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Praetorius Christmas Mass in Versailles
The Pages and the Chantres of the Centre de musique baroque de Versailles, Olivier Schneebeli (Artistic direction); Gabrieli Consort and Players; Paul McCreesh (Conductor); Michael Praetorius (1571-1621); Christmas mass; Recorded on December 8th 2017 at the Chapelle Royale, Château de Versailles; Directed by Benjamin Bleton (88 min)
InterMezzo
(47 min)
Mozart's Mitridate at the Théâtre des Champs-Elysées
Mitridate, Ré di Ponto, by Wolfgang Amadeus Mozart; Libretto by Vittorio Amedeo Cigna-Santi after Mithridate by Jean Racine; Le Concert d'Astrée, Emmanuelle Haim (Conductor); Clément Hervieu-Léger (Stage Direction); Frédérique Plain (Dramaturgy), Eric Ruf (Sets), Caroline de Vivaise (Costumes), Bertrand Couderc (Lihgting); Michael Spyres (Mitridate); Patricia Petibon (Aspasia); Myrtó Papatanasiu (Sifare); Christophe Dumaux (Farnace); Sabine Devieilhe (Ismene); Cyrille Dubois (Marzio); Jaël Azzaretti (Arbate); Recorded at the Théâtre des Champs-Elysées, Paris on February 20th 2016; TV Dirctor, Olivier Simonnet (175 min)
Tigran & The Yerevan State Chamber Choir 'Luys i Luso' - Jazz sous les pommiers
Tigran Hamasyan (piano, keyboards, vocals); The Yerevan State Chamber Choir 'Luys i Luso' (75 min)
InterMezzo
(43 min)
Bach by Raphaël Pichon: Cantatas 34, 51, 31 & 191
Ensemble Pygmalion, Raphaël Pichon (Conductor); Sabine Devieilhe (soprano), Alex Potter (alto), Julian Prégardien (tenor), Christian Immler (bass); Saburo Teshigawara (dance), Rihoko Sato (dance); Johann Sebastian Bach; Cantata BWV 34 'O ewiges Feuer, o Ursprung der Liebe'; Cantata BWV 51 'Jauchzet Gott in alle Landen'; Brandenburg Concerto no 3 BWV 1048; Cantata BWV 31 'Der Himmel lacht! Die Erde jubiliert!'; Cantata BWV 191 'Gloria in Excelsis Deo '; Recorded on October 11, 2017 at la Cité de la Musique, Paris; Directed by Colin Laurent (100 min)
Sabine Devieilhe and Les Siécles at the Philharmonie de Paris
Les Siécles, François-Xavier Roth (Conductor); Sabine Devieilhe (soprano); Ambroise Thomas; Mignon, Overture; Je suis Titania la blonde (Mignon); Léo Delibes; Prélude et Valse (Coppélia, ou La Fille aux yeux d'émail); Hector Berlioz; La Mort d'Ophélie (Tristia); Ambroise Thomas; Raymond, ou Le Secret de la reine, Overture; Á vos jeux, mes amis (Hamlet); Maurice Delage; Quatre Poémes hindous; Igor Stravinski; Chanson du rossignol (Le Rossignol); Camille Saint-Saëns; La Princesse jaune, Overture; André Messager; Le jour sous le soleil béni (Madame Chrysanthéme); Léo Delibes; Les fleurs me paraissent plus belles (Lakmé); Ballet (Lakmé); Légende de la fille du Paria (Air des clochettes) (Lakmé); Recorded at the Philharmonie de Paris on Novembre 14, 2017; TV Director, Olivier Simonnet; Ambroise Thomas - Mignon, Ouverture, 'Je suis Titania la blonde'; Léo Delibes - Coppélia (extraits), Prélude et Valse; Hector Berlioz - La Mort d'Ophélie; Ambroise Thomas - Raymond, Ouverture; Hamlet, 'A vos jeux, mes amis' (Air d'Ophélie); Maurice Delage - 4 poémes hindous; Igor Stravinski - Chanson du Rossignol; Camille Saint-Saëns - La Princesse Jaune, Ouverture; André Messager - Madame Chrysantéme, 'Le jour sous le soleil béni'; Léo Delibes - Lakmé, 'Les fleurs me paraissent plus belles ', Air de danse, 'Légende de la fille du Paria' (Air des clochettes); Enregistré le 14 novembre 2017 á la Philharmonie de Paris; Réalisation, Olivier Simonnet (90 min)
InterMezzo
(41 min)
The Orchestre de la Suisse Romande and Jonathan Nott: Brahms, Stravinsky
Orchestre de la Suisse Romande, Jonathan Nott (condiuctor); Sergey Khachatryan (violin); Johannes Brahms; Violin concerto in D major, op.77; Igor Stravinsky; The Rite of Spring; Recorded on June 1st 2017 at the Victoria Hall, Geneva; Directed by Andy Sommer (90 min)
