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      • The Amazing Keystone Orchestra plays the music of Quincy Jones - Jazz á Vienne

        Since their student days at the Conservatoire, pianist Fred Nardin, saxophonist Jon Boutellier, trombonist Bastien Ballaz and trumpeter David Enhco have been joint leaders of the band and the main contributors to its arrangements. The 18 brilliant members of the band are not just fans of Count Basie, Duke Ellington and Thad Jones. For them, playing with this remarkable group of musicians is a chance to experiment with new ideas. For this exceptional night under the watchful eye of the great Quincy Jones, the band chose to revisit a selection of themes composed by Quincy over the past six decades. Wouldn't it be perfect if Mr. Jones suddenly decided to conduct some of his favourite arrangements? The ideal moment would seem to be when The Amazing Keystone Big Band will call on special guest Michel Hausser. The vibraphonist is coming directly from Alsace with a composition especially written for him by Quincy Jones. Pierre Dessasis, Kenny Jeanney, Jon Boutellier, Eric Prost, Ghyslain Regard et Jean-Philippe Scali (fl, s), Vincent Labarre, Thierry Seneau, Félicien Bouchot et David Enhco (tp), Bastien Ballaz, Alois Benoit, Loic Bachevillier et Sylvain Thomas (tb), Frédéric Nardin (p), Thibaut François (g), Patrick Maradan (cb), Romain Sarron (dms) (26 min)

      • InterMezzo

        (46 min)

      • Ian Bostridge, John Butt and the Dunedin Consort at the Misteria Paschalia Festival: Haendel

        Dunedin Consort, John Butt (Conductor); Ian Bostridge (tenor); Georg Friedrich Haendel (1685 - 1759); Concerto Grosso, Op. 6 no. 4 in A minor; Waft her, Angels through the Sky (Jephtha); As Steals the morn; Ode for St. Cecilia's Day; Recorded on April 2, 2018 at the Misteria Paschalia Festival, Cracovie; Directed by Jean-Pierre Loisil (65 min)

      • Le Poéme Harmonique and Vincent Dumestre at the Misteria Maschalia Festival: Purcell, Clarke

        Le Poéme Harmonique, Les Cris de Paris, Vincent Dumestre (direction); Emmanuelle de Negri (soprano), Zachary Wilder (ténor), Victor Sicard (basse); Henry Purcell (1659 - 1695); Welcome to all the pleasures; Jeremiah Clarke (1674 - 1707); Ode on the Death of Henry Purcell; Henry Purcell; Funeral sentences for the death of Queen Mary II; Recorded on March 31st 2018 at the Misteria Paschalia festival of Cravow; TV Director, Jean-Pierre Loisil (65 min)

      • Monteverdi: Selva Morale e Spirituale, by Vincent Dumestre - Misteria Paschalia

        Le Poéme Harmonique, Vincent Dumestre (conductor); musicAeterna, Vitaly Polonsky (choirmaster); Deborah Cachet (soprano), Eva Zaicik (mezzo-soprano), Jean-François Lombard (alto), Sébastien Obrecht (tenor), Cyril Auvity (tenor), Geoffroy Buffiére (bass); Claudio Monteverdi (1567 - 1643); Orfeo - Toccata; Andrea Falconieri (1585 - 1656); Battalla de Barabaso yerno de Satanas; Anonymous; Psalm in fauxbordon - Dixit Dominus; Claudio Monteverdi; Selva morale e spirituale - Dixit Dominus II; Annibale Gregori (d.1633); Mai non disciolgasi (ciaccona); Claudio Monteverdi; Selva morale e spirituale - Gloria; Claudio Monteverdi; Selva morale e spirituale - Crucifixus; Claudio Monteverdi; Selva morale e spirituale - Salve Regina; Giovanni Gabrieli (1557 - 1612); Canzon a 12; Claudio Monteverdi / Aquilino Coppini; O gloriose martyr; Claudio Monteverdi; Selva morale e spirituale - Magnificat Primo; Recorded at the Church of St. Catherine of Alexandria, Krakow, on April 10, 2017 during the Misteria Paschalia Festival; TV Director, Jean-Pierre Loisil (94 min)

      • Andy Bey at Zinc Bar (New York)

        Andy Bey (piano and voice) solo at Zinc Bar (57 min)

      • InterMezzo

        (11 min)

