• Mezzo Live HD

    • Mezzo Live HD od do

      • InterMezzo

        (70 min)

      • La Favorite by Donizetti at the Bayerische Staatsoper

        La Favorite; Opéra in four acts by Gaetano Donizetti (1797 - 1848); Libretto by Alphonse Royer, Gustave Vaëz and Eug?ne Scribe; First performance in Paris, Opéra, 2 December 1840; Bayerisches Staatsorchester, Karel Mark Chichon (Conductor); Chorus of the Bayerische Staatsoper; Amélie Niermeyer (Stage Direction); Alexander Müller-Elmau (Sets), Kirsten Dephoff (Costumes); El?na Garanča (Léonor de Guzman); Matthew Polenzani (Fernand); Mariusz Kwiecien (Alphonse XI); Mika Kares (Balthazar); Joshua Owen Mills (Don Gaspard); Elsa Benoit (In?s); Directed by Tiziano Mancini; Recorded at the Bayerische Staatsoper, Munich, 2016 (157 min)

      • Juan Carmona Septet - Jazz? vienne

        Juan Carmona Septet; Juan Carmona (guitar, composition); Piculabe (Voice); Noemie Humanes (Voice), Gest dancer, Paco Carmona (guitar), Domingo Patricio (flute), Kike Terron (percussions), El Bachi (bass); Juan Carmona is one of a kind in modern flamenco. A French gypsy of Andalusian origin, born in Lyon (in 1963), loyal to the Aubagne region where he plays out his passion (and where he runs the Nuits Flamencas festival), the guitarist has won countless prizes and awards and is renowned in Spain and around the world. Carmona spent ten years living in Jerez de la Frontera in Andalusia to gain in-depth knowledge of the flamenco culture. Whilst there he performed with singers such as Agujetas and Duquende and recorded with Chano Domínguez, the Cadix pianist, among others. The Frenchman's rich array of sounds, ingenious compositions, pure instrumentals and, most importantly, his talent for improvisation in this harmonic jazz-heavy piece, makes him one of the most respected guitarists in the last 30 years. Alchemya (2013) is still a flamboyant self-portrait of a record blending flamenco with jazz fusion. With his 35 guest cadors, Juan Carmona also gives us a great lesson in the art of hospitality. The borderless musician returned from an Asian tour with Perla de Oriente in 2016 with an album recorded live in the studio. A new travel journal in which the gypsy wanders the duende paths alongside El Piculabe's? raspy melismas. Recorded on July 03, 2019 at Jazz? Vienne; TV Director, MFabien Raymond (60 min)

      • InterMezzo

        (60 min)

      • Boris Giltburg plays Russian Masters of the Piano

        Boris Giltburg (piano); Sergei Rachmaninov (1873 - 1943); Variations on a theme by Corelli, Op.42; Dimitri Shostakovich (1906 - 1976); String Quartet no 8 in C minor, Op.110 (tr. Boris Giltburg); Nikolay Medtner (1879 - 1951); Sonata-Reminiscenza, Op.38 No.1; Alexander Scriabin (1871 - 1915); Piano Sonata no 5 in F sharp major, Op.53; Igor Stravinsky; Three movements from Petrouchka; Recorded at the Auditorium de la Maison de la Radio, Paris; Directed by Nathan Benisly (100 min)

      • Gustavo Dudamel conducts Mahler at the Philharmonie de Paris

        Orquesta Sinfónica Simón Bolívar de Venezuela, Gustavo Dudamel (direction); Julián Orbón; Tres Versiones Sinfónicas; Gustav Mahler; Symphony n° 5 in C sharp minor; Recorde at the Philharmonie de Paris on January 25th 2015; Directed by Corentin Leconte (104 min)

      • InterMezzo

        (14 min)

      • Raphaël Pichon and Pygmalion: Monteverdi's Vespro della Beata Vergine

        Pygmalion, Raphaël Pichon (Conductor); Lea Desandre (Soprano); Eva Za?cik (Soprano); Lucile Richardot (Alto); Emiliano Gonzalez Toro (Tenor); Zachary Wilder (Tenor); Claudio Monteverdi (1567-1653); Vespro della beata Vergine; Recorded at the Chapelle Royale, Château de Versailles, 9 February 2019; TV Director, Colin Laurent (118 min)

      • Jonathan Nott and the Orchestre de la Suisse Romande: Tchaikovsky, Mussorgsky, Stravinsky

