• Mezzo Live HD

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      • Mozart's Idomeneo at the Teatro Real Madrid

        Idomeneo, re di Creta; Dramma per musica in three acts, K 366, by Wolfgang Amadeus Mozart (1756 - 1791); Libretto by Giovanni Battista Varesco after 'Idoménée' by Antoine Danchet; First performance in Munich, Residenztheater, January 29, 1781; Coro y Orquesta Titulares Teatro Real, Ivor Bolton (Conductor); Andrés Máspero (Chorus Master); Robert Carsen (stage direction, sets); Luis F. Carvalho (sets, costumes), Peter van Praet (lights), Marco Berriel (choreography), Will Duke (video); Eric Cutler (Idomeneo); David Portillo (Idamante); Anett Fritsch (Ilia); Eleonora Buratto (Elettra); Benjamin Hulett (Arbace); Oliver Johnston (Neptune's Great Priest); Alexander Tsymbalyuk (Voice of Neptune); Recorded at the Teatro Real, Madrid, on February 25 & 27, 2019; TV Director, François Roussilon (170 min)

      • InterMezzo

        (60 min)

      • Haendel's Messiah in Versailles

        Le Concert Spirituel, Hervé Niquet (Conductor); Sandrine Piau (Soprano); Anthea Pichanick (Mezzo-soprano); Kresimir Spicer (Tenor); Bozidar Smiljanic (Bass-baritone); Georg Friedrich Haendel (1685-1759); Messiah, HWV 56; Recorded at the Chapelle Royale, Château de Versailles, 15 December 2018; TV Director, Julien Condemine (117 min)

      • Praetorius Christmas Mass in Versailles

        The Pages and the Chantres of the Centre de musique baroque de Versailles, Olivier Schneebeli (Artistic direction); Gabrieli Consort and Players; Paul McCreesh (Conductor); Michael Praetorius (1571-1621); Christmas mass; Recorded on December 8th 2017 at the Chapelle Royale, Château de Versailles; Directed by Benjamin Bleton (82 min)

      • Jon Batiste and Stay Human - Istanbul Jazz Festival

        John Batiste is one of the most exciting talents on the scene today who plays modern jazz with stage charisma. Batiste was listed as one of the most influential young musicians in the art world today by ARTINFO in 2012. John Batiste&Stay Human's stage performances are celebrated for their engaging and interactive quality. JON BATISTE melodica; EDDIE BARBASH saxophone; IBANDA RUHUMBIKA tuba; JOE SAYLOR percussions (59 min)

      • InterMezzo

        (34 min)

      • The Golden Horde by Georgy Kovtun

        The Golden Horde; Georgy Kovtun, choregraphy; Rhenat Kharis Libretto; Vladimir Yakovlev, Artistic Director; Andrey Zlobin, Scenography; Rezeda Akhiyarora, music; Anna Ipateva, costume; Ballet and Orchestra of the Tatar State Academic Opera; Rustem Abyazov, Musical Direction; Nuria Djuraeva, Chorus Master; Raufal Mukhametzyanov, Director; Renat Salavatov, Principal Conductor; Lyubov Drazina, Principal Chorus Master; With; (Tokhtamych - Khan from the Golden Hord), Maxim Potselu?ko; (Murza - General), Anton Polodyuk; (Djanike - General'daughter), Kristina Andreeva; (Nuradin - General's son), Oleg Ivenko; (Vizir - General's Adviser),Nurlan Kanetov; (Timur - Emir of Samarkand), Gleb Korablev; (khan Baty?'s Spirit), Mikhail Timaev; Live from the Tatar State Academic Opera; TV Direction, Vincent Massip (116 min)

