• Mezzo Live HD

    • Mezzo Live HD od do

      • InterMezzo

        (88 min)

      • Tetzlaff Quartet plays Mozart, Shostakovich and Sibelius

        Tetzlaff Quartet; Christian Tetzlaff (Violin), Elisabeth Kufferath (Violin), Hanna Weinmeister (Viola), Tanja Tetzlaff (Cello); Wolfgang Amadeus Mozart (1756 - 1791); String Quartet No.16 in E-flat major, K.428; Dmitri Shostakovich (1906 - 1975); String quartet no. 11 in F major, op. 122; Jean Sibelius (1865 - 1957); String Quartet 'Voces intimae', Op.56; Recorded in January 2016 at the Philharmonie 2, Cité de la Musique, Salle de Concerts, Paris; Directed by par Franck Chaudemanche (80 min)

      • Music and Dance for a While with l'Arpeggiata

        L'Arpeggiata, Christina Pluhar (Conductor); Céline Scheen (Soprano), Vincenzo Capezzuto (alto); Mei Hon Lin Dance Company; Dirk Hofacker (Sets & Costumes); Music and Dance for a While; Improvisations on Henry Purcell, G.F. Händel, Claudio Monteverdi. Georg Friedrich Händel / Improvisation / arr. C. Pluhar: Sinfonia - Arrival of the Queen of Sheba; Henry Purcell / Improvisation / arr. C. Pluhar: Strike the viol (Céline Scheen); Georg Friedrich Händel / Improvisation: Lascio ch'io pianga; Henry Purcell / Improvisation / arr. C. Pluhar: `Twas within a furlong (Vincenzo Capezzuto); Claudio Monteverdi: Pur ti miro (Céline Scheen, Vincenzo Capezzuto); Traditional (Venezuela): El curruchá (Vincenzo Capezzuto, Céline Scheen); Claudio Monteverdi: Lamento della Ninfa (Céline Scheen); Traditional (Sicily) / arr. C. Pluhar: Silenziu d'amuri (Vincenzo Capezzuto); Georg Friedrich Händel / Improvisation / arr. C. Pluhar: Sinfonia - Alcina; Henry Purcell / Improvisation / arr. C. Pluhar: Music for a while (Céline Scheen); Traditional (Salento): Pizzica di San Vito (Vincenzo Capezzuto); Traditional (Bulgaria): Bucimis; Giovanni Felice Sances: Stabat Mater (Céline Scheen); Improvisation: Hasapiko; Traditional (Italy): Tarantella del Gargano (Vincenzo Capezzuto); Traditional (Mexico) / arr. C. Pluhar: La Llorona (Vincenzo Capezzuto); Henry Purcell / Improvisation / arr. C. Pluhar: When I am laid (Céline Scheen); Improvisation: Canario; Maurizio Cazzati / arr. C. Pluhar: Ciaccona; Girolamo Kapsberger: Toccata L'Arpeggiata; Traditional (Italy) / arr. Christina Pluhar: Ninna, nanna sopra la Romanesca (Vincenzo Capezzuto, Céline Scheen); Georg Friedrich Händel / Improvisation / arr. C. Pluhar: O sleep, why thost thou leave me (Céline Scheen); Recorded on November 6, 2017 at the Landestheater Linz, Austria; Directed by Sonia Paramo (100 min)

      • Hugh Masekela - Paris Jazz Festival

        Hugh Masekela celebrates Mama Afrika; Hugh MASEKELA flugelhorn, vocals / Cameron WARD guitar / Fana ZULU bass / Randal SKIPPERS keyboards / Lee-Roy SAULS drums / Francis Manneh FUSTER percussions; With Abdullah Ibrahim, Masekela is one of the pioneering figures of South African jazz. With his music, the trumpeter, flugelhornist, singer and composer has strongly influenced the political emergence of the anti-apartheid movement which he helped bring to international attention, through noted performances such as the one he gave in Monterey alongside Otis Redding and Jimi Hendrix back in 1967, or his appearance on Paul Simon's multi-million selling Graceland album. Fresh from his presence at Barack Obama's second inauguration ball, Masekela will present his latest project at Parc Floral, a celebration of his late wife, South African diva Miriam Makeba. (55 min)

      • InterMezzo

        (60 min)

      • Lac by Jean-Christophe Maillot, Les Ballets de Monte-Carlo

        Lac (Lake); Choreographer, Jean-Claude Maillot; Music, P.I. Tchaikovsky; Additional music, Bertrand Maillot; Monte-Carlo Philharmonic Orchestra; Conductor, Nicolas Brochot; Scenography, Ernest Pignon-Ernest; Costume, Philippe Guillotel; Dramaturgy, Jean Rouaud; Lights: Jean-Claude Maillot and Samuel Thery; Les Ballets de Monte-Carlo; Directed by Denis Caiozzi; Recorded at the Grimaldi Forum in Monte-Carlo in January 2013 (93 min)

      • White Darkness de N. Duato, The Lavender Follies de J. Hernandez, Ballet de Monte-Carlo

