• Mezzo Live HD

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      • Bach: Cantatas BWV 21, 82 - Pygmalion, Raphaël Pichon

        Ensemble Pygmalion, Raphaël Pichon (Conductor); Ma?lys de Villoutreys (soprano), William Shelton (alto), Reinoud Van Mechelen (tenor), Tomáš Král (bass); Nicolaus Bruhns (1665 - 1697); De Profundis clamavi; Johann Sebastian Bach (1685 - 1750); Cantata BWV 131 Aus der Tiefe rufe ich, Herr, zu dir; Franz Tunder (1614 - 1667); Ach Herr, laß deine Lieben Engelein; Johann Sebastian Bach; Cantata BWV 106 Gottes Zeit ist die allerbeste Zeit; Dietrich Buxtehude (1637 - 1707); Klag-Lied, BuxWV 76; Johann Sebastian Bach; Cantata BWV 4 Christ lag in Todesbanden; Recorded on February 6, 2018 at la Cité de la Musique, Paris; Directed by Isabelle Soulard (93 min)

      • InterMezzo

        (38 min)

      • Raphaël Pichon and Pygmalion: Monteverdi's Vespro della Beata Vergine

        Pygmalion, Raphaël Pichon (Conductor); Lea Desandre (Soprano); Eva Za?cik (Soprano); Lucile Richardot (Alto); Emiliano Gonzalez Toro (Tenor); Zachary Wilder (Tenor); Claudio Monteverdi (1567-1653); Vespro della beata Vergine; Recorded at the Chapelle Royale, Château de Versailles, 9 February 2019; TV Director, Colin Laurent (118 min)

      • Bach: Cantatas BWV 21, 82 - Pygmalion, Raphaël Pichon

        Ensemble Pygmalion, Raphaël Pichon (Conductor); Robin Johannsen (soprano), Lucile Richardot (alto), Robin Tritschler (tenor), Stéphane Degout (baritone), Tomáš Král (bass), Anne Alvaro (reading); Johann Sebastian Bach (1685 - 1750); Motet BWV deest 'Der Gerechte kömmt um'; Cantata BWV 82 'Ich habe genug ' Aria 1 & Récitatif 2; Johann Christoph Bach (1642 - 1703); 'Mit weinen hebt sich's an'; Johann Sebastian Bach; Cantata BWV 82 'Ich habe genug' Aria 3 & Récitatif 4; Johann Christoph Bach; Es ist nun aus; Johann Sebastian Bach; Cantata BWV 82 'Ich habe genug' Aria 5; Sven-David Sandström (b. 1942); Es ist genug; Johann Sebastian Bach; Cantata BWV 21 'Ich hatte viel Bekümmernis'; Recorded on May 14, 2018 at la Cité de la Musique, Paris; Directed by Colin Laurent (76 min)

      • Omar Sosa & The Afri-Lectric Experience Tribute to Kind of Blue - Jazz? la Villette

        Omar Sosa - piano; Leandro Saint-Hill - saxophone, flute; Joo Kraus - trumpet; Childo Tomas - voice, bass; Marque Gilmore - drums (51 min)

      • InterMezzo

        (40 min)

      • Faust by Charles Gounod at the Teatro Real Madrid

        Faust, opera in five acts by Charles Gounod (1818-1893); Libretto by Jules Barbier and Michel Carré, based upon the play 'Faust et Marguerite' (1850) by Michel Carré and 'Faust' (1808) by Johann Wolfgang Goethe; Fist performance in Paris, Théâtre Lyrique, 19 March 1859; Principal Chorus and Orchestra of the Teatro Real (Coro Intermezzo / Orquesta Sinfónica de Madrid), Dan Ettinger (Conductor); Andrés Máspero (Chorus Master); ?lex Ollé (La Fura dels Baus) (Stage Direction); Alfons Flores (Set designer), Lluc Castells (Costume designer), Urs Schönebaum (Lighting designer); Piotr Beczala (Dr. Faust); Luca Pisaroni (Méphistophél?s); Marina Rebeka (Marguerite); Stéphane Degout (Valentin); Isaac Galán (Wagner); Serena Malfi (Siébel) Sep); Sylvie Brunet-Grupposo (Marthe); Recorded at the Teatro Real, Madrid, on October 7, 2018; TV Director, Xavi Bové (186 min)

      • InterMezzo

        (54 min)

