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Zhenya Strigalev's Never Group - EFG London Jazz Festival
Zhenya Strigalev's Never Group; Zhenya Strigalev, alto sax & alto box; Michael Janisch, electric bass / effects; Marc Ayza, drums; Saxophonist Strigalev's zany Never Group takes that same tradition by the scruff of the neck, combining 'hip jazz virtuosity; and surrealism' in equal measures. His last release, Never Group, out on Whirlwind is a one of a kind in New Jazz Horizon. Recorded on November 10th 2017 at the London Milton Court, London Jazz Festival; TV Director, Mathieu Mastin (43 min)
InterMezzo
(55 min)
Hedda Gabler by Marit Moum Aune, Norwegian national ballet
Hedda Gabler; Marit Moum Aune, choreography and staging; Kaloyan Boyadjive, Group choreography; Nils Petter Molvaer, music; Even Borsum, sets design; Ingrid Nylander, costume design; Kristin Bredal, lighting design; With dancers from; The Norwegian national ballet; The Norwegian national ballet school; And; Grete Sofie Borud Nybakken (Hedda Gabler); Silas Henriksen (Eilert Lovborg); Philip Currell (Jorgen Tesman); Eugenie Skilnand (Thea Elvsted); Shane Urton (Assessorr Brack); Samantha Lynch (Aunt Julie); Klara Martensson (Diana); Kristian Alm (Général Gablerl, Hedda's father); Erle Ostraat (Hedda Gabler child); Helle Flood (Thea Elvsted, child); Recorded on October 17th and 18th 2017 at the Den Norske Opera & Ballet; TV Director, Tommy Pascal (99 min)
Ghosts by Cina Espejord, The Norwegian National Ballet
Ghosts; Choreography byCina Espejord; Marit Moum Aune, staging; Nils Petter Molvaer, Music; Even Borsum, set design; Ingrid Nylander, costumes; Kristin Bredal, lighting design; Jan Bang, trumpet; With dancers from; The Norwegian national ballet; The Norwegian national ballet school; and; Andreas Heise (Osvald / M. Alving); Camilla Spidsoe (Ms Alving); Grete Sofie Borud Nybakken (Regine); Yoshifumi Inao (Engstrand); Ole Willy Falkhaugen (Pastor Manders); Recorded on Februarty 20th and 21st 2017 at the Den Norske Opera & Ballet; TV Director, Tommy Pascal (75 min)
ANOUAR BRAHEM - Jazz sous les pommiers
Between jazz and Orient, seven years after 'Thimar', come and enjoy once again the chants of one of the greatest Tunisian Oud players, the highly delicate Anouar Brahem. Anouar Brahem: oud; Klaus Gesing: clarinet; Björn Meyer: bass; Khaled Yassine: darbouka, bendir (63 min)
InterMezzo
(51 min)
Adam Baldych, Helge Lien Trio - EFG London Jazz Festival
Adam Baldych with Helge Lien Trio; Adam Bałdych, violin; Helge Lien, piano; Frode Berg, bass; Hakon Mjaset Johansen, percussion; The virtuosity of Polish violinist Adam Bałdych enables him to pass with astonishing ease through all kinds of borders: the boundaries of his instrument, the barriers between genres, the seams between composing and improvising. Working with Norway Helge Lien talented pianist and his trio, he creates a mix of jaz and folklore polish music and Norwegian which the album Brothers released in 2017 had give us a marvellous glimpse. Enregistré le 11 novembre 2017 au Cadogan Hall, London Jazz Festival; Réalisation, Mathieu Mastin (68 min)
Zhenya Strigalev's Never Group - EFG London Jazz Festival
Zhenya Strigalev's Never Group; Zhenya Strigalev, alto sax & alto box; Michael Janisch, electric bass / effects; Marc Ayza, drums; Saxophonist Strigalev's zany Never Group takes that same tradition by the scruff of the neck, combining 'hip jazz virtuosity; and surrealism' in equal measures. His last release, Never Group, out on Whirlwind is a one of a kind in New Jazz Horizon. Recorded on November 10th 2017 at the London Milton Court, London Jazz Festival; TV Director, Mathieu Mastin (43 min)
M.Wollny, V. Peirani, E. Parisien, A. Schaerer - EFG London Jazz Festival
