• Mezzo Live HD

    • Mezzo Live HD od do

      • Angelin Preljocaj's Le Parc at the Opéra de Paris

        Le Parc; Angelin Preljocaj (choreography); Wolfgang Amadeus Mozart (Music); Yannis Pouspourikas (Musical direction); Les Étoiles, les Premiers Danseurs et le Corps de Ballet de l'Opéra; Orchestre de chambre de Paris; Goran Vejvoda (Sound Creation); Thierry Leproust (sets); Hervé Pierre (Costumes); Jacques Chatelet (Lighting); Live from the Opéra National de Paris, Palais Garnier LIVE (120 min)

      • Raphaël Pichon and Pygmalion: Monteverdi's Vespro della Beata Vergine

        Pygmalion, Raphaël Pichon (Conductor); Lea Desandre (Soprano); Eva Zaicik (Soprano); Lucile Richardot (Alto); Emiliano Gonzalez Toro (Tenor); Zachary Wilder (Tenor); Claudio Monteverdi (1567-1653); Vespro della beata Vergine; Recorded at the Chapelle Royale, Château de Versailles, 9 February 2019; TV Director, Colin Laurent (118 min)

      • InterMezzo

        (21 min)

      • Shabaka Hutchings 'The comet is coming' - Like a Jazz machine

        The comet is coming; Shabaka Hutchings, saxophone ténor; Dan Leavers, synthétiseur; Max Hallet, batterie; Sixty years after Sun Ra released his debut album, the influence of the late avant garde jazz musician and 'cosmic philosopher' persists. Sun Ra is a clear touchstone for futurists band The Comet is coming. They're formed of saxophonist Shabaka Hutchings (aka King Shabaka), and the two members of Soccer96: synths guy Dan Leavers (aka Danalogue The Conqueror) and drums man Maxwell Hallett (aka Betamax Killer). Formed in 2013 after saxophonist Shabaka Hutchings spontaneously joined funk duo Soccer96 on stage, the trio combines Sun Ra's mythological themes and love of the experimental, whipping up a fusion of jazz, Afrobeat and electronica in an improvisational, intergalactic mash-upstyle, starting with an orthodox jazz sensibility and taking it to the dancefloor. For millennia, humankind has viewed comets as harbingers of doom, portents of change and destruction. The Comet Is Coming are here to recognize these world-altering prophecies and to help us dance like it's the end of the world. Recorded on May 25th 2017 at Like a Jazz Machine Festival, Dudelange, Luxembourg; TV Director, Samuel Thiebaut (57 min)

      • InterMezzo

        (62 min)

      • Mozart's Idomeneo at the Teatro Real Madrid

        Idomeneo, re di Creta; Dramma per musica in three acts, K 366, by Wolfgang Amadeus Mozart (1756 - 1791); Libretto by Giovanni Battista Varesco after 'Idoménée' by Antoine Danchet; First performance in Munich, Residenztheater, January 29, 1781; Coro y Orquesta Titulares Teatro Real, Ivor Bolton (Conductor); Andrés Máspero (Chorus Master); Robert Carsen (stage direction, sets); Luis F. Carvalho (sets, costumes), Peter van Praet (lights), Marco Berriel (choreography), Will Duke (video); Eric Cutler (Idomeneo); David Portillo (Idamante); Anett Fritsch (Ilia); Eleonora Buratto (Elettra); Benjamin Hulett (Arbace); Oliver Johnston (Neptune's Great Priest); Alexander Tsymbalyuk (Voice of Neptune); Recorded at the Teatro Real, Madrid, on February 25 & 27, 2019; TV Director, François Roussilon (170 min)

      • InterMezzo

        (67 min)

      • Jonathan Nott and the Orchestre de la Suisse Romande: Tchaikovsky, Mussorgsky, Stravinsky

        Orchestre de la Suisse Romande, Jonathan Nott (Conductor); Asmik Grigorian (soprano); Pyotr Tchaikovsky (1840 - 1893); Eugene Onegine, Polonaise; Pique Dame, scene and aria of Lisa, third act; Voyevoda, op. 78; Iolanta, aria of Iolanta; Eugene Onegine, waltz and aria of Tatiana (Letter Scene); Modest Mussorgsky (1839 - 1881); A Night on the Bald Mountain; Igor Stravinsky (1882 - 1971); Firebird, suite no 2 (1919); Recorded at the Victoria Hall, Geneva, 30 November 2018; TV Director, Andy Sommer (89 min)