        White Darkness; Choreography by Nacho Duato; Music by Karl Jenkins ( Adiemus variatons, string quartet N°2); The Lavender Follies; Choreography by Joseph Hernandez; Music by Johannes Till; Wth; The Ballets de Monte Carlo, and; Asier Edeso, April Ball, Francesco Mariottini, Maude Sabourin, Kaori Tajima, Taisha Barton- Rowledge, Benjamin Stone, Simone Tribuna, Alvaro Prieto, Lennart Radtke, Anna Blackwell... Recorded on July 28 & 29, 2018 at the Monte-Carlo Opera, Garnier Hall; TV Director, Andreas Morell (74 min)

      • InterMezzo

        (60 min)

      • Ariadne auf Naxos by Richard Strauss at the Festival d'Aix-en-Provence

        Ariadne auf Naxos; Opera in 1 act preceded with a prologue; Richard Strauss (Music); Hugo von Hofmannsthal (Libretto); Orchestre de Paris; Marc Albrecht (conductor ); Katie Mitchell (Staging ); Martin Crimp (Dramaturgy ); Chloe Lamford (Sets ); Sarah Blenkinsop (Costumes ); James Farncombe (Lighting ); With; (The Prima donna / Ariadne) Lise Davidsen - (The tenor / Bacchus) Eric Cutler - (Zerbinetta) Sabine Devieilhe - (The Composer) Angela Brower - (Harlequin) Huw Montague Rendall - (Brighella) Jonathan Abernethy - (Scaramouche) Emilio Pons - (Truffaldino) David Shipley - (naiad) Beate Mordal - (Dryad) Andrea Hill - (Echo) Elena Galitskaya - (The Music Master) Josef Wagner - (The Dancing Master) Rupert Charlesworth - (An officer) Petter Moen - (A Wig-Maker) Jean-Gabriel Saint Martin - (Le Buttler) Maik Solbach - (A Lackey) Sava Vemić - (The richest man in Vienna) Paul Herwig - (His wife) Julia Wieninger; Recorded on July 2 & 11, 2018 at the Théâtre de l'Archevéché, Festival International d'Art Lyrique d'Aix-en-Provence; TV Director, Corentin Leconte (132 min)

      • InterMezzo

        (76 min)

      • Tatarstan Symphony Orchestra plays Scriabin, Prokofiev, Rachmaninov and Tchaikovsky

        Tatarstan National Symphony Orchestra, Alexander Sladkovsky (conductor); Piotr Ilych Tchaikovsky; Francesca da Rimini, op. 32; Sergei Rachmaninov; Three Russian songs, op.41; Alexander Scriabin; Poem of ecstasy, op. 54; Sergei Prokofiev; Symphony No.3, op. 44; Recorded at the Saydashev Grand Concert Hall, City of Kazan (Russia) on June 06th, 2014 (78 min)

      • Tatarstan Symphony Orchestra and Alexander Sladkovsky: Strauss, Bruckner

        Tatarstan Symphony Orchestra, Alexander Sladkovsky (conductor); Mario Brunello (cello), Aidar Bagautdinov (viola); Richard Strauss (1864 - 1949); Don Quixote, fantastic variations on a knightly theme for cello and viola soli and orchestra, Op. 35; Anton Bruckner (1824 - 1987); Symphony No. 9 in D minor; Recorded at the Tchaikovsky Hall, Moscow, 12 February 2019 (106 min)

      • InterMezzo

        (15 min)

      • Massenet's Cendrillon at the Glyndebourne Festival

        Cendrillon; Conte de fées in four acts by Jules Massenet (1842 - 1912); Libretto by Henri Cain after Charles Perrault's fairy-tale; First performance in Paris, Opéra Comique, 24 May 1899; London Philharmonic Orchestra, John Wilson (Conductor); The Glyndebourne Chorus; Fiona Shaw (Stage Director); Jon Bausor (Set Designer), Nicky Gillibrand (Costume Designer), Anna Watson (Lighting Designer); Danielle de Niese (Cendrillon); Kate Lindsey (Le Prince Charmant); Nina Minasyan (La Fée); Lionel Lhote (Pandolfe); Agnes Zwierko (Madame de la Haltiére); Eduarda Melo (Noémie); Julie Pasturaud (Dorothée); Recorded at the Glyndebourne Festival, 30 June 2019 (150 min)

      • InterMezzo

        (86 min)

      • Rinaldo by Haendel at the Festival de Peralada

        Rinaldo, opera in three acts by Georg Friedrich Haendel (1685 - 1759); Libretto by Giacomo Rossi after Torquato Tasso's 'Gerusalemme liberata'; First performance in London, Queen's Theater, February 24, 1711; Concert version; Vespres d'Arnadi Orchestra, Dani Espasa (Conductor); Xavier Sabata (Rinaldo), Núria Rial (Almirena), Hillary Summers (Argante), Mary-Ellen Nesi (Armida), Juan Sancho (Goffredo), Josep Ramón Olivé (A Magician, A Herald). Recorded on August 5, 2018 at the Carmen Church as part of the Festival Castell de Peralada; Réalisé par Sébastien Bergé (99 min)

