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      • Alcina by Haendel at the Festival d'Aix en Provence

        Alcina, by Georg Friedrich Haendel; Freiburger Barockorchester, Andrea Marcon (Conductor); MusicAeterna (Chorus of the Perm Opera), Vitaly Polonsky (Chorus Master); Katie Mitchell (Stage Direction); Chloe Lamford (Sets), Laura Hopkins (Costumes), James Farncombe (Lighting), Joseph W. Alford (Choreographer); Patricia Petibon (Alcina); Philippe Jaroussky (Ruggiero); Anna Prohaska (Morgana); Katarina Bradić (Bradamante); Anthony Gregory (Oronte); Krzysztof Baczyk (Melisso); Recorded on June 30 & July 10, 2015 at the Grand Théâtre de Provence, Festival d'Aix-en-Provence; Directed by Corentin Leconte (180 min)

      • InterMezzo

        (60 min)

      • Bach in Italy: Concerto Köln in Malta

        Concerto Köln; Markus Hoffmann (violin); Antonio Vivaldi; Concerto for Strings and Basso Continuo in C minor RV 120; Pietro Antonio Locatelli; Concerto grosso in G minor Op. 1 No. 12; Evaristo Felice Dall'Abaco; Concerto a piú Istrumenti in D major Op. 5 No. 6; Johann Sebastian Bach; Concerto for Harpsichord, No. 4 in A major BWV 1055; Giovanni Battista Sammartini; Sinfonia in A major; Antonio Vivaldi; Violin Concerto in E minor RV 277 'Il favorito'; Johann Sebastian Bach; Sinfonia in C major from Cantata Der Herr denket an uns (The Lord careth for us) BWV 196; Johann Sebastian Bach; Brandenburg Concerto No. 4 in G major BWV 1049; Recorded at the Teatru Manoel, Malta, on January 14, 2018; Directed by Julien Condemine (84 min)

      • The Orchestre de la Suisse Romande and Jonathan Nott: Brahms, Stravinsky

        Orchestre de la Suisse Romande, Jonathan Nott (condiuctor); Sergey Khachatryan (violin); Johannes Brahms; Violin concerto in D major, op.77; Igor Stravinsky; The Rite of Spring; Recorded on June 1st 2017 at the Victoria Hall, Geneva; Directed by Andy Sommer (90 min)

      • Laurent De Wilde 'Over The Clouds' Trio - Banlieues Bleues

        Laurent de Wilde (piano); Laurent Robin (drums); Ira Coleman (doublebass) (50 min)

      • InterMezzo

        (68 min)

      • Ghosts by Cina Espejord, The Norwegian National Ballet

        Ghosts; Choreography byCina Espejord; Marit Moum Aune, staging; Nils Petter Molvaer, Music; Even Borsum, set design; Ingrid Nylander, costumes; Kristin Bredal, lighting design; Jan Bang, trumpet; With dancers from; The Norwegian national ballet; The Norwegian national ballet school; and; Andreas Heise (Osvald / M. Alving); Camilla Spidsoe (Ms Alving); Grete Sofie Borud Nybakken (Regine); Yoshifumi Inao (Engstrand); Ole Willy Falkhaugen (Pastor Manders); Recorded on Februarty 20th and 21st 2017 at the Den Norske Opera & Ballet; TV Director, Tommy Pascal (75 min)

      • Hedda Gabler by Marit Moum Aune, Norwegian national ballet

        Hedda Gabler; Marit Moum Aune, choreography and staging; Kaloyan Boyadjive, Group choreography; Nils Petter Molvaer, music; Even Borsum, sets design; Ingrid Nylander, costume design; Kristin Bredal, lighting design; With dancers from; The Norwegian national ballet; The Norwegian national ballet school; And; Grete Sofie Borud Nybakken (Hedda Gabler); Silas Henriksen (Eilert Lovborg); Philip Currell (Jorgen Tesman); Eugenie Skilnand (Thea Elvsted); Shane Urton (Assessorr Brack); Samantha Lynch (Aunt Julie); Klara Martensson (Diana); Kristian Alm (Général Gablerl, Hedda's father); Erle Ostraat (Hedda Gabler child); Helle Flood (Thea Elvsted, child); Recorded on October 17th and 18th 2017 at the Den Norske Opera & Ballet; TV Director, Tommy Pascal (99 min)

      • InterMezzo

        (60 min)

      • Il Trionfo del Tempo e del Disinganno by Haendel at the Festival d'Aix-en-Provence

        Il Trionfo del Tempo e del Disinganno, by Georg Friedrich Haendel; Oratorio en two parts, libretto by cardinal Benedetto Pamphili; Le Concert d'Astrée, Emmanuelle Haim (Conductor); Krzysztof Warlikowski (Stage Direction); Malgorzata Szczesniak (Sets & Costumes), Christian Longchamp (Dramaturgy), Felice Ross (Lighting), Claude Bardouil (Choreography), Denis Guéguin (Video); Sabine Devieilhe (Bellezza); Franco Fagioli (Piacere); Sara Mingardo (Disinganno); Michael Spyres (Tempo); Live from the Festival d'Aix-en-Provence; TV direction by Stéphane Metge (137 min)

