• Mezzo Live HD

    • Mezzo Live HD od do

      • InterMezzo

        (45 min)

      • Misteria Paschalia 2019: sacred works by Antonio Nola

        Cappella Neapolitana, Antonio Florio (conductor); Leslie Visco (soprano), Anna Zawisza (soprano), Marta Fumagalli (alto), Alessio Tosi (tenor), Giuseppe Naviglio (bass); Antonio Nola (1642 -?); Tristes erant Apostoli; Homo et Angelus; Ecce Nunc Bened?cite; Stabat Mater; Sacramento Laudes; Pietro Marchitelli (1643 - 1729); Concerto grosso no. 11 in A minor; Live from the ICE Kraków Congress Centre as part of the Misteria Paschalia Festival 2019; LIVE (120 min)

      • René Jacobs conducts King Arthur by Purcell at the Staatsoper Berlin

        King Arthur, or the British Worthy; Semi-opera in five acts by Henry Purcell (1659 - 1695); Libretto by John Dryden; First performance in London, Queen's Theatre, Dorset Garden, 1691; Akademie für Alte Musik Berlin, Staatsopernchor, René Jacobs (Conductor); Martin Wright (Chorus Master); Sven-Eric Bechtolf (Stage Director); Julian Crouch (Sets), Gail Skrela (Choregraphy), Kevin Pollard (Costumes), Olaf Freese (Lighting), Joshua Higgason (Video); Anett Fritsch (soprano / Philidel); Robin Johannsen (soprano); Benno Schachtner (alto); Mark Milhofer, Stephan Rügamer (tenors); Johannes Weisser, Arttu Kataja (basses); Spoken characters; Michael Rotschopf (Arthur), Max Urlacher (Oswald), Axel Wandtke (Conon), Oliver Stokowski (Osmond), Tom Radisch (Grimbald), Steffen Scheumann (Aurelius), Meike Droste (Emmeline), Sigrid Maria Schnückel (Matilda); Live from the Staatsoper Berlin, Schiller Theater, Berlin; King Arthur, de Henry Purcell; Semi-opéra en cinq actes, livret de John Dryden; Akademie für Alte Musik Berlin, Staatsopernchor, René Jacobs (direction); Martin Wright (chef de ch?urs); Sven-Eric Bechtolf (mise en scéne); Julian Crouch (décors), Gail Skrela (chorégraphie), Kevin Pollard (costumes), Olaf Freese (lumiéres), Joshua Higgason (vidéo); Annett Fritsch (soprano / Philidel); Robin Johannsen (soprano); Benno Schachtner (alto); Mark Milhofer, Stephan Rügamer (ténors); Johannes Weisser, Arttu Kataja (basses); Rôles parlés; Michael Rotschopf (Arthur), Max Urlacher (Oswald), Axel Wandtke (Conon), Oliver Stokowski (Osmond), Tom Radisch (Grimbald), Steffen Scheumann (Aurelius), Meike Droste (Emmeline), Sigrid Maria Schnückel (Matilda); Enregistré au Staatsoper Berlin, Schiller Theater, le 21 janvier 2017; TV Director, Andy Sommer (170 min)

      • Chris Cheek - Zinc Bar, New York

        Chris Cheek; Born in St. Louis, Missouri, Chris Cheek began playing the alto sax at the age of 12. Thanks to a strong public school music program and a highly supportive family, Chris had good educational and performance experiences from the very beginning. While attending Webster University, Chris played with a variety of local Jazz and Blues bands including legendary saxophonist Willie Akins' group and the Bob Kuban Brass. Chris went to Boston in 1988 to attend Berklee College of music where he studied with Herb Pomeroy, Joe Viola and Hal Crook. Chris moved to New York in 1992 and since then has toured and recorded with Paul Motian, Charlie Haden's Liberation Music Orchestra, The Bloomdaddies, and the Orquestra de Jazz de Matosinhos. Chris has also played with Bill Frisell, Brian Blade, Lee Konitz, Carla Bley, Tom Harrell, Wolfgang Muthspiel, Frank Carlberg, Eliot Zigmund, Brad Mehldau, Kurt Rosenwinkel and many others! Chris also plays with the Brooklyn Boogaloo Blowout, Rudder, Steve Swallow's Quintet and Guillermo Klein's 'Los Guachos'. In addition to appearing on numerous CD's as a sideman, Chris has recorded 4 albums as a leader for Fresh Sound Records. He currently resides in Brooklyn, NY. (59 min)