      • Bach: Cantatas BWV 21, 82 - Pygmalion, Raphaël Pichon

        Ensemble Pygmalion, Raphaël Pichon (Conductor); Robin Johannsen (soprano), Lucile Richardot (alto), Robin Tritschler (tenor), Stéphane Degout (baritone), Tomáš Král (bass), Anne Alvaro (reading); Johann Sebastian Bach (1685 - 1750); Motet BWV deest 'Der Gerechte kömmt um'; Cantata BWV 82 'Ich habe genug ' Aria 1 & Récitatif 2; Johann Christoph Bach (1642 - 1703); 'Mit weinen hebt sich's an'; Johann Sebastian Bach; Cantata BWV 82 'Ich habe genug' Aria 3 & Récitatif 4; Johann Christoph Bach; Es ist nun aus; Johann Sebastian Bach; Cantata BWV 82 'Ich habe genug' Aria 5; Sven-David Sandström (b. 1942); Es ist genug; Johann Sebastian Bach; Cantata BWV 21 'Ich hatte viel Bekümmernis'; Recorded on May 14, 2018 at la Cité de la Musique, Paris; Directed by Colin Laurent (76 min)

      • Mariss Jansons and the Bavarian Radio Symphony Orchestra with Daniel Barenboim: Beethoven, Prokofiev

        Bavarian Radio Symphony Orchestra, Mariss Jansons (Conductor); Daniel Barenboim (Piano); Ludwig van Beethoven; Piano Concerto No 5 in E-flat major, op. 73 'Emperor'; Sergei Prokofiev; Symphony No 5 in B-flat major, op. 100; Recorded at the Philharmonie im Gasteig, Munich, 9 November 2017; TV Director, Birgit Malzer (95 min)

      • InterMezzo

        (40 min)

      • Mozart's Idomeneo at the Teatro Real Madrid

        Idomeneo, re di Creta; Dramma per musica in three acts, K 366, by Wolfgang Amadeus Mozart (1756 - 1791); Libretto by Giovanni Battista Varesco after 'Idoménée' by Antoine Danchet; First performance in Munich, Residenztheater, January 29, 1781; Coro y Orquesta Titulares Teatro Real, Ivor Bolton (Conductor); Andrés Máspero (Chorus Master); Robert Carsen (stage direction, sets); Luis F. Carvalho (sets, costumes), Peter van Praet (lights), Marco Berriel (choreography), Will Duke (video); Eric Cutler (Idomeneo); David Portillo (Idamante); Anett Fritsch (Ilia); Eleonora Buratto (Elettra); Benjamin Hulett (Arbace); Oliver Johnston (Neptune's Great Priest); Alexander Tsymbalyuk (Voice of Neptune); Recorded at the Teatro Real, Madrid, on February 25 & 27, 2019; TV Director, François Roussilon (170 min)

      • InterMezzo

        (30 min)

      • The Golden Horde by Georgy Kovtun

        The Golden Horde; Georgy Kovtun, choregraphy; Rhenat Kharis Libretto; Vladimir Yakovlev, Artistic Director; Andrey Zlobin, Scenography; Rezeda Akhiyarora, music; Anna Ipateva, costume; Ballet and Orchestra of the Tatar State Academic Opera; Rustem Abyazov, Musical Direction; Nuria Djuraeva, Chorus Master; Raufal Mukhametzyanov, Director; Renat Salavatov, Principal Conductor; Lyubov Drazina, Principal Chorus Master; With; (Tokhtamych - Khan from the Golden Hord), Maxim Potselu?ko; (Murza - General), Anton Polodyuk; (Djanike - General'daughter), Kristina Andreeva; (Nuradin - General's son), Oleg Ivenko; (Vizir - General's Adviser),Nurlan Kanetov; (Timur - Emir of Samarkand), Gleb Korablev; (khan Baty?'s Spirit), Mikhail Timaev; Live from the Tatar State Academic Opera; TV Direction, Vincent Massip (116 min)

      • Shurale choreography by Leonid Jakobson

        Shurale; Leonid Jakobson ('Choreography); Ahmed Faizi et Leonid Jakobson (Libreto); Andrey Knoblok (Sets design, scenography & costumes design); Farid Yarullin (composer); Renat Salavatov (Conductor and musical Director); Orchestra of the Tatar State Academic Opera; Ballet of the Tatar State Academic Opera; With; Kristina Andreeva (Syuyumbike); Mikhail Timaev (Byltyr); Oleg Ivenko (Shurale); Olga Alekiseeva (Fire witch); Alessandro Kaggedji (Shaitan); Recorded on June 13 & 14, 2019 at the Tatar State Academic Opera, Kazan, Russia; TV Director, Isabelle Julien (95 min)

      • InterMezzo

        (20 min)

      • Amore Siciliano: Leonardo García Alarcón conducts Scarlatti, d'India, Gesualdo, Sicilian traditional songs

