• Mezzo Live HD

    • Mezzo Live HD od do

      • InterMezzo

        (72 min)

      • Enrico Rava "Special edition 80th Brithday" - Like a jazz machine

        Enrico Rava Special edition 80th Brithday; Enrico Rava - trumpet & bugle; Gianluca Petrella - trombone; Francesco Diodati - guitar; Giovanni Guidi - piano; Gabriele Evangelista - bass guitar; Enrico Morello - drums; Famed trumpeter Enrico Rava first appeared in the Italian and international jazz scenes over 50 years ago, working with Gato Barbieri and Steve Lacy, Roswell Rudd, Carla Bley, John Abercrombie and Cecil Taylor. Throughout his extensive career, he has played alongside notable musicians such as Lee Konitz, Richard Galliano, Pat Metheny, John Scofield, Dave Douglas, Geri Allen, Miroslav Vitous, Philip Caterine, Tomasz Stanko, Michel Petrucciani, John Abercrombie, Joe Lovano... Rava was famously inclined to work with young musicians too. Giovanni Guidi is a revered pianist among the young Italian generation of jazz musicians. He won Top Jazz 2007 as best new national talent. Gianluca Petrella is hailed as one of the most significant jazz trombonists in the world. Gabriele Evangelista is a praised Italian bass player with extraordinary precise skills combined with wild creativity and distinctive interplay. Enrico Morello emerged from a strong academic background, widely known for his refined drumming style and remarkable swing. Recorded on May 16, 2019 at the Grand Auditoire, Dudelange, Luxembourg. TV Director, Samuel Thiebaut (60 min)

      • Arthur Possing Quartet - Like a jazz machine

        Arthur Possing Quartet; Pierre Cocq-Amann, saxophones; Arthur Possing, piano, compositions; Sebastian 'Schlapbe' Flach, double bass; Pit Huberty, drums; Arthur Possing is a young Luxembourgish pianist, born in 1996 into a family in which music has always played a significant role. He started classical percussion at the age of 6 and classical piano at the age of 10, later in the class of well-known pianist Jean Muller. In 2009, he began studying jazz piano with Marc Mangen and vibraphone in 2011 with Guy Cabay. In 2016, he began further studies in jazz piano at the Conservatoire Royal de Bruxelles with Eric Legnini. The Arthur Possing Quartet was originally formed in 2013. Its members met in high school and soon started playing together regularly. Since 2017, the musicians are originally from Germany, France and Luxembourg and have studied at the Royal Conservatory of Brussels, the Centre des Musiques Didier Lockwood near Paris and the Musikhochschule Mannheim. Their repertoire consists both of own compositions and tunes of appreciated jazzmen. In 2017, the quartet released their first album 'Four Years', which was released in March'18 on the Belgian label Hypnote Records. It was well acclaimed by the audience and press and won 'Hits' at Couleurs Jazz in France. Recode on May 16, 2019 at the Grand Auditoire, Dudelange, Luxembourg. TV Director, Samuel Thiebaut (59 min)

      • Extended Hanoi Duo - Like a Jazz machine

        Extended Hanoi Duo; Nguyen Le, electric and accoustic guitar; Ngo Hong Quang, traditional instruments, voice; Mieko Miyazaki, koto; Paolo Fresu, trumpet; Edouard Prabhu, tabals; Alex Tran, percussions; Hao Nhiem Pham, flute; The celebrated French-Vietnamese guitarist Nguyen Le is a masterful, inventive player who has cultivated a wholly unique voice on the instrument, ranking right up there with Bill Frisell, John Scofield, Mike Stern and Allan Holdsworth in the post-Hendrix world of jazz guitar. He has developed a distinctive sound that draws upon rock, funk and jazz as well as traditional Algerian, Indian and Vietnamese styles. His ethereal and colourful music acts like a powerful detonator which every time creates new and unheard soundscapes. On his latest album he teams up with young traditionalist singer Ngo Hong Quang, on lute, Vietnamese fiddle, Jew's harp, to portray 'the soul of Vietnam' and its quickening evolution. There are jaunty folkish tunes, temple bells and ethereal melodies, and a storm of electric guitars. Nguyen's life-long friend, the famous Italian trumpeter Paolo Fresu adds elegant Miles Davis-like peaks to a powerful, fauvism-coloured fusion of ancient and modern. Recorded on May 25th 2017 at Like a Jazz Machine Festival, Dudelange, Luxembourg; TV Director, Samuel Thiebaut (58 min)

      • Khahil El Zabar ritual trio with Dwight Trible - Banlieues Bleues

        KAHIL EL'ZABAR percussions, voice, ARI BROWN saxophone, keyboards, JUNIUS PAUL bass; and DWIGHT TRIBLE voice (59 min)