      • Raphaël Pichon and Pygmalion: Monteverdi's Vespro della Beata Vergine

        Pygmalion, Raphaël Pichon (Conductor); Lea Desandre (Soprano); Eva Zaicik (Soprano); Lucile Richardot (Alto); Emiliano Gonzalez Toro (Tenor); Zachary Wilder (Tenor); Claudio Monteverdi (1567-1653); Vespro della beata Vergine; Recorded at the Chapelle Royale, Château de Versailles, 9 February 2019; TV Director, Colin Laurent (118 min)

      • Faust by Charles Gounod at the Teatro Real Madrid

        Faust, opera in five acts by Charles Gounod (1818-1893); Libretto by Jules Barbier and Michel Carré, based upon the play 'Faust et Marguerite' (1850) by Michel Carré and 'Faust' (1808) by Johann Wolfgang Goethe; Fist performance in Paris, Théâtre Lyrique, 19 March 1859; Principal Chorus and Orchestra of the Teatro Real (Coro Intermezzo / Orquesta Sinfónica de Madrid), Dan Ettinger (Conductor); Andrés Máspero (Chorus Master); Álex Ollé (La Fura dels Baus) (Stage Direction); Alfons Flores (Set designer), Lluc Castells (Costume designer), Urs Schönebaum (Lighting designer); Piotr Beczala (Dr. Faust); Luca Pisaroni (Méphistophélés); Marina Rebeka (Marguerite); Stéphane Degout (Valentin); Isaac Galán (Wagner); Serena Malfi (Siébel) Sep); Sylvie Brunet-Grupposo (Marthe); Recorded at the Teatro Real, Madrid, on October 7, 2018; TV Director, Xavi Bové (186 min)

      • InterMezzo

        (22 min)

      • Shurale choreography by Leonid Jakobson

        Shurale; Leonid Jakobson ('Choreography); Ahmed Faizi et Leonid Jakobson (Libreto); Andrey Knoblok (Sets design, scenography & costumes design); Farid Yarullin (composer); Renat Salavatov (Conductor and musical Director); Orchestra of the Tatar State Academic Opera; Ballet of the Tatar State Academic Opera; With; Kristina Andreeva (Syuyumbike); Mikhail Timaev (Byltyr); Oleg Ivenko (Shurale); Olga Alekiseeva (Fire witch); Alessandro Kaggedji (Shaitan); Recorded on June 13 & 14, 2019 at the Tatar State Academic Opera, Kazan, Russia; TV Director, Isabelle Julien (95 min)

      • The Golden Horde by Georgy Kovtun

        The Golden Horde; Georgy Kovtun, choregraphy; Rhenat Kharis Libretto; Vladimir Yakovlev, Artistic Director; Andrey Zlobin, Scenography; Rezeda Akhiyarora, music; Anna Ipateva, costume; Ballet and Orchestra of the Tatar State Academic Opera; Rustem Abyazov, Musical Direction; Nuria Djuraeva, Chorus Master; Raufal Mukhametzyanov, Director; Renat Salavatov, Principal Conductor; Lyubov Drazina, Principal Chorus Master; With; (Tokhtamych - Khan from the Golden Hord), Maxim Potseluiko; (Murza - General), Anton Polodyuk; (Djanike - General'daughter), Kristina Andreeva; (Nuradin - General's son), Oleg Ivenko; (Vizir - General's Adviser),Nurlan Kanetov; (Timur - Emir of Samarkand), Gleb Korablev; (khan Batyi's Spirit), Mikhail Timaev; Live from the Tatar State Academic Opera; TV Direction, Vincent Massip (116 min)

      • InterMezzo

        (20 min)

