• Mezzo Live HD

    • Mezzo Live HD od do

      • Raphël Pichon conducts Bach's Saint Matthew Passion

        Pygmalion, Raphaël Pichon (Conductor); Julian Prégardien (Tenor, Evangelist), Stéphane Degout (Jesus, bass I), Sabine Devieilhe (soprano I), Mailys de Villoutreys (soprano II), Damien Guillon (alto I), Lucile Richardot (alto II), Samuel Boden (Tenor I), Thomas Hobbs (Tenor II), Christian Immler (bass II); Johann Sebastian Bach; Saint Matthew Passion BWV 244; Recorded at the Chapelle Royale, Château de Versailles, on March 26, 2016; TV director, Colin Laurent (173 min)

      • InterMezzo

        (60 min)

      • Don Giovanni by Mozart at the Festival d'Aix-en-Provence

        Don Giovanni, by Wolfgang Amadeus Mozart; Le Cercle de l'Harmonie, Jérémie Rhorer (Conductor); English Voices; Jean-François Sivadier (Stage Direction); Alexandre de Dardel (Sets), Virginie Gervaise (Costumes), Philippe Berthomé (Lighting); Philippe Sly (Don Giovanni); Nahuel di Pierro (Leporello); Eleonora Buratto (Donna Anna); Pavol Breslik (Don Ottavio); Isabel Leonard (Donna Elvira); Julie Fuchs (Zerlina); Krzysztof Baczyk (Masetto); David Leigh (Il Commendatore); Recorded on July 8th and 10the 2017 at the Festival d'Aix-en-Provence, Archeveché Theater; TV Director, Philippe Béziat (171 min)

      • Antonio Zambujo at Au Fil Des Voix festival

        António Zambujo (vocals, guitar); André Conde (trombone); José Miguel Conde (clarinets); Ricardo Cruz (double bass); Mário Delgado (electric guitar); Alexandre Frazao (drums); Jon Luz (guitar, ukulele); Carlos Manuel Proença (acoustic guitar) (59 min)

      • InterMezzo

        (60 min)

      • Sabine Devieilhe and Les Siécles at the Philharmonie de Paris

        Les Siécles, François-Xavier Roth (Conductor); Sabine Devieilhe (soprano); Ambroise Thomas; Mignon, Overture; Je suis Titania la blonde (Mignon); Léo Delibes; Prélude et Valse (Coppélia, ou La Fille aux yeux d'émail); Hector Berlioz; La Mort d'Ophélie (Tristia); Ambroise Thomas; Raymond, ou Le Secret de la reine, Overture; Á vos jeux, mes amis (Hamlet); Maurice Delage; Quatre Poémes hindous; Igor Stravinski; Chanson du rossignol (Le Rossignol); Camille Saint-Saëns; La Princesse jaune, Overture; André Messager; Le jour sous le soleil béni (Madame Chrysanthéme); Léo Delibes; Les fleurs me paraissent plus belles (Lakmé); Ballet (Lakmé); Légende de la fille du Paria (Air des clochettes) (Lakmé); Recorded at the Philharmonie de Paris on Novembre 14, 2017; TV Director, Olivier Simonnet; Ambroise Thomas - Mignon, Ouverture, 'Je suis Titania la blonde'; Léo Delibes - Coppélia (extraits), Prélude et Valse; Hector Berlioz - La Mort d'Ophélie; Ambroise Thomas - Raymond, Ouverture; Hamlet, 'A vos jeux, mes amis' (Air d'Ophélie); Maurice Delage - 4 poémes hindous; Igor Stravinski - Chanson du Rossignol; Camille Saint-Saëns - La Princesse Jaune, Ouverture; André Messager - Madame Chrysantéme, 'Le jour sous le soleil béni'; Léo Delibes - Lakmé, 'Les fleurs me paraissent plus belles ', Air de danse, 'Légende de la fille du Paria' (Air des clochettes); Enregistré le 14 novembre 2017 á la Philharmonie de Paris; Réalisation, Olivier Simonnet (90 min)

      • The Four Seasons by Vivaldi with Concerto Köln

        Concerto Köln; Shunske Sato (violin); Antonio Vivaldi; Concerto for Strings and Continuo in G minor RV 156; Evaristo Felice dall'Abaco; Concerto in D minor Op. 2 No. 1 from Concerti a quattro da chiesa; Antonio Vivaldi; Concerto No. 1 in E major, Op. 8, RV 269, 'Spring' (La primavera); Concerto No. 2 in G minor, Op. 8, RV 315, 'Summer' (L'estate); Charles Avison; Concerto Grosso No. 6 in D Major, from 12 Concerti Grossi in seven parts after the Lessons for Harpsichord by Domenico Scarlatti; Antonio Vivaldi; Sinfonia al Santo Sepolcro in B minor RV 169; Concerto No. 3 in F major, Op. 8, RV 293, 'Autumn' (L'autunno); Concerto No. 4 in F minor, Op. 8, RV 297, 'Winter' (L'inverno); Recorded at the Teatru Manoel, Malta, on January 13, 2018; Directed by Julien Condemine (76 min)