      • Shurale choreography by Leonid Jakobson

        Shurale; Leonid Jakobson ('Choreography); Ahmed Faizi et Leonid Jakobson (Libreto); Andrey Knoblok (Sets design, scenography & costumes design); Farid Yarullin (composer); Renat Salavatov (Conductor and musical Director); Orchestra of the Tatar State Academic Opera; Ballet of the Tatar State Academic Opera; With; Kristina Andreeva (Syuyumbike); Mikhail Timaev (Byltyr); Oleg Ivenko (Shurale); Olga Alekiseeva (Fire witch); Alessandro Kaggedji (Shaitan); Recorded on June 13 & 14, 2019 at the Tatar State Academic Opera, Kazan, Russia; TV Director, Isabelle Julien (95 min)

      • InterMezzo

        (15 min)

      • La Favorite by Donizetti at the Bayerische Staatsoper

        La Favorite; Opéra in four acts by Gaetano Donizetti (1797 - 1848); Libretto by Alphonse Royer, Gustave Vaëz and Eug?ne Scribe; First performance in Paris, Opéra, 2 December 1840; Bayerisches Staatsorchester, Karel Mark Chichon (Conductor); Chorus of the Bayerische Staatsoper; Amélie Niermeyer (Stage Direction); Alexander Müller-Elmau (Sets), Kirsten Dephoff (Costumes); El?na Garanča (Léonor de Guzman); Matthew Polenzani (Fernand); Mariusz Kwiecien (Alphonse XI); Mika Kares (Balthazar); Joshua Owen Mills (Don Gaspard); Elsa Benoit (In?s); Directed by Tiziano Mancini; Recorded at the Bayerische Staatsoper, Munich, 2016 (157 min)

      • InterMezzo

        (52 min)

      • Jonathan Nott and the Orchestre de la Suisse Romande: Honegger, MacMillan, Gershwin, Bernstein

        Orchestre de la Suisse Romande, Jonathan Nott (Conductor); Jörgen van Rijen (trombone); Lucas Debargue (piano); Arthur Honegger (1892 - 1955); Symphony no 3 'Liturgique'; James MacMillan (né en 1959); Trombone Concerto; George Gershwin (1898 - 1937); Rhapsody in Blue; Leonard Bernstein (1918 - 1990); West Side Story, symphonic dances; Recorded at the Victoria Hall, Geneva, 27 November 2018 (109 min)

      • Bach: Cantatas BWV 21, 82 - Pygmalion, Raphaël Pichon

        Ensemble Pygmalion, Raphaël Pichon (Conductor); Ma?lys de Villoutreys (soprano), William Shelton (alto), Reinoud Van Mechelen (tenor), Tomáš Král (bass); Nicolaus Bruhns (1665 - 1697); De Profundis clamavi; Johann Sebastian Bach (1685 - 1750); Cantata BWV 131 Aus der Tiefe rufe ich, Herr, zu dir; Franz Tunder (1614 - 1667); Ach Herr, laß deine Lieben Engelein; Johann Sebastian Bach; Cantata BWV 106 Gottes Zeit ist die allerbeste Zeit; Dietrich Buxtehude (1637 - 1707); Klag-Lied, BuxWV 76; Johann Sebastian Bach; Cantata BWV 4 Christ lag in Todesbanden; Recorded on February 6, 2018 at la Cité de la Musique, Paris; Directed by Isabelle Soulard (93 min)

      • Un Ballo in maschera by Verdi at the Bayerische Staatsoper

        Un Ballo in maschera; Melodramma in three acts by Giuseppe Verdi (1813 - 1901); Libretto by Antonio Somma; First performance in Rome, Teatro Apollo, 17 February 1859; Bayerisches Staatsorchester, Zubin Mehta (Conductor); Chorus of the Bayerische Staatsoper; Johannes Erath (Stage Direction); Heike Scheele (Sets), Gesine Völlm (Costumes), Joachim Klein (Lighting); Piotr Beczala (Riccardo); George Petean (Renato); Anja Harteros (Amelia); Okka von der Damerau (Ulrica); Sofia Fomina (Oscar); Andrea Borghini (Silvano); Anatoli Sivko (Samuel); Scott Conner (Tom); Directed by Tiziano Mancini; Recorded at the Bayerische Staatsoper, Munich, 2016 (149 min)

