Mezzo Live HD
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The Golden Horde by Georgy Kovtun
The Golden Horde; Georgy Kovtun, choregraphy; Rhenat Kharis Libretto; Vladimir Yakovlev, Artistic Director; Andrey Zlobin, Scenography; Rezeda Akhiyarora, music; Anna Ipateva, costume; Ballet and Orchestra of the Tatar State Academic Opera; Rustem Abyazov, Musical Direction; Nuria Djuraeva, Chorus Master; Raufal Mukhametzyanov, Director; Renat Salavatov, Principal Conductor; Lyubov Drazina, Principal Chorus Master; With; (Tokhtamych - Khan from the Golden Hord), Maxim Potselu?ko; (Murza - General), Anton Polodyuk; (Djanike - General'daughter), Kristina Andreeva; (Nuradin - General's son), Oleg Ivenko; (Vizir - General's Adviser),Nurlan Kanetov; (Timur - Emir of Samarkand), Gleb Korablev; (khan Baty?'s Spirit), Mikhail Timaev; Live from the Tatar State Academic Opera; TV Direction, Vincent Massip (116 min)
InterMezzo
(10 min)
Mozart's Idomeneo at the Teatro Real Madrid
Idomeneo, re di Creta; Dramma per musica in three acts, K 366, by Wolfgang Amadeus Mozart (1756 - 1791); Libretto by Giovanni Battista Varesco after 'Idoménée' by Antoine Danchet; First performance in Munich, Residenztheater, January 29, 1781; Coro y Orquesta Titulares Teatro Real, Ivor Bolton (Conductor); Andrés Máspero (Chorus Master); Robert Carsen (stage direction, sets); Luis F. Carvalho (sets, costumes), Peter van Praet (lights), Marco Berriel (choreography), Will Duke (video); Eric Cutler (Idomeneo); David Portillo (Idamante); Anett Fritsch (Ilia); Eleonora Buratto (Elettra); Benjamin Hulett (Arbace); Oliver Johnston (Neptune's Great Priest); Alexander Tsymbalyuk (Voice of Neptune); Recorded at the Teatro Real, Madrid, on February 25 & 27, 2019; TV Director, François Roussilon (170 min)
Jon Batiste and Stay Human - Istanbul Jazz Festival
John Batiste is one of the most exciting talents on the scene today who plays modern jazz with stage charisma. Batiste was listed as one of the most influential young musicians in the art world today by ARTINFO in 2012. John Batiste&Stay Human's stage performances are celebrated for their engaging and interactive quality. JON BATISTE melodica; EDDIE BARBASH saxophone; IBANDA RUHUMBIKA tuba; JOE SAYLOR percussions (59 min)
InterMezzo
(60 min)
Haendel's Messiah in Versailles
Le Concert Spirituel, Hervé Niquet (Conductor); Sandrine Piau (Soprano); Anthea Pichanick (Mezzo-soprano); Kresimir Spicer (Tenor); Bozidar Smiljanic (Bass-baritone); Georg Friedrich Haendel (1685-1759); Messiah, HWV 56; Recorded at the Chapelle Royale, Château de Versailles, 15 December 2018; TV Director, Julien Condemine (117 min)
Praetorius Christmas Mass in Versailles
The Pages and the Chantres of the Centre de musique baroque de Versailles, Olivier Schneebeli (Artistic direction); Gabrieli Consort and Players; Paul McCreesh (Conductor); Michael Praetorius (1571-1621); Christmas mass; Recorded on December 8th 2017 at the Chapelle Royale, Château de Versailles; Directed by Benjamin Bleton (82 min)
InterMezzo
(35 min)
Mozart's Idomeneo at the Teatro Real Madrid
Idomeneo, re di Creta; Dramma per musica in three acts, K 366, by Wolfgang Amadeus Mozart (1756 - 1791); Libretto by Giovanni Battista Varesco after 'Idoménée' by Antoine Danchet; First performance in Munich, Residenztheater, January 29, 1781; Coro y Orquesta Titulares Teatro Real, Ivor Bolton (Conductor); Andrés Máspero (Chorus Master); Robert Carsen (stage direction, sets); Luis F. Carvalho (sets, costumes), Peter van Praet (lights), Marco Berriel (choreography), Will Duke (video); Eric Cutler (Idomeneo); David Portillo (Idamante); Anett Fritsch (Ilia); Eleonora Buratto (Elettra); Benjamin Hulett (Arbace); Oliver Johnston (Neptune's Great Priest); Alexander Tsymbalyuk (Voice of Neptune); Recorded at the Teatro Real, Madrid, on February 25 & 27, 2019; TV Director, François Roussilon (170 min)
InterMezzo
(30 min)