OSR, A. Volodin, V. Thévenaz conducted by J. Nott play Liszt, Schönberg, Rachmaninov, Ravel
Orchestre de la Suisse Romande; Jonathan Nott (conductor); Alexei Volodin (piano), Vincent Thévenaz (organ); Franz Liszt; Prélude and Fugue 'sur le nom de Bach' for organ solo, S 260; Arnold Schönberg; Variations for Orchestra op. 31; Sergei Rachmaninov; Rhapsody on a Theme of Paganini op. 43; Maurice Ravel; Boléro; Recorded on November 15th 2017 at the Victoria Hall, Genéva; Directed by Andy Sommer (92 min)
InterMezzo
(8 min)
Philippe Jordan and the Orchestre de l'Opéra National de Paris: Symhonies 2 & 4 by Tchaikovsky
Orchestre de l'Opéra National de Paris, Philippe Jordan (Conductor); Pyotr Tchaikosky; Symphony no 2 in C minor, op. 17 'Litle Russian'; Symphony no. 4 in F minor, op. 36; Live from the Philharmonie de Paris; Directed by François-René Martin (110 min)
InterMezzo
(52 min)
Adam Baldych, Helge Lien Trio - EFG London Jazz Festival
Adam Baldych with Helge Lien Trio; Adam Bałdych, violin; Helge Lien, piano; Frode Berg, bass; Hakon Mjaset Johansen, percussion; The virtuosity of Polish violinist Adam Bałdych enables him to pass with astonishing ease through all kinds of borders: the boundaries of his instrument, the barriers between genres, the seams between composing and improvising. Working with Norway Helge Lien talented pianist and his trio, he creates a mix of jaz and folklore polish music and Norwegian which the album Brothers released in 2017 had give us a marvellous glimpse. Enregistré le 11 novembre 2017 au Cadogan Hall, London Jazz Festival; Réalisation, Mathieu Mastin (68 min)
M.Wollny, V. Peirani, E. Parisien, A. Schaerer - EFG London Jazz Festival
Michael Wollny, piano; Vincent Peirani, accordion; Emile Parisien, saxophone; Andreas Schaerer, vocal; Pianist Michael Wollny, accordionist Vincent Peirani, saxophonist Emile Parisien and the extraordinary vocal gymnastics of Andreas Schaerer - four stand-out individual talents from the ACT Records roster join forces in an all-star quartet that re-defines the range of their various instruments - not just cutting loose from the boundaries of jazz, but doing it in a way which energizes and takes the audience by storm. Individually, all four have made a massive impact at previous Festivals, but and the release of their collaboration - 'Out of Land' marks the boundless potential that these emergent forces will have in the European jazz of the future. Recorded on November 10th 2017 au Cadogan Hall, London Jazz Festival; TV Director, Mathieu Mastin (70 min)
Anouar Brahem / Dave Holland / Jack Dejohnette - Philharmonie de Paris
Anouar Brahem; Blue Maqams; Anouar Brahem, oud; Dave Holland, double bass; Jack DeJohnette, drums; Django Bates, piano; For more than 25 years, Anouar Brahem has taken his oud all over far off lands. A melodic impressionist and a for ever inspired improvisor, the Tunisian musician has above all toppled the barriers which separate genres.Thanks to him, Arab music and jazz have started a very singular dialogue which approaches the sublime.A conversation between the past and the present, tradition and modernity. Anour Rahem has built up this pacified 'no man's land 'principally on Manfred Eicher's Munich record label ECM to become one of the label's most faithful artists.In the great Pierre Boulez Hall, in the company of the bass player Dave Holland, drummer Jack DeJohnette and the pianist Django Bates, he produces a blend of absolute beauty and of universal value. Playlist: Opening Day; La Nuit; Blue Maqams; Bahia; Persepolis' Mirage; Unexpected outcome; The recovered road to Al-Sham; Bom Dia Rio; Halfaouine; All compositions by Anouar Brahem; Live from the Philharmonie de Paris; TV Director, Didier Oustrie (90 min)
