• Mezzo Live HD

    • Mezzo Live HD od do

      • The Golden Age choreography by Yuri Grigorovich

        The Golden Age; Libretto by Yuri Grigorovich and Isaak Glikman; Yuri Grigorovich, choreographer; Dmitry Shostakovich, composer; Bolshoi orchestra; Pavel Klinichev, conductor; Simon Virsaladze, Sets and Costumes; Mikhail Sokolov, Lighting Designer; Rita,young girl, who appears under the name of Melle Margot,in a variety show (Golden Age Restaurant); Nina Kaptsova; Boris,young fisherman & actor with the agit-prop theatre for working youths; Ruslan Skvortsov; Yashka,Leader of a gang of bandits; also Mr Jacques-Rita's partner; Mikhail Lobukhin; Lyuska, friend & accomplice to Jacques; Ekaterina Krysanova; Variety show compere, Golden Age Restaurant; Vyacheslav Lopatin; Young fishermen who take part in the performances of the agitprop theatre; Alexei Matrakhov - Egor Sharkov - Daria Bochkova - Anastasia Gubanova - Daria Lovtsova - Svetlana Pavlova - Evgenia Savarskaya - Mikhail Kryuchkov - Artur Mkrtchyan - Maxim Oppengeym - Anton Savichev - Evgeny Truposkiadi; 2 drunk Nepmen; Alexei Loparevich - Alexander Petukhov; Billiard marker; Sergei Minakov; 2 young couples; Angelina Karpova - Nelli Kobakhidze - Karim Abdullin - Ivan Alexeyev; Bandit; Anna Balukova-Elvina Ibraimova-Yelena Panina - Yanina Parienko - Xenia Sorokina - Batyr Annadurdyev - Ivan Prazdnikov - Roman Simachev - Alexei Tedeyev - Alexander Vodopetov - Daria Gurevich; Nepmen,usual clientele; Anna Antropova - Kristina Karasyova - Maria Mishina - Xenia Pchelkina - Irina Semirechenskaya - Alexander Fadeyechev - Yuri Ostrovsky - Egor Simachev - Andrei Sitnikov - Ilya Vorontsov; Girls; Xenia Averina - Olga Barichka - Anastasia Denisova - Elena Kasiyanova - Sophia Lyubimova - Ilona Matsiy Kiryushkina - Tamara Mironova - Alexandra Rakitina- Margarita Shrainer - Vlada Zakharova- Nino Asatiani - Anna Baranova - Natalia Lomakina - Oxana Sharova - Maria Zharkova - Dmitry Efremov - Ivan Filchev - Egor Khromushin - Alexei Kostin - Vladislav Kozlov; Recorded on October 13 & 16, 2016 at the Bolshoi Theater; TV Director, Vincent Bataillon (103 min)

      • InterMezzo

        (20 min)

      • Don Pasquale by Donizetti at La Monnaie, Brussels

        Don Pasquale, dramma buffo in three acts by Gaetano Donizetti (1797 - 1848); Libretto by Giovanni Ruffini and Gaetano Donizetti after 'Ser Marcantonio' by Angelo Anelli; First performance in Paris, Théâtre Italien, February 3, 1843; Symphony Orchestra and Chorus of La Monnaie, Alain Altinoglu (Conductor); Académie des ch?urs de la Monnaie; Martino Faggiani (Chorus Master); Laurent Pelly (Stage Direction and costumes); Chantal Thomas (Sets), Duane Schuler (Lighting); Michele Pertusi (Don Pasquale); Lionel Lhote (Dottor Malatesta); Joel Prieto (Ernesto); Danielle De Niese (Norina); Alessandro Abis (A Notaro); Recorded at La Monnaie | De Munt, Brussels, 21 December 2018; TV Director, Anais et Olivier Spiro (135 min)

      • Anouar Brahem, Dave Holland, Jack Dejohnette - Philharmonie de Paris

        Anouar Brahem; Blue Maqams; Anouar Brahem, oud; Dave Holland, double bass; Jack DeJohnette, drums; Django Bates, piano; For more than 25 years, Anouar Brahem has taken his oud all over far off lands. A melodic impressionist and a for ever inspired improvisor, the Tunisian musician has above all toppled the barriers which separate genres.Thanks to him, Arab music and jazz have started a very singular dialogue which approaches the sublime.A conversation between the past and the present, tradition and modernity. Anour Rahem has built up this pacified 'no man's land 'principally on Manfred Eicher's Munich record label ECM to become one of the label's most faithful artists.In the great Pierre Boulez Hall, in the company of the bass player Dave Holland, drummer Jack DeJohnette and the pianist Django Bates, he produces a blend of absolute beauty and of universal value. Playlist: Opening Day; La Nuit; Blue Maqams; Bahia; Persepolis' Mirage; Unexpected outcome; The recovered road to Al-Sham; Bom Dia Rio; Halfaouine; All compositions by Anouar Brahem; Live from the Philharmonie de Paris; TV Director, Didier Oustrie (92 min)