        Orchestre de la Suisse Romande, Jonathan Nott (Conductor); Asmik Grigorian (soprano); Pyotr Tchaikovsky (1840 - 1893); Eugene Onegine, Polonaise; Pique Dame, scene and aria of Lisa, third act; Voyevoda, op. 78; Iolanta, aria of Iolanta; Eugene Onegine, waltz and aria of Tatiana (Letter Scene); Modest Mussorgsky (1839 - 1881); A Night on the Bald Mountain; Igor Stravinsky (1882 - 1971); Firebird, suite no 2 (1919); Recorded at the Victoria Hall, Geneva, 30 November 2018; TV Director, Andy Sommer (89 min)

      • InterMezzo

        (8 min)

      • Bach: Cantatas BWV 21, 82 - Pygmalion, Raphaël Pichon

        Ensemble Pygmalion, Raphaël Pichon (Conductor); Robin Johannsen (soprano), Lucile Richardot (alto), Robin Tritschler (tenor), Stéphane Degout (baritone), Tomáš Král (bass), Anne Alvaro (reading); Johann Sebastian Bach (1685 - 1750); Motet BWV deest 'Der Gerechte kömmt um'; Cantata BWV 82 'Ich habe genug ' Aria 1 & Récitatif 2; Johann Christoph Bach (1642 - 1703); 'Mit weinen hebt sich's an'; Johann Sebastian Bach; Cantata BWV 82 'Ich habe genug' Aria 3 & Récitatif 4; Johann Christoph Bach; Es ist nun aus; Johann Sebastian Bach; Cantata BWV 82 'Ich habe genug' Aria 5; Sven-David Sandström (b. 1942); Es ist genug; Johann Sebastian Bach; Cantata BWV 21 'Ich hatte viel Bekümmernis'; Recorded on May 14, 2018 at la Cité de la Musique, Paris; Directed by Colin Laurent (76 min)

      • Bach in Italy: Concerto Köln in Malta

        Concerto Köln; Markus Hoffmann (violin); Antonio Vivaldi (1678 - 1741); Concerto for Strings and Basso Continuo in C minor RV 120; Pietro Antonio Locatelli (1695 - 1764); Concerto grosso in G minor Op. 1 No. 12; Evaristo Felice Dall'Abaco (1675 - 1742); Concerto a pi? Istrumenti in D major Op. 5 No. 6; Johann Sebastian Bach (1685 - 1750); Concerto for Harpsichord, No. 4 in A major BWV 1055; Giovanni Battista Sammartini (1700 - 1775); Sinfonia in A major; Antonio Vivaldi; Violin Concerto in E minor RV 277 'Il favorito'; Johann Sebastian Bach; Sinfonia in C major from Cantata Der Herr denket an uns (The Lord careth for us) BWV 196; Johann Sebastian Bach; Brandenburg Concerto No. 4 in G major BWV 1049; Recorded at the Teatru Manoel Valletta International Baroque Festival, Malta, on January 14, 2018; Directed by Julien Condemine (84 min)

      • InterMezzo

        (44 min)

      • José James - Jazz? vienne

        José James; José James (voice, guitar); Marcus Machado (guitar); Aneesa Strings (bass, voice); Aaron Steele (drums); Since bursting onto the international scene a little over a decade ago, José James and his honey-sweet voice are still as bewitching. The Minneapolis artist admits to being inspired by Marvin Gaye, the producer Flying Lotus and John Coltrane for his stylish blend of what makes up Great Black Music. Flitting between raw soul, soul folk, hip hop and jazz, James is in the microcosm of vocalists capable of keeping the crossover created by Ray Charles in the 50s alive. His first album (The Dreamer, 2008) pays tribute to Martin Luther King. The next one, Blackmagic, features the beatboxer Taylor McFerrin. His fourth album (in the meantime he recorded with Junior Mance, Chico Hamilton, Flying Lotus and the pianist Jef Neve), No Beginning No End, is on Blue Note. The more soulful than ever singer is back with Lean On Me (2018). After leaning on Billie Holiday and John Coltrane, this time he pays tribute to the living legend of American pop and the immense soulman Bill Withers. There are twelve unforgettable tracks by Withers, who celebrates his 80th birthday in July, produced by Don Was and recorded by a dream band: bassist Pino Palladino, Kris Bowers (fabulous Rhodes on the cover of Ain't No Sunshine), Brad Allen Williams and Nate Smith. Recorded on July 02, 2019 at Jazz? Vienne; TV Director, Mikaël Favard (60 min)