        Cappella Mediterranea, Leonardo García Alarcón (Organ, Spinet, Conductor); Mariana Flores, Francesca Aspromonte (sopranos); Raffaele Pé (countertenor); Emiliano Gonzalez-Toro (tenor); Matteo Bellotto (bass); Alessandro Scarlatti; Sigismondi d'India; Carlo Gesualdo; Madrigali; Sicilian traditional songs; Recorded 12 September 2014 at the Abbatiale, Festival d'Ambronay, France; Directed by Isabelle Soulard and Christian Leblé (86 min)

      • Charpentier's Sacred Music with Ensemble Correspondances at the Ambronay Festival

        Ensemble Correspondances, Sébastien Daucé (Harpsichord, Organ & Conductor); Marc-Antoine Charpentier (1643 - 1704); La Peste de Milan H. 398; Te Deum H. 147; Messe pour les trépassés H. 2; Motet pour les trépassés H. 311; Leçon de Tén?bres H. 120; Recorded on 13 September 2014, Abbatiale, Festival d'Ambronay; Directed by Isabelle Soulard et Christian Leblé (78 min)

      • InterMezzo

        (70 min)

      • La Favorite by Donizetti at the Bayerische Staatsoper

        La Favorite; Opéra in four acts by Gaetano Donizetti (1797 - 1848); Libretto by Alphonse Royer, Gustave Vaëz and Eug?ne Scribe; First performance in Paris, Opéra, 2 December 1840; Bayerisches Staatsorchester, Karel Mark Chichon (Conductor); Chorus of the Bayerische Staatsoper; Amélie Niermeyer (Stage Direction); Alexander Müller-Elmau (Sets), Kirsten Dephoff (Costumes); El?na Garanča (Léonor de Guzman); Matthew Polenzani (Fernand); Mariusz Kwiecien (Alphonse XI); Mika Kares (Balthazar); Joshua Owen Mills (Don Gaspard); Elsa Benoit (In?s); Directed by Tiziano Mancini; Recorded at the Bayerische Staatsoper, Munich, 2016 (157 min)

      • Juan Carmona Septet - Jazz? vienne

        Juan Carmona Septet; Juan Carmona (guitar, composition); Piculabe (Voice); Noemie Humanes (Voice), Gest dancer, Paco Carmona (guitar), Domingo Patricio (flute), Kike Terron (percussions), El Bachi (bass); Juan Carmona is one of a kind in modern flamenco. A French gypsy of Andalusian origin, born in Lyon (in 1963), loyal to the Aubagne region where he plays out his passion (and where he runs the Nuits Flamencas festival), the guitarist has won countless prizes and awards and is renowned in Spain and around the world. Carmona spent ten years living in Jerez de la Frontera in Andalusia to gain in-depth knowledge of the flamenco culture. Whilst there he performed with singers such as Agujetas and Duquende and recorded with Chano Domínguez, the Cadix pianist, among others. The Frenchman's rich array of sounds, ingenious compositions, pure instrumentals and, most importantly, his talent for improvisation in this harmonic jazz-heavy piece, makes him one of the most respected guitarists in the last 30 years. Alchemya (2013) is still a flamboyant self-portrait of a record blending flamenco with jazz fusion. With his 35 guest cadors, Juan Carmona also gives us a great lesson in the art of hospitality. The borderless musician returned from an Asian tour with Perla de Oriente in 2016 with an album recorded live in the studio. A new travel journal in which the gypsy wanders the duende paths alongside El Piculabe's? raspy melismas. Recorded on July 03, 2019 at Jazz? Vienne; TV Director, MFabien Raymond (60 min)

      • InterMezzo

        (60 min)

      • Boris Giltburg plays Russian Masters of the Piano

        Boris Giltburg (piano); Sergei Rachmaninov (1873 - 1943); Variations on a theme by Corelli, Op.42; Dimitri Shostakovich (1906 - 1976); String Quartet no 8 in C minor, Op.110 (tr. Boris Giltburg); Nikolay Medtner (1879 - 1951); Sonata-Reminiscenza, Op.38 No.1; Alexander Scriabin (1871 - 1915); Piano Sonata no 5 in F sharp major, Op.53; Igor Stravinsky; Three movements from Petrouchka; Recorded at the Auditorium de la Maison de la Radio, Paris; Directed by Nathan Benisly (100 min)

      • Gustavo Dudamel conducts Mahler at the Philharmonie de Paris

        Orquesta Sinfónica Simón Bolívar de Venezuela, Gustavo Dudamel (direction); Julián Orbón; Tres Versiones Sinfónicas; Gustav Mahler; Symphony n° 5 in C sharp minor; Recorde at the Philharmonie de Paris on January 25th 2015; Directed by Corentin Leconte (104 min)