• Mezzo Live HD

    • Mezzo Live HD od do

      • Bach: Cantatas BWV 103, 105, 199 & 25 - Pygmalion, Raphaël Pichon

        Ensemble Pygmalion, Raphaël Pichon (Conductor); Sabine Devieilhe (soprano), Benno Schachtner (alto), Reinoud Van Mechelen (tenor), Manuel Walser (bass); Marina Abramovic (video); Johann Sebastian Bach (1685 - 1750); Cantata BWV 103 'Ihr werdet weinen und heulen'; Cantata BWV 105 'Herr, gehe nicht ins Gericht'; Cantata BWV 199 ' Mein Herze schwimmt im Blut'; Johann Michael Bach (1648 - 1694); Unser Leben währet siebenzig Jahr; Johann Sebastian Bach; Cantata BWV 25 'Es ist nichts Gesundes an meinem Leibe'; Recorded on January 30, 2018 at la Cité de la Musique, Paris; Directed by Isabelle Soulard (89 min)

      • InterMezzo

        (38 min)

      • Antonio Zambujo - Rua da Emenda - La Cigale (Paris)

        Antonio Zambujo - Rua da Emenda; Filmed on 23 January 2015 at La Cigale (Paris) (60 min)

      • All stars band: Lenny White, Biréli Lagrene, Antonio Farao, Eddie Gomez - Jazz en Baie

        All stars band; Jazz en Baie; Antonio Farao, piano; Eddie Gomez, double bass; Bireli Lagréne, guitar; Lenny White, drums; Recoded at Festival Jazz en Baie on August 15th 2015; TV Director, Laurent Preyale (67 min)

      • Amjad Ali Khan at Philharmonie de Paris / Raga Night

        Amjad Ali Khan, sarod; Amaan Ali Khan, sarod; Ayaan Ali Khan, sarod; Satyajit Talwalkar, tabla (59 min)

      • Rosario Giuliani Quartet - Skoda Jazz Festival

        Rosario Giuliani - alto sax; Roberto Tarenzi - piano, Dario Deidda - bass, Mim? Verderame - drums. (77 min)

      • InterMezzo

        (32 min)

      • The Orchestre de la Suisse Romande and Jonathan Nott: Debussy, Ravel, Brahms

        Orchestre de de la Suisse Romande, Jonathan Nott (Conductor); Nelson Goerner (piano); Claude Debussy (1862 - 1918); Prélude á l'aprés-midi d'un faune; Maurice Ravel (1875 - 1937); Piano Concerto in G; Johannes Brahms (1833 - 1897); Symphony no 3 in F major, op. 90; Recorded on May 7, 2018 at the Teatro Colón, Buenos Aires; Directed by Andy Sommer (75 min)

      • The Orchestre de la Suisse Romande and Jonathan Nott: Dvořák, Strauss

        Orchestre de de la Suisse Romande, Jonathan Nott (conductor); Xavier Philipps (cello); Antonín Dvořák (1841 - 1904); Concerto for cello and orchestra in B minor, op. 104; Richard Strauss (1864 - 1949); Ein Heldenleben, op. 40; Recorded on May 8, 2018 at the Teatro Colón, Buenos Aires; Directed by Andy Sommer (95 min)

      • InterMezzo

        (66 min)

      • Beauty and the Beast by Thierry Malandain performed by the Malandain Ballet Biarritz

