• Mezzo Live HD

    • Mezzo Live HD od do

      • Mahler: Symphony No.3 by the Orchestre national du Capitole de Toulouse and Tugan Sokhiev

        Orchestre National du Capitole de Toulouse, Tugan Sokhiev (Conductor); Orfeón Donostiarria, José Antonio Sainz Alfaro (Chorus Master), Les Eclats / Ch?ur d'enfants et de jeunes, François Terrieux (Chorus Master); Anna Larsson (alto); Gustav Mahler (1860 - 1911); Symphony no 3 in D minor; Recorded at the Halle aux Grains, Toulouse, 28 June 2014; Directed by Jean-Pierre Loisi (108 min)

      • InterMezzo

        (39 min)

      • Woman to Woman - Nice Jazz Festival

        Woman to Woman; Renee Rosnes, artistic direction, piano; Cécile McLorin Salvant, vocals; Anat Cohen, clarinet; Melissa Aldana, saxophone; Ingrid Jensen, trumpet; Noriko Ueda, doublebass; Allison Millern drums; Setlist; 'Never Will I Marry', comp: Frank Loesser; 'Yesterdays', comp: Jerome Kern; ' Summer Night', comp: Harry Warren; ' Jitterbug Waltz', comp: Fats Waller; ' The Peacocks (A Timeless Place)', comp: Jimmy Rowles, Norma Winstone; ' United', comp: Wayne Shorter; ' Flamenco Sketches', comp: Miles Davis; Bill Evans; ' I'm All Smiles', comp: Michael Leonard; Herbert Martin; ' Gracias A La Vida', comp: Violeta Parra; ' Come Back To Me', comp: Sigmund Romberg; Recorded on July 17, 2017 at Nice Jazz festival; TV Director, Eric Michaud (74 min)

      • Samy Thiébault - Nice Jazz Festival

        Samy Thiébault; Renee Rosnes, piano; Setlist; Raqsat Fés, comp: Samy Thiébault / Editions Thelonious Productions; Laideronette, impératrice des pagodes, comp: Maurice Ravel; Amor Bonito, comp: Enrique Hidalgo; Nesfé Jahân, comp: Samy Thiébault / Editions Thelonious Productions; Abidjan, comp: Samy Thiébault / Editions Thelonious Productions; Le Chant du trés loin, comp: Samy Thiébault / Editions Thelonious Productions; Enregistré le 18 juillet 2017 au Nice Jazz festival; Réalisation, Eric Michaud (53 min)

      • Becca Stevens - Nice Jazz Festival

        Becca Stevens; ' Queen Mab', comp: William Shakespeare, Becca Stevens; ' Tillery', comp: Becca Stevens; ' Lean On', comp: Becca Stevens; ' Venus', comp: Becca Stevens; ' I Asked', comp: Becca Stevens; ' Well Loved', comp: Becca Stevens; ' Regina', comp: Don Miggs, Becca Stevens; ' Le Sud', comp: Stevie Wonder; 'The Muse', comp: David Crosby, Becca Stevens; Recorded on July 17, 2017 at Nice Jazz festival; TV Director, Eric Michaud (52 min)

      • Django Bates' Beloved - Oslo Jazz Festival

        Django Bates (piano); Petter Eldh (double bass); Peter Bruun (drums); Django Bates' Beloved is a new project by the eccentric British pianist, which was formed after the release of 'Django Bates - Beloved Bird'. Here, Django collaborated with Petter Eldh (bass) and Peter Bruun (drums), where they reinterpreted old Charlie Parker classics in combination with some of Bates' own compositions. This collaboration was proving very inspiring and Bates decided to continue pursuing the project. Now, the project consists of mix of Django's own compositions alongside Parker classic songs. TV Director, Alfred Hartz (60 min)

      • InterMezzo

        (43 min)

      • Tugan Sokhiev and the Orchestre national du Capitole de Toulouse in Taiwan

        Orchestre National du Capitole de Toulouse, Tugan Sokhiev (Conductor); Sumi Jo (soprano), Michel Bouvard (organ); Claude Debussy (1862 - 1918); Prélude á l'aprés-midi d'un faune; Charles Gounod (1818 - 1893); Roméo et Juliette: Je veux vivre ce reve; Ruggero Leoncavallo (1857 - 1919); Pagliacci: Intermezzo Act II; Vicenzo Bellini (1801 - 1835); I Capuleti e I Montecchi: Eccomi in Lieta Veste... Oh Quante Volte; Guiseppe Verdi (1813 - 1901); La Traviata: Prelude Act I; Ah! fors'e lui... Sempre libera; Giacomo Puccini (1858 - 1924); Gianni Schicchi: O mio Babbino caro... Jacques Offenbach (1819 - 1880); Les Contes d'Hoffmann: Les oiseaux dans la charmille; Camille Saint-Saëns (1835 - 1921); Symphony no. 3 in C minor op. 78, ' with organ '; Recorded on April 25, 2017 at the National Theatre Concert Hall, Taipei, Taiwan; Directed by Julien Jaunet (94 min)