InterMezzo
(38 min)
Il Trionfo del Tempo e del Disinganno by Haendel at the Festival d'Aix-en-Provence
Il Trionfo del Tempo e del Disinganno, by Georg Friedrich Haendel; Oratorio en two parts, libretto by cardinal Benedetto Pamphili; Le Concert d'Astrée, Emmanuelle Haim (Conductor); Krzysztof Warlikowski (Stage Direction); Malgorzata Szczesniak (Sets & Costumes), Christian Longchamp (Dramaturgy), Felice Ross (Lighting), Claude Bardouil (Choreography), Denis Guéguin (Video); Sabine Devieilhe (Bellezza); Franco Fagioli (Piacere); Sara Mingardo (Disinganno); Michael Spyres (Tempo); Live from the Festival d'Aix-en-Provence; TV direction by Stéphane Metge (137 min)
Leonardo García Alarcón conducts the Grands Motets by Lully in Versailles
Ch?ur de Chambre de Namur, Millenium Orchestra, Leonardo García Alarcón (Conductor); Sophie Junker, Judith van Wanroij (dessus), Mathias Vidal, Cyril Auvity (hautes-contre), Thibaut Lenaerts (taille), Alain Buet (basse taille); Jean-Baptiste Lully; Grands Motets; Dies Irae; De Profundis; Te Deum; Recorded on Fébruary 6th, 2018 at the Chapelle Royale du Château de Versailles; Directed by Andy Sommer (70 min)
InterMezzo
(23 min)
The Four Seasons by Vivaldi with Concerto Köln
Concerto Köln; Shunske Sato (violin); Antonio Vivaldi; Concerto for Strings and Continuo in G minor RV 156; Evaristo Felice dall'Abaco; Concerto in D minor Op. 2 No. 1 from Concerti a quattro da chiesa; Antonio Vivaldi; Concerto No. 1 in E major, Op. 8, RV 269, 'Spring' (La primavera); Concerto No. 2 in G minor, Op. 8, RV 315, 'Summer' (L'estate); Charles Avison; Concerto Grosso No. 6 in D Major, from 12 Concerti Grossi in seven parts after the Lessons for Harpsichord by Domenico Scarlatti; Antonio Vivaldi; Sinfonia al Santo Sepolcro in B minor RV 169; Concerto No. 3 in F major, Op. 8, RV 293, 'Autumn' (L'autunno); Concerto No. 4 in F minor, Op. 8, RV 297, 'Winter' (L'inverno); Recorded at the Teatru Manoel, Malta, on January 13, 2018; Directed by Julien Condemine (76 min)
Bach in Italy: Concerto Köln in Malta
Concerto Köln; Markus Hoffmann (violin); Antonio Vivaldi; Concerto for Strings and Basso Continuo in C minor RV 120; Pietro Antonio Locatelli; Concerto grosso in G minor Op. 1 No. 12; Evaristo Felice Dall'Abaco; Concerto a piú Istrumenti in D major Op. 5 No. 6; Johann Sebastian Bach; Concerto for Harpsichord, No. 4 in A major BWV 1055; Giovanni Battista Sammartini; Sinfonia in A major; Antonio Vivaldi; Violin Concerto in E minor RV 277 'Il favorito'; Johann Sebastian Bach; Sinfonia in C major from Cantata Der Herr denket an uns (The Lord careth for us) BWV 196; Johann Sebastian Bach; Brandenburg Concerto No. 4 in G major BWV 1049; Recorded at the Teatru Manoel, Malta, on January 14, 2018; Directed by Julien Condemine (84 min)
Silvia Perez Cruz at Les Suds Á Arles
Silvia Perez Cruz (voice and guitar); Raul Fernadez (guitare, ukulele and mandolin); Mario Mas (guitar); Joan Antoni Pich (cello); Miquel Angel Cordero (double bass) (49 min)
InterMezzo
(60 min)
Il Trionfo del Tempo e del Disinganno by Haendel at the Festival d'Aix-en-Provence
Il Trionfo del Tempo e del Disinganno, by Georg Friedrich Haendel; Oratorio en two parts, libretto by cardinal Benedetto Pamphili; Le Concert d'Astrée, Emmanuelle Haim (Conductor); Krzysztof Warlikowski (Stage Direction); Malgorzata Szczesniak (Sets & Costumes), Christian Longchamp (Dramaturgy), Felice Ross (Lighting), Claude Bardouil (Choreography), Denis Guéguin (Video); Sabine Devieilhe (Bellezza); Franco Fagioli (Piacere); Sara Mingardo (Disinganno); Michael Spyres (Tempo); Live from the Festival d'Aix-en-Provence; TV direction by Stéphane Metge (137 min)