      • René Jacobs conducts King Arthur by Purcell at the Staatsoper Berlin

        King Arthur, or the British Worthy; Semi-opera in five acts by Henry Purcell (1659 - 1695); Libretto by John Dryden; First performance in London, Queen's Theatre, Dorset Garden, 1691; Akademie für Alte Musik Berlin, Staatsopernchor, René Jacobs (Conductor); Martin Wright (Chorus Master); Sven-Eric Bechtolf (Stage Director); Julian Crouch (Sets), Gail Skrela (Choregraphy), Kevin Pollard (Costumes), Olaf Freese (Lighting), Joshua Higgason (Video); Anett Fritsch (soprano / Philidel); Robin Johannsen (soprano); Benno Schachtner (alto); Mark Milhofer, Stephan Rügamer (tenors); Johannes Weisser, Arttu Kataja (basses); Spoken characters; Michael Rotschopf (Arthur), Max Urlacher (Oswald), Axel Wandtke (Conon), Oliver Stokowski (Osmond), Tom Radisch (Grimbald), Steffen Scheumann (Aurelius), Meike Droste (Emmeline), Sigrid Maria Schnückel (Matilda); Live from the Staatsoper Berlin, Schiller Theater, Berlin; King Arthur, de Henry Purcell; Semi-opéra en cinq actes, livret de John Dryden; Akademie für Alte Musik Berlin, Staatsopernchor, René Jacobs (direction); Martin Wright (chef de ch?urs); Sven-Eric Bechtolf (mise en scéne); Julian Crouch (décors), Gail Skrela (chorégraphie), Kevin Pollard (costumes), Olaf Freese (lumiéres), Joshua Higgason (vidéo); Annett Fritsch (soprano / Philidel); Robin Johannsen (soprano); Benno Schachtner (alto); Mark Milhofer, Stephan Rügamer (ténors); Johannes Weisser, Arttu Kataja (basses); Rôles parlés; Michael Rotschopf (Arthur), Max Urlacher (Oswald), Axel Wandtke (Conon), Oliver Stokowski (Osmond), Tom Radisch (Grimbald), Steffen Scheumann (Aurelius), Meike Droste (Emmeline), Sigrid Maria Schnückel (Matilda); Enregistré au Staatsoper Berlin, Schiller Theater, le 21 janvier 2017; TV Director, Andy Sommer (170 min)

      • InterMezzo

        (68 min)

      • James Carter Organ trio 'Giant Steps' - Jazz á la Villette

        James Carter - saxophone; Gerard Gibbs - Hammond organ; Leonard King - drums (65 min)

      • Robert Glasper Experiment with special guest Yasiin Bey aka Mos Def

        Robert GLASPER (keyboard, Fender Rhodes); Derrick HODGES (electric bass); Mark COLENBURG (drums); Casey BENJAMIN (voice, saxophone); Yasiin BEY aka Mos Def (voice) (60 min)

      • InterMezzo

        (8 min)

      • Tristan und Isolde, by Richard Wagner at the Staatsoper Berlin

        Tristan und Isolde; Drama in three acts by Richard Wagner (1813 - 1883); Libretto by Richard Wagner; First performance in Munich, Hof- und Nationaltheater, 10 June 1865; Staatskapelle Berlin, Daniel Barenboim (Conductor); Dmitri Tcherniakov (Stage Direction); Andreas Schager (Tristan); Stephen Milling (King Marke); Anja Kampe (Isolde); Boaz Daniel (Kurwenal); Stephan Rügamer (Melot); Ekaterina Gubanova (Brangäne); Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin; TV Director, Andy Sommer (253 min)

      • InterMezzo

        (18 min)

      • Valery Gergiev and the Munich Philharmonic: Strauss and Berlioz

        Munich Philharmonic Orchestra, Valery Gergiev, conductor; Philharmonischer Chor München; Yulia Matochkina (soprano), Yekaterina Krapivina (mezzo-soprano), Sergei Semishkur (tenor), Evgeny Akhmedov (tenor), Yuri Vorobiev (bass); Richard Strauss; Don Juan, op. 20; Hector Berlioz; Les Troyens, 5th act; Richard Strauss; Ein Heldenleben, op. 40; Recorded at the Philharmonie im Gasteig, Munich, on September 13 & 14, 2016 (126 min)

      • Valery Gergiev and the Munich Philharmonic: Bach and Bruckner at Saint Florian

        Münchner Philharmoniker, Valery Gergiev (Conductor); J.S. Bach (1685-1750); Toccata and Fugue in C minor; Anton Bruckner (1824-1896); Symphony n°2 in C minor WAB 102 (1873, 1876-77); Recorded on September 24, 2018 at the Saint Florian Abbey, Linz; TV Director, François-René Martin (89 min)

      • InterMezzo

        (21 min)

      • The Sacral Dance by the Compania Danza Contemporanea de Cuba

        The Sacral Dance; Choregraphy by Christophe Béranger, Jonathan Pranlas-Descours, Jorge Cespédes and Julio Cesar Iglesias; Compania Danza Contemporanea de Cuba; Music, Igor Stravinsky; Musique traditionnelle cubaine, National Electronica; Concept, scenography, Christphe Béranger a,d Jonathan Pranlas-Descourts, Jorge Cespédes and Julio Cesar Iglesias; Director of the company, Miguel Iglesias Ferrer; Manager of the company, Jorge Brooks; Recorded on May 2018 at the Gran Teatro de la Habana, Alicia Alonso, Cuba; Réalisé par Patrick Lauze (112 min)