      • La Senna Festeggiante by Vivaldi

        B'Rock Orchestra; Karina Gauvin (soprano, L'Etá dell Oro), Sonia Prina (alto, La Virtú), Ugo Guagliardo (bass, La Senna); AntonioVivaldi; La Senna festeggiante; Recorded on January 14th, 2017 at the Arsenal de Metz; Directed by Sylvain Pierrel (78 min)

      • InterMezzo

        (60 min)

      • Avishai Cohen quartet - D'jazz Nevers

        Avishai Cohen quartet @ D'Jazz Nevers; Avishai Cohen, trumpet; Yonathan Avisahi, piano; Yoni Zelnik, bass; Jonathan Black, drums; Dream Like a child, Into the Silence; Quiescence; Behind the broken glass; Bill Evans has two incarnations, as a pianist and a saxophonist. So has Avishai Cohen, a bass player and, tonight, a trumpeter. His musical friendships are long standing. For a decade now, he has been playing with pianist Yonathan Avishai, and hooked up with Nasheet Waits as soon as he arrived in New York from Israel in the 90's. His beard may be on the wild side, but his sound on the trumpet is one of the purest you can hear today. His first album for ECM, 'Into the Silence', was composed six months after Cohen's father died. 'Into the Silence' is about absence, a pregnant silence, deeply intimate, which does not preclude a sense of revolt, rich with vital energy. On four consecutive years, Cohen was voted 'Rising Star' in the 'trumpeter' category by DownBeat, the reference American jazz magazine. An absolute must. Recorded on November 11th at the festival D'Jazz Nevers (Nevers, France) - (Maison de la Culture, Philippe Genty hall); TV Director, Samuel Thiebaut (56 min)

      • Magnetic Ensemble - D'Jazz Nevers

        Magnetic Ensemble @ D'Jazz Nevers; Antonin Leymarie, artistic direction, composition, drums; Benjamin Flament, treated metallic percussions, vibraphone; Sylvain Lemetre, digital and orchestral percussions; Linda Olah, voice; Fabrizio Rat, prepared piano; Adrien Spirli, bass synthesizer; Adrian'Aladin' Bourget, sound designer; Thomas Veyssiére, scenoraphy, lights; Guest; François Corneloup, saxophone; In my heart (Antonin Leymarie); Victory (Antonin Leymarie, Marine Pellegrini); S'abaisse (Antonin Leymarie); Butterfly (Antonin Leymarie); La Fabuleuse (Antonin Leymarie); Dancing Alone (Antonin Leymarie); What to you call a birthday party that doesn't end on the dance floor? A fiasco! No danger of this with the Magnetic Ensemble. They turned the Maison de la Culture into a proper dance floor. No beatbox for Antonin Leymarie's quintet. Why use one when you can do so much better yourself? Techno has not been very popular with jazzmen, largely for its lack of flexibility (a rigid tempo, a uniformity of sound). The Magnetic Ensemble picks up the challenge and demonstrates brilliantly that techno can be human, very human. Prepare yourself for a technoid trance, slow, progressive, polyrhythmic, irresistible, wild, frenzied. This music is made for movement! Recorded on November 12th at the festival D'Jazz Nevers (Nevers, France) - (Maison de la Culture, hall); TV Director, Samuel Thiebaut (50 min)

      • Soundprints feat. Joe Lovano & Dave Douglas - Roma Jazz Festival

        SOUND PRINTS; Joe Lovano, saxophones; Dave Douglas, trumpet; Lawrence Fields, piano; Linda Oh, double bass; Joey Baron, drums. Joe Lovano and Dave Douglas are two one-of-a-kind world-class saxophonist and trumpeter. They both possess very strong personalities that produce vital and elegant music marked by virtuoso pieces that nonetheless sound very new and expressive, while at the same time displaying strong ties to the whole jazz tradition. This outstanding duo will pay an enthusiastic and fascinating tribute to Wayne Shorter, great composer and undisputed genius of the saxophone. Lovano and Douglas will bring to the stage some of Shorter's compositions that they have exclusively arranged for this project, as well as original songs. The result is a musical wonder, in which sounds from the past meet both the present and the future. The extravagant quality of their jazz will surprise you for its complexity, sophistication, but also for its emotional drive. Auditorium Parco della Musica - Rome (56 min)

      • Khahil El Zabar ritual trio with Dwight Trible - Banlieues Bleues

        KAHIL EL'ZABAR percussions, voice, ARI BROWN saxophone, keyboards, JUNIUS PAUL bass; and DWIGHT TRIBLE voice (59 min)

      • InterMezzo

        (60 min)

      • Alexei Volodin plays the piano concertos by Chopin

        Mariinsky Theatre Orchestra, Valery Gergiev (Conductor); Alexei Volodin (piano); Nikolai Rimsky-Korsakov; The Golden Cockerel, Suite; Tsar Saltan, suite; Frédéric Chopin; Piano Concerto no. 1 in E minor, op. 11; Piano Concerto no. 2 in F minor, op. 21; Recorded at the Mariinsky Theatre II on December the 23th, 2014; Directed by Vincent Massip (124 min)