      • Praetorius Christmas Mass in Versailles

        The Pages and the Chantres of the Centre de musique baroque de Versailles, Olivier Schneebeli (Artistic direction); Gabrieli Consort and Players; Paul McCreesh (Conductor); Michael Praetorius (1571-1621); Christmas mass; Recorded on December 8th 2017 at the Chapelle Royale, Château de Versailles; Directed by Benjamin Bleton (82 min)

      • Raphaël Pichon and Pygmalion: Bach's Motets

        Pygmalion, Raphaël Pichon (Conductor); Johann Sebastian Bach (1685 - 1750); Singet dem Herrn ein neues Lied BWV 225; Giovanni Gabrieli (1557 - 1612); Jubilate deo; Johann Sebastian Bach; Der Geist hilft unser Schwachheit auf BWV 226; Jacobus Gallus (1550 - 1591); Ecce, quomodo moritur iustus; Johann Sebastian Bach; Jesu meine Freude BWV 227; Vincenzo Bertolusi (ca 1550 - 1608); Osculetur meo; Johann Sebastian Bach; Komm Jesu komm BWV 229; Johann Sebastian Bach; Fürchte dich nicht, ich bin bei dir BWV 228; Hieroymus Praetorius (1560 - 1629); Tulerunt Dominum meum; Johann Sebastian Bach; Lobet den Herrn BWV 230; Recorded at the Festival d'Ambronay, 13 September 2019 (90 min)

      • InterMezzo

        (60 min)

      • Un Ballo in maschera by Verdi at the Bayerische Staatsoper

        Un Ballo in maschera; Melodramma in three acts by Giuseppe Verdi (1813 - 1901); Libretto by Antonio Somma; First performance in Rome, Teatro Apollo, 17 February 1859; Bayerisches Staatsorchester, Zubin Mehta (Conductor); Chorus of the Bayerische Staatsoper; Johannes Erath (Stage Direction); Heike Scheele (Sets), Gesine Völlm (Costumes), Joachim Klein (Lighting); Piotr Beczala (Riccardo); George Petean (Renato); Anja Harteros (Amelia); Okka von der Damerau (Ulrica); Sofia Fomina (Oscar); Andrea Borghini (Silvano); Anatoli Sivko (Samuel); Scott Conner (Tom); Directed by Tiziano Mancini; Recorded at the Bayerische Staatsoper, Munich, 2016 (149 min)

      • InterMezzo

        (21 min)

      • The Bad Plus - Skoda Jazz Festival

        Ethan Iverson: piano; Reid Anderson: bass; David King: drums (60 min)

      • InterMezzo

        (60 min)

      • Bach: Cantatas BWV 21, 82 - Pygmalion, Raphaël Pichon

        Ensemble Pygmalion, Raphaël Pichon (Conductor); Robin Johannsen (soprano), Lucile Richardot (alto), Robin Tritschler (tenor), Stéphane Degout (baritone), Tomáš Král (bass), Anne Alvaro (reading); Johann Sebastian Bach (1685 - 1750); Motet BWV deest 'Der Gerechte kömmt um'; Cantata BWV 82 'Ich habe genug ' Aria 1 & Récitatif 2; Johann Christoph Bach (1642 - 1703); 'Mit weinen hebt sich's an'; Johann Sebastian Bach; Cantata BWV 82 'Ich habe genug' Aria 3 & Récitatif 4; Johann Christoph Bach; Es ist nun aus; Johann Sebastian Bach; Cantata BWV 82 'Ich habe genug' Aria 5; Sven-David Sandström (b. 1942); Es ist genug; Johann Sebastian Bach; Cantata BWV 21 'Ich hatte viel Bekümmernis'; Recorded on May 14, 2018 at la Cité de la Musique, Paris; Directed by Colin Laurent (76 min)

      • Mariss Jansons and the Bavarian Radio Symphony Orchestra with Daniel Barenboim: Beethoven, Prokofiev

        Bavarian Radio Symphony Orchestra, Mariss Jansons (Conductor); Daniel Barenboim (Piano); Ludwig van Beethoven; Piano Concerto No 5 in E-flat major, op. 73 'Emperor'; Sergei Prokofiev; Symphony No 5 in B-flat major, op. 100; Recorded at the Philharmonie im Gasteig, Munich, 9 November 2017; TV Director, Birgit Malzer (95 min)