      • InterMezzo

        (79 min)

      • Raphaël Pichon and Pygmalion: Bach's Motets

        Pygmalion, Raphaël Pichon (Conductor); Johann Sebastian Bach (1685 - 1750); Singet dem Herrn ein neues Lied BWV 225; Giovanni Gabrieli (1557 - 1612); Jubilate deo; Johann Sebastian Bach; Der Geist hilft unser Schwachheit auf BWV 226; Jacobus Gallus (1550 - 1591); Ecce, quomodo moritur iustus; Johann Sebastian Bach; Jesu meine Freude BWV 227; Vincenzo Bertolusi (ca 1550 - 1608); Osculetur meo; Johann Sebastian Bach; Komm Jesu komm BWV 229; Johann Sebastian Bach; Fürchte dich nicht, ich bin bei dir BWV 228; Hieroymus Praetorius (1560 - 1629); Tulerunt Dominum meum; Johann Sebastian Bach; Lobet den Herrn BWV 230; Recorded at the Festival d'Ambronay, 13 September 2019 (90 min)

      • Sébastien Daucé and the Ensemble Correspondances: The Coronation Louis XIV

        Ensemble Correspondances, Sébastien Daucé (Conductor); Les Pages du Centre de musique baroque de Versailles; The Coronation of Louis XIV; Anonymous; Pavane for the wedding of Louis XIII; Antoine Boesset (1587 - 1643); Anna mater matris; Étienne Moulinié (1599 - 1676); Beata Dei genitrix; Anonymous [manuscript Deslauriers]; Virgo Dei genitrix; Tota pulchra es; Anonymous; Pavane for the wedding of Monsieur de Vandome; Jean Veillot (1600 - 1662); Sacris solemniis; Antiphon Ecce mitto Angelum meum; Psalm Domine in virtute tua; Anonymous [manuscript of Tours]; Jubilate Deo; Anonymous [Philidor manuscript]; Pavane for the wedding of Henry IV; Antiphon O pretiosum munus; Anonymous [manuscript Deslauriers]; Benedicite omnia opera; Comfortare and esto vires; Anonymous [manuscript of Tours]; Omnes Gentes Pludite Manibus; Roland de Lassus (1532 - 1594); O rex vivat! Henry Du Mont (1610 - 1684); In lectulo meo; Antiphon Gentem francorum; Francesco Cavalli (1602 - 1676); Dixit Dominus; Anonymous [Philidor]; Pavane for the coronation of Louis XIII; Antiphon Unxerunt Salomonem Sadoch; Étienne Moulinié; Cantate Domino; Thomas Gobert (1630 - 1708); Domine Salvum fac regem; Anonymous [Philidor manuscript]; Pavane La petite Guerre; Anonymous [manuscript of Tours]; Te Deum for 2 choirs; Coronation Mass; Plainsong Factus is dominated protector; Charles d'Helfer (1598 - 1661); Kyrie; Gloria; Francesco Cavalli; Sonata a 12; Charles d'Helfer; Sanctus; Anonymous; O vere digna hostia; Anonymous [manuscript of Tours]; O salutaris hostia; Étienne Moulinié; Agnus; Plainsong Pax domini; Étienne Moulinié; Flores Apparuerunt; Plainsong Ite missa is; Anonymous [manuscript Deslauriers]; Gaudete and exultate; Recorded at the Chapelle Royale, Château de Versailles, 15 June 2019; TV Director, Stephan Aubé (105 min)

      • InterMezzo

        (42 min)

      • Christian Scott Atunde Ajduah | A to Jazz festival

        Christian Scott Atunde Ajduah; Christian Scott (Trumpet); Enregistré le 05 juillet 2019? A to Jazz Festival; Réalisation, Amos Rozenberg (90 min)