      • InterMezzo

        (26 min)

      • Brahms: Tragic Overture and Piano Concerto no. 2 by Yefim Bronfman & the Cleveland Orchestra

        Cleveland Orchestra, Franz Welser-Möst (Conductor); Yefim Bronfman (piano); Johannes Brahms (1833 - 1897); Tragic overture op. 81; Concerto for piano no.2 op. 83; Recorded on February 2015 at the Severance Hall, Cleveland; Directed by William Cosel (62 min)

      • Brahms: Haydn Variations and Piano Concerto no. 1 by Yefim Bronfman & the Cleveland Orchestra

        Cleveland Orchestra, Franz Welser-Möst (Conductor); Yefim Bronfman (piano); Johannes Brahms (1833 - 1897); Variations on a theme by Haydn., op. 56a; Concerto for piano no.1, op. 15; Recorded on February 2015 at the Severance Hall, Cleveland; Directed by William Cosel (67 min)

      • The Cleveland Orchestra plays Brahms in Vienna: Symphonies no. 2 & 3

        The Cleveland Orchestra, Franz Welser-Möst (conductor); Johannes Brahms (1833 - 1897); Symphony no. 3 in F major, op. 90; Symphony no. 2 in D major, op. 73; Recorded on September 15th 2014 at the Großer Saal of the Musikverein, Vienna; TV Director Brian Large (73 min)

      • InterMezzo

        (32 min)

      • Rigoletto by Verdi at the Liceu, Barcelona

        Rigoletto, melodramma in three acts by Giuseppe Verdi (1813 - 1901); Libretto by Francesco Maria Piave after Victor Hugo's play 'Le roi s'amuse'; First performance in Venice, Teatro La Fenice, 11 March 1851; Symphony Orchestra and Chorus of the Liceu Opera Barcelona, Riccardo Frizza (Conductor); Conxita Garcia (Chorus Master); Monique Wagemakers (Stage Director); Michael Levine (Sets), Sandy Powel (Costumes), Reinier Tweebeeke (Lighting designer); Javier Camarena (Duca di Mantova); Carlos Álvarez (Rigoletto); Desirée Rancatore (Gilda); Ante Jerkunica (Sparafucile); Ketevan Kemoklidze (Maddalena); Gemma Coma-Alabert (Giovanna); Gianfranco Montresor (Conte di Monterone); Toni Marsol (Marullo); Josep Fadó (Matteo Borsa); Xavier Mendoza (Conte di Ceprano); Mercedes Gancedo (Contessa di Ceprano); Recorded at the Gran Teatre del Liceu, Barcelona, on April 6th, 2017; TV Director, Stéphane Lebard (133 min)

      • InterMezzo

        (74 min)

      • Gershwin - Anima Eterna Brugge, Jos van Immerseel

        Anima Eterna Brugge, Jos van Immerseel (Conductor); Claron McFadden (soprano), Bart Van Caenegem (piano); George Gershwin; Catfish Row, Symphonic suite in five movements from Porgy and Bess, arrangements by Steven D. Bowen; An American in Paris; The man I love; I got Rhythm; My Man's Gone Now; By Strauss; Rhapsody in Blue; Recorded on March 3, 2017 at the Concertgebouw Brugge; Directed by Nicolas Foulon (95 min)

      • Mendelssohn, Grieg, Beethoven - Flanders Symphony Orchestra, Jan Latham-Koenig: Mendelssohn, Grieg, Beethoven

        Flanders Symphony Orchestra, Jan Latham-Koenig (director); Pascal Amoyel, piano; Felix Mendelssohn (1809 - 1847); Overture Die Hebriden; Edvard Grieg (1843 - 1907); Piano concerto in A minor opus 16; Ludwig van Beethoven (1770 - 1827); Symphonie no 7; Recorded on April, the 21st 2016 at the Concertgebouw, Bruges (84 min)

      • InterMezzo

        (30 min)

