• Mezzo Live HD

    • Mezzo Live HD od do

      • Royal Concertgebouw Orchestra and Thomas Hengelbrock: Schubert, Mozart

        Royal Concertgebouw Orchestra, Thomas Hengelbrock (Conductor); Balthasar-Neumann-Chor; Franz Schubert; Stabat Mater; Symphony no. 8 'Unfinished'; Wolfgang Amadeus Mozart; Requiem KV 626; Recorded at the Concertgebouw, Amsterdam on March 24th 2017; TV Director, Dick Kuijs (91 min)

      • InterMezzo

        (60 min)

      • Chlorine Free feat. Soweto Kinch + NYA

        Chlorine Free feat. Soweto Kinch + NYA; Virgile Lorach, bass; David Monet, keyboard; Romain Clerc-Renaud, Fender Rhodes; Maxime Zampieri, drums; Yann Cley, flute; Benoît Giffard, trombone; Michel Escande, percussion, machines; Soweto Kinch, saxophones; Nya, lyric; Disque étonnant et incomparable, ' Free Speech ' de Chlorine Free est un mélange intelligent et bouillonnant d'univers musicaux et vocaux axés sur la communication et l'expérimentation, tout en mettant l'humain au centre de la démarche. Un projet excitant et intense, sans temps mort et aussi addictif qu'intrigant - Indiemusic; 17 pistes qui sont autant de pépites que l'on redécouvre avec le meme émerveillement á chaque nouvelle écoute. Voici un album qui vous nettoie les oreilles sans produit chloré - Djam; Les apprentis chimistes de Chlorine Free remettent le couvert avec ' Free Speech ', brillant 3e album au groove complexe. L'album nous entraîne dans une déambulation au travers de paysages sonores protéiformes, contemplatifs et subtilement rythmés. Chlorine Free affirme ici encore plus en profondeur cette alchimie si particuliére qui entre electronica, broken beat, jazz-funk avant-gardiste et hip-hop. Le groupe prend pleinement sa place dans ce courant musical refusant toute étiquette rébarbative et en plein essor qui, avec un esprit décloisonné, sait rassembler autour de lui des auditeurs de tous les horizons. Les invités Soweto Kinch et Nya étoffent et enrichissent la palette du groupe. Le groove hip-hop old-school de Chlorine Free porte des textes engagés dans leur troisiéme opus, entre hymne écolo et appel á prendre en main sa destinée. Recorded on May 11, 2018 at the Grand Auditoire, Like a jazz machine festival, Dudalange, Luxembourg; TV Director, Samuel Thiebautt (57 min)

      • Michel Meis Quartet - Like a jazz machine Festival

        Michel Meis Quartet; Michel Meis, drums+ compositions; Cédric Hanriot, piano; Stephan Goldbach, double bass; Alisa Klein, trombone; Born in Luxembourg Michel Meis made his first experience with the drums at the early age of 7 at the Conservatory of Luxembourg, Luxembourg City. After finishing his diploma's in Chamber Music, Classical Percussion and Jazz drums in 2014 with the teachers Guy Frisch, Paul Mootz, Rainer Kind and Al Ginter, Michel entered the Jazz section of the 'Hochschule für Musik Saar' doing his Bachelor in Jazz drums. Since 2011, Michel is also a member of the Luxembourg Military Band and has played in several Jazz-clubs and festivals like the Hong Kong Jazz Festival, Beishan Jazz Festival, Sibiu Jazz Festival, Fete de la Musique Liege and the Brussels Jazz Marathon. Michel is a drummer with ' Everwaiting Serenade ', Dock in Absolute, Juan Gonzalez Trio. He also played drums for The Grund Club Voices and the Grund Club Quartet in 2015 and 2016. Their first record 'Lost in translation' will feature 7 original tunes and a cover of 'Heaven' by Depeche Mode. This album will be relased on January 2019, on Double Moon Records. Recorded on May 11, 2018 at the Grand Auditoire, Like a jazz machine festival, Dudalange, Luxembourg; TV Director, Samuel Thiebaut (57 min)