Michael Wollny, piano; Vincent Peirani, accordion; Emile Parisien, saxophone; Andreas Schaerer, vocal; Pianist Michael Wollny, accordionist Vincent Peirani, saxophonist Emile Parisien and the extraordinary vocal gymnastics of Andreas Schaerer - four stand-out individual talents from the ACT Records roster join forces in an all-star quartet that re-defines the range of their various instruments - not just cutting loose from the boundaries of jazz, but doing it in a way which energizes and takes the audience by storm. Individually, all four have made a massive impact at previous Festivals, but and the release of their collaboration - 'Out of Land' marks the boundless potential that these emergent forces will have in the European jazz of the future. Recorded on November 10th 2017 au Cadogan Hall, London Jazz Festival; TV Director, Mathieu Mastin (70 min)
InterMezzo
(55 min)
The Four Seasons by Vivaldi with Concerto Köln
Concerto Köln; Shunske Sato (violin); Antonio Vivaldi; Concerto for Strings and Continuo in G minor RV 156; Evaristo Felice dall'Abaco; Concerto in D minor Op. 2 No. 1 from Concerti a quattro da chiesa; Antonio Vivaldi; Concerto No. 1 in E major, Op. 8, RV 269, 'Spring' (La primavera); Concerto No. 2 in G minor, Op. 8, RV 315, 'Summer' (L'estate); Charles Avison; Concerto Grosso No. 6 in D Major, from 12 Concerti Grossi in seven parts after the Lessons for Harpsichord by Domenico Scarlatti; Antonio Vivaldi; Sinfonia al Santo Sepolcro in B minor RV 169; Concerto No. 3 in F major, Op. 8, RV 293, 'Autumn' (L'autunno); Concerto No. 4 in F minor, Op. 8, RV 297, 'Winter' (L'inverno); Recorded at the Teatru Manoel, Malta, on January 13, 2018; Directed by Julien Condemine (76 min)
Bach in Italy: Concerto Köln in Malta
Concerto Köln; Markus Hoffmann (violin); Antonio Vivaldi; Concerto for Strings and Basso Continuo in C minor RV 120; Pietro Antonio Locatelli; Concerto grosso in G minor Op. 1 No. 12; Evaristo Felice Dall'Abaco; Concerto a piú Istrumenti in D major Op. 5 No. 6; Johann Sebastian Bach; Concerto for Harpsichord, No. 4 in A major BWV 1055; Giovanni Battista Sammartini; Sinfonia in A major; Antonio Vivaldi; Violin Concerto in E minor RV 277 'Il favorito'; Johann Sebastian Bach; Sinfonia in C major from Cantata Der Herr denket an uns (The Lord careth for us) BWV 196; Johann Sebastian Bach; Brandenburg Concerto No. 4 in G major BWV 1049; Recorded at the Teatru Manoel, Malta, on January 14, 2018; Directed by Julien Condemine (84 min)
InterMezzo
(8 min)
The Dead Queen by Kader Berlarbi, Capitole de Toulouse Ballet
The Dead Queen (La Reine Morte); Choreography and stage by Kader Belarbi; Ballet in two acts after ' La Reine morte' by Henry de Montherlant (1942) and after 'Reinar después de morir' by Luis Vélez de Guevara (1652); Orchestre national du Capitole; Koen Kessels, Conductor; Music, Piotr Ilitch Tchaikovski; Set, Bruno de Lavenére; Costume, Olivier Bériot; Lights, Sylvain Chevallot; Withe; The Capitole Ballet; Recorde on February 8th at the Capitole of Toulouse Theater; TV Director, Luc Riolon (110 min)
The Corsair by Kader Belarbi. Ballet and Orchestra of the Capitole.
The Corsair; Choreography by Kader Belarbi; Capitole Ballet and Orchestra; David Coleman, conductor; Music: Adolphe Adam, Massenet, Anton Arenski, Edouard Lalo, Jean Sibelius, David Coleman; TV Director, Luc Riolon; Recorded at The Capitole of Toulouse in May 2013 (118 min)
Bach by Raphaël Pichon: Cantatas 34, 51, 31 & 191
Ensemble Pygmalion, Raphaël Pichon (Conductor); Sabine Devieilhe (soprano), Alex Potter (alto), Julian Prégardien (tenor), Christian Immler (bass); Saburo Teshigawara (dance), Rihoko Sato (dance); Johann Sebastian Bach; Cantata BWV 34 'O ewiges Feuer, o Ursprung der Liebe'; Cantata BWV 51 'Jauchzet Gott in alle Landen'; Brandenburg Concerto no 3 BWV 1048; Cantata BWV 31 'Der Himmel lacht! Die Erde jubiliert!'; Cantata BWV 191 'Gloria in Excelsis Deo '; Recorded on October 11, 2017 at la Cité de la Musique, Paris; Directed by Colin Laurent (100 min)
Sabine Devieilhe and Les Siécles at the Philharmonie de Paris