      • InterMezzo

        (70 min)

      • Bach in Italy: Concerto Köln in Malta

        Concerto Köln; Markus Hoffmann (violin); Antonio Vivaldi; Concerto for Strings and Basso Continuo in C minor RV 120; Pietro Antonio Locatelli; Concerto grosso in G minor Op. 1 No. 12; Evaristo Felice Dall'Abaco; Concerto a piú Istrumenti in D major Op. 5 No. 6; Johann Sebastian Bach; Concerto for Harpsichord, No. 4 in A major BWV 1055; Giovanni Battista Sammartini; Sinfonia in A major; Antonio Vivaldi; Violin Concerto in E minor RV 277 'Il favorito'; Johann Sebastian Bach; Sinfonia in C major from Cantata Der Herr denket an uns (The Lord careth for us) BWV 196; Johann Sebastian Bach; Brandenburg Concerto No. 4 in G major BWV 1049; Recorded at the Teatru Manoel, Malta, on January 14, 2018; Directed by Julien Condemine (84 min)

      • The Orchestre de la Suisse Romande and Jonathan Nott: Brahms, Stravinsky

        Orchestre de la Suisse Romande, Jonathan Nott (condiuctor); Sergey Khachatryan (violin); Johannes Brahms; Violin concerto in D major, op.77; Igor Stravinsky; The Rite of Spring; Recorded on June 1st 2017 at the Victoria Hall, Geneva; Directed by Andy Sommer (90 min)

      • InterMezzo

        (28 min)

      • Raphaël Pichon conducts Saint John Passion by Bach at the Philharmonie de Paris

        Ensemble Pygmalion, Raphaël Pichon (Conductor); Julian Prégardien (Evangelist), Thomas E. Bauer (Jesus), Kateryna Kasper (soprano), Lucile Richardot (alto), John Irvin (tenor), Christian Immler (bass); Marcus Borja (Stage Direction), Bertrand Couderc (lighting); Johann Sebastian Bach; Saint John Passion BWV 245; Recorded on March 31, 2018 at the Philharmonie de Paris (115 min)

      • Ensemble Amarillis plays Rameau at Versailles

        Ensemble Amarillis, Héloise Gaillard and Violaine Cochard (Artistic direction); Mathias Vidal (haute-contre), Héloise Gaillard (oboe), Alice Piérot (violin), Isabelle Saint-Yves (viola da gamba), Violaine Cochard (harpsichord); Jean-Philippe Rameau; Piéces de clavecin en concert, Cinquiéme Concert: La Forqueray, La Cupis, La Marais (violin, viola and harpsichord); Le Berger fidéle, Cantata for tenor, oboe, violin and continuo; Piéces de clavecin en concert, Deuxiéme Concert: La Laborde, La Boucon, L'Agaçante, Menuet 1 et 2 (oboe, violin, viola and harpsichord); Les Indes galantes, Ritournelle pour l'entrée des Incas; Orphée, Cantata for tenor, oboe, violin and continuo; Recorded at the Galerie des Cotelle, Grand Trianon, château de Versailles, March the 9th, 2014 (67 min)

      • InterMezzo

        (22 min)

      • Bill Frisell Trio - Melbourne International Jazz Festival

        Bill Frisell Trio; Bill Frisell, guitar; Thomas Morgan, bass; Rudy Royston, drums; One of the world's most celebrated jazz guitarists, 'Bill Frisell plays the guitar the way Miles Davis played the trumpet' (The New Yorker). His distinctive style masterfully blends the inventiveness of jazz, the warmth of folk and country, the abstraction of the avant garde and the raw emotion of blues and rock. Don't miss this rare club performance by a giant of contemporary jazz. Recorded on June 4th 2017 at The Jazzlab, Melbourne International Jazz Festival, Australia; TV Director, Mathieu Mastin (44 min)

      • Ari Hoenig Trio - Melbourne International Jazz Festival

        Ari Hoenig Trio; Ari Hoenig, drums; Nitai Hershkovits, piano; Or Bareket, bass; Ari Hoenig's thrilling live performances are renowned for being whole-of-body, whole-of-mind experiences. An intensely creative musician who is continuously exploring the melodic possibilities of the drum set, both as a player and a composer, Hoenig is unmatched for his 'expansive technique, propulsive time and deep musicality' (New York Times). Don't miss Hoenig's boldly uncompromising new trio as they take live improvisation into exhilarating new territories. Recorded on June 4th 2017 at The Jazzlab, Melbourne International Jazz Festival, Australia; TV Director, Mathieu Mastin (45 min)

