• Mezzo Live HD

    • Mezzo Live HD od do

      • Hedda Gabler by Marit Moum Aune, Norwegian national ballet

        Hedda Gabler; Marit Moum Aune, choreography and staging; Kaloyan Boyadjive, Group choreography; Nils Petter Molvaer, music; Even Borsum, sets design; Ingrid Nylander, costume design; Kristin Bredal, lighting design; With dancers from; The Norwegian national ballet; The Norwegian national ballet school; And; Grete Sofie Borud Nybakken (Hedda Gabler); Silas Henriksen (Eilert Lovborg); Philip Currell (Jorgen Tesman); Eugenie Skilnand (Thea Elvsted); Shane Urton (Assessorr Brack); Samantha Lynch (Aunt Julie); Klara Martensson (Diana); Kristian Alm (Général Gablerl, Hedda's father); Erle Ostraat (Hedda Gabler child); Helle Flood (Thea Elvsted, child); Recorded on October 17th and 18th 2017 at the Den Norske Opera & Ballet; TV Director, Tommy Pascal (99 min)

      • InterMezzo

        (60 min)

      • Alcina by Haendel at the Festival d'Aix en Provence

        Alcina, by Georg Friedrich Haendel; Freiburger Barockorchester, Andrea Marcon (Conductor); MusicAeterna (Chorus of the Perm Opera), Vitaly Polonsky (Chorus Master); Katie Mitchell (Stage Direction); Chloe Lamford (Sets), Laura Hopkins (Costumes), James Farncombe (Lighting), Joseph W. Alford (Choreographer); Patricia Petibon (Alcina); Philippe Jaroussky (Ruggiero); Anna Prohaska (Morgana); Katarina Bradić (Bradamante); Anthony Gregory (Oronte); Krzysztof Baczyk (Melisso); Recorded on June 30 & July 10, 2015 at the Grand Théâtre de Provence, Festival d'Aix-en-Provence; Directed by Corentin Leconte (180 min)

      • MICHEL CAMILO-TOMATITO at Jazz sous les pommiers

        Between Caribbean jazz from the Dominican pianist and Flamenco from the Andalusian guitarist, a frenzied and highly enjoyable encounter. Unique date in France. Michel Camilo: piano; Tomatito: guitars (59 min)

      • InterMezzo

        (60 min)

      • Bach in Italy: Concerto Köln in Malta

        Concerto Köln; Markus Hoffmann (violin); Antonio Vivaldi; Concerto for Strings and Basso Continuo in C minor RV 120; Pietro Antonio Locatelli; Concerto grosso in G minor Op. 1 No. 12; Evaristo Felice Dall'Abaco; Concerto a piú Istrumenti in D major Op. 5 No. 6; Johann Sebastian Bach; Concerto for Harpsichord, No. 4 in A major BWV 1055; Giovanni Battista Sammartini; Sinfonia in A major; Antonio Vivaldi; Violin Concerto in E minor RV 277 'Il favorito'; Johann Sebastian Bach; Sinfonia in C major from Cantata Der Herr denket an uns (The Lord careth for us) BWV 196; Johann Sebastian Bach; Brandenburg Concerto No. 4 in G major BWV 1049; Recorded at the Teatru Manoel, Malta, on January 14, 2018; Directed by Julien Condemine (84 min)

      • Raphaël Pichon conducts Saint John Passion by Bach at the Philharmonie de Paris

        Ensemble Pygmalion, Raphaël Pichon (Conductor); Julian Prégardien (Evangelist), Thomas E. Bauer (Jesus), Kateryna Kasper (soprano), Lucile Richardot (alto), John Irvin (tenor), Christian Immler (bass); Marcus Borja (Stage Direction), Bertrand Couderc (lighting); Johann Sebastian Bach; Saint John Passion BWV 245; Recorded on March 31, 2018 at the Philharmonie de Paris (130 min)

      • InterMezzo

        (14 min)

      • Alcina by Haendel at the Festival d'Aix en Provence

        Alcina, by Georg Friedrich Haendel; Freiburger Barockorchester, Andrea Marcon (Conductor); MusicAeterna (Chorus of the Perm Opera), Vitaly Polonsky (Chorus Master); Katie Mitchell (Stage Direction); Chloe Lamford (Sets), Laura Hopkins (Costumes), James Farncombe (Lighting), Joseph W. Alford (Choreographer); Patricia Petibon (Alcina); Philippe Jaroussky (Ruggiero); Anna Prohaska (Morgana); Katarina Bradić (Bradamante); Anthony Gregory (Oronte); Krzysztof Baczyk (Melisso); Recorded on June 30 & July 10, 2015 at the Grand Théâtre de Provence, Festival d'Aix-en-Provence; Directed by Corentin Leconte (180 min)