      • InterMezzo

        (72 min)

      • Leonardo García Alarcón conducts the Grands Motets by Lully in Versailles

        Ch?ur de Chambre de Namur, Millenium Orchestra, Leonardo García Alarcón (Conductor); Sophie Junker, Judith van Wanroij (dessus), Mathias Vidal, Cyril Auvity (hautes-contre), Thibaut Lenaerts (taille), Alain Buet (basse taille); Jean-Baptiste Lully; Grands Motets; Dies Irae; De Profundis; Te Deum; Recorded on Fébruary 6th, 2018 at the Chapelle Royale du Château de Versailles; Directed by Andy Sommer (70 min)

      • Music for the Funeral of King Louis XIV in Versailles

        Ensemble Pygmalion, Raphaël Pichon (Conductor); Céline Scheen (Soprano), Lucile Richardot (Mezzo-soprano), Samuel Boden (Tenor), Marc Mauillon (Baritone), Christian Immler (Baritone); Jean Colin; Miserere, faux-bourdon; André Danican Philidor; Tambour & Marche funébre pour le Convoi du Roy; Michel-Richard de Lalande; De Profundis, Grand Motet; Plain Chant et Faux Bourdon; Jean Colin; Pie Jesu, faux-bourdon; Fanfare 'Le Roy est mort! Vive le Roy!'; Recorded on November 3rd and 4th, 2015, at the Chapelle Royale, Château de Versailles; Directed by Stéphane Vérité (98 min)

      • InterMezzo

        (26 min)

      • Alcina by Haendel at the Festival d'Aix en Provence

        Alcina, by Georg Friedrich Haendel; Freiburger Barockorchester, Andrea Marcon (Conductor); MusicAeterna (Chorus of the Perm Opera), Vitaly Polonsky (Chorus Master); Katie Mitchell (Stage Direction); Chloe Lamford (Sets), Laura Hopkins (Costumes), James Farncombe (Lighting), Joseph W. Alford (Choreographer); Patricia Petibon (Alcina); Philippe Jaroussky (Ruggiero); Anna Prohaska (Morgana); Katarina Bradić (Bradamante); Anthony Gregory (Oronte); Krzysztof Baczyk (Melisso); Recorded on June 30 & July 10, 2015 at the Grand Théâtre de Provence, Festival d'Aix-en-Provence; Directed by Corentin Leconte (180 min)

      • InterMezzo

        (60 min)

      • Sabine Devieilhe and Les Siécles at the Philharmonie de Paris

        Les Siécles, François-Xavier Roth (Conductor); Sabine Devieilhe (soprano); Ambroise Thomas; Mignon, Overture; Je suis Titania la blonde (Mignon); Léo Delibes; Prélude et Valse (Coppélia, ou La Fille aux yeux d'émail); Hector Berlioz; La Mort d'Ophélie (Tristia); Ambroise Thomas; Raymond, ou Le Secret de la reine, Overture; Á vos jeux, mes amis (Hamlet); Maurice Delage; Quatre Poémes hindous; Igor Stravinski; Chanson du rossignol (Le Rossignol); Camille Saint-Saëns; La Princesse jaune, Overture; André Messager; Le jour sous le soleil béni (Madame Chrysanthéme); Léo Delibes; Les fleurs me paraissent plus belles (Lakmé); Ballet (Lakmé); Légende de la fille du Paria (Air des clochettes) (Lakmé); Recorded at the Philharmonie de Paris on Novembre 14, 2017; TV Director, Olivier Simonnet; Ambroise Thomas - Mignon, Ouverture, 'Je suis Titania la blonde'; Léo Delibes - Coppélia (extraits), Prélude et Valse; Hector Berlioz - La Mort d'Ophélie; Ambroise Thomas - Raymond, Ouverture; Hamlet, 'A vos jeux, mes amis' (Air d'Ophélie); Maurice Delage - 4 poémes hindous; Igor Stravinski - Chanson du Rossignol; Camille Saint-Saëns - La Princesse Jaune, Ouverture; André Messager - Madame Chrysantéme, 'Le jour sous le soleil béni'; Léo Delibes - Lakmé, 'Les fleurs me paraissent plus belles ', Air de danse, 'Légende de la fille du Paria' (Air des clochettes); Enregistré le 14 novembre 2017 á la Philharmonie de Paris; Réalisation, Olivier Simonnet (90 min)

