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      • Le Nozze di Figaro by Mozart at the Opéra de Wallonie-Liége

        Le Nozze di Figaro; Opera buffa in four acts by Wolfgang Amadeus Mozart (1756 - 1791); Libretto by Lorenzo da Ponte after Pierre-Augustin Beaumarchais' 'La folle journée, ou Le mariage de Figaro'; First performance in Vienna, Burgtheater, 1 May 1786; Orchestre et Ch?urs de l'Opéra Royal de Wallonie- Liége, Christophe Rousset (Conductor); Pierre Iodice (Chorus Master); Emilio Sagi (Stage Direction); Daniel Bianco (Sets), Gabriela Salaverri (Costumes), Eduardo Bravo (Lighting), Nuria Castejon (Choreography); Mario Cassi (Il Conte Almaviva); Judith Van Wanroij (La Contessa Almaviva); Leon Kosavic (Figaro); Jodie Devos (Susanna); Raffaella Milanesi (Cherubino); Julien Véronése (Dottore Bartolo); Alexise Yerna (Marcellina); Julie Mossay (Barbarina); Enrico Casari (Don Basilio); Patrick Delcour (Antonio); Recorded on April 10, 2018 at the Opéra Royal de Wallonie- Liége; Directed by Arnaud Lalanne (171 min)

      • InterMezzo

        (60 min)

      • Tatarstan National Symphony Orchestra plays Rachmaninov and Tchaikovsky with Denis Matsuev

        Tatarstan National Symphony Orchestra, Alexander Sladkovsky (conductor); Denis Matsuev (piano); Sergei Rachmaninov; Isle of the dead, op. 29; Concerto for piano and orchestra No. 1 in F sharp minor, op. 1; Piotr Ilych Tchaikovsky; Symphony 'Manfred' in B minor, op. 58; Recorded at the Saydashev Grand Concert Hall, City of Kazan (Russia) on June 05th, 2014 (108 min)

      • Tatarstan National Symphony Orchestra: Glinka, Tchaikovsky and Moussorgsky

        Tatarstan National Symphony Orchestra, Alexander Sladkovsky (Conductor); Denis Matsuev (piano); Mikhail Glinka; Ouverture to Ruslan and Lyudmila; Piotr Tchaikovsky; Piano Concerto no. 2 in G major op. 44; Modest Mussorgsky (orch. Maurice Ravel); Pictures at an exhibition; Recorded on December 6, 2016 at the Musikverein, Vienna (85 min)

      • Liniker e os Caramelows - Banlieues Bleues

        Liniker e os Caramelows; Liniker Barros (lyric); Renata Essis (chorus); Eder Araujo (saxophone); Fernando Trz (keyboard); William Zaharanski (guitar); Rafael Barone (Bass); Péricles Zuanon (drums); Marja Lenski (percussion); Led by a transsexuel singer with knock out charisma, this is the soul sensation which has arrived from Brazil and which we haven't finished talking about. It is not for nothing that the group is called 'The Toffees'. Because they are soft, sweet, chewy, amusing, endearing. In less than three years, the Paulites have succeeded in exploding the YouTube audience assessment meters and conquered Brazil with their hybrid tropical soul which fits perfectly into the footsteps of a Tim Maia. Released in 2016, their first album 'Remonta' is a pure chef d'oeuvre of 'funzy', the style which they have created: a sort of languorous funk interspersed with explosions of hard rock. A cross-pollinated and contrasting groove just like their native Brazil. Recorded on April 6th 2018 athe Marbrerie, Montreuil, Banlieues bleues festival; Réalisation, Stéphan Jourdain (51 min)

      • InterMezzo

        (48 min)

      • Nutcracker by Kader Belarbi, Ballet du Capitole

        Casse-Noisette (The Nutcracker); Choreography by Kader Belarbi; Ballet in two acts; Ivan Vsevolojski et Marius Petipa, libretto; After Histoire d'un Casse-Noisette, adapted by Alexandre Dumas; from Nutcracker and The Mouse King by E. T. A. Hoffmann; Piotr Ilitch Tchaikovski, music; Ballet du Capitole; Kader Belarbi, direction; Orchestre national du Capitole; Koen Kessels, conductor; Maîtrise du Capitole; Alfonso Caiani, chorus master; Anthony Rouchier, composition and arrangements; Kader Belarbi, choreographye and staging; Antoine Fontaine, sets; Lola Sergent, sets assistant; Philippe Guillotel, costume; Hervé Gary, lighting; With; (Nutcracker) Ramiro Gómez Samón; (Drosselmeyer) Rouslan Savdenov; (The Ultimate Supervision) Alexandra Surodeeva; (Marie) Natalia de Froberville; Recorded on December 27 and 29, 2017 at the Théâtre du Capitole; TV Director, Luc Riolon (105 min)