Boris Giltburg plays Russian Masters of the Piano
Boris Giltburg (piano); Sergei Rachmaninov (1873 - 1943); Variations on a theme by Corelli, Op.42; Dimitri Shostakovich (1906 - 1976); String Quartet no 8 in C minor, Op.110 (tr. Boris Giltburg); Nikolay Medtner (1879 - 1951); Sonata-Reminiscenza, Op.38 No.1; Alexander Scriabin (1871 - 1915); Piano Sonata no 5 in F sharp major, Op.53; Igor Stravinsky; Three movements from Petrouchka; Recorded at the Auditorium de la Maison de la Radio, Paris; Directed by Nathan Benisly (100 min)
Gustavo Dudamel conducts Mahler at the Philharmonie de Paris
Orquesta Sinfónica Simón Bolívar de Venezuela, Gustavo Dudamel (direction); Julián Orbón; Tres Versiones Sinfónicas; Gustav Mahler; Symphony n° 5 in C sharp minor; Recorde at the Philharmonie de Paris on January 25th 2015; Directed by Corentin Leconte (104 min)
Amore Siciliano: Leonardo García Alarcón conducts Scarlatti, d'India, Gesualdo, Sicilian traditional songs
Cappella Mediterranea, Leonardo García Alarcón (Organ, Spinet, Conductor); Mariana Flores, Francesca Aspromonte (sopranos); Raffaele Pé (countertenor); Emiliano Gonzalez-Toro (tenor); Matteo Bellotto (bass); Alessandro Scarlatti; Sigismondi d'India; Carlo Gesualdo; Madrigali; Sicilian traditional songs; Recorded 12 September 2014 at the Abbatiale, Festival d'Ambronay, France; Directed by Isabelle Soulard and Christian Leblé (86 min)
Charpentier's Sacred Music with Ensemble Correspondances at the Ambronay Festival
Ensemble Correspondances, Sébastien Daucé (Harpsichord, Organ & Conductor); Marc-Antoine Charpentier (1643 - 1704); La Peste de Milan H. 398; Te Deum H. 147; Messe pour les trépassés H. 2; Motet pour les trépassés H. 311; Leçon de Tén?bres H. 120; Recorded on 13 September 2014, Abbatiale, Festival d'Ambronay; Directed by Isabelle Soulard et Christian Leblé (78 min)
InterMezzo
(70 min)
José James - Jazz? vienne
José James; José James (voice, guitar); Marcus Machado (guitar); Aneesa Strings (bass, voice); Aaron Steele (drums); Since bursting onto the international scene a little over a decade ago, José James and his honey-sweet voice are still as bewitching. The Minneapolis artist admits to being inspired by Marvin Gaye, the producer Flying Lotus and John Coltrane for his stylish blend of what makes up Great Black Music. Flitting between raw soul, soul folk, hip hop and jazz, James is in the microcosm of vocalists capable of keeping the crossover created by Ray Charles in the 50s alive. His first album (The Dreamer, 2008) pays tribute to Martin Luther King. The next one, Blackmagic, features the beatboxer Taylor McFerrin. His fourth album (in the meantime he recorded with Junior Mance, Chico Hamilton, Flying Lotus and the pianist Jef Neve), No Beginning No End, is on Blue Note. The more soulful than ever singer is back with Lean On Me (2018). After leaning on Billie Holiday and John Coltrane, this time he pays tribute to the living legend of American pop and the immense soulman Bill Withers. There are twelve unforgettable tracks by Withers, who celebrates his 80th birthday in July, produced by Don Was and recorded by a dream band: bassist Pino Palladino, Kris Bowers (fabulous Rhodes on the cover of Ain't No Sunshine), Brad Allen Williams and Nate Smith. Recorded on July 02, 2019 at Jazz? Vienne; TV Director, Mikaël Favard (60 min)
Omar Sosa & Yillian Canizares - Jazz? vienne