      • Tugan Sokhiev and the Orchestre national du Capitole de Toulouse in Peralada: Debussy, Tchaikovsky, Mussorgsky

        Orchestre national du Capitole de Toulouse, Tugan Sokhiev (conductor); Claude Debussy (1862 - 1918); Prélude á l'aprés-midi d'un faune; Piotr Ilych Tchaikovsky (1840 - 1893); Nutcracker, suite; Modest Mussorgsky (1839 - 1881); Pictures at an exhibition (orchestration by Maurice Ravel); Georges Bizet (1838 - 1875); Arlésienne, Suite no 2: Farandole; Carmen, Ouverture; Recorded on July 8th 2017, The Castle Gardens Auditorium, Festival Castell de Peralada; Directed by Jean-Pierre Loisil (95 min)

      • InterMezzo

        (48 min)

      • Icarus... Tribute to Serge Lifar - Opéra national de Bordeaux ballet

        ICARUS... TRIBUTE TO LIFAR; National orchestra of Bordeaux Aquitaine; Direction musicale, Nathan FIFIELD; Opéra national de Bordeaux Ballet; Charles JUDE, Direction; Productions restaged by Attilio LABIS and Chistiane VLASSI; Icarus; Choreography and Rhythms, Serge LIFAR; Orchestration, Joseph-Emile SZYFER; Set and Costumes, Paul LARTHE, Pablo PICASSO; With; Icarus, Oleg ROGACHEV; Daedalus, Kase CRAIG; Icarus' friends, Guillaume DEBUT, Austin LUI, Take OKUDA, Marc Emmanuel ZANOLI; Emilie CERRUTI, Pascaline DI FAZIO, Alice LELOUP, Dara TOMBROFF; Prélude á l'aprés-midi d'un faune; Choreography, Serge LIFAR; Based on the work of Vaslav NIJINSKI; Music, Claude DEBUSSY; With; Le Faune, Roman MIKHALEV; The Faun, Roman MIKHALEV; Suite en blanc; Choreography, Serge LIFAR; Music, Edouard LALO; Excerpts from Namouna; Conductor, Nathan FIFIELD; With; - The Nap, Emilie CERRUTI, Laure LAVISSE, Claire TEISSEYRE; - Varied theme, Vanessa FEUILLATTE, Samuele NINCI, Neven RITMANIC; - Sérénade, Mika YONEYAMA; - Presto (Pas de cinq), Sara RENDA, Alexandre GONTCHAROUK, Austin LUI, Ashley WHITTLE, Mike DERRUA; - The Cigaret, Oxana KUCHERUK; - Mazurka, Igor YEBRA; - Adage, Stéphanie ROUBLOT, Oleg ROGACHEV; - The Flute, Oxana KUCHERUK; - Twelve dancers, Aline BELLARDI, Natalia BUTRAGUENO, Pascaline DI FAZIO, Alice LELOUP, Marina GUIZIEN, Marina KUDRYASHOVA, Diane LE FLOC'H, Nicole MURATOV, Marie-Lys NAVARRO, Dara TOMBROFF, Lucie PEIXOTO, Reika UCHINO; - Eight dancers, Kase CRAIG, Guillaume DEBUT, Pierre DEVAUX, Take OKUDA, Loan FRANTZ; Philippe TRAN, Marc Emmanuel ZANOLI, Oliviero BIFULCO; Recorded on October 27 & 28 2014 at the Opéra national de Bordeaux; TV Director, Yan Proefrock (86 min)

      • Coppelia by the Bordeaux Opera Ballet - Teatro La Fenice

        Coppelia by the Bordeaux Opera Ballet; Choreography: Charles Jude; Ballet of the Opéra national de Bordeaux (dir. Charles Jude); Recorded at the Fenice; Music: Léo Delibes; Orchestra del Teatro La Fenice directed by Geoffrey Styles; Sets and costumes: Giulio Achilli; Costumes: Philippe Binot; Lights: François Saint-Cyr; Adapted by Charles Jude from Arthur Saint-Léon and Charles Nuitter's argument, after Ernst Theodor Amadeus Hoffmann's 'The Sandman'; Directed for video by Fabrice Levillain (1h35) - 2010 (96 min)

      • InterMezzo

        (24 min)