      • Valser choreography by Catherine Berbessou, Ballet du Capitole

        Valser; Choregography by Catherine Berbessou; For 8 dancers; Scenography and Lights, Marc Oliviero; Costume, Cidalia Da Costa; Soundtrack, Anita Praz; Music, Jean-Sébastien Bach, Les Maîtres-tambours du Burundi, Dario Moreno, Giú per la mala via (louange anonyme du XVe siécle) et divers compositeurs de tango; Ballet du Capitole - Direction, Kader Belarbi; With; Eukene Sagüés Abad, Demian Vargas, Juliette Thélin, Jérémy Leydier, Julie Loria, Nicolas Rombaut, Julie Charlet et Ramiro Gómez Samón. Recorded on January 13rd ans 14th 2017 at the Maison de la Danse de Lyon; TV Director, Denis Caiozzi (67 min)

      • InterMezzo

        (70 min)

      • Valery Gergiev conducts Samson et Dalila by Saint-Säens

        Samson et Dalila, opera in three acts by Camille Saint-Saëns (1835 - 1921); Libretto by Ferdinand Lemaire. First performance in Weimar, Grossherzogliches Theater, 2 December 1877; Mariinski Theatre Orchestra & Chorus, Valery Gergiev (Conductor); Andrei Petrenko (Chorus Master); Yannis Kokkos (Stage Director, Sets); Yannis Kokkos, Paola Mariani (Costumes), Anne Blancard (Dramaturgy), Michael Bauer (Lighting), Maxim Petrov (Choreography), Eric Duranteau (Video); Ekaterina Semenchuk (Dalila); Gregory Kunde (Samson); Roman Burdenko (Le Grand Pretre de Dagon); Mikhail Petrenko (Abimélech); Recorded on 25 Mai & 2 June 2016 at the Mariinsky (Saint Petersburg); Directed by Louise Narboni (132 min)

      • InterMezzo

        (76 min)

      • The Finnish Radio Symphony Orchestra and Hannu Lintu: Bartók, Lutoslawski

        Finnish Radio Symphony Orchestra, Hannu Lintu (Conductor); Christian Tetzlaff (violin); Béla Bartók; Violin Concerto No. 2, Sz.112; Violin Concerto No. 1, Sz. 36; Witold Lutoslawski; Symphony No. 4; Recorded on October 18, 2017, at the Helsinki Music Centre, Concert Hall; TV directors, Anu Holttinen and Teemu Holttinen (85 min)

      • Hannu Lintu conducts Sibelius' Symphony no. 1

        Finnish Radio Symphony Orchestra, Hannu Lintu (Conductor); Jean Sibelius; Symphony no. 1 in E minor, op. 39; Recorded in 2015 at the New Helsinki Music Center (Musiikkitalo); Directed by Laura Joutsi and Hannu Kamppila (43 min)

      • Valser choreography by Catherine Berbessou, Ballet du Capitole

        Valser; Choregography by Catherine Berbessou; For 8 dancers; Scenography and Lights, Marc Oliviero; Costume, Cidalia Da Costa; Soundtrack, Anita Praz; Music, Jean-Sébastien Bach, Les Maîtres-tambours du Burundi, Dario Moreno, Giú per la mala via (louange anonyme du XVe siécle) et divers compositeurs de tango; Ballet du Capitole - Direction, Kader Belarbi; With; Eukene Sagüés Abad, Demian Vargas, Juliette Thélin, Jérémy Leydier, Julie Loria, Nicolas Rombaut, Julie Charlet et Ramiro Gómez Samón. Recorded on January 13rd ans 14th 2017 at the Maison de la Danse de Lyon; TV Director, Denis Caiozzi (67 min)

      • Le Nozze di Figaro by Mozart at the Opéra de Wallonie-Liége

        Le Nozze di Figaro; Opera buffa in four acts by Wolfgang Amadeus Mozart (1756 - 1791); Libretto by Lorenzo da Ponte after Pierre-Augustin Beaumarchais' 'La folle journée, ou Le mariage de Figaro'; First performance in Vienna, Burgtheater, 1 May 1786; Orchestre et Ch?urs de l'Opéra Royal de Wallonie- Liége, Christophe Rousset (Conductor); Pierre Iodice (Chorus Master); Emilio Sagi (Stage Direction); Daniel Bianco (Sets), Gabriela Salaverri (Costumes), Eduardo Bravo (Lighting), Nuria Castejon (Choreography); Mario Cassi (Il Conte Almaviva); Judith Van Wanroij (La Contessa Almaviva); Leon Kosavic (Figaro); Jodie Devos (Susanna); Raffaella Milanesi (Cherubino); Julien Véronése (Dottore Bartolo); Alexise Yerna (Marcellina); Julie Mossay (Barbarina); Enrico Casari (Don Basilio); Patrick Delcour (Antonio); Recorded on April 10, 2018 at the Opéra Royal de Wallonie- Liége; Directed by Arnaud Lalanne (171 min)