      • Stephane Kerecki - French Touch - Like a jazz machine Festival

        Stéphane Kerecki - French Touch; Stéphane Kerecki, double bass; Julien Lourau, saxophone; Fabrice Moreau, drums; Jozef Dumoulin, piano, Fender Rhodes; Stéphane Kerecki made a name for himself by playing with Daniel Humair, Sheila Jordan, Michel Portal, Jacky Terrasson. He is leading his own trio, with saxophonist Matthieu Donarier and drummer Thomas Grimmonprez. His recordings received many awards, including the Grand Prix de l'Académie Charles Cros, Disque d'Emoi de l'année 2007 (Jazz Magazine), Choc du Monde de la Musique a.o. Kerecki's most ambitious project to date, ' Nouvelle Vague ', an homage to the movies of Jean-Luc Godard, François Truffaut, Louis Malle, Jacques Demy, and the music it generated, features re-adapted works by Miles Davis, Martial Solal, Georges Delerue, Antoine Duhamel and Michel Legrand. His new project 'French Touch' explores the influence of contemporary French popular music, made by groups like Air, Daft Punk, Motorbass, Kavinsky and Phoenix, on today's music scene worldwide. Recode on May 11, 2018 at the Grand Auditoire, Dudelange, Luxembourg. TV Director, Samuel Thiebaut (57 min)

      • Khahil El Zabar ritual trio with Dwight Trible - Banlieues Bleues

        KAHIL EL'ZABAR percussions, voice, ARI BROWN saxophone, keyboards, JUNIUS PAUL bass; and DWIGHT TRIBLE voice (59 min)

      • InterMezzo

        (60 min)

      • Yefim Bronfman and the Royal Concertgebouw Orchestra: Beethoven, Brahms

        Royal Concertgebouw Orchestra, Philippe Herreweghe (Conductor); Yefim Bronfman (piano); Ludwig van Beethoven; Piano Concerto No. 4; Johannes Brahms; Symphony No. 2; Recorded on November 2, 2018, at the Concertgebouw, Amsterdam (87 min)

      • Gianandrea Noseda conducts the War Requiem by Britten at the Concertgebouw, Amsterdam

        Royal Concertgebouw Orchestra, Gianandrea Noseda (Conductor); Groot Ormroepkoor, Vlaams Radio Koor, Nationaal Kinderkoor; Elena Stikhina (soprano), Mark Padmore (tenor), Michael Volle (baritone); Benjamin Britten; War Requiem, op. 66; Recorded on October 12, 2018, at the Concertgebouw, Amsterdam; Directed by Dick Kuijs (90 min)

      • InterMezzo

        (58 min)

      • Ghosts - Norwegian National Ballet

        Ghosts; Upon Henrik Ibsen's work; Norwegian National Ballet; Marit Moum Aune, creation and staging; Cina Espejord, choreography; Nils Petter Molvaer, Music; Even Borsum, set design; Ingrid Nylander, costumes; Kristin Bredal, lighting design; Jan Bang, trumpet; With the dancers of; The Norwegian National Ballet; The Norwegian Bational Ballet school; and; Andreas Heise (Osvald / M. Alving); Camilla Spidsoe (Ms Alving); Grete Sofie Borud Nybakken (Regine); Yoshifumi Inao (Engstrand); Ole Willy Falkhaugen (Pastor Manders); Recorded on Februarty 20th and 21st 2017 at the Den Norske Opera & Ballet; TV Director, Tommy Pascal (75 min)

      • Hedda Gabler - Norwegian National Ballet

        Hedda Gabler; Upon Henrik Ibsen's work; Norwegian National Ballet; Marit Moum Aune, choreography and staging; Kaloyan Boyadjive, Group choreography; Nils Petter Molvaer, music; Even Borsum, sets design; Ingrid Nylander, costume design; Kristin Bredal, lighting design; With dancers from; The Norwegian national ballet; The Norwegian national ballet school; And; Grete Sofie Borud Nybakken (Hedda Gabler); Silas Henriksen (Eilert Lovborg); Philip Currell (Jorgen Tesman); Eugenie Skilnand (Thea Elvsted); Shane Urton (Assessorr Brack); Samantha Lynch (Aunt Julie); Klara Martensson (Diana); Kristian Alm (Général Gablerl, Hedda's father); Erle Ostraat (Hedda Gabler child); Helle Flood (Thea Elvsted, child); Recorded on October 17th and 18th 2017 at the Den Norske Opera & Ballet; TV Director, Tommy Pascal (99 min)

      • InterMezzo

        (30 min)