      • The Necks - Melbourne International Jazz Festival, Australia

        The Necks; Chris Abrahams, piano; Tony Buck, drums; Lloyd Swanton, bass; From unlikely beginnings as a band experimenting privately with no intention of ever performing in public, The Necks have gone on to achieve extraordinary worldwide acclaim for their unique music making. Now in their fourth decade of collaboration, the almost-telepathic rapport between the trio is one of the most compelling in live music. The Necks' live shows have been likened to an almost religious experience, conjuring a chemistry that defies description in orthodox terms. Performing off the back of Unfold, their most recent release and eighteenth as a band, this is an unmissable opportunity to experience one of this country's most iconic ensembles. Recorded on June 5th 2017 at The Jazzlab, Melbourne International Jazz Festival, Australia; TV Director, Mathieu Mastin (48 min)

      • InterMezzo

        (95 min)

      • Il Trionfo del Tempo e del Disinganno by Haendel at the Festival d'Aix-en-Provence

        Il Trionfo del Tempo e del Disinganno, by Georg Friedrich Haendel; Oratorio en two parts, libretto by cardinal Benedetto Pamphili; Le Concert d'Astrée, Emmanuelle Haim (Conductor); Krzysztof Warlikowski (Stage Direction); Malgorzata Szczesniak (Sets & Costumes), Christian Longchamp (Dramaturgy), Felice Ross (Lighting), Claude Bardouil (Choreography), Denis Guéguin (Video); Sabine Devieilhe (Bellezza); Franco Fagioli (Piacere); Sara Mingardo (Disinganno); Michael Spyres (Tempo); Live from the Festival d'Aix-en-Provence; TV direction by Stéphane Metge (137 min)

      • InterMezzo

        (102 min)

      • OSR, A. Volodin, V. Thévenaz conducted by J. Nott play Liszt, Schönberg, Rachmaninov, Ravel

        Orchestre de la Suisse Romande; Jonathan Nott (conductor); Alexei Volodin (piano), Vincent Thévenaz (organ); Franz Liszt; Prélude and Fugue 'sur le nom de Bach' for organ solo, S 260; Arnold Schönberg; Variations for Orchestra op. 31; Sergei Rachmaninov; Rhapsody on a Theme of Paganini op. 43; Maurice Ravel; Boléro; Recorded on November 15th 2017 at the Victoria Hall, Genéva; Directed by Andy Sommer (92 min)

      • Bach by Raphaël Pichon: Cantatas 34, 51, 31 & 191

        Ensemble Pygmalion, Raphaël Pichon (Conductor); Sabine Devieilhe (soprano), Alex Potter (alto), Julian Prégardien (tenor), Christian Immler (bass); Saburo Teshigawara (dance), Rihoko Sato (dance); Johann Sebastian Bach; Cantata BWV 34 'O ewiges Feuer, o Ursprung der Liebe'; Cantata BWV 51 'Jauchzet Gott in alle Landen'; Brandenburg Concerto no 3 BWV 1048; Cantata BWV 31 'Der Himmel lacht! Die Erde jubiliert!'; Cantata BWV 191 'Gloria in Excelsis Deo '; Recorded on October 11, 2017 at la Cité de la Musique, Paris; Directed by Colin Laurent (100 min)

      • Jacky Terrasson at L'Olympia

        Jacky Terrasson (Piano, Fender Rhodes); Sly Johnson (Vocal, Beat Box); Burniss Travis (Bass); Lukmil Perez (Drums); Adama (Percussion); Special-Guests: Cecile McLorin-Salvant (Vocal); Marcio Faraco (Guitar, Vocal); Stephane Belmondo (Trumpet, Bugle); Anne Sila (vocal), Mathilde (vocal), Catherine Denecy (dance) (103 min)

      • Il Trionfo del Tempo e del Disinganno by Haendel at the Festival d'Aix-en-Provence

        Il Trionfo del Tempo e del Disinganno, by Georg Friedrich Haendel; Oratorio en two parts, libretto by cardinal Benedetto Pamphili; Le Concert d'Astrée, Emmanuelle Haim (Conductor); Krzysztof Warlikowski (Stage Direction); Malgorzata Szczesniak (Sets & Costumes), Christian Longchamp (Dramaturgy), Felice Ross (Lighting), Claude Bardouil (Choreography), Denis Guéguin (Video); Sabine Devieilhe (Bellezza); Franco Fagioli (Piacere); Sara Mingardo (Disinganno); Michael Spyres (Tempo); Live from the Festival d'Aix-en-Provence; TV direction by Stéphane Metge (137 min)