• Mezzo Live HD

    • Mezzo Live HD od do

      • InterMezzo

        (79 min)

      • Esa-Pekka Salonen conducts Bartók with the Orchestre de Paris

        Orchestre de Paris, Esa-Pekka Salonen (Conductor); Katia et Marielle Labéque (pianos); Béla Bartók; Dance Suite, Sz 77; Concerto for two pianos, percussion and orchestra; Concerto for orchestra, Sz 116; Recorded on 21 October 2015 at the Philharmonie de Paris; TV Director, Jean-Pierre Loisil (87 min)

      • Valery Gergiev and the Marinsky Orchestre: Symphonies 6 & 7 by Prokofiev

        Mariinsky Theatre Orchestra, Valery Gergiev (Conductor); Alexander Ramm (cello); Sergei Prokofiev (1891 - 1953); Symphony no. 6, op 111; Sinfonia Concertante op 125; Symphony no. 7 op 131; Recorded on April 24th 2016 at the Mariinsky Theatre, Saint Petersburg; TV direction by François-René Martin (119 min)

      • Tom Harrell feat. Esperanza Spalding - Jazz á Vienne

        Jazz trumpeter, composer, arranger, conductor and Stanford University graduate Tom Harrell is often described as a 'pure melodic genius'. Apart from his 27 albums and hundreds of concerts as a frontman, the Illinois-born trumpeter has worked with the greatest names in jazz. He is on tour this year with an innovative sextet, 'Colors of a Dream', refining even further the 'piano-less' concept: a trumpet, two saxophones, two basses (one of them also a singer) and drums. We have Wayne Escoffery, Ugonna Okegwo and Jonathan Blake, three regular members of his quintet, and two newcomers: alto saxophonist Jaleel Shaw and the mesmerizing Esperanza Spalding playing bass and singing. (52 min)

      • InterMezzo

        (30 min)

      • Il Trionfo del Tempo e del Disinganno by Haendel at the Festival d'Aix-en-Provence

        Il Trionfo del Tempo e del Disinganno; Oratorio en two parts by Georg Friedrich Haendel (1685 - 1759); Libretto by cardinal Benedetto Pamphili; First performance in Rome, 1707; Le Concert d'Astrée, Emmanuelle Haim (Conductor); Krzysztof Warlikowski (Stage Direction); Malgorzata Szczesniak (Sets & Costumes), Christian Longchamp (Dramaturgy), Felice Ross (Lighting), Claude Bardouil (Choreography), Denis Guéguin (Video); Sabine Devieilhe (Bellezza); Franco Fagioli (Piacere); Sara Mingardo (Disinganno); Michael Spyres (Tempo); Live from the Festival d'Aix-en-Provence; TV direction by Stéphane Metge (137 min)

      • InterMezzo

        (99 min)

      • Esa-Pekka Salonen conducts Bartók with the Orchestre de Paris

        Orchestre de Paris, Esa-Pekka Salonen (Conductor); Katia et Marielle Labéque (pianos); Béla Bartók; Dance Suite, Sz 77; Concerto for two pianos, percussion and orchestra; Concerto for orchestra, Sz 116; Recorded on 21 October 2015 at the Philharmonie de Paris; TV Director, Jean-Pierre Loisil (87 min)

      • Valery Gergiev and the Marinsky Orchestre: Symphonies 6 & 7 by Prokofiev

        Mariinsky Theatre Orchestra, Valery Gergiev (Conductor); Alexander Ramm (cello); Sergei Prokofiev (1891 - 1953); Symphony no. 6, op 111; Sinfonia Concertante op 125; Symphony no. 7 op 131; Recorded on April 24th 2016 at the Mariinsky Theatre, Saint Petersburg; TV direction by François-René Martin (119 min)

      • Tosca by Puccini at the Festival d'Aix-en-Provence

        Tosca; Melodramma in three acts by Giacomo Puccini (1858 - 1924); Libretto by Luigi Illica and Giuseppe Giacosa after Victorien Sardou's play 'La Tosca'; First performance in Rome, Teatro Costanzi, 14 January 1900; Ch?ur, maîtrise et orchestre de l'Opéra de Lyon, Daniele Rustioni (Conductor); Christophe Honoré (Stage direction and video); Alban Ho Van (Sets), Olivier Bériot (Costumes), Dominique Bruguiére (Lighting); Angel Blue (Floria Tosca); Catherine Malfitano (Prima Donna); Joseph Calleja (Mario Cavaradossi); Alexey Markov (Il barone Scarpia); Simon Shibambu (Cesare Angelotti); Leonardo Galeazzi (Il sagrestano); Jean-Gabriel Saint Martin (Sciarrone); Michael Smallwood (Spoletta); Virgile Ancely (Un Carceriere); Recorded 9 July 2019, Festival d'Aix-en-Provence, Théâtre de l'Archeveché (120 min)

      • InterMezzo