      • InterMezzo

        (59 min)

      • Praetorius Christmas Mass in Versailles

        The Pages and the Chantres of the Centre de musique baroque de Versailles, Olivier Schneebeli (Artistic direction); Gabrieli Consort and Players; Paul McCreesh (Conductor); Michael Praetorius (1571-1621); Christmas mass; Recorded on December 8th 2017 at the Chapelle Royale, Château de Versailles; Directed by Benjamin Bleton (82 min)

      • Raphaël Pichon and Pygmalion: Bach's Motets

        Pygmalion, Raphaël Pichon (Conductor); Johann Sebastian Bach (1685 - 1750); Singet dem Herrn ein neues Lied BWV 225; Giovanni Gabrieli (1557 - 1612); Jubilate deo; Johann Sebastian Bach; Der Geist hilft unser Schwachheit auf BWV 226; Jacobus Gallus (1550 - 1591); Ecce, quomodo moritur iustus; Johann Sebastian Bach; Jesu meine Freude BWV 227; Vincenzo Bertolusi (ca 1550 - 1608); Osculetur meo; Johann Sebastian Bach; Komm Jesu komm BWV 229; Johann Sebastian Bach; Fürchte dich nicht, ich bin bei dir BWV 228; Hieroymus Praetorius (1560 - 1629); Tulerunt Dominum meum; Johann Sebastian Bach; Lobet den Herrn BWV 230; Recorded at the Festival d'Ambronay, 13 September 2019 (90 min)

      • InterMezzo

        (40 min)

      • Shurale choreography by Leonid Jakobson

        Shurale; Leonid Jakobson ('Choreography); Ahmed Faizi et Leonid Jakobson (Libreto); Andrey Knoblok (Sets design, scenography & costumes design); Farid Yarullin (composer); Renat Salavatov (Conductor and musical Director); Orchestra of the Tatar State Academic Opera; Ballet of the Tatar State Academic Opera; With; Kristina Andreeva (Syuyumbike); Mikhail Timaev (Byltyr); Oleg Ivenko (Shurale); Olga Alekiseeva (Fire witch); Alessandro Kaggedji (Shaitan); Recorded on June 13 & 14, 2019 at the Tatar State Academic Opera, Kazan, Russia; TV Director, Isabelle Julien (95 min)

      • The Golden Horde by Georgy Kovtun

        The Golden Horde; Georgy Kovtun, choregraphy; Rhenat Kharis Libretto; Vladimir Yakovlev, Artistic Director; Andrey Zlobin, Scenography; Rezeda Akhiyarora, music; Anna Ipateva, costume; Ballet and Orchestra of the Tatar State Academic Opera; Rustem Abyazov, Musical Direction; Nuria Djuraeva, Chorus Master; Raufal Mukhametzyanov, Director; Renat Salavatov, Principal Conductor; Lyubov Drazina, Principal Chorus Master; With; (Tokhtamych - Khan from the Golden Hord), Maxim Potseluiko; (Murza - General), Anton Polodyuk; (Djanike - General'daughter), Kristina Andreeva; (Nuradin - General's son), Oleg Ivenko; (Vizir - General's Adviser),Nurlan Kanetov; (Timur - Emir of Samarkand), Gleb Korablev; (khan Batyi's Spirit), Mikhail Timaev; Live from the Tatar State Academic Opera; TV Direction, Vincent Massip (116 min)

      • InterMezzo

        (20 min)

      • Enrico Rava "Special edition 80th Brithday" - Like a jazz machine

        Enrico Rava Special edition 80th Brithday; Enrico Rava - trumpet & bugle; Gianluca Petrella - trombone; Francesco Diodati - guitar; Giovanni Guidi - piano; Gabriele Evangelista - bass guitar; Enrico Morello - drums; Famed trumpeter Enrico Rava first appeared in the Italian and international jazz scenes over 50 years ago, working with Gato Barbieri and Steve Lacy, Roswell Rudd, Carla Bley, John Abercrombie and Cecil Taylor. Throughout his extensive career, he has played alongside notable musicians such as Lee Konitz, Richard Galliano, Pat Metheny, John Scofield, Dave Douglas, Geri Allen, Miroslav Vitous, Philip Caterine, Tomasz Stanko, Michel Petrucciani, John Abercrombie, Joe Lovano... Rava was famously inclined to work with young musicians too. Giovanni Guidi is a revered pianist among the young Italian generation of jazz musicians. He won Top Jazz 2007 as best new national talent. Gianluca Petrella is hailed as one of the most significant jazz trombonists in the world. Gabriele Evangelista is a praised Italian bass player with extraordinary precise skills combined with wild creativity and distinctive interplay. Enrico Morello emerged from a strong academic background, widely known for his refined drumming style and remarkable swing. Recorded on May 16, 2019 at the Grand Auditoire, Dudelange, Luxembourg. TV Director, Samuel Thiebaut (60 min)

