• Mezzo Live HD

    • Mezzo Live HD od do

      • InterMezzo

        (75 min)

      • Il Trionfo del Tempo e del Disinganno by Haendel at the Festival d'Aix-en-Provence

        Il Trionfo del Tempo e del Disinganno; Oratorio en two parts by Georg Friedrich Haendel (1685 - 1759); Libretto by cardinal Benedetto Pamphili; First performance in Rome, 1707; Le Concert d'Astrée, Emmanuelle Haim (Conductor); Krzysztof Warlikowski (Stage Direction); Malgorzata Szczesniak (Sets & Costumes), Christian Longchamp (Dramaturgy), Felice Ross (Lighting), Claude Bardouil (Choreography), Denis Guéguin (Video); Sabine Devieilhe (Bellezza); Franco Fagioli (Piacere); Sara Mingardo (Disinganno); Michael Spyres (Tempo); Live from the Festival d'Aix-en-Provence; TV direction by Stéphane Metge (137 min)

      • InterMezzo

        (26 min)

      • Bennie Maupin Quartet - Roma Jazz Festival

        Bennie Maupin (saxophone), Michal Tokay (piano), Michal Baranski (bass), Lukasz Zyta (drums and percussions); Alexanderplatz Jazz Club, Roma - November 2014 (56 min)

      • InterMezzo

        (60 min)

      • Gautier Capuçon and Frank Braley play Beethoven at the Philharmonie de Paris

        Gautier Capuçon (Cello), Frank Braley (piano); Ludwig van Beethoven; Sonata for cello and piano no. 4 in C major, op. 102 no. 1; Sonata for cello and piano no. 2 in G minor op. 5 no. 2; 7 Variations on 'Bei Männern, welche Liebe fühlen', WoO 46; Sonata for cello and piano no. 5 in D major, op. 102 no. 2; Recorded on October 17th 2016 at the Philharmonie de Paris; Directed by Don Kent (88 min)

      • Casals Quartet plays Schubert, Shostakovich and Beethoven

        Casals Quartet; Vera Martínez Mehner (Violin), Abel Tomás (Violin), Jonathan Brown (Viola), Arnau Tomás; (Cello); Franz Schubert; String quartet no. 12 in C minor, D. 703 'Quartettsatz'; Dmitri Shostakovich; String quartet no. 6 in G major op. 101; Ludwig van Beethoven; String quartet no. 8 in E minor, op. 59 no. 2 ''Razumovsky''; Recorded in January 2016 at the Philharmonie 2, Cité de la Musique, Salle de Concerts, Paris; Directed by par Franck Chaudemanche (71 min)

      • InterMezzo

        (78 min)

      • Il Trionfo del Tempo e del Disinganno by Haendel at the Festival d'Aix-en-Provence

        Il Trionfo del Tempo e del Disinganno; Oratorio en two parts by Georg Friedrich Haendel (1685 - 1759); Libretto by cardinal Benedetto Pamphili; First performance in Rome, 1707; Le Concert d'Astrée, Emmanuelle Haim (Conductor); Krzysztof Warlikowski (Stage Direction); Malgorzata Szczesniak (Sets & Costumes), Christian Longchamp (Dramaturgy), Felice Ross (Lighting), Claude Bardouil (Choreography), Denis Guéguin (Video); Sabine Devieilhe (Bellezza); Franco Fagioli (Piacere); Sara Mingardo (Disinganno); Michael Spyres (Tempo); Live from the Festival d'Aix-en-Provence; TV direction by Stéphane Metge (137 min)

      • InterMezzo

        (70 min)

      • Esa-Pekka Salonen conducts the Tonhalle Orchestra: Sibelius, Salonen

        Tonhalle-Orchester Zürich, Esa-Pekka Salonen (Conductor); Leila Josefowicz (violin); Jean Sibelius; Pohjolan tytär (Pohjola's Daughter), op. 49; Esa-Pekka Salonen; Violin Concerto (2008/09); Jean Sibelius; Symphony no. 5 in E flat major, op. 82; Recorded on February the 1st, 2015 at the Tonhalle, Zürich; Directed by Sébastien Glas (84 min)