Les Siécles, François-Xavier Roth (Conductor); Sabine Devieilhe (soprano); Ambroise Thomas; Mignon, Overture; Je suis Titania la blonde (Mignon); Léo Delibes; Prélude et Valse (Coppélia, ou La Fille aux yeux d'émail); Hector Berlioz; La Mort d'Ophélie (Tristia); Ambroise Thomas; Raymond, ou Le Secret de la reine, Overture; Á vos jeux, mes amis (Hamlet); Maurice Delage; Quatre Poémes hindous; Igor Stravinski; Chanson du rossignol (Le Rossignol); Camille Saint-Saëns; La Princesse jaune, Overture; André Messager; Le jour sous le soleil béni (Madame Chrysanthéme); Léo Delibes; Les fleurs me paraissent plus belles (Lakmé); Ballet (Lakmé); Légende de la fille du Paria (Air des clochettes) (Lakmé); Recorded at the Philharmonie de Paris on Novembre 14, 2017; TV Director, Olivier Simonnet; Ambroise Thomas - Mignon, Ouverture, 'Je suis Titania la blonde'; Léo Delibes - Coppélia (extraits), Prélude et Valse; Hector Berlioz - La Mort d'Ophélie; Ambroise Thomas - Raymond, Ouverture; Hamlet, 'A vos jeux, mes amis' (Air d'Ophélie); Maurice Delage - 4 poémes hindous; Igor Stravinski - Chanson du Rossignol; Camille Saint-Saëns - La Princesse Jaune, Ouverture; André Messager - Madame Chrysantéme, 'Le jour sous le soleil béni'; Léo Delibes - Lakmé, 'Les fleurs me paraissent plus belles ', Air de danse, 'Légende de la fille du Paria' (Air des clochettes); Enregistré le 14 novembre 2017 á la Philharmonie de Paris; Réalisation, Olivier Simonnet (90 min)
InterMezzo
(45 min)
Orlando Furioso by Vivaldi in Venice
Orlando Furioso, by Antonio Vivaldi; Orchestra e Coro del Teatro La Fenice, Diego Fasolis (Conductor); Ulisse Trabacchin (Chorus Master); Fabio Ceresa (Stage Direction); Sonia Prina (Orlando); Francesca Aspromonte (Angelica); Lucia Cirillo (Alcina); Carlo Vistoli (Ruggiero); Riccardo Novaro (Astolfo); Loriana Castellano (Bradamante); Recorded at the Teatro Malibran, Venice, on April 17, 2018; TV Director, Stéphane Vérité (210 min)
InterMezzo
(26 min)
The Orchestre de la Suisse Romande and Jonathan Nott: Brahms, Stravinsky
Orchestre de la Suisse Romande, Jonathan Nott (condiuctor); Sergey Khachatryan (violin); Johannes Brahms; Violin concerto in D major, op.77; Igor Stravinsky; The Rite of Spring; Recorded on June 1st 2017 at the Victoria Hall, Geneva; Directed by Andy Sommer (90 min)
OSR, A. Volodin, V. Thévenaz conducted by J. Nott play Liszt, Schönberg, Rachmaninov, Ravel
Orchestre de la Suisse Romande; Jonathan Nott (conductor); Alexei Volodin (piano), Vincent Thévenaz (organ); Franz Liszt; Prélude and Fugue 'sur le nom de Bach' for organ solo, S 260; Arnold Schönberg; Variations for Orchestra op. 31; Sergei Rachmaninov; Rhapsody on a Theme of Paganini op. 43; Maurice Ravel; Boléro; Recorded on November 15th 2017 at the Victoria Hall, Genéva; Directed by Andy Sommer (92 min)
Dr John & The Nite Trippers at Jazz sous les pommiers
Cocktails of blues, funk, and rhythm'n blues, his concerts are true Mardi-Gras festivals. Coutances is extremely proud to welcome this ambassador of all New Orleans musical styles. (85 min)
InterMezzo
(27 min)
Hedda Gabler by Marit Moum Aune, Norwegian national ballet
Hedda Gabler; Marit Moum Aune, choreography and staging; Kaloyan Boyadjive, Group choreography; Nils Petter Molvaer, music; Even Borsum, sets design; Ingrid Nylander, costume design; Kristin Bredal, lighting design; With dancers from; The Norwegian national ballet; The Norwegian national ballet school; And; Grete Sofie Borud Nybakken (Hedda Gabler); Silas Henriksen (Eilert Lovborg); Philip Currell (Jorgen Tesman); Eugenie Skilnand (Thea Elvsted); Shane Urton (Assessorr Brack); Samantha Lynch (Aunt Julie); Klara Martensson (Diana); Kristian Alm (Général Gablerl, Hedda's father); Erle Ostraat (Hedda Gabler child); Helle Flood (Thea Elvsted, child); Recorded on October 17th and 18th 2017 at the Den Norske Opera & Ballet; TV Director, Tommy Pascal (99 min)
Ghosts by Cina Espejord, The Norwegian National Ballet
Ghosts; Choreography byCina Espejord; Marit Moum Aune, staging; Nils Petter Molvaer, Music; Even Borsum, set design; Ingrid Nylander, costumes; Kristin Bredal, lighting design; Jan Bang, trumpet; With dancers from; The Norwegian national ballet; The Norwegian national ballet school; and; Andreas Heise (Osvald / M. Alving); Camilla Spidsoe (Ms Alving); Grete Sofie Borud Nybakken (Regine); Yoshifumi Inao (Engstrand); Ole Willy Falkhaugen (Pastor Manders); Recorded on Februarty 20th and 21st 2017 at the Den Norske Opera & Ballet; TV Director, Tommy Pascal (75 min)