      • InterMezzo

        (60 min)

      • Valery Gergiev and the Munich Phiharmonic: Shchedrin, Strauss, Beethoven

        Munich Philharmonic Orchestra, Valery Gergiev (Conductor); Denis Matsuev (piano); Rodion Shchedrin (b. 1932); Concerto for piano and orchestra no. 2; Richard Strauss (1864 - 1949); Till Eulenspiegels lustige Streiche, op. 28; Ludwig van Beethoven (1770 - 1827); Symphony no. 3 in E flat major 'Eroica'; Recorded on September 20th 2016 at the Philharmonie im Gasteig, Munich (105 min)

      • Valery Gergiev and the Munich Philharmonic: Brahms and Bruckner

        Munich Phiharmonic Orchestra, Valery Gergiev (conductor); Janine Jansen (violin); Johannes Brahms (1833 - 1897); Violin Concerto in D major op. 77; Anton Bruckner (1824 - 1896); Symphony no. 4 in E flat major 'Romantic'; Recoded on September 22 nd and 23rd, 2015 at the Philharmonie im Gasteig, Munich; TV Director, François-René Martin (119 min)

      • InterMezzo

        (11 min)

      • Les Siécles and François-Xavier Roth: Berlioz at the Philharmonie de Paris

        Les Siécles, François-Xavier Roth (Conductor); Tabea Zimmermann (Viola); Hector Berlioz (1803 - 1869); Overture to Benvenuto Cellini; Overture to Béatrice et Bénédict; Le Carnaval romain; Roméo et Juliette: Roméo seul - Grande fete chez les Capulet; Harold en Italie; Recorded at the Philharmonie de Paris, 11 January 2019; TV Director, Olivier Simonnet (90 min)

      • John Nelson conducts Berlioz's Requiem in London

        Philharmonia Orchestra, Philharmonia Chorus, London Philharmonic Choir, John Nelson (conductor); Michael Spyres (tenor); Hector Berlioz (1803 - 1869); Grande messe des morts, op. 5, H 75; Recorded at the Saint Paul Cathedral, London, 8 March 2019; TV Director, Sébastien Glas (90 min)

      • InterMezzo

        (10 min)

      • Valery Gergiev and the Munich Philharmonic: Bruckner at Saint Florian

        Münchner Philharmoniker, Valery Gergiev (Conductor); Anton Bruckner (1824-1896); Symphony no 8 in C minor WAB 108 (1889-90); Recorded on September 26, 2018 at the Saint Florian Abbey, Linz; TV Director, François-René Martin (87 min)

      • Valery Gergiev and the Munich Philharmonic: Strauss and Berlioz

        Munich Philharmonic Orchestra, Valery Gergiev, conductor; Philharmonischer Chor München; Yulia Matochkina (soprano), Yekaterina Krapivina (mezzo-soprano), Sergei Semishkur (tenor), Evgeny Akhmedov (tenor), Yuri Vorobiev (bass); Richard Strauss; Don Juan, op. 20; Hector Berlioz; Les Troyens, 5th act; Richard Strauss; Ein Heldenleben, op. 40; Recorded at the Philharmonie im Gasteig, Munich, on September 13 & 14, 2016 (126 min)

      • InterMezzo

        (18 min)

      • James Carter Organ trio 'Giant Steps' - Jazz á la Villette

        James Carter - saxophone; Gerard Gibbs - Hammond organ; Leonard King - drums (65 min)

      • Robert Glasper Experiment with special guest Yasiin Bey aka Mos Def

        Robert GLASPER (keyboard, Fender Rhodes); Derrick HODGES (electric bass); Mark COLENBURG (drums); Casey BENJAMIN (voice, saxophone); Yasiin BEY aka Mos Def (voice) (60 min)