      • La Damnation de Faust by Berlioz: Les Siécles, François-Xavier Roth - Opéra Royal, Château de Versailles

        Les Siécles, François-Xavier Roth (Conductor); Ch?ur Marguerite Louise; Gaétan Jarry (Chorus Master); Mathias Vidal (tenor) (Faust); Anna Caterina Antonacci (mezzo-soprano) (Marguerite); Nicolas Courjal (bass) (Méphistophélés); Thibault de Damas d'Anlezy (bass) (Brander); Hector Berlioz (1803 - 1869); La Damnation de Faust; Légende dramatique in four parts; Libretto by Hector Berlioz and Almire Gandonniére after Gérard de Nerval's translation of Johann Wolfgang von Goethe's 'Faust'; First performance in Paris, Opéra-Comique, 6 December 1846; Recorded on 6 November 2018 at the Opéra Royal, Château de Versailles; Directed by Frédéric Caillierez (130 min)

      • Les Siécles and Pablo Heras-Casado: Debussy

        Les Siécles, Pablo Heras-Casado (Conductor); Claude Debussy (1862 - 1918); Prélude á l'aprés-midi d'un faune; Ibéria (Images pour orchestre); La mer; Premiére suite d'orchestre; Recorded on June 22, 2018 at the Festival de Granada; Directed by Stéphane Vérité (90 min)

      • InterMezzo

        (18 min)

      • R+R=NOW (Glasper, Scott, Hodge, McFerrin...) - Jazz á Vienne

        R+R=Now; Robert Glasper (keyboards), Terrace Martin (saxophone), Christian Scott aTunde Adjuah (trumpet), Derrick Hodge (bass), Justin Tyson (drums), Taylor McFerrin (keyboard, vocals); The saxophonist Terrace Martin, the multi-instrumentalist and producer from Los Angeles, who can be heard in some of the biggest hits of Kendrick Lamar and YG or backing Snoop Dogg, Billy Higgins and Herbie Hancock, has just completed a busy year. Along with the release of 'Sounds of Crenshaw Vol.1', an album by his group The Pollyseeds (with, among others, Kamasi Washington, Robert Glasper and Problem), as well as his contribution to the famous 'Loyalty' by the duo K. Lamar/Rihanna, he has produced the latest album by YG and toured with Herbie Hancock, whose current work he is also producing. To round off the year, he whipped up the crowds last year with Robert Glasper and a real Who's Who in contemporary US jazz (see line-up) in the supergroup concept named R+R=Now. The pianist Robert Glasper announced and described the project to Billboard: 'we all come from the same concrete garden and we make fluid, honest and open music ranging from jazz, hip hop and EDM to reggae!'; Recorded on July 4th at Jazz á Vienne Festival; TV Director, Fabien Raymond (60 min)

      • Christian Scott aTunde Adjuah - Jazz á Vienne

        Christian Scott aTunde Adjuah; Christian Scott, trumpet, Reverse Flugel, Sirenette; Lawrence Fields, piano and keyboard; Max Moran (b); Mike Mitchell, percussion; Elena Pinderhughes, flute; Weedie Braimah, drums; 27 year old Christian Scott embodies the new generation of New Orleans trumpeters, a seminal dynasty that started with the legendary King Oliver and Louis Armstrong and continued with Wynton Marsalis, Terence Blanchard and Nicholas Payton. The trumpeter trained at Berklee College of Music in Boston and his warm tone and unusual round notes are instantly recognisable. After working with McCoy Tyner, Prince, Marcus Miller, Eddie Palmieri, Mos Def, Thom Yorke and Solange Knowles, the musician from Crescent City is now the pin-up boy for jazz fusion. His grandfather is the iconic Big Chief Donald Harrison Sr. who managed four tribes of Black Indians (Christian actually started out in one in 1989). The Louisiana trumpeter's sound straddles hip hop, soul and jazz and he appeared a decade ago with the album Rewind That (2006). He was hit by the full force of Hurricane Katrina and devoted his next record (Anthem, 2007) to portraying the human and cultural disaster. After Live at Newport, he recorded Yesterday You Said Tomorrow in 2010 inspired by the 60s groovy jazz played by artists on the Blue Note record label. Christian Scott is one of a long line of Louisiana artists who have been reinventing jazz music for over a century. Recorded on 2017, June 30th at the Vienne Jazz Festival; TV Director, Fabien Raymond (60 min)