      • Dave Holland, Zakir Hussain & Chris Potter - Jazz in Marciac

        Zakir Hussain (tabla); Chris Potter (saxophone); Dave Holland (double bass); The Indian composer and percussionist Zakir Hussain is THE tabla player of his generation. The tabla is a percussion instrument from the north of India which does indeed give rhythm to the musician's compositions as much when he is performing solo as here when he is accompanied by the bass player Dave Holland or the tenor saxophonist Chris Potter. Considered as a national treasure in India, this artist accrues performances with no less than 150 concerts per year and a career which began at 12 years of age! Perhaps the most impressive virtuoso of the tenor saxophone according to Michel Contat of Télérama, Chris Potter comes from the generation of saxophonists who came to the fore during the course of the 1990's alongside Joshua Redman, James Carter, Chris Cheek and Seamus Blake. Very quickly, this native of Chicago attracted attention because of his succulent tenor sound and a very personal manner of constructing his solos, imposing himself as a reference amongst his peers. Dave Holland's class! This majestic double bass with a round sound. A self-taught double bass player whose atypical manner of playing and magnificent sound were quickly noticed by a certain Miles Davis. A great composer as well. A great leader too.Together with Miles Davis, Chick Corea, Stan Getz or heading up his own groups, the Brit could never be happy with the minimum. Recorded at Jazz in Marciac Festival (Circus top), on July 28, 2018; TV Director, Jean-Marc Birraux (59 min)

      • Hugh Coltman - Jazz in Marciac

        Hugh Coltman (voice); Frédéric Couderc (baritone clarinet); Jérôme Etcheberry (trumpet); Jerry Edwards (trombone); Didier Havet (soubassophone); Freddy Koella (guitar); Gael Rakotondrabe (piano); Raphael Chassin (drums); Heard in the company of the pianist Eric Legnini on an album where he was simply a guest, Hugh Coltman rapidly broke the barrier of confidentiality to gain access to the the antechamber of notoriety. His latest hour of glory (for the time being), was his allegorical project based on the repertoire of Nat King Cole, the historic crooner and pianist. The voice of this Brit possesses that full masculinity which characterises his dedicatee, but it carries with it a bit of spleen, a sort of Baudelairian charm which the language of Shakespeare makes even more palpable...A confirmation eagerly awaited in Marciac this summer with his new album 'Who's happy?'. With drums which dance just like in one of those legendary burials in New Orleans, brass saturated with soul, guitars mixing up all the blues and all the folk... Hugh Coltman treated himself to a sublime backdrop for eleven songs in which his warm 'been through it all' voice can be heard. He is a conoisseur in human emotions, always charitable towards the evening's lover, the lost soul at dawn or the forlorn in the blazing sunshine. Recorded at Jazz in Marciac Festival (Circus top), on July 31, 2018; TV Director, Jean-Marc Birraux (60 min)

      • Manu Katché, Richard Bona, Mike Stern, Niels Lan Doky - Jazz in Marciac

        Mike Stern (guitar); Niels Lan Doky (piano); Richard Bona (bass); Manu Katché (drums); The Cameroonian international artist Richard Bona at first became known as a bass player in the company of jazz musicians before beginning a career as a singer and composer in 1999. He interprets his own songs and now has more than half a dozen albums under his belt. Jazz Grand Prix winner of the SACEM, Richard Bona never cheats, but then, he doesn't need to. For those who may be unaware, Mike Stern is one of the greatest jazz-rock guitarists, and has been for more than twenty years now. Pupil of Pat Metheny, he was at first spotted by Billy Cobham and then by Miles Davis at the beginning of the 1980's, he was then taken on by Jaco Pastorius and an active member of 'Steps Ahead' with Danny Sanborn before starting out on a promising solo career. The drummer and percussionist Manu Katché has been for some thirty years one of the most sought after musicians at an international level on the jazz, rock and pop scenes. He became known in 1986 thanks to his participation in the album 'So' by Peter Gabriel and since then has been performing non-stop in groups or for recordings, as leader or as sideman. Whatever the context he demonstrates his magnificent technique. Recorded at Jazz in Marciac Festival (Circus top), on August 6, 2018; TV Director, Jean-Marc Birraux (60 min)

      • InterMezzo

        (30 min)