      • Laurent Maur Quartet

        Laurent Maur Quartet; La derniére danse (The last dance); Laurent Maur, Harmonica; Mario Canonge, Piano; Felipe Cabrera, Double bass; Pierre-Alain Tocanier, Drums; Play list; Enlacés (Eddy Louiss); Indifference (Tony Murena); La Derniére Danse, Marie-No (Laurent Maur); Benny's Dream (Larry Golding); Chef Larry (Laurent Maur); Vivo Sonhando (Antonio Carlos Jobim); Agua! (Felipe Cabrera); Don't Drink The Water (Donald Harrisson); Solo (Laurent Maur); La Javanaise (Serge Gainsbourg arrgt Thierry Lujan / L. Maur); Recorded on May 15, 2018 at the Studio de l'Ermitage; TV Director, Loic Léglise (77 min)

      • Il barbiere di Siviglia by Rossini at the Glyndebourne Festival

        Il Barbiere di Siviglia; Opera buffa en deux actes de Gioachino Rossini (1792 - 1868); Livret de Cesare Sterbini d'aprés 'Le Barbier de Séville' de Pierre-Augustin Caron de Beaumarchais; Création á Rome, Teatro Argentina, 20 février 1816; London Philharmonic Orchestra, Enrique Mazzola (Conductor); The Glyndebourne Chorus, Jeremy Bines, (Chorus Master); Annabel Arden (Stage Direction); Joanna Parker (Sets), Toby Sedgwick (Director of Movement), James Farncombe (Lighting); Taylor Stayton (Count Almaviva); Björn Bürger (Figaro); Danielle de Niese (Rosina); Alessandro Corbelli (Dr Bartolo); Janis Kelly (Berta); Christophoros Stamboglis (Basilio); Huw Montague Rendall (Fiorello); Recorded on June 17 & 21, 2016 at the Glyndebourne Festival; Directed by François Roussillon (165 min)

      • The Amazing Keystone Orchestra plays the music of Quincy Jones - Jazz á Vienne

        Since their student days at the Conservatoire, pianist Fred Nardin, saxophonist Jon Boutellier, trombonist Bastien Ballaz and trumpeter David Enhco have been joint leaders of the band and the main contributors to its arrangements. The 18 brilliant members of the band are not just fans of Count Basie, Duke Ellington and Thad Jones. For them, playing with this remarkable group of musicians is a chance to experiment with new ideas. For this exceptional night under the watchful eye of the great Quincy Jones, the band chose to revisit a selection of themes composed by Quincy over the past six decades. Wouldn't it be perfect if Mr. Jones suddenly decided to conduct some of his favourite arrangements? The ideal moment would seem to be when The Amazing Keystone Big Band will call on special guest Michel Hausser. The vibraphonist is coming directly from Alsace with a composition especially written for him by Quincy Jones. Pierre Dessasis, Kenny Jeanney, Jon Boutellier, Eric Prost, Ghyslain Regard et Jean-Philippe Scali (fl, s), Vincent Labarre, Thierry Seneau, Félicien Bouchot et David Enhco (tp), Bastien Ballaz, Alois Benoit, Loic Bachevillier et Sylvain Thomas (tb), Frédéric Nardin (p), Thibaut François (g), Patrick Maradan (cb), Romain Sarron (dms) (26 min)

      • InterMezzo

        (46 min)

      • Ian Bostridge, John Butt and the Dunedin Consort at the Misteria Paschalia Festival: Haendel

        Dunedin Consort, John Butt (Conductor); Ian Bostridge (tenor); Georg Friedrich Haendel (1685 - 1759); Concerto Grosso, Op. 6 no. 4 in A minor; Waft her, Angels through the Sky (Jephtha); As Steals the morn; Ode for St. Cecilia's Day; Recorded on April 2, 2018 at the Misteria Paschalia Festival, Cracovie; Directed by Jean-Pierre Loisil (65 min)

      • Le Poéme Harmonique and Vincent Dumestre at the Misteria Maschalia Festival: Purcell, Clarke

        Le Poéme Harmonique, Les Cris de Paris, Vincent Dumestre (direction); Emmanuelle de Negri (soprano), Zachary Wilder (ténor), Victor Sicard (basse); Henry Purcell (1659 - 1695); Welcome to all the pleasures; Jeremiah Clarke (1674 - 1707); Ode on the Death of Henry Purcell; Henry Purcell; Funeral sentences for the death of Queen Mary II; Recorded on March 31st 2018 at the Misteria Paschalia festival of Cravow; TV Director, Jean-Pierre Loisil (65 min)