      • Yann Pascal Tortelier and the Orchestre National de Lyon: Messiaen, Ravel, Boieldieu, Debussy

        Orchestre National de Lyon, Yan Pascal Tortelier (conductor); Xavier de Maistre (harp); Olivier Messiaen; Les offrandes oubliées; Maurice Ravel; Piano Trio (orch. Yan Pascal Tortelier - French premiere); François Boieldieu; Concerto for harp in C major; Claude Debussy; La Mer; Recorded on November 22nd 2014 at the Maurice Ravel Auditorium, Lyons; Directed by Vincent Massip (98 min)

      • InterMezzo

        (24 min)

      • Valery Gergiev and the Mariinsky Orchestra: Debussy and Mussorgsky

        Mariinsky Theatre Orchestra, Valery Gergiev (conductor); Claude Debussy; La Mer; Prélude á l'aprés-midi d'un faune; Modest Mussorgsky; Pictures at an exposition; Recorded on December 8, 2014 at the Tchaikovsky Concert Hall, Moscow; Directed by Don Kent (73 min)

      • Julia Fischer, Lionel Bringuier and the Tonhalle Orchestra: Sibelius, Tchaikovsky, Beethoven

        Tonhalle-Orchester Zürich, Lionel Bringuier (Conductor); Julia Fischer (violin); Jean Sibelius; Finlandia op. 26; Pyotr I. Tchaikovsky, Romeo and Juliet (overture-fantasia); Ludwig van Beethoven; Concerto for violin and orchestra in D major, op. 61; Recorded on 12 June, 2015, at the Tonhalle, Zurich; Directed by Sébastien Glas (86 min)

      • Guillaume Perret - Jazz á Vienne

        Guillaume Perret; Guillaume Perret, saxophone, machines; The saxophonist from Annecy (born in 1980) racked up the pressure on the contemporary jazz scene (from 2009) with his group The Electric Epic. Three years later and John Zorn himself described it as 'a whirlwind of emotion' and released the extravert, panoramic and electric fusion on his Tzadik record label. It was an explosion of sound with funky beats and quirky harmonies blending metal, electro, Africa, psychedelia and the hot wind of free style. After two incredible albums with Electric Epic, Guillaume Perret is going it alone with his new album Free (2016). Perret's sense of solitude is comparable to Deleuze's opening to Mille Plateaux: 'Since there were many of all of us, there were already too many people.' You can spot the almost symphonic ramped-up saxophone and the deafening rhythmic loops that make Guillaume Perret multiple, all-encompassing and so spectacular. Recorded on 2017, July 13th at the Jazz Festival in Vienne; TV Director, Nicolas Micha (74 min)

      • Yaron Herman Trio - Jazz á Vienne

        Yaron Herman trio; Yaron Herman, Piano, KIeyboard; Bastien Burger, Bass, Vocal, Keyboard; Ziv Ravitz, drums, electronics; Everyday, his duo with Ziv Ravitz in 2015 and first album for Blue Note, the first disc with songs, felt like a comeback for Yaron Herman. The French-Israeli's latest album, 'Y', is a real melting pot of all his influences. His inspirations are explored with pure elegance be they jazz, post-rock or electro by Sufjan Stevens, Steve Reich or Keith Jarrett. Better still, instead of covering mainstream songs like he used to (from Britney Spears to Radiohead), he's made his own songs with or without vocals, words or choruses. Perhaps we have the Arles Photography Festival (2015) to thank for that along with his encounter with Matthieu Chedid (singer on Saisons Contradictoires), friendship with the bassist from The Do Bastien Burger (co-producer on the album) and his discovery of the young French electro-pop producer Dream Koala (guest on Solaire). Yaron Herman is definitely back. Recorded on 2017, July 4th at the Jazz Festival in Vienne; TV Director, Fabien Raymond (61 min)