      • Keziah Jones - Jazz á Vienne

        Keziah Jones; Keziah Jones, vocal, guitar; Joel Grant, bass; Joshua McKenzie, percussion; Keziah Jones was born into a wealthy family in 1968 in Lagos, Nigeria. He was sent to school in England at the age of 8 and he taught himself to play the piano and guitar in London. He gradually created a stunning rhythmic blend of smooth funk, Hendrix-style psychedelia, pure Ikeja reggae and Yoruba harmonies. He called it BluFunk. Keziah Jones hung out English pubs in central London before heading to Paris where he was spotted in the underground in 1991. The album Blufunk Is a Fact and the track Rhythm is Love were international hits. After venturing through the desert of the mid-90s, he struck gold in 2003 with his fourth album Black Orpheus then the unstoppable Nigerian Wood (2008). Keziah completed an ambitious double album in 2013 flitting between Los Angeles, Spain and his kingdoms in London and Lagos. The dandy fighter is well and truly back to win over his audience. Recorded on 2017, July 13th at the Jazz Festival in Vienne; TV Director, Nicolas Micha (71 min)

      • InterMezzo

        (48 min)

      • Coppelia by Sergey Vkharev - Bolshoi Ballet

        Coppelia; Ballet in three acts; Libretto by Charles Nuitter and Arthur Saint-Leon; after the stories by Ernst Theodore Amadeus Hoffmann; Music, Léo Delibes; Choreography, Marius Petipa and Enrico Cecchetti; Staging and new choreographic versionn Sergei Vikharev; Designer, Boris Kaminsky; Costume Designer, Tatiana Noginova; Lighting Designer, Damir Ismagilov; Bolshoi Orchestra; Conductor, Pavel Sorokin; Choreography Revival, Vladimir Grigoriev; Sets Revival, Dmitry Fialkovsky; Costumes Revival, Olga Nikulina; Lighting Design Revival, Mikhail Sokolov, Igor Deryugin; With the use of decor sketches by Pyotr Lambin (Acts I and III) and Heinrich Levot (Act II) and costume sketches by Adolph Charlemagne, Pyotr Grigoriev and Evgeny Ponomaryov. Sets reproduced by vgeny Yakimenko and Anton Danilov (Acts I and III), Elena Kinkulskaya (Act II); Archive Researches and Coordination: Pavel Gershenzon; With; The Bolshoi ballet; Margarita Shrainer (Swanilda) - Artem Ovcharenko (Frantz) - Alexei Loparevich (Coppelius) - Ksenia Averina, Daria Bochkova, Bruna Cantanhede Gaglianone, Antonina Chapkina, Anastasia Denisova, Elizaveta Kruteleva, Svetlana Pavlova et Yulia Skvortsova (Swenilda's friends) - Tatiana Kravtsova (Coppelia - automaton) - Alexander Fadeyechev (The ord of the Manor) - Yuri Ostrovsky (the mayor) - Ekaterina Besedina, Oxana Sharova, Dmitry Ekaterinin and Alexander Vodopeto (Mazurka), Kristina Karasyova and Vitaly Biktimirov (Czardas), Anastasia Denisova (The Dawn), Antonina Chapkina (The prayer), Daria Bochkova, Xenia Averina, Maria Mishina, Stanislava Postnova and Tatiana Tiliguzova (The work), Elizaveta Kruteleva (The Folly), Nikolai Mayorov (Chronos); Recorded on June 8 & 10 2018 at the Bolshoi Theater; TV Director, Isabelle Julien (99 min)