      • Chlorine Free feat. Soweto Kinch + NYA

        Chlorine Free feat. Soweto Kinch + NYA; Virgile Lorach, bass; David Monet, keyboard; Romain Clerc-Renaud, Fender Rhodes; Maxime Zampieri, drums; Yann Cley, flute; Benoît Giffard, trombone; Michel Escande, percussion, machines; Soweto Kinch, saxophones; Nya, lyric; Disque étonnant et incomparable, ' Free Speech ' de Chlorine Free est un mélange intelligent et bouillonnant d'univers musicaux et vocaux axés sur la communication et l'expérimentation, tout en mettant l'humain au centre de la démarche. Un projet excitant et intense, sans temps mort et aussi addictif qu'intrigant - Indiemusic; 17 pistes qui sont autant de pépites que l'on redécouvre avec le meme émerveillement á chaque nouvelle écoute. Voici un album qui vous nettoie les oreilles sans produit chloré - Djam; Les apprentis chimistes de Chlorine Free remettent le couvert avec ' Free Speech ', brillant 3e album au groove complexe. L'album nous entraîne dans une déambulation au travers de paysages sonores protéiformes, contemplatifs et subtilement rythmés. Chlorine Free affirme ici encore plus en profondeur cette alchimie si particuliére qui entre electronica, broken beat, jazz-funk avant-gardiste et hip-hop. Le groupe prend pleinement sa place dans ce courant musical refusant toute étiquette rébarbative et en plein essor qui, avec un esprit décloisonné, sait rassembler autour de lui des auditeurs de tous les horizons. Les invités Soweto Kinch et Nya étoffent et enrichissent la palette du groupe. Le groove hip-hop old-school de Chlorine Free porte des textes engagés dans leur troisiéme opus, entre hymne écolo et appel á prendre en main sa destinée. Recorded on May 11, 2018 at the Grand Auditoire, Like a jazz machine festival, Dudalange, Luxembourg; TV Director, Samuel Thiebautt (57 min)

      • Michel Meis Quartet - Like a jazz machine Festival

        Michel Meis Quartet; Michel Meis, drums+ compositions; Cédric Hanriot, piano; Stephan Goldbach, double bass; Alisa Klein, trombone; Born in Luxembourg Michel Meis made his first experience with the drums at the early age of 7 at the Conservatory of Luxembourg, Luxembourg City. After finishing his diploma's in Chamber Music, Classical Percussion and Jazz drums in 2014 with the teachers Guy Frisch, Paul Mootz, Rainer Kind and Al Ginter, Michel entered the Jazz section of the 'Hochschule für Musik Saar' doing his Bachelor in Jazz drums. Since 2011, Michel is also a member of the Luxembourg Military Band and has played in several Jazz-clubs and festivals like the Hong Kong Jazz Festival, Beishan Jazz Festival, Sibiu Jazz Festival, Fete de la Musique Liege and the Brussels Jazz Marathon. Michel is a drummer with ' Everwaiting Serenade ', Dock in Absolute, Juan Gonzalez Trio. He also played drums for The Grund Club Voices and the Grund Club Quartet in 2015 and 2016. Their first record 'Lost in translation' will feature 7 original tunes and a cover of 'Heaven' by Depeche Mode. This album will be relased on January 2019, on Double Moon Records. Recorded on May 11, 2018 at the Grand Auditoire, Like a jazz machine festival, Dudalange, Luxembourg; TV Director, Samuel Thiebaut (57 min)

      • Stephane Kerecki - French Touch - Like a jazz machine Festival

        Stéphane Kerecki - French Touch; Stéphane Kerecki, double bass; Julien Lourau, saxophone; Fabrice Moreau, drums; Jozef Dumoulin, piano, Fender Rhodes; Stéphane Kerecki made a name for himself by playing with Daniel Humair, Sheila Jordan, Michel Portal, Jacky Terrasson. He is leading his own trio, with saxophonist Matthieu Donarier and drummer Thomas Grimmonprez. His recordings received many awards, including the Grand Prix de l'Académie Charles Cros, Disque d'Emoi de l'année 2007 (Jazz Magazine), Choc du Monde de la Musique a.o. Kerecki's most ambitious project to date, ' Nouvelle Vague ', an homage to the movies of Jean-Luc Godard, François Truffaut, Louis Malle, Jacques Demy, and the music it generated, features re-adapted works by Miles Davis, Martial Solal, Georges Delerue, Antoine Duhamel and Michel Legrand. His new project 'French Touch' explores the influence of contemporary French popular music, made by groups like Air, Daft Punk, Motorbass, Kavinsky and Phoenix, on today's music scene worldwide. Recode on May 11, 2018 at the Grand Auditoire, Dudelange, Luxembourg. TV Director, Samuel Thiebaut (57 min)

      • InterMezzo

        (30 min)

      • Benvenuto Cellini by Berlioz at De Nationale Opera Amsterdam

        Benvenuto Cellini, opera in two acts by Hector Berlioz (1803 -1869); Libretto de Léon de Wailly and Auguste Barbier; First performance in Paris, Opéra, 10 September 1838; Rotterdam Philharmonic Orchestra, Sir Mark Elder (Conductor); Chorus of the Dutch National Opera; Terry Gilliam (Stage Direction); John Osborn (Benvenuto Cellini); Maurizio Muraro (Giacomo Balducci); Laurent Naouri (Fieramosca); Orlin Anastassov (Le Pape Clement VII); Nicky Spence (Francesco); Scott Conner (Bernardino); André Morsch (Pompeo); Marcel Beekman (Le Cabaretier); Mariangela Sicilia (Teresa); Michéle Losier (Ascanio); Recorded on May 18, 2015 at De Nationale Opera, Amsterdam; Directed by François Roussillon (180 min)