      • Omar Sosa & Yillian Canizares - Jazz? vienne

        Omar Sosa & Yillian Canizares; Omar Sosa (piano); Yilian Ca?izares (voix, violin), Gustavo Ovalles (percussions); Since leaving Cuba in 1993 and his first albums (Omar Omar and Free Roots, in 1997), Omar Sosa has been on quite a journey. The pianist's thrilling melting pot music is rooted in his Afro-Cuban background, jazz, hip hop, electro, world music and Yoruba spirituality. He formed an incredible trio with Paolo Fresu and Trilok Gurtu to visit us in 2016 for his thirtieth album (Eros). Following Transparent Water bottled with Seckou Keita's kora and the faithful Cuban percussionist Gustavo Ovalles, the Es:sensual (2018) escape with the NDR Bigband and Jacques Morelenbaum, the pianist in white is back with the singer and violinist Yilian Ca?izares (born in Havana, based in Switzerland). They've just recorded Agua together, another album devoted to water and specifically Oshun, the goddess of love and spirit of rivers. Something special was sparked with Yilian who came into the public eye with two vibrant albums (Ochumare and Invocacíon). Omar Sosa: 'Agua reflects our traditions, our emotions and our nostalgia. I'm 53, Yilian is 35, and together we create meditative music that exudes modesty, peace and dignity. No gimmicks! Everyone thinks that Cuban music is fabulous and should make you want to dance but Cuba has so much more to offer.'; Recorded on July 08, 2019 at Jazz? Vienne; TV Director, Mikaël Favard (76 min)

      • Yom & The Wonder Rabbis - Jazz? vienne

        Yom & The Wonder Rabbis; Yom (clarinet, composition); Léo Jassef (keaboard); Guillaume Magne (guitar); Sylvain Daniel (bass); Mathieu Penot (drums); Yom is a talented and inspired clarinet player from Paris who is always exploring an extensive array of musical styles. From the revived Central European klezmer grafted onto jazz and electro music to rock, Americana and contemporary music, this insatiable all-rounder never loses sight of the edges of his musical vision. His debut album, New King of Klezmer Clarinet, came out in 2008. Here he steps into the shoes of his idol Naftule Brandwein with relish. Yom soon stepped away from ready-to-wear to venture into something more bespoke with Unue, an album featuring Wang Li, Ibrahim Maalouf, Denis Cuniot and Farid D. Nouveau then returned two years later with The Wonder Rabbis. At the same time, a series of collaborations with Wang Li, the Chinese mouth harp player, produced the album Green Apocalypse (2012). The clarinet player now wants to move into universality and spirituality. Yom delves into sacred music for inspiration, a central theme running through his duo with Wang Li (album Green Apocalypse), Le Silence de l'Exode and Pri?re (2018). Last but not least, last year's Lingua Ignota celebrates the mystical saint Hildegard of Bingen. The Wonder Rabbis getting back together is also a chance for Yom to celebrate a decade on stage. Recorded on July 11, 2019 at Jazz? Vienne; TV Director, Mikaël Favard (60 min)

      • InterMezzo

        (38 min)

      • From the House of the Dead by Janacek at the Bayerische Staatsoper

        From the House of the Dead, by Leoš Janáček (1854 - 1928); Libretto by the composter after 'Memoirs from the House of the Dead' by Fyodor Dostoyevsky; First performance in Brno, Natinla Theatre, 12 April 1930; Simone Young (Conductor); Sören Eckhoff (Chorus Master); Frank Castorf (Stage Director); Aleksandar Denic (Sets), Adriana Braga-Peretzki (Costumes), Rainer Casper (Lighting); Peter Rose (Alexandr Petrovič Gorjančikov); Evgeniya Sotnikova (Aljeja); Aleš Briscein (Filka Morozov); Manuel Günther (Big Prisoner); Tim Kuypers (Small Prisoner); Christian Rieger (Prison Governor); Ulrich Reß (Elderly Prisoner); Charles Workman (Skuratov); Johannes Kammler (Čekunov); Boris Prýgl (Cook); Alexander Milev (Blacksmith ); Peter Lobert (Priest); Heike Grötzinger (Prostitute); Callum Thorpe (Prisoner/Don Juan/The Brahmin); Matthew Grills (Kedril); Kevin Conners (Schapkin); Bo Skovhus (Šiškov); Dean Power (Čerevin); Recorded on May 18 and 26, 2018 at the Nationaltheater, Bayerische Staatsoper, Munich; TV Director, Andy Sommer (97 min)