Omar Sosa & Yillian Canizares; Omar Sosa (piano); Yilian Ca?izares (voix, violin), Gustavo Ovalles (percussions); Since leaving Cuba in 1993 and his first albums (Omar Omar and Free Roots, in 1997), Omar Sosa has been on quite a journey. The pianist's thrilling melting pot music is rooted in his Afro-Cuban background, jazz, hip hop, electro, world music and Yoruba spirituality. He formed an incredible trio with Paolo Fresu and Trilok Gurtu to visit us in 2016 for his thirtieth album (Eros). Following Transparent Water bottled with Seckou Keita's kora and the faithful Cuban percussionist Gustavo Ovalles, the Es:sensual (2018) escape with the NDR Bigband and Jacques Morelenbaum, the pianist in white is back with the singer and violinist Yilian Ca?izares (born in Havana, based in Switzerland). They've just recorded Agua together, another album devoted to water and specifically Oshun, the goddess of love and spirit of rivers. Something special was sparked with Yilian who came into the public eye with two vibrant albums (Ochumare and Invocacíon). Omar Sosa: 'Agua reflects our traditions, our emotions and our nostalgia. I'm 53, Yilian is 35, and together we create meditative music that exudes modesty, peace and dignity. No gimmicks! Everyone thinks that Cuban music is fabulous and should make you want to dance but Cuba has so much more to offer.'; Recorded on July 08, 2019 at Jazz? Vienne; TV Director, Mikaël Favard (76 min)
Yom & The Wonder Rabbis - Jazz? vienne
Yom & The Wonder Rabbis; Yom (clarinet, composition); Léo Jassef (keaboard); Guillaume Magne (guitar); Sylvain Daniel (bass); Mathieu Penot (drums); Yom is a talented and inspired clarinet player from Paris who is always exploring an extensive array of musical styles. From the revived Central European klezmer grafted onto jazz and electro music to rock, Americana and contemporary music, this insatiable all-rounder never loses sight of the edges of his musical vision. His debut album, New King of Klezmer Clarinet, came out in 2008. Here he steps into the shoes of his idol Naftule Brandwein with relish. Yom soon stepped away from ready-to-wear to venture into something more bespoke with Unue, an album featuring Wang Li, Ibrahim Maalouf, Denis Cuniot and Farid D. Nouveau then returned two years later with The Wonder Rabbis. At the same time, a series of collaborations with Wang Li, the Chinese mouth harp player, produced the album Green Apocalypse (2012). The clarinet player now wants to move into universality and spirituality. Yom delves into sacred music for inspiration, a central theme running through his duo with Wang Li (album Green Apocalypse), Le Silence de l'Exode and Pri?re (2018). Last but not least, last year's Lingua Ignota celebrates the mystical saint Hildegard of Bingen. The Wonder Rabbis getting back together is also a chance for Yom to celebrate a decade on stage. Recorded on July 11, 2019 at Jazz? Vienne; TV Director, Mikaël Favard (60 min)
InterMezzo
(42 min)
The Dead Queen by Kader Berlarbi, Capitole de Toulouse Ballet
The Dead Queen (La Reine Morte); Choreography and stage by Kader Belarbi; Ballet in two acts after ' La Reine morte' by Henry de Montherlant (1942) and after 'Reinar después de morir' by Luis Vélez de Guevara (1652); Orchestre national du Capitole; Koen Kessels, Conductor; Music, Piotr Ilitch Tcha?kovski; Set, Bruno de Laven?re; Costume, Olivier Bériot; Lights, Sylvain Chevallot; Withe; The Capitole Ballet; Recorde on February 8th at the Capitole of Toulouse Theater; TV Director, Luc Riolon (110 min)
Shurale choreography by Leonid Jakobson
Shurale; Leonid Jakobson ('Choreography); Ahmed Faizi et Leonid Jakobson (Libreto); Andrey Knoblok (Sets design, scenography & costumes design); Farid Yarullin (composer); Renat Salavatov (Conductor and musical Director); Orchestra of the Tatar State Academic Opera; Ballet of the Tatar State Academic Opera; With; Kristina Andreeva (Syuyumbike); Mikhail Timaev (Byltyr); Oleg Ivenko (Shurale); Olga Alekiseeva (Fire witch); Alessandro Kaggedji (Shaitan); Recorded on June 13 & 14, 2019 at the Tatar State Academic Opera, Kazan, Russia; TV Director, Isabelle Julien (95 min)
Bojan Z - Like a Jazz machine