      • InterMezzo

        (60 min)

      • Christian Arming and the Orchestre Philharmonique Royal de Liége: Strauss, Walton, Rachmaninov

        Orchestre Philharmonique Royal de Liége, Christian Arming (Conductor); Adrien La Marca (viola); Richard Strauss; Wiener Philharmoniker Fanfare; William Walton; Viola Concerto; Sergei Rachmaninov; Symphony no 2; Recorded on September 21, 2018 at the Salle Philharmonique, Liége; TV Director, Nicolas Foulon (102 min)

      • Christian Arming, Sophie Karthaüser and the Orchestre Philharmonique Royal de Liége: Mozart

        Orchestre Philharmonique Royal de Liége, Christian Arming (conductccor); Sophie Karthäuser (soprano); Peter Petrov (piano); Wolfgang Amadeus Mozart (1756 - 1791); Piano Concerto no 9 in E flat major K 271 'Jeunehomme'; Voi avete un cor fedele K 217; Bella mia fiamma K 528; Ch'io mi scordi di te K 505; Recorded on February 3rd 2018 vt the Philharmonique de Liége concert hall (65 min)

      • InterMezzo

        (71 min)

      • Gergely Madaras and the Orchestre Philharmonique Royal de Liége: Boesmans, Ravel

        Orchestre Philharmonique Royal de Liége, Gergely Madaras (Conductor); Ch?ur de Radio France; David Kadouch (piano); Philippe Boesmans (b.1936); Fin de nuit, for piano and orchestra; Maurice Ravel (1875 - 1937); Daphnis et Chloé; Recorded in Liége, Salle Philharmonique, 27 & 28 February 2019; Directed by Arnaud Lalanne (101 min)

      • Christian Arming, Mihoko Fujimura and the Orchestre Philharmonique Royal de Liége: Wagner, Mahler, Schumann

        Orchestre Philharmonique Royal de Liége, Christian Arming (conductor); Mihoko Fujimura (mezzo-soprano); Richard Wagner (1813 - 1883); Tristan und Isolde, Prelude and Liebestod; Gustav Mahler (1860 - 1911); Kindertotenlieder; Robert Schumann (1810 - 1856); Symphony no. 2 in C major, opus 61; Recorded on May13th, 2016, at the Salle Philharmonique, Liége; Directed by Frédéric Caillierez (91 min)

      • Snarky Puppy - Stockholm Jazz Festival

        Snarky Puppy; Their motto is to play music for your brain and body. Be prepared to furiously dance to the music of the most groovy Stochkolm festival band. Formed in 2004, Snarky Puppy was once a happy student dand of North Texas University. They are today one of the most exciting band in the world funk scene. Snarky Puppy members had played with big names and not just Jazz's: Snoop Dodd, Erykah Badu, Chaka Khan, Beyonce, Justin Timberlake, Jason Marsalis and many more. Recorded on 2013 at the Stockholm Jazz Festival; TV Director, Mathieu Mastin (56 min)

      • InterMezzo

        (40 min)

      • Mariss Jansons conducts The Queen of Spades by Tchaikovsky

        The Queen of Spades; Opera in three acts, op. 68, by Piotr Ilych Tchaikovsky (1840 - 1893); Libretto by Modest Ilych Tchaikovsky after Alexander Pushkin's novella; First performance in Saint-Petersburg, Mariinsky Theatre, 19 December 1890; Royal Concertgebouw Orchestra, Mariss Jansons (Conductor); Chorus of Dutch National Opera, Nieuw Amsterdams Kinderkoor; Stefan Herheim (Stage Direction); Philipp Fürhofer (Sets), Philipp Fürhofer (Costumes); Misha Didyk (Herman); Alexey Markov (Tomski); Vladimir Stoyanov (Yeletsky); Andrei Popov (Chekalinsky); Andrii Goniukov (Surin); Mikhail Makarov (Chaplitsky); Anatoli Sivko (Narumov); Larissa Diadkova (The Countess); Svetlana Aksenova (Lisa); Anna Goryachova (Polina); Pelageya Kurennaya (Prilepa); Directed by Misjel Vermeiren; Recorded at De Nationale Opera, Amsterdam, 2016 (181 min)