      • Arthur Possing Quartet - Like a jazz machine

        Arthur Possing Quartet; Pierre Cocq-Amann, saxophones; Arthur Possing, piano, compositions; Sebastian 'Schlapbe' Flach, double bass; Pit Huberty, drums; Arthur Possing is a young Luxembourgish pianist, born in 1996 into a family in which music has always played a significant role. He started classical percussion at the age of 6 and classical piano at the age of 10, later in the class of well-known pianist Jean Muller. In 2009, he began studying jazz piano with Marc Mangen and vibraphone in 2011 with Guy Cabay. In 2016, he began further studies in jazz piano at the Conservatoire Royal de Bruxelles with Eric Legnini. The Arthur Possing Quartet was originally formed in 2013. Its members met in high school and soon started playing together regularly. Since 2017, the musicians are originally from Germany, France and Luxembourg and have studied at the Royal Conservatory of Brussels, the Centre des Musiques Didier Lockwood near Paris and the Musikhochschule Mannheim. Their repertoire consists both of own compositions and tunes of appreciated jazzmen. In 2017, the quartet released their first album 'Four Years', which was released in March'18 on the Belgian label Hypnote Records. It was well acclaimed by the audience and press and won 'Hits' at Couleurs Jazz in France. Recode on May 16, 2019 at the Grand Auditoire, Dudelange, Luxembourg. TV Director, Samuel Thiebaut (59 min)

      • Extended Hanoi Duo - Like a Jazz machine

        Extended Hanoi Duo; Nguyen Le, electric and accoustic guitar; Ngo Hong Quang, traditional instruments, voice; Mieko Miyazaki, koto; Paolo Fresu, trumpet; Edouard Prabhu, tabals; Alex Tran, percussions; Hao Nhiem Pham, flute; The celebrated French-Vietnamese guitarist Nguyen Le is a masterful, inventive player who has cultivated a wholly unique voice on the instrument, ranking right up there with Bill Frisell, John Scofield, Mike Stern and Allan Holdsworth in the post-Hendrix world of jazz guitar. He has developed a distinctive sound that draws upon rock, funk and jazz as well as traditional Algerian, Indian and Vietnamese styles. His ethereal and colourful music acts like a powerful detonator which every time creates new and unheard soundscapes. On his latest album he teams up with young traditionalist singer Ngo Hong Quang, on lute, Vietnamese fiddle, Jew's harp, to portray 'the soul of Vietnam' and its quickening evolution. There are jaunty folkish tunes, temple bells and ethereal melodies, and a storm of electric guitars. Nguyen's life-long friend, the famous Italian trumpeter Paolo Fresu adds elegant Miles Davis-like peaks to a powerful, fauvism-coloured fusion of ancient and modern. Recorded on May 25th 2017 at Like a Jazz Machine Festival, Dudelange, Luxembourg; TV Director, Samuel Thiebaut (58 min)

      • InterMezzo

        (25 min)

      • Un Ballo in maschera by Verdi at the Bayerische Staatsoper

        Un Ballo in maschera; Melodramma in three acts by Giuseppe Verdi (1813 - 1901); Libretto by Antonio Somma; First performance in Rome, Teatro Apollo, 17 February 1859; Bayerisches Staatsorchester, Zubin Mehta (Conductor); Chorus of the Bayerische Staatsoper; Johannes Erath (Stage Direction); Heike Scheele (Sets), Gesine Völlm (Costumes), Joachim Klein (Lighting); Piotr Beczala (Riccardo); George Petean (Renato); Anja Harteros (Amelia); Okka von der Damerau (Ulrica); Sofia Fomina (Oscar); Andrea Borghini (Silvano); Anatoli Sivko (Samuel); Scott Conner (Tom); Directed by Tiziano Mancini; Recorded at the Bayerische Staatsoper, Munich, 2016 (149 min)

      • InterMezzo

        (17 min)