      • Havana Danza! Ballet Danza Contemporanea Of Cuba

        Havana Danza, Danza contemporanea de Cuba; 4 choreographies: CARMEN; Choreography by Kennetth Kvamström; Music by R. Schredin, G. Bizet; FOLIA; Choreography by Jan Linkens; Music by G. Faidit, A. Martin, G. Koehne; DEMO-N/ CRAZY; Choreography by Rafael Bonachela; Music by Bebe, J. Wolfe, E. Morente. MAMBO 3 XXI; Choreography by George Cespédes; Music by Berny Moré / Nacional Electronica; With; Michel Avalos - Heidy Batista - Daileidys Carrazana - George Céspedes - Yosmell Calderón - Yoerlis Brunet - Edson L. Cabrera - Norge Cedeňo - Osnel Delgado -Wuilleys Estacholi - Alberto González - Yelda Leyva - Daylis López -Jennifer Martín - Jenny Nocedo - Marta Ortega - Gabriela Piňeiro - Yaday Ponce - Abel Rojo - Thais Suárez - Joel Suárez -Jennifer Tejeda - Aymara Vila. Recorded on 2011 at the National Theater Garcia Lorca, La Havana, CUBA; TV Director, Sonia Paramo (109 min)

      • InterMezzo

        (15 min)

      • Vanessa by Samuel Barber at the Glyndebourne Festival

        Vanessa; Opera in four acts by Samuel Barber (1910 - 1981); Libretto by Gian Carlo Menotti; First performance in New York, Metropolitan Opera, 15 January 1958; London Philharmonic Orchestra, Jakub Hrůša (Conductor); The Glyndebourne Chorus; Nicholas Jenkins (Chorus Master); Keith Warner (Stage Direction); Ashley Martin-Davis (Sets), Mark Jonathan (Lighting), Alex Uragallo (Video); William Thomas (Nicholas, the Major-Domo); Virginie Verrez (Erika); Emma Bell (Vanessa); Edgaras Montvidas (Anatol); Rosalind Plowright (The Old Baroness); Ray Albert (The Old Doctor Donnie); Romanas Kudriašovas (Footman); Recorded 12 and 14 August 2018 at the Glyndebourne Festival; Directed by François Roussillon (126 min)

      • The Amazing Keystone Orchestra plays the music of Quincy Jones - Jazz á Vienne

        Since their student days at the Conservatoire, pianist Fred Nardin, saxophonist Jon Boutellier, trombonist Bastien Ballaz and trumpeter David Enhco have been joint leaders of the band and the main contributors to its arrangements. The 18 brilliant members of the band are not just fans of Count Basie, Duke Ellington and Thad Jones. For them, playing with this remarkable group of musicians is a chance to experiment with new ideas. For this exceptional night under the watchful eye of the great Quincy Jones, the band chose to revisit a selection of themes composed by Quincy over the past six decades. Wouldn't it be perfect if Mr. Jones suddenly decided to conduct some of his favourite arrangements? The ideal moment would seem to be when The Amazing Keystone Big Band will call on special guest Michel Hausser. The vibraphonist is coming directly from Alsace with a composition especially written for him by Quincy Jones. Pierre Dessasis, Kenny Jeanney, Jon Boutellier, Eric Prost, Ghyslain Regard et Jean-Philippe Scali (fl, s), Vincent Labarre, Thierry Seneau, Félicien Bouchot et David Enhco (tp), Bastien Ballaz, Alois Benoit, Loic Bachevillier et Sylvain Thomas (tb), Frédéric Nardin (p), Thibaut François (g), Patrick Maradan (cb), Romain Sarron (dms) (26 min)

      • Hariprasad Chaurasia at Philharmonie de Paris - Raga Night

        Hariprasad Chaurasia, flute bansuri; Vivek R Sonar, flute bansuri; Ram Kumar Mishra, tabla; Bhawani Shankar, pakhawaj; Katsuri Chaurasia, tampura (78 min)

      • InterMezzo

        (40 min)

      • Valery Gergiev and the Munich Philharmonic: Strauss and Berlioz

        Munich Philharmonic Orchestra, Valery Gergiev, conductor; Philharmonischer Chor München; Yulia Matochkina (soprano), Yekaterina Krapivina (mezzo-soprano), Sergei Semishkur (tenor), Evgeny Akhmedov (tenor), Yuri Vorobiev (bass); Richard Strauss; Don Juan, op. 20; Hector Berlioz; Les Troyens, 5th act; Richard Strauss; Ein Heldenleben, op. 40; Recorded at the Philharmonie im Gasteig, Munich, on September 13 & 14, 2016 (126 min)