      • InterMezzo

        (30 min)

      • Raphël Pichon conducts Bach's Saint Matthew Passion

        Pygmalion, Raphaël Pichon (Conductor); Julian Prégardien (Tenor, Evangelist), Stéphane Degout (Jesus, bass I), Sabine Devieilhe (soprano I), Mailys de Villoutreys (soprano II), Damien Guillon (alto I), Lucile Richardot (alto II), Samuel Boden (Tenor I), Thomas Hobbs (Tenor II), Christian Immler (bass II); Johann Sebastian Bach; Saint Matthew Passion BWV 244; Recorded at the Chapelle Royale, Château de Versailles, on March 26, 2016; TV director, Colin Laurent (173 min)

      • InterMezzo

        (30 min)

      • OSR, A. Volodin, V. Thévenaz conducted by J. Nott play Liszt, Schönberg, Rachmaninov, Ravel

        Orchestre de la Suisse Romande; Jonathan Nott (conductor); Alexei Volodin (piano), Vincent Thévenaz (organ); Franz Liszt; Prélude and Fugue 'sur le nom de Bach' for organ solo, S 260; Arnold Schönberg; Variations for Orchestra op. 31; Sergei Rachmaninov; Rhapsody on a Theme of Paganini op. 43; Maurice Ravel; Boléro; Recorded on November 15th 2017 at the Victoria Hall, Genéva; Directed by Andy Sommer (92 min)

      • Bach by Raphaël Pichon: Cantatas 34, 51, 31 & 191

        Ensemble Pygmalion, Raphaël Pichon (Conductor); Sabine Devieilhe (soprano), Alex Potter (alto), Julian Prégardien (tenor), Christian Immler (bass); Saburo Teshigawara (dance), Rihoko Sato (dance); Johann Sebastian Bach; Cantata BWV 34 'O ewiges Feuer, o Ursprung der Liebe'; Cantata BWV 51 'Jauchzet Gott in alle Landen'; Brandenburg Concerto no 3 BWV 1048; Cantata BWV 31 'Der Himmel lacht! Die Erde jubiliert!'; Cantata BWV 191 'Gloria in Excelsis Deo '; Recorded on October 11, 2017 at la Cité de la Musique, Paris; Directed by Colin Laurent (100 min)

      • InterMezzo

        (39 min)

      • Bill Frisell Trio - Melbourne International Jazz Festival

        Bill Frisell Trio; Bill Frisell, guitar; Thomas Morgan, bass; Rudy Royston, drums; One of the world's most celebrated jazz guitarists, 'Bill Frisell plays the guitar the way Miles Davis played the trumpet' (The New Yorker). His distinctive style masterfully blends the inventiveness of jazz, the warmth of folk and country, the abstraction of the avant garde and the raw emotion of blues and rock. Don't miss this rare club performance by a giant of contemporary jazz. Recorded on June 4th 2017 at The Jazzlab, Melbourne International Jazz Festival, Australia; TV Director, Mathieu Mastin (44 min)

      • Ari Hoenig Trio - Melbourne International Jazz Festival

        Ari Hoenig Trio; Ari Hoenig, drums; Nitai Hershkovits, piano; Or Bareket, bass; Ari Hoenig's thrilling live performances are renowned for being whole-of-body, whole-of-mind experiences. An intensely creative musician who is continuously exploring the melodic possibilities of the drum set, both as a player and a composer, Hoenig is unmatched for his 'expansive technique, propulsive time and deep musicality' (New York Times). Don't miss Hoenig's boldly uncompromising new trio as they take live improvisation into exhilarating new territories. Recorded on June 4th 2017 at The Jazzlab, Melbourne International Jazz Festival, Australia; TV Director, Mathieu Mastin (45 min)

      • The Necks - Melbourne International Jazz Festival, Australia

        The Necks; Chris Abrahams, piano; Tony Buck, drums; Lloyd Swanton, bass; From unlikely beginnings as a band experimenting privately with no intention of ever performing in public, The Necks have gone on to achieve extraordinary worldwide acclaim for their unique music making. Now in their fourth decade of collaboration, the almost-telepathic rapport between the trio is one of the most compelling in live music. The Necks' live shows have been likened to an almost religious experience, conjuring a chemistry that defies description in orthodox terms. Performing off the back of Unfold, their most recent release and eighteenth as a band, this is an unmissable opportunity to experience one of this country's most iconic ensembles. Recorded on June 5th 2017 at The Jazzlab, Melbourne International Jazz Festival, Australia; TV Director, Mathieu Mastin (48 min)

      • InterMezzo

        (95 min)