      • The Golden Age choreography by Yuri Grigorovich

        The Golden Age; Libretto by Yuri Grigorovich and Isaak Glikman; Yuri Grigorovich, choreographer; Dmitry Shostakovich, composer; Bolshoi orchestra; Pavel Klinichev, conductor; Simon Virsaladze, Sets and Costumes; Mikhail Sokolov, Lighting Designer; Rita,young girl, who appears under the name of Melle Margot,in a variety show (Golden Age Restaurant); Nina Kaptsova; Boris,young fisherman & actor with the agit-prop theatre for working youths; Ruslan Skvortsov; Yashka,Leader of a gang of bandits; also Mr Jacques-Rita's partner; Mikhail Lobukhin; Lyuska, friend & accomplice to Jacques; Ekaterina Krysanova; Variety show compere, Golden Age Restaurant; Vyacheslav Lopatin; Young fishermen who take part in the performances of the agitprop theatre; Alexei Matrakhov - Egor Sharkov - Daria Bochkova - Anastasia Gubanova - Daria Lovtsova - Svetlana Pavlova - Evgenia Savarskaya - Mikhail Kryuchkov - Artur Mkrtchyan - Maxim Oppengeym - Anton Savichev - Evgeny Truposkiadi; 2 drunk Nepmen; Alexei Loparevich - Alexander Petukhov; Billiard marker; Sergei Minakov; 2 young couples; Angelina Karpova - Nelli Kobakhidze - Karim Abdullin - Ivan Alexeyev; Bandit; Anna Balukova-Elvina Ibraimova-Yelena Panina - Yanina Parienko - Xenia Sorokina - Batyr Annadurdyev - Ivan Prazdnikov - Roman Simachev - Alexei Tedeyev - Alexander Vodopetov - Daria Gurevich; Nepmen,usual clientele; Anna Antropova - Kristina Karasyova - Maria Mishina - Xenia Pchelkina - Irina Semirechenskaya - Alexander Fadeyechev - Yuri Ostrovsky - Egor Simachev - Andrei Sitnikov - Ilya Vorontsov; Girls; Xenia Averina - Olga Barichka - Anastasia Denisova - Elena Kasiyanova - Sophia Lyubimova - Ilona Matsiy Kiryushkina - Tamara Mironova - Alexandra Rakitina- Margarita Shrainer - Vlada Zakharova- Nino Asatiani - Anna Baranova - Natalia Lomakina - Oxana Sharova - Maria Zharkova - Dmitry Efremov - Ivan Filchev - Egor Khromushin - Alexei Kostin - Vladislav Kozlov; Recorded on October 13 & 16, 2016 at the Bolshoi Theater; TV Director, Vincent Bataillon (103 min)

      • Bill Frisell 'Guitar in the Space Age' - D'Jazz Nevers Festival

        Bill Frisell (guitar); Greg Leisz (guitars pedal steel, mandolin); Tony Scherr (electric bass); Kenny Wollensen (drums) (53 min)

      • InterMezzo

        (34 min)

      • R+R=NOW (Glasper, Scott, Hodge, McFerrin...) - Jazz á Vienne

        R+R=Now; Robert Glasper (keyboards), Terrace Martin (saxophone), Christian Scott aTunde Adjuah (trumpet), Derrick Hodge (bass), Justin Tyson (drums), Taylor McFerrin (keyboard, vocals); The saxophonist Terrace Martin, the multi-instrumentalist and producer from Los Angeles, who can be heard in some of the biggest hits of Kendrick Lamar and YG or backing Snoop Dogg, Billy Higgins and Herbie Hancock, has just completed a busy year. Along with the release of 'Sounds of Crenshaw Vol.1', an album by his group The Pollyseeds (with, among others, Kamasi Washington, Robert Glasper and Problem), as well as his contribution to the famous 'Loyalty' by the duo K. Lamar/Rihanna, he has produced the latest album by YG and toured with Herbie Hancock, whose current work he is also producing. To round off the year, he whipped up the crowds last year with Robert Glasper and a real Who's Who in contemporary US jazz (see line-up) in the supergroup concept named R+R=Now. The pianist Robert Glasper announced and described the project to Billboard: 'we all come from the same concrete garden and we make fluid, honest and open music ranging from jazz, hip hop and EDM to reggae!'; Recorded on July 4th at Jazz á Vienne Festival; TV Director, Fabien Raymond (60 min)

      • Keziah Jones - Jazz á Vienne

        Keziah Jones; Keziah Jones, vocal, guitar; Joel Grant, bass; Joshua McKenzie, percussion; Keziah Jones was born into a wealthy family in 1968 in Lagos, Nigeria. He was sent to school in England at the age of 8 and he taught himself to play the piano and guitar in London. He gradually created a stunning rhythmic blend of smooth funk, Hendrix-style psychedelia, pure Ikeja reggae and Yoruba harmonies. He called it BluFunk. Keziah Jones hung out English pubs in central London before heading to Paris where he was spotted in the underground in 1991. The album Blufunk Is a Fact and the track Rhythm is Love were international hits. After venturing through the desert of the mid-90s, he struck gold in 2003 with his fourth album Black Orpheus then the unstoppable Nigerian Wood (2008). Keziah completed an ambitious double album in 2013 flitting between Los Angeles, Spain and his kingdoms in London and Lagos. The dandy fighter is well and truly back to win over his audience. Recorded on 2017, July 13th at the Jazz Festival in Vienne; TV Director, Nicolas Micha (71 min)