      • Monteverdi: Selva Morale e Spirituale, by Vincent Dumestre - Misteria Paschalia

        Le Poéme Harmonique, Vincent Dumestre (conductor); musicAeterna, Vitaly Polonsky (choirmaster); Deborah Cachet (soprano), Eva Zaicik (mezzo-soprano), Jean-François Lombard (alto), Sébastien Obrecht (tenor), Cyril Auvity (tenor), Geoffroy Buffiére (bass); Claudio Monteverdi (1567 - 1643); Orfeo - Toccata; Andrea Falconieri (1585 - 1656); Battalla de Barabaso yerno de Satanas; Anonymous; Psalm in fauxbordon - Dixit Dominus; Claudio Monteverdi; Selva morale e spirituale - Dixit Dominus II; Annibale Gregori (d.1633); Mai non disciolgasi (ciaccona); Claudio Monteverdi; Selva morale e spirituale - Gloria; Claudio Monteverdi; Selva morale e spirituale - Crucifixus; Claudio Monteverdi; Selva morale e spirituale - Salve Regina; Giovanni Gabrieli (1557 - 1612); Canzon a 12; Claudio Monteverdi / Aquilino Coppini; O gloriose martyr; Claudio Monteverdi; Selva morale e spirituale - Magnificat Primo; Recorded at the Church of St. Catherine of Alexandria, Krakow, on April 10, 2017 during the Misteria Paschalia Festival; TV Director, Jean-Pierre Loisil (94 min)

      • Andy Bey at Zinc Bar (New York)

        Andy Bey (piano and voice) solo at Zinc Bar (57 min)

      • InterMezzo

        (11 min)

      • René Jacobs conducts King Arthur by Purcell at the Staatsoper Berlin

        King Arthur, or the British Worthy; Semi-opera in five acts by Henry Purcell (1659 - 1695); Libretto by John Dryden; First performance in London, Queen's Theatre, Dorset Garden, 1691; Akademie für Alte Musik Berlin, Staatsopernchor, René Jacobs (Conductor); Martin Wright (Chorus Master); Sven-Eric Bechtolf (Stage Director); Julian Crouch (Sets), Gail Skrela (Choregraphy), Kevin Pollard (Costumes), Olaf Freese (Lighting), Joshua Higgason (Video); Anett Fritsch (soprano / Philidel); Robin Johannsen (soprano); Benno Schachtner (alto); Mark Milhofer, Stephan Rügamer (tenors); Johannes Weisser, Arttu Kataja (basses); Spoken characters; Michael Rotschopf (Arthur), Max Urlacher (Oswald), Axel Wandtke (Conon), Oliver Stokowski (Osmond), Tom Radisch (Grimbald), Steffen Scheumann (Aurelius), Meike Droste (Emmeline), Sigrid Maria Schnückel (Matilda); Live from the Staatsoper Berlin, Schiller Theater, Berlin; King Arthur, de Henry Purcell; Semi-opéra en cinq actes, livret de John Dryden; Akademie für Alte Musik Berlin, Staatsopernchor, René Jacobs (direction); Martin Wright (chef de ch?urs); Sven-Eric Bechtolf (mise en scéne); Julian Crouch (décors), Gail Skrela (chorégraphie), Kevin Pollard (costumes), Olaf Freese (lumiéres), Joshua Higgason (vidéo); Annett Fritsch (soprano / Philidel); Robin Johannsen (soprano); Benno Schachtner (alto); Mark Milhofer, Stephan Rügamer (ténors); Johannes Weisser, Arttu Kataja (basses); Rôles parlés; Michael Rotschopf (Arthur), Max Urlacher (Oswald), Axel Wandtke (Conon), Oliver Stokowski (Osmond), Tom Radisch (Grimbald), Steffen Scheumann (Aurelius), Meike Droste (Emmeline), Sigrid Maria Schnückel (Matilda); Enregistré au Staatsoper Berlin, Schiller Theater, le 21 janvier 2017; TV Director, Andy Sommer (170 min)