      • Prokofiev's Betrothal in a Monastery at the Staatsoper Berlin

        Betrothal in a Monastery; Lyrico-comic opera by Sergey Prokofiev (1891 - 1953); Libretto by Sergei Prokofiev and Mira Mendelson after 'The Duenna' by Richard Sheridan; First performance in Prague, National Opera Theatre, 5 May 1946; Staatskapelle Berlin, Daniel Barenboim (Conductor); Staatsopernchor; Martin Wright (Chorus master); Dmitri Tcherniakov (Stage Direction, Sets); Elena Zaytseva (Costumes), Gleb Filshtinsky (Lighting); Stephan Rügamer (Don Jeronimo); Aida Garifullina (Luisa); Andrei Zhilikhovsky (Don Ferdinand); Violeta Urmana (La Duenna); Goran Jurić (Mendoza); Anna Goryachova (Clara D'Almanza); Lauri Vasar (Don Carlo); Arttu Kataja (Padre Augustin); Live from the Staatsoper Berlin (212 min)

      • InterMezzo

        (23 min)

      • Tugan Sokhiev and the Orchestre national du Capitole de Toulouse: Berlioz, Liszt, Rimsky-Korsakov

        Orchestre National du Capitole de Toulouse, Tugan Sokhiev (conductor); Jean-Yves Thibaudet (piano); Hector Berlioz (1803 - 1869); Carnaval romain, overture; Franz Liszt (1811 - 1886); Piano Concerto No.2; Nikolai Rimsky-Korsakov (1844 - 1908); Scheherazade; Filmed in Moscow on 25 October 2013; by Jean-Pierre Loisil (93 min)

      • Tugan Sokhiev, Alison Balsom and the Orchestre national du Capitole de Toulouse: Haydn and Shostakovich

        Orchestre National du Capitole de Toulouse, Tugan Sokhiev (Conductor); Alison Balsom (trumpet); Joseph Haydn (1732 - 1809); Concerto for trumpet and orchestra in E flat major Hob. VIIE.1; Dmitri Shostakovich (1906 - 1975); Symphony no. 7 in C major 'Leningrad', op. 60; Recdorded on January 13, 2017 at the Halle aux Grains, Toulouse; Directed by Jean-Pierre Loisil (105 min)

      • InterMezzo

        (42 min)

      • Tugan Sokhiev and the Orchestre national du Capitole de Toulouse: Berlioz's Requiem

        Orchestre National du Capitole de Toulouse, Orfeón Donostiarra, Tugan Sokhiev (Conductor); Bryan Hymel (tenor); Hector Berlioz (1803 - 1869); Grande messe des morts op. 5; Recorded on 5 February 2015 at the Halle aux Grains, Toulouse; Directed by Jean-Pierre Loisil (87 min)

      • Mahler: Symphony No.3 by the Orchestre national du Capitole de Toulouse and Tugan Sokhiev

        Orchestre National du Capitole de Toulouse, Tugan Sokhiev (Conductor); Orfeón Donostiarria, José Antonio Sainz Alfaro (Chorus Master), Les Eclats / Ch?ur d'enfants et de jeunes, François Terrieux (Chorus Master); Anna Larsson (alto); Gustav Mahler (1860 - 1911); Symphony no 3 in D minor; Recorded at the Halle aux Grains, Toulouse, 28 June 2014; Directed by Jean-Pierre Loisi (108 min)

      • Becca Stevens - Moods

        Becca Stevens (vocal, guitar, charango, ukulele); Liam Robinson (piano, accordion, vocal); Chris Tordini (bass, vocal); Jordan Perlson (drums, percussions); An enchanting singer-songwriter-jewel from New York! Becca Stevens sings, acts, dances, plays guitar, ukulele and Charango - knows how to write good songs and how one brings them to the stage in a gripping manner! Full of warmth and urgency, she sings herself into the hearts of the audience. From North Carolina, Stevens comes from a musical family and is part of the New York scene. Joshua Redman and Brad Mehldau are also two of her biggest fans. Her last album 'Weightless' was in the Top Ten of the international songwriter charts. Her music is a mixture of folk, jazz and pop, her voice is captivating. (56 min)

      • InterMezzo

        (42 min)

      • La Clemenza di Tito by Mozart at the Glyndebourne Festival

        La Clemenza di Tito; Opera seria in two acts by Wolfgang Amadeus Mozart (1756 - 1791); Libretto by Pietro Metastasio; First performance in Prague, National Theatre, 6 September 1791; The Orchestra of the Age of Enlightenment, Robin Ticciati (Conductor); The Glyndebourne Chorus; Claus Guth (Stage Direction); Christian Schmidt (Sets), Olaf Winter (Lighting), Ronny Dietrich (Dramaturgy); Richard Croft (Tito); Alice Coote (Vitellia); Anna Stéphany (Sesto); Joélle Harvey (Servilia); Michéle Losier (Annio); Clive Bayley (Publio); Recorded on July 31 & August 3, 2017 at the Glyndebourne Festival; Directed by François Roussillon (138 min)