      • Ghosts by Cina Espejord, The Norwegian National Ballet

        Ghosts; Choreography byCina Espejord; Marit Moum Aune, staging; Nils Petter Molvaer, Music; Even Borsum, set design; Ingrid Nylander, costumes; Kristin Bredal, lighting design; Jan Bang, trumpet; With dancers from; The Norwegian national ballet; The Norwegian national ballet school; and; Andreas Heise (Osvald / M. Alving); Camilla Spidsoe (Ms Alving); Grete Sofie Borud Nybakken (Regine); Yoshifumi Inao (Engstrand); Ole Willy Falkhaugen (Pastor Manders); Recorded on Februarty 20th and 21st 2017 at the Den Norske Opera & Ballet; TV Director, Tommy Pascal (75 min)

      • Hedda Gabler by Marit Moum Aune, Norwegian national ballet

        Hedda Gabler; Marit Moum Aune, choreography and staging; Kaloyan Boyadjive, Group choreography; Nils Petter Molvaer, music; Even Borsum, sets design; Ingrid Nylander, costume design; Kristin Bredal, lighting design; With dancers from; The Norwegian national ballet; The Norwegian national ballet school; And; Grete Sofie Borud Nybakken (Hedda Gabler); Silas Henriksen (Eilert Lovborg); Philip Currell (Jorgen Tesman); Eugenie Skilnand (Thea Elvsted); Shane Urton (Assessorr Brack); Samantha Lynch (Aunt Julie); Klara Martensson (Diana); Kristian Alm (Général Gablerl, Hedda's father); Erle Ostraat (Hedda Gabler child); Helle Flood (Thea Elvsted, child); Recorded on October 17th and 18th 2017 at the Den Norske Opera & Ballet; TV Director, Tommy Pascal (99 min)

      • ROBERT GLASPER EXPERIMENT SPECIAL GUEST YASIIN BEY AKA MOS DEF

        Robert GLASPER (keyboard, Fender Rhodes); Derrick HODGES (electric bass); Mark COLENBURG (drums); Casey BENJAMIN (voice, saxophone); Yasiin BEY aka Mos Def (voice) (60 min)

      • InterMezzo

        (60 min)

      • Bill Frisell Trio - Melbourne International Jazz Festival

        Bill Frisell Trio; Bill Frisell, guitar; Thomas Morgan, bass; Rudy Royston, drums; One of the world's most celebrated jazz guitarists, 'Bill Frisell plays the guitar the way Miles Davis played the trumpet' (The New Yorker). His distinctive style masterfully blends the inventiveness of jazz, the warmth of folk and country, the abstraction of the avant garde and the raw emotion of blues and rock. Don't miss this rare club performance by a giant of contemporary jazz. Recorded on June 4th 2017 at The Jazzlab, Melbourne International Jazz Festival, Australia; TV Director, Mathieu Mastin (44 min)

      • The Necks - Melbourne International Jazz Festival, Australia

        The Necks; Chris Abrahams, piano; Tony Buck, drums; Lloyd Swanton, bass; From unlikely beginnings as a band experimenting privately with no intention of ever performing in public, The Necks have gone on to achieve extraordinary worldwide acclaim for their unique music making. Now in their fourth decade of collaboration, the almost-telepathic rapport between the trio is one of the most compelling in live music. The Necks' live shows have been likened to an almost religious experience, conjuring a chemistry that defies description in orthodox terms. Performing off the back of Unfold, their most recent release and eighteenth as a band, this is an unmissable opportunity to experience one of this country's most iconic ensembles. Recorded on June 5th 2017 at The Jazzlab, Melbourne International Jazz Festival, Australia; TV Director, Mathieu Mastin (48 min)

      • Anouar Brahem / Dave Holland / Jack Dejohnette - Philharmonie de Paris

        Anouar Brahem; Blue Maqams; Anouar Brahem, oud; Dave Holland, double bass; Jack DeJohnette, drums; Django Bates, piano; For more than 25 years, Anouar Brahem has taken his oud all over far off lands. A melodic impressionist and a for ever inspired improvisor, the Tunisian musician has above all toppled the barriers which separate genres.Thanks to him, Arab music and jazz have started a very singular dialogue which approaches the sublime.A conversation between the past and the present, tradition and modernity. Anour Rahem has built up this pacified 'no man's land 'principally on Manfred Eicher's Munich record label ECM to become one of the label's most faithful artists.In the great Pierre Boulez Hall, in the company of the bass player Dave Holland, drummer Jack DeJohnette and the pianist Django Bates, he produces a blend of absolute beauty and of universal value. Playlist: Opening Day; La Nuit; Blue Maqams; Bahia; Persepolis' Mirage; Unexpected outcome; The recovered road to Al-Sham; Bom Dia Rio; Halfaouine; All compositions by Anouar Brahem; Live from the Philharmonie de Paris; TV Director, Didier Oustrie (90 min)