      • Ghost-Note - A to JazZ Festival

        Ghost-Note; Robert Sput Searight (Snarky Puppy, Herbie Hancock, Kendrick Lamar) - drums; Nate Werth (Snarky Puppy) - percussion; Dwayne 'MonoNeon' Thomas (Prince) - bass, Peter Knudsen - guitar; Vaughn Henry - keyboards; Jonathan Mones (Funky Knuckles, RC & The Gritz) - alto sax, flute; Mike Jelani Brooks (Kirk Franklin, RC & The Gritz) - tenor saxophone, flute; Recorded on July 6 at A to Jazz Festival, main stage, Sofia, Bulgaria; TV Director, Amos Rozenberg (60 min)

      • Airelle Besson - Jazz sous les pommiers

        Airelle Besson, trumpet; Sebastien Sternal, piano, Fender Rhodes; Jonas Burgwinkel, drums; Clémence Colin, chansigneuse; For her third and last year in residence, Airelle Besson and her new trio (featuring Sebastian Sternal and Jonas Burgwinkel) embark on a bold and original project: to make human bodies resonate with their music in collaboration with deaf actress Clémence Colin. Unanimously praised by the critics, this young trio, whose jazz can be at once rhythmical and ethereal, pushes boundaries even further in this new encounter with what could be termed 'sign-song '. Recorded on May 25, 2017 at the Festival Jazz sous les pommiers; TV Director, Laurent Hasse (62 min)

      • Bojan Z - Like a Jazz machine

        Bojan Z; Bojan Z, piano, fender rhodes; Thomas Bramerie, bass; Martijn Vink, drums; Pantelis Stoikos, trumpet; Claudio Puntin, clarinet; Paolo Fresu, trumpet; Multiple prize awarded jazz pianist, Bojan Z started working with the French bassist Henri Texier, later followed by the famous clarinetist Michel Portal. With his special language consisting of a mature jazz vocabulary with subtly dosed folkloric influences from the Balkans, Bojan leaves an indelible imprint on contemporary jazz. In 2002 he receives the Prix Django Reinhardt for Musician of the Year. In 2005 he was awarded the 'European Jazz Prize' ( Hans Koller Prize) as the best European jazz artist. Bojan adds Fender Rhodes to his acoustic piano play in which be-bop lines fit in seamlessly with dance rhythms, funky backbeats and folk-tinged improvisations. For his unusual new quartet based on winds, his creation in residence, he works once again with his musician friend, the celebrated Italian trumpet player Paolo Fresu. The public will discover Pantelis Stoikos known as one of the best trumpeters of the Balkans as well as Carlo Puntin an inventive clarinetist acclaimed by John Zorn. Recorded on May 25th 2017 at Like a Jazz Machine Festival, Dudelange, Luxembourg; TV Director, Samuel Thiebaut (56 min)

      • InterMezzo

        (23 min)

      • Amore Siciliano: Leonardo García Alarcón conducts Scarlatti, d'India, Gesualdo, Sicilian traditional songs

        Cappella Mediterranea, Leonardo García Alarcón (Organ, Spinet, Conductor); Mariana Flores, Francesca Aspromonte (sopranos); Raffaele Pé (countertenor); Emiliano Gonzalez-Toro (tenor); Matteo Bellotto (bass); Alessandro Scarlatti; Sigismondi d'India; Carlo Gesualdo; Madrigali; Sicilian traditional songs; Recorded 12 September 2014 at the Abbatiale, Festival d'Ambronay, France; Directed by Isabelle Soulard and Christian Leblé (86 min)

      • Charpentier's Sacred Music with Ensemble Correspondances at the Ambronay Festival

        Ensemble Correspondances, Sébastien Daucé (Harpsichord, Organ & Conductor); Marc-Antoine Charpentier (1643 - 1704); La Peste de Milan H. 398; Te Deum H. 147; Messe pour les trépassés H. 2; Motet pour les trépassés H. 311; Leçon de Tén?bres H. 120; Recorded on 13 September 2014, Abbatiale, Festival d'Ambronay; Directed by Isabelle Soulard et Christian Leblé (78 min)