      • Mariss Jansons and the Bavarian Radio Symphony Orchestra with Daniel Barenboim: Beethoven, Prokofiev

        Bavarian Radio Symphony Orchestra, Mariss Jansons (Conductor); Daniel Barenboim (Piano); Ludwig van Beethoven; Piano Concerto No 5 in E-flat major, op. 73 'Emperor'; Sergei Prokofiev; Symphony No 5 in B-flat major, op. 100; Recorded at the Philharmonie im Gasteig, Munich, 9 November 2017; TV Director, Birgit Malzer (95 min)

      • InterMezzo

        (36 min)

      • Amore Siciliano: Leonardo García Alarcón conducts Scarlatti, d'India, Gesualdo, Sicilian traditional songs

        Cappella Mediterranea, Leonardo García Alarcón (Organ, Spinet, Conductor); Mariana Flores, Francesca Aspromonte (sopranos); Raffaele Pé (countertenor); Emiliano Gonzalez-Toro (tenor); Matteo Bellotto (bass); Alessandro Scarlatti; Sigismondi d'India; Carlo Gesualdo; Madrigali; Sicilian traditional songs; Recorded 12 September 2014 at the Abbatiale, Festival d'Ambronay, France; Directed by Isabelle Soulard and Christian Leblé (86 min)

      • Charpentier's Sacred Music with Ensemble Correspondances at the Ambronay Festival

        Ensemble Correspondances, Sébastien Daucé (Harpsichord, Organ & Conductor); Marc-Antoine Charpentier (1643 - 1704); La Peste de Milan H. 398; Te Deum H. 147; Messe pour les trépassés H. 2; Motet pour les trépassés H. 311; Leçon de Tén?bres H. 120; Recorded on 13 September 2014, Abbatiale, Festival d'Ambronay; Directed by Isabelle Soulard et Christian Leblé (78 min)

      • R+R=NOW (Glasper, Scott, Hodge, McFerrin...) - Jazz? Vienne

        R+R=Now; Robert Glasper (keyboards), Terrace Martin (saxophone), Christian Scott aTunde Adjuah (trumpet), Derrick Hodge (bass), Justin Tyson (drums), Taylor McFerrin (keyboard, vocals); The saxophonist Terrace Martin, the multi-instrumentalist and producer from Los Angeles, who can be heard in some of the biggest hits of Kendrick Lamar and YG or backing Snoop Dogg, Billy Higgins and Herbie Hancock, has just completed a busy year. Along with the release of 'Sounds of Crenshaw Vol.1', an album by his group The Pollyseeds (with, among others, Kamasi Washington, Robert Glasper and Problem), as well as his contribution to the famous 'Loyalty' by the duo K. Lamar/Rihanna, he has produced the latest album by YG and toured with Herbie Hancock, whose current work he is also producing. To round off the year, he whipped up the crowds last year with Robert Glasper and a real Who's Who in contemporary US jazz (see line-up) in the supergroup concept named R+R=Now. The pianist Robert Glasper announced and described the project to Billboard: 'we all come from the same concrete garden and we make fluid, honest and open music ranging from jazz, hip hop and EDM to reggae!'; Recorded on July 4th at Jazz? Vienne Festival; TV Director, Fabien Raymond (60 min)

      • InterMezzo

        (60 min)

      • La Clemenza di Tito by Mozart at the Salzburg Festival

        La Clemenza di Tito; Opera seria in two acts by Wolfgang Amadeus Mozart (1756 - 1791); Libretto by Pietro Mestastasio adapted by Caterino Mazzol? First performance in Prague, National Theatre, 6 September 1791; musicAeterna, Teodor Currentzis (Conductor); Vitaly Polonsky (Chorus master); Peter Sellars (Stage Direction); George Tsypin (Sets), Robby Duiveman (Costumes), James F Ingalls (Lighting); Russell Thomas (Tito Vespasiano); Golda Schultz (Vitellia); Christina Gansch (Servilia); Marianne Crebassa (Sesto); Jeanine de Bique (Annio); Willard White (Publio); Directed by Peter Sellars; Recorded at the Felsenreitschule, Salzburg, 2017 (169 min)