      • Bach: Cantatas BWV 21, 82 - Pygmalion, Raphaël Pichon

        Ensemble Pygmalion, Raphaël Pichon (Conductor); Mailys de Villoutreys (soprano), William Shelton (alto), Reinoud Van Mechelen (tenor), Tomáš Král (bass); Nicolaus Bruhns (1665 - 1697); De Profundis clamavi; Johann Sebastian Bach (1685 - 1750); Cantata BWV 131 Aus der Tiefe rufe ich, Herr, zu dir; Franz Tunder (1614 - 1667); Ach Herr, laß deine Lieben Engelein; Johann Sebastian Bach; Cantata BWV 106 Gottes Zeit ist die allerbeste Zeit; Dietrich Buxtehude (1637 - 1707); Klag-Lied, BuxWV 76; Johann Sebastian Bach; Cantata BWV 4 Christ lag in Todesbanden; Recorded on February 6, 2018 at la Cité de la Musique, Paris; Directed by Isabelle Soulard (93 min)

      • Gustavo Dudamel conducts Mahler at the Philharmonie de Paris

        Orquesta Sinfónica Simón Bolívar de Venezuela, Gustavo Dudamel (direction); Julián Orbón; Tres Versiones Sinfónicas; Gustav Mahler; Symphony n° 5 in C sharp minor; Recorde at the Philharmonie de Paris on January 25th 2015; Directed by Corentin Leconte (104 min)

      • Angelin Preljocaj's Le Parc at the Opéra de Paris

        Le Parc; Angelin Preljocaj (choreography); Wolfgang Amadeus Mozart (Music); Yannis Pouspourikas (Musical direction); Les Étoiles, les Premiers Danseurs et le Corps de Ballet de l'Opéra; Orchestre de chambre de Paris; Goran Vejvoda (Sound Creation); Thierry Leproust (sets); Hervé Pierre (Costumes); Jacques Chatelet (Lighting); Live from the Opéra National de Paris, Palais Garnier LIVE (120 min)

      • Raphaël Pichon and Pygmalion: Monteverdi's Vespro della Beata Vergine

        Pygmalion, Raphaël Pichon (Conductor); Lea Desandre (Soprano); Eva Zaicik (Soprano); Lucile Richardot (Alto); Emiliano Gonzalez Toro (Tenor); Zachary Wilder (Tenor); Claudio Monteverdi (1567-1653); Vespro della beata Vergine; Recorded at the Chapelle Royale, Château de Versailles, 9 February 2019; TV Director, Colin Laurent (118 min)

      • InterMezzo

        (21 min)

      • Shabaka Hutchings 'The comet is coming' - Like a Jazz machine

        The comet is coming; Shabaka Hutchings, saxophone ténor; Dan Leavers, synthétiseur; Max Hallet, batterie; Sixty years after Sun Ra released his debut album, the influence of the late avant garde jazz musician and 'cosmic philosopher' persists. Sun Ra is a clear touchstone for futurists band The Comet is coming. They're formed of saxophonist Shabaka Hutchings (aka King Shabaka), and the two members of Soccer96: synths guy Dan Leavers (aka Danalogue The Conqueror) and drums man Maxwell Hallett (aka Betamax Killer). Formed in 2013 after saxophonist Shabaka Hutchings spontaneously joined funk duo Soccer96 on stage, the trio combines Sun Ra's mythological themes and love of the experimental, whipping up a fusion of jazz, Afrobeat and electronica in an improvisational, intergalactic mash-upstyle, starting with an orthodox jazz sensibility and taking it to the dancefloor. For millennia, humankind has viewed comets as harbingers of doom, portents of change and destruction. The Comet Is Coming are here to recognize these world-altering prophecies and to help us dance like it's the end of the world. Recorded on May 25th 2017 at Like a Jazz Machine Festival, Dudelange, Luxembourg; TV Director, Samuel Thiebaut (57 min)

      • InterMezzo

        (62 min)

      • Mozart's Idomeneo at the Teatro Real Madrid

        Idomeneo, re di Creta; Dramma per musica in three acts, K 366, by Wolfgang Amadeus Mozart (1756 - 1791); Libretto by Giovanni Battista Varesco after 'Idoménée' by Antoine Danchet; First performance in Munich, Residenztheater, January 29, 1781; Coro y Orquesta Titulares Teatro Real, Ivor Bolton (Conductor); Andrés Máspero (Chorus Master); Robert Carsen (stage direction, sets); Luis F. Carvalho (sets, costumes), Peter van Praet (lights), Marco Berriel (choreography), Will Duke (video); Eric Cutler (Idomeneo); David Portillo (Idamante); Anett Fritsch (Ilia); Eleonora Buratto (Elettra); Benjamin Hulett (Arbace); Oliver Johnston (Neptune's Great Priest); Alexander Tsymbalyuk (Voice of Neptune); Recorded at the Teatro Real, Madrid, on February 25 & 27, 2019; TV Director, François Roussilon (170 min)