      • Emile Parisien, Vincent Peirani - 'File under Zawinul' - Jazz á Vienne

        Emile Parisien et Vincent Peirani; File under Zawinul; Emile Parisien, Saxophone soprano; Vincent Peirani, Accordion; Manu Codjia, Guitar; Paco Séry,Drums; Linley Marthe, Bass; Mino Cinelu, Percussion; Aziz Samahoui, Vocal, percussion; Tony Paeleman, Fender Rhodes; 2017 is the 10th anniversary of Joe Zawinul's death, the high priest of jazz keyboardists. A fitting and powerful tribute to him comes from saxophonist Emile Parisien and partner in crime Vincent Peirani on the accordion. The two Frenchmen have brought their fellow Austrian 'groove' explorers on board: Paco Sery and Linley Marthe, respectively drummer and bassist in the Zawinul Syndicate (his last group) and West Indian percussionist Mino Cinelu who performed on the last albums for the game-changing Weather Report. The idea behind the File Under Zawinul project came from saxophonist Emile Parisien's time with the Syndicate, a band formed in tribute to the Viennese pianist. Parisien met the vibrant guitarist Manu Codjia and sound architect Tony Paeleman on his Fender Rhodes at the Syndicate who are both to join File Under Zawinul. The Moroccan singer and percussionist Aziz Samahoui who performed with Joe for over 10 years will also be part of the international all-star Zawinul line-up. Recorded on 2017, July 04th at the Jazz Festival in Vienne; TV Director, Fabien Raymond (60 min)

      • Erik Truffaz Quartet feat. Nya - Festival International de Jazz de Montréal

        Erik Truffaz feat Nya; Eric Truffaz, trumpet; Benoît Corboz, piano, Fender Rhodes; Marcello Giuliani, bass; Marc Erbetta, drunms; Nya, vocal; Setlist; Sweet Mercy; Arroyo; Siegfried; Less; Bending New corners; Recorded on June 28, 2019 at the Montreal Jazz festival, grande scéne TD; TV Director, Sîla (90 min)

      • InterMezzo

        (26 min)

      • Sadeh 21 by Ohad Naharin, Batsheva - The young Ensemble Ohad Naharin, Théâtre national de Chaillot

        Sadeh 21; Choreography, Ohad Naharin; Lights and scenography, Avi Yona Bueno (Bambi); Music, Maxim Waratt; Costume, Ariel Cohen; Video surtitling, Raz Friedman; With; Batsheva - The young Ensemble Ohad Naharin; The Young Ensemble is a nursery for young performers coming from the four corners of the globe, some of whom will go on to swell the ranks of the Batsheva Danse Company. But as far as Ohad Naharin is concerned, it is also and above all a class of excellence: the proof through Sadeh21, one of the major pieces of the Batsheva 's repertoire. Created by Ohad Naharin in collaboration with his dancers, Sadeh21 shows movement in its simple nakedness. Dance, with slowing down effects and sudden accelerations takes on the look of a quasi cinematographic odyssey: 'a journey by body'.Sadeh21in the end turns out to be one of the most endearing pieces amongst those by Maestro Naharin. Speaking of experience 'Radiating and radioactive, dangerous and exciting', the artistic director of the Batsheva gets it right. Everything in Sadeh21 is exceptional. To the point that this choreography, acclaimed from its beginnings, plunges the spectator into a unique emotional state. An effect of pleasure and addiction are guaranteed. Recorded on October 21, 2018 at the Théâtre national de la Danse Chaillot; TV Director, Tommy Pascal (75 min)