      • InterMezzo

        (60 min)

      • Les Dissonances - Beethoven, Stravinsky

        Les Dissonances, David Grimal (Conductor); Ludwig van Beethoven; Symphony no. 7 in A major, op. 92; Igor Stravinsky; Le Sacre du printemps; Recorded on October 26, 2017 at the Philharmonie de Paris; Directed by Frédéric Delesques (84 min)

      • Nicholas Angelich at La Grange de Meslay: Chopin, Schumann, Liszt

        Nicholas Angelich (piano); Frédéric Chopin (1810 - 1849); Nocturne op. 55 No. 2 in E-flat major; Étude Op. 10, No. 10 in A-flat major; Robert Schumann (1810 - 1856); Kreisleriana opus 16; Franz Liszt (1811 - 1886); Sonata in B minor S. 178; Frédéric Chopin; Mazurka in G sharp minor Op.33 No.1; Mazurka in F minor Op.63 No.2; Recorded on June 25th 2016 at the Grange de Meslay, Fetes Musicales en Touraine; TV direction by François-René Martin (95 min)

      • InterMezzo

        (14 min)

      • Chick Corea & The Spanish Heart Band at Jazz á Vienne: Flamenco

        Chick Corea (p), Jorge Pardo (s, f), Michael Rodriguez (t), Steve Davis (t), Niňo Josele (g), Carlitos Del Puerto (b), Luisito Quintero (perc), Marcus Gilmore (dms), Nino de los Reyes (dancer); Live from Jazz á Vienne; LIVE (90 min)

      • Marc Ducret Solo et Samuel Blaser Trio - Jazz Fest Sarajevo

        Marc Ducret Solo et Samuel Blaser Trio @ Jazz Fest Sarajevo 2016 (59 min)

      • Medo(s)

        Documentary about French jazz vocalist, cornettist and saxhorn player Médéric Collignon with Claude Barthélemy, Jacque Bonnafé, Boris Charmatz, Fréderic Chiffoleau, Maxime Delpierre, Dgiz, Andy Emler, Philippe Gleizes, Mathieu Jerôme, David Lescot, Bernard Lubat, Thomas de Pourquery, André Minvielle, Jean-Francois Morel, Yvan Robilliard, Louis Sclavis, Frank Woeste... (87 min)

      • Taj Mahal and Bassekou Kouyaté - Jazz á Vienne

        Taj Mahal, a formidable musician, an icon of the blues and of world music, can play over twenty instruments, including guitars and dobros, dulcimer, banjo and harmonica. A figurehead of the 'blues revival' in the mid-60's, Taj Mahal is a prolific composer, a musicologist, an indefatigable explorer of African-American, African, Caribbean, Indian and Hawaiian music. At a recording session in a studio in Georgia, Taj Mahal met griot Toumani Diabaté. Their research into the links between the blues and Mandingue music gave birth to the album 'Kulanjan' (1999). The Mandingue tradition can be heard today in the electrified and modernized ngoni of Bassekou Kouyaté. The musician from Mali is an activist for peace and tolerance in his home country. Bassekou Kouyaté invites the itinerant King of blues, Taj Mahal, for a duet: a magical moment. (53 min)

      • InterMezzo

        (34 min)

      • Tatarstan Symphony Orchestra and Alexander Sladkovsky: Strauss, Bruckner

        Tatarstan Symphony Orchestra, Alexander Sladkovsky (conductor); Mario Brunello (cello), Aidar Bagautdinov (viola); Richard Strauss (1864 - 1949); Don Quixote, fantastic variations on a knightly theme for cello and viola soli and orchestra, Op. 35; Anton Bruckner (1824 - 1987); Symphony No. 9 in D minor; Recorded at the Tchaikovsky Hall, Moscow, 12 February 2019 (106 min)

      • Tatarstan Symphony Orchestra plays Scriabin, Prokofiev, Rachmaninov and Tchaikovsky

        Tatarstan National Symphony Orchestra, Alexander Sladkovsky (conductor); Piotr Ilych Tchaikovsky; Francesca da Rimini, op. 32; Sergei Rachmaninov; Three Russian songs, op.41; Alexander Scriabin; Poem of ecstasy, op. 54; Sergei Prokofiev; Symphony No.3, op. 44; Recorded at the Saydashev Grand Concert Hall, City of Kazan (Russia) on June 06th, 2014 (78 min)