      • The Four Seasons by Vivaldi with Concerto Köln

        Concerto Köln; Shunske Sato (violin); Antonio Vivaldi; Concerto for Strings and Continuo in G minor RV 156; Evaristo Felice dall'Abaco; Concerto in D minor Op. 2 No. 1 from Concerti a quattro da chiesa; Antonio Vivaldi; Concerto No. 1 in E major, Op. 8, RV 269, 'Spring' (La primavera); Concerto No. 2 in G minor, Op. 8, RV 315, 'Summer' (L'estate); Charles Avison; Concerto Grosso No. 6 in D Major, from 12 Concerti Grossi in seven parts after the Lessons for Harpsichord by Domenico Scarlatti; Antonio Vivaldi; Sinfonia al Santo Sepolcro in B minor RV 169; Concerto No. 3 in F major, Op. 8, RV 293, 'Autumn' (L'autunno); Concerto No. 4 in F minor, Op. 8, RV 297, 'Winter' (L'inverno); Recorded at the Teatru Manoel, Malta, on January 13, 2018; Directed by Julien Condemine (76 min)

      • InterMezzo

        (73 min)

      • Bill Frisell Trio - Melbourne International Jazz Festival

        Bill Frisell Trio; Bill Frisell, guitar; Thomas Morgan, bass; Rudy Royston, drums; One of the world's most celebrated jazz guitarists, 'Bill Frisell plays the guitar the way Miles Davis played the trumpet' (The New Yorker). His distinctive style masterfully blends the inventiveness of jazz, the warmth of folk and country, the abstraction of the avant garde and the raw emotion of blues and rock. Don't miss this rare club performance by a giant of contemporary jazz. Recorded on June 4th 2017 at The Jazzlab, Melbourne International Jazz Festival, Australia; TV Director, Mathieu Mastin (44 min)

      • Ari Hoenig Trio - Melbourne International Jazz Festival

        Ari Hoenig Trio; Ari Hoenig, drums; Nitai Hershkovits, piano; Or Bareket, bass; Ari Hoenig's thrilling live performances are renowned for being whole-of-body, whole-of-mind experiences. An intensely creative musician who is continuously exploring the melodic possibilities of the drum set, both as a player and a composer, Hoenig is unmatched for his 'expansive technique, propulsive time and deep musicality' (New York Times). Don't miss Hoenig's boldly uncompromising new trio as they take live improvisation into exhilarating new territories. Recorded on June 4th 2017 at The Jazzlab, Melbourne International Jazz Festival, Australia; TV Director, Mathieu Mastin (45 min)

      • The Necks - Melbourne International Jazz Festival, Australia

        The Necks; Chris Abrahams, piano; Tony Buck, drums; Lloyd Swanton, bass; From unlikely beginnings as a band experimenting privately with no intention of ever performing in public, The Necks have gone on to achieve extraordinary worldwide acclaim for their unique music making. Now in their fourth decade of collaboration, the almost-telepathic rapport between the trio is one of the most compelling in live music. The Necks' live shows have been likened to an almost religious experience, conjuring a chemistry that defies description in orthodox terms. Performing off the back of Unfold, their most recent release and eighteenth as a band, this is an unmissable opportunity to experience one of this country's most iconic ensembles. Recorded on June 5th 2017 at The Jazzlab, Melbourne International Jazz Festival, Australia; TV Director, Mathieu Mastin (48 min)

      • Silvia Perez Cruz at Les Suds Á Arles

        Silvia Perez Cruz (voice and guitar); Raul Fernadez (guitare, ukulele and mandolin); Mario Mas (guitar); Joan Antoni Pich (cello); Miquel Angel Cordero (double bass) (49 min)

      • InterMezzo

        (67 min)

      • OSR, A. Volodin, V. Thévenaz conducted by J. Nott play Liszt, Schönberg, Rachmaninov, Ravel

        Orchestre de la Suisse Romande; Jonathan Nott (conductor); Alexei Volodin (piano), Vincent Thévenaz (organ); Franz Liszt; Prélude and Fugue 'sur le nom de Bach' for organ solo, S 260; Arnold Schönberg; Variations for Orchestra op. 31; Sergei Rachmaninov; Rhapsody on a Theme of Paganini op. 43; Maurice Ravel; Boléro; Recorded on November 15th 2017 at the Victoria Hall, Genéva; Directed by Andy Sommer (92 min)

      • Bach by Raphaël Pichon: Cantatas 34, 51, 31 & 191

        Ensemble Pygmalion, Raphaël Pichon (Conductor); Sabine Devieilhe (soprano), Alex Potter (alto), Julian Prégardien (tenor), Christian Immler (bass); Saburo Teshigawara (dance), Rihoko Sato (dance); Johann Sebastian Bach; Cantata BWV 34 'O ewiges Feuer, o Ursprung der Liebe'; Cantata BWV 51 'Jauchzet Gott in alle Landen'; Brandenburg Concerto no 3 BWV 1048; Cantata BWV 31 'Der Himmel lacht! Die Erde jubiliert!'; Cantata BWV 191 'Gloria in Excelsis Deo '; Recorded on October 11, 2017 at la Cité de la Musique, Paris; Directed by Colin Laurent (100 min)