Bojan Z; Bojan Z, piano, fender rhodes; Thomas Bramerie, bass; Martijn Vink, drums; Pantelis Stoikos, trumpet; Claudio Puntin, clarinet; Paolo Fresu, trumpet; Multiple prize awarded jazz pianist, Bojan Z started working with the French bassist Henri Texier, later followed by the famous clarinetist Michel Portal. With his special language consisting of a mature jazz vocabulary with subtly dosed folkloric influences from the Balkans, Bojan leaves an indelible imprint on contemporary jazz. In 2002 he receives the Prix Django Reinhardt for Musician of the Year. In 2005 he was awarded the 'European Jazz Prize' ( Hans Koller Prize) as the best European jazz artist. Bojan adds Fender Rhodes to his acoustic piano play in which be-bop lines fit in seamlessly with dance rhythms, funky backbeats and folk-tinged improvisations. For his unusual new quartet based on winds, his creation in residence, he works once again with his musician friend, the celebrated Italian trumpet player Paolo Fresu. The public will discover Pantelis Stoikos known as one of the best trumpeters of the Balkans as well as Carlo Puntin an inventive clarinetist acclaimed by John Zorn. Recorded on May 25th 2017 at Like a Jazz Machine Festival, Dudelange, Luxembourg; TV Director, Samuel Thiebaut (56 min)
InterMezzo
(30 min)
José James - Jazz? vienne
José James; José James (voice, guitar); Marcus Machado (guitar); Aneesa Strings (bass, voice); Aaron Steele (drums); Since bursting onto the international scene a little over a decade ago, José James and his honey-sweet voice are still as bewitching. The Minneapolis artist admits to being inspired by Marvin Gaye, the producer Flying Lotus and John Coltrane for his stylish blend of what makes up Great Black Music. Flitting between raw soul, soul folk, hip hop and jazz, James is in the microcosm of vocalists capable of keeping the crossover created by Ray Charles in the 50s alive. His first album (The Dreamer, 2008) pays tribute to Martin Luther King. The next one, Blackmagic, features the beatboxer Taylor McFerrin. His fourth album (in the meantime he recorded with Junior Mance, Chico Hamilton, Flying Lotus and the pianist Jef Neve), No Beginning No End, is on Blue Note. The more soulful than ever singer is back with Lean On Me (2018). After leaning on Billie Holiday and John Coltrane, this time he pays tribute to the living legend of American pop and the immense soulman Bill Withers. There are twelve unforgettable tracks by Withers, who celebrates his 80th birthday in July, produced by Don Was and recorded by a dream band: bassist Pino Palladino, Kris Bowers (fabulous Rhodes on the cover of Ain't No Sunshine), Brad Allen Williams and Nate Smith. Recorded on July 02, 2019 at Jazz? Vienne; TV Director, Mikaël Favard (60 min)
Omar Sosa & Yillian Canizares - Jazz? vienne
Omar Sosa & Yillian Canizares; Omar Sosa (piano); Yilian Ca?izares (voix, violin), Gustavo Ovalles (percussions); Since leaving Cuba in 1993 and his first albums (Omar Omar and Free Roots, in 1997), Omar Sosa has been on quite a journey. The pianist's thrilling melting pot music is rooted in his Afro-Cuban background, jazz, hip hop, electro, world music and Yoruba spirituality. He formed an incredible trio with Paolo Fresu and Trilok Gurtu to visit us in 2016 for his thirtieth album (Eros). Following Transparent Water bottled with Seckou Keita's kora and the faithful Cuban percussionist Gustavo Ovalles, the Es:sensual (2018) escape with the NDR Bigband and Jacques Morelenbaum, the pianist in white is back with the singer and violinist Yilian Ca?izares (born in Havana, based in Switzerland). They've just recorded Agua together, another album devoted to water and specifically Oshun, the goddess of love and spirit of rivers. Something special was sparked with Yilian who came into the public eye with two vibrant albums (Ochumare and Invocacíon). Omar Sosa: 'Agua reflects our traditions, our emotions and our nostalgia. I'm 53, Yilian is 35, and together we create meditative music that exudes modesty, peace and dignity. No gimmicks! Everyone thinks that Cuban music is fabulous and should make you want to dance but Cuba has so much more to offer.'; Recorded on July 08, 2019 at Jazz? Vienne; TV Director, Mikaël Favard (76 min)