      • Deca Dance by the Batsheva Dance Company - Théâtre national de Chaillot

        Deca Dance; Choreography, Ohad Naharin; Dancers of the Batsheva Dance Company; Lights, Avi Yona Bueno (Bambi); Costumes, Rakefet Levi (except Seder Sharon Eyal); Designed for the first time in 2000, the program then celebrated the 10 years worth of creations of Ohad Naharin with the company, offering a striking collage of excerpts from his work. The piece has been steadily reworked and enhanced, and now gives the Israeli choreographer a chance to display his various inspirations - from the most demonstrative movement to very intimate expression - as well as to interrogate the key elements of his work. More than a collection of selected works, it is a genuine recreation whose repertoire provides continuously revisited material. Energetic and sensual, always walking a fine line between body and soul emotions, dance becomes its own theater. An enthralling experience for spectators, caught up in a whirlwind of unforgettable movements, sounds and images delivered by a company at its best. The visionary choreographer also devised the music (Maxim Waratt, Maurice Ravel, Arvo Pärt, Seefeel, Chari Chari, Antonio Vivaldi, Ali Hassan Kuban, Avi Belleli, Dan Makov...), the lights and the scenography. Directed for video by Luc Riolon - 2013 (75 min); Recorded on 2013 at the Théâtre national de Chaillot (74 min)

      • Carte blanche to Henri Texier - Jazz in Marciac

        Carte blanche to Henri Texier with special guest Manu Katché; Henri Texier (Double bass), Airelle Besson (trumpet), Sébastien Texier (saxophone alto, clarinet), François Corneloup (saxophone baritone), Jocelyn Mienniel (flute), Manu Codjia (guitare), Louis Moutin (drums), Manu Katché (drums); Recorded on August 5th 2017 at Jazz in Marciac; TV Director, Jean-Marc Birraux (55 min)

      • InterMezzo

        (60 min)

      • Yaron Herman Trio - Jazz á Vienne

        Yaron Herman trio; Yaron Herman, Piano, KIeyboard; Bastien Burger, Bass, Vocal, Keyboard; Ziv Ravitz, drums, electronics; Everyday, his duo with Ziv Ravitz in 2015 and first album for Blue Note, the first disc with songs, felt like a comeback for Yaron Herman. The French-Israeli's latest album, 'Y', is a real melting pot of all his influences. His inspirations are explored with pure elegance be they jazz, post-rock or electro by Sufjan Stevens, Steve Reich or Keith Jarrett. Better still, instead of covering mainstream songs like he used to (from Britney Spears to Radiohead), he's made his own songs with or without vocals, words or choruses. Perhaps we have the Arles Photography Festival (2015) to thank for that along with his encounter with Matthieu Chedid (singer on Saisons Contradictoires), friendship with the bassist from The Do Bastien Burger (co-producer on the album) and his discovery of the young French electro-pop producer Dream Koala (guest on Solaire). Yaron Herman is definitely back. Recorded on 2017, July 4th at the Jazz Festival in Vienne; TV Director, Fabien Raymond (61 min)

      • Guillaume Perret - Jazz á Vienne

        Guillaume Perret; Guillaume Perret, saxophone, machines; The saxophonist from Annecy (born in 1980) racked up the pressure on the contemporary jazz scene (from 2009) with his group The Electric Epic. Three years later and John Zorn himself described it as 'a whirlwind of emotion' and released the extravert, panoramic and electric fusion on his Tzadik record label. It was an explosion of sound with funky beats and quirky harmonies blending metal, electro, Africa, psychedelia and the hot wind of free style. After two incredible albums with Electric Epic, Guillaume Perret is going it alone with his new album Free (2016). Perret's sense of solitude is comparable to Deleuze's opening to Mille Plateaux: 'Since there were many of all of us, there were already too many people.' You can spot the almost symphonic ramped-up saxophone and the deafening rhythmic loops that make Guillaume Perret multiple, all-encompassing and so spectacular. Recorded on 2017, July 13th at the Jazz Festival in Vienne; TV Director, Nicolas Micha (74 min)