        Beauty and the Beast; Choreography by Thierry Malandain; Music by Piotr Ilitch Tchaikovski (Symphony N° 6 ' Pathetic ', Op. 74); Additional music, The polonaise and the Waltz of the opera, Eugéne Onéguine by P.I. Tchaikovski; Light creation, Jean-Claude Asquié; Set and costume, Jorge Gallardo; Ballet masters, Richard Coudray, Françoise Dubuc; Conductor, Ainars Rubikis; Orchestre Symphonique d'Euskadi; With The Malandain Ballet Biarritz; Beauty, Claire Lonchampt; The Beast, Mickaël Conte; The Artist, Arnaud Mahouy; The Soul, Miyuki Kanei; The Body, Daniel Vizcayo; The father, Frederik Deberdt; The sisters, Ellyce Daniele, Ione Miren Aguirre; The brothers, Raphaël Canet, Baptiste Fisson; Les allégories - Allegories; The love, Patricia Velázquez; The rose, Miyuki Kanei; The mirror, Hugo Layer; The glove, Irma Hoffren; The horse, Baptiste Fisson; The Key, Michaël Garcia; Sets; Ione Miren Aguirre, Raphaël Canet, Ellyce Daniele, Romain di Fazio, Baptiste Fisson, Clara Forgues, Michaël Garcia, Lucia You González, Irma Hoffren, Mathilde Labé, Hugo Layer, Guillaume Lillo, Nuria López Cortés, Ismael Turel Yagüe, Patricia Velázquez, Laurine Viel, Daniel Vizcayo; Recorded on February 2,3 & 4 2016 at the Donostia Kursaal in San Sébastien, Spain; TV Director, Patrick Lauze (81 min)

      • Cinderella by Alexei Ratmansky. Mariinsky Theater

        Cinderella; Choreography by Alexei Ratmansky; Ballet in 3 acts; Music by Sergei Prokofiev; Libretto by Nikolai Vloklov after Charles Perrault'fairy tail; Mariinsky orchestra; Valery Gergiev, conductor; With, Diana Vishneva, Cinderella - Vladimir Shklyarov, The Prince - Yekaterian Kondaurova, The Cruel mother; Recorded at the Mariinsky Theater in June 2013; TV Director, Olivier Simonnet (110 min)

      • InterMezzo

        (17 min)

      • Hindi Zahra et Fatoumata Diawara - Banlieues Bleues

        Hindi Zahra et Fatoumata Diawara; Olympic Café Tour; Banlieues Bleues Festival; Hindi Zahra, voice; Fatoumata Diawara, voice, guitar; Yacouba Kone, guitar, keyboards, Sekou Bah, bass; Zé Luis Nascimento, drums; This new production celebrates a friendship born ten years ago far from the limelight, when these two singers first shared the stage. That was in the early 2000's, before success came. At the time, Hindi Zahra and Fatoumata Diawara often appeared at the Olympic Café, a classic venue for new music, in the Paris district of 'La Goutte d'Or'. The two singers soon made a name for themselves, building bridges between cultures and making modern Africa shine in the world. Today, they revisit their early days, their friendship bringing together inventive folk music and soul. Recorded on 2017 19th March at the Pôle musical d'Orgemont, Epinay-sur-Seine, as part of the 'Banlieues Bleues' Festival; TV Director, Laurent Hasse (58 min)

      • Naissam Jalal - Banlieues Bleues

        Naissam Jalal Live at Banlieues Bleues 2017; Naissam Jalal feat. Hamid Drake, Quest of invisible F. Naissam Jalal, compositions, flute, nay; Leonardo Montant, piano; Claude Tchamitchian, bass; Harmid Drake, battery, drums; The flautist continues her search for meaning with a dream quartet to approach the mystical and spiritual side of jazz. From her early days, Naissam Jalal has been oscillating between the West, symbolized by the traverso she studied at the Conservatory, and the East, represented by the ney, which she studied with great masters in Damascus and Cairo. In residence at the Dynamo, she sets a new objective: to integrate improvised modal jazz with non-western traditions, like the Arab dhikr, the Indian raga, and Gnawa trance. A specialist of the genre, drummer and percussionist Hamid Drake immediately recognized in her the ability he himself acquired alongside Don Cherry and Pharoah Sanders. He is now part of the adventure. Recorded on 2017, March 28th at the Dynamo of Banlieues Bleues, Pantin, as part of the 'Banlieues Bleues' Festival; TV Director, Gilles Le Mao (58 min)

      • Harold Lopez-Nussa - Banlieues Bleues

        Harold Lopez-Nussa; El Viaje; Harold Lopez-Nussa, piano; Alioune Wade, bass; Ruy Adrian Lopez-Nussa, drums, bongos, cajón; This prodigious heir to the great Cuban piano school displays his deeply inventive technique, in search of an all-encompassing form of jazz. Over the past ten years and since his first solo album, the virtuoso pianist, who trained at the best music schools in Havana, has made a number of recordings exploring his influences as a classical pianist and his Cuban roots. He is back with a trio, his favourite format, including Senegalese bass player Alioune Wade and his brother on percussions. His remarkable style serves an open form of jazz, more mature and supremely inventive. World class. Recorded on 15 March 2017 at Espace 93, Clichy-sous-Bois, as part of the 'Banlieues Bleues' Festival; TV director, Guillaume Dero (57 min)

      • InterMezzo

        (30 min)

      • Le Comte Ory by Rossini at the Opéra-Comique

        Le Comte Ory, by Gioachino Rossini (1792 - 1868); Libretto by Eugéne Scribe and Charles-Gaspard Delestre-Poirson; First performance in Paris, Opéra, 20 August 1828; Orchestre des Champs-Elysées, Louis Langrée (Conductor); les éléments, Joël Suhubiette (Chorus Master); Denis Podalydés (Stage Direction); Eric Ruf (Sets), Christian Lacroix (Costumes), Stéphanie Daniel (Lighting); Philippe Talbot (Le Comte Ory); Julie Fuchs (La Comtesse); Gaëlle Arquez (Isolier); Éve-Maud Hubeaux (Dame Ragonde); Patrick Bolleire (Le Gouverneur); Jean-Sébastien Bou (Raimbaud); Jodie Devos (Alice); Laurent Podalydés, Léo Reynaud (Comédiens); Recorded on December 27 and 29, 2017 at the Opéra-Comique, Paris; Directed by Vincent Massip (150 min)

      • Bach: Cantatas BWV 21, 82 - Pygmalion, Raphaël Pichon

        Ensemble Pygmalion, Raphaël Pichon (Conductor); Robin Johannsen (soprano), Lucile Richardot (alto), Robin Tritschler (tenor), Stéphane Degout (baritone), Tomáš Král (bass), Anne Alvaro (reading); Johann Sebastian Bach (1685 - 1750); Motet BWV deest 'Der Gerechte kömmt um'; Cantata BWV 82 'Ich habe genug ' Aria 1 & Récitatif 2; Johann Christoph Bach (1642 - 1703); 'Mit weinen hebt sich's an'; Johann Sebastian Bach; Cantata BWV 82 'Ich habe genug' Aria 3 & Récitatif 4; Johann Christoph Bach; Es ist nun aus; Johann Sebastian Bach; Cantata BWV 82 'Ich habe genug' Aria 5; Sven-David Sandström (b. 1942); Es ist genug; Johann Sebastian Bach; Cantata BWV 21 'Ich hatte viel Bekümmernis'; Recorded on May 14, 2018 at la Cité de la Musique, Paris; Directed by Colin Laurent (75 min)

      • InterMezzo

        (12 min)

      • Renaud Capuçon, Nicholas Angelich and the Hermés Quartet: Debussy, Ravel, Chausson

        Hermés String Quartet; Renaud Capuçon (violin), Nicholas Angelich (piano); Claude Debussy (1862 - 1918); Sonate for violin and piano; Maurice Ravel (1875 - 1937); String Quartet en F major; Ernest Chausson (1855 - 1899); Concerto for piano, violin and string quartet in D major op. 21; Recorded on February 3, 2018 at the Saanen Church, Gstaad; Directed by Olivier Simonnet (94 min)

      • Bernard Haitink and the Royal Concertgebouw Orchestra: Mozart, Bruckner

        Royal Concertgebouw Orchestra, Bernard Haitink (conductor); Mitsuko Uchida (piano); Wolfgang Amadeus Mozart (1756 - 1791); Piano concerto no 23 in A major, KV 488; Anton Bruckner (1824 - 1896); Symphony no 6 in A major; Recorded on December 14, 2018 at the Concertgebouw, Amsterdam; Directed by Dick Kuijs (120 min)

      • InterMezzo

        (22 min)

      • Yannick Nézet-Séguin and the Orchestre Métropolitain de Montréal: Berlioz, Saint-Saëns, Elgar

        Orchestre Métropolitain de Montréal, Yannick Nézet-Séguin (conductor); Marie-Nicole Lemieux (contralto), Jean-Guihen Queyras (cello); Hector Berlioz (1803 - 1869); Les Nuits d'été; Camille Saint-Saëns (1835 - 1921); Cello concerto no 1 in A minor, opus 33; Edward Elgar (1857 - 1934); Enigma Variations; Recorded on December 3, 2017 at the Philharmonie de Paris; TV Director, Olivier Simonnet (108 min)

      • Bach: Cantatas BWV 103, 105, 199 & 25 - Pygmalion, Raphaël Pichon

        Ensemble Pygmalion, Raphaël Pichon (Conductor); Sabine Devieilhe (soprano), Benno Schachtner (alto), Reinoud Van Mechelen (tenor), Manuel Walser (bass); Marina Abramovic (video); Johann Sebastian Bach (1685 - 1750); Cantata BWV 103 'Ihr werdet weinen und heulen'; Cantata BWV 105 'Herr, gehe nicht ins Gericht'; Cantata BWV 199 ' Mein Herze schwimmt im Blut'; Johann Michael Bach (1648 - 1694); Unser Leben währet siebenzig Jahr; Johann Sebastian Bach; Cantata BWV 25 'Es ist nichts Gesundes an meinem Leibe'; Recorded on January 30, 2018 at la Cité de la Musique, Paris; Directed by Isabelle Soulard (89 min)

      • Pura Fé at the Alhambra in Paris - Au fil des Voix festival

        Pura Fé's music is a happy mix of Blues, traditional Indian music and Folk Song. Her moving voice conveys an ancestral message from the Native American world and tells how history unites southern Native and African-Americans. Mathis Haugs's contemporary folk-blues brings to mind Ben Harper and Moriarty. But comparisons are irrelevant, as Mathis has developed his own musical world. This project draws its inspiration from the comic album 'Rouge Camargue' by Jean Vilaine and Michel Faure. Pura Fé Cresioni (vocals); Eric Longsworth (cello); Mathis Haug (guitar); Stephane Notari (percussions) (40 min)

      • InterMezzo

        (71 min)

      • Les Contes d'Hoffmann by Offenbach at the Opéra de Monte-Carlo

        Les Contes d'Hoffmann (The Tales of Hoffmann), 'opéra fantastique' in five acts by Jacques Offenbach (1819 - 1880); Jules Barbier's libretto after the play by Jules Barbier and Michel Carré based on works by E.T.A. Hoffmann; First performance in Paris, Opéra-Comique, February 10, 1881; Orchestre Philharmonique de Monte-Carlo, Jacques Lacombe (Conductor); Choeur de l'Opéra de Monte-Carlo, Stefano Visconti (Chorus Master); Jean-Louis Grinda (Stage Direction); Laurent Castaingt (Sets), David Belugou (Costumes), Laurent Castaingt (Lighting); Juan Diego Flórez (Hoffmann); Olga Peretyatko (Olympia, Antonia, Giuletta, Stella); Nicolas Courjal (Lindorf, Coppélius, Dr Miracle, Dapertutto); Sophie Marilley (Nicklausse); Rodolphe Briand (Andrés, Cochenille, Frantz, Pitichinaccio); Marc Larcher (Nathanaël); Yuri Kissin (Hermann/ Schlemil); Antoine Garcin (Luther); Reinaldo Macias (Spalanzani); Paata Burchuladze (Crespel); Christine Solhosse (La Mére d'Antonia); Recorded on January 28th and 31st at the Opéra de Monte-Carlo; TV Director, Stéphan Aubé (154 min)