglia by Rossini at the Grand Théâtre de Genéve
Il Barbiere di Siviglia, opera buffa in two acts by Gioachino Rossini (1792 - 1868); Libretto by Cesare Sterbini based on 'Le Barbier de Séville' by Pierre-Augustin Caron de Beaumarchais; First performance in Rome, Teatro Argentina, 20 February 1816; Orchestre de la Suisse Romande, Jonathan Nott (Conductor); Chorus of the Grand Théâtre de Genéve, Alan Woodbridge (Chorus Master); Sam Brown (Stage Director); Bogdan Mihai (Il Conte di Almaviva); Bruno Taddia (Figaro); Lena Belkina (Rosina); Bruno de Simone (Bartolo); Marco Spotti (Basilio); Mary Feminear (Berta); Rodrigo Garcia (Fiorello); Aleksandar Chaveev (Un Ufficiale); Peter Baekeun (Ambrogio); Furio Longhi (Il Notario); Recorded on September 20, 2017 at the Grand Théâtre de Genéve; Directed by Isabelle Soulard (158 min)
InterMezzo
(81 min)
The Orchestre de la Suisse Romande and Jonathan Nott: Brahms, Stravinsky
Orchestre de la Suisse Romande, Jonathan Nott (condiuctor); Sergey Khachatryan (violin); Johannes Brahms (1833 - 1813); Violin concerto in D major, op.77; Igor Stravinsky (1882 - 1971); The Rite of Spring; Recorded on June 1st 2017 at the Victoria Hall, Geneva; Directed by Andy Sommer (92 min)
The Orchestre de la Suisse Romande and Jonathan Nott: Liszt, Ravel, Schoenberg, Rachmaninov
Orchestre de la Suisse Romande, Jonathan Nott (conductor); Alexei Volodin (piano), Vincent Thévenaz (organ); Franz Liszt (1811 - 1886); Prelude and Fugue on B-A-C-H, S 260; Arnold Schönberg (1874 - 1951); Variations for Orchestra, op. 31; Sergei Rachmaninov (1873 - 1943); Rhapsody on a Theme of Paganini, op. 43; Maurice Ravel (1875 - 1937); Boléro; Recorded on November 15, 2017 at the Victoria Hall, Genéva; Directed by Andy Sommer (92 min)
Jun Miyake - The here and after
Jun Miyake (keyboards, trumpet), Sébastien Surel (1st violin), Elodie Michalakakos (2nd violin), Vlad Bogdanas (viola), Miwa Rosso (cello), Lisa Papineau (voice), Kyoko Katsunuma (voice), Vanya Moneva, Veselina Kurtyan, Diana Teneva and Anna Natskova (Bulgarian Cosmic voices), Dairo Miyamoto (saxophone), Ze Luis Nascimento (percussions), Manuel Marches (bass), Olivier Louvel (guitare, oud), Philippe Avril (sound) (58 min)
InterMezzo
(51 min)
Noé by Thierry Malandain, Théâtre national de Chaillot
Noé; Choreography byThierry Malandain; Music, Messa di Gloria de Gioacchino Rossini; Set and costume, Jorge Gallardo; Lights, Francis Mannaert; Costumes productin, Véronique Murat; With; Ione Miren Aguirre, Raphaël Canet, Mickaël Conte, Ellyce Daniele, Frederik Deberdt, Romain Di Fazio, Baptiste Fisson, Clara Forgues, Michaël Garcia, Jacob Hernandez Martin, Irma Hoffren, Miyuki Kanei, Mathilde Labé, Hugo Layer, Guillaume Lillo, Claire Lonchampt, Nuria López Cortés, Arnaud Mahouy, Ismaël Turel Yagüe, Patricia Velazquez, Laurine Viel, Daniel Vizcayo, Lucia You González; Recorded on May 24th 2017 at the Théâtre national de Chaillot; TV Director, Patrick Lauze (70 min)
Beauty and the Beast by Thierry Malandain performed by the Malandain Ballet Biarritz
Beauty and the Beast; Choreography by Thierry Malandain; Music by Piotr Ilitch Tchaikovski (Symphony N° 6 ' Pathetic ', Op. 74); Additional music, The polonaise and the Waltz of the opera, Eugéne Onéguine by P.I. Tchaikovski; Light creation, Jean-Claude Asquié; Set and costume, Jorge Gallardo; Ballet masters, Richard Coudray, Françoise Dubuc; Conductor, Ainars Rubikis; Orchestre Symphonique d'Euskadi; With The Malandain Ballet Biarritz; Beauty, Claire Lonchampt; The Beast, Mickaël Conte; The Artist, Arnaud Mahouy; The Soul, Miyuki Kanei; The Body, Daniel Vizcayo; The father, Frederik Deberdt; The sisters, Ellyce Daniele, Ione Miren Aguirre; The brothers, Raphaël Canet, Baptiste Fisson; Les allégories - Allegories; The love, Patricia Velázquez; The rose, Miyuki Kanei; The mirror, Hugo Layer; The glove, Irma Hoffren; The horse, Baptiste Fisson; The Key, Michaël Garcia; Sets; Ione Miren Aguirre, Raphaël Canet, Ellyce Daniele, Romain di Fazio, Baptiste Fisson, Clara Forgues, Michaël Garcia, Lucia You González, Irma Hoffren, Mathilde Labé, Hugo Layer, Guillaume Lillo, Nuria López Cortés, Ismael Turel Yagüe, Patricia Velázquez, Laurine Viel, Daniel Vizcayo; Recorded on February 2,3 & 4 2016 at the Donostia Kursaal in San Sébastien, Spain; TV Director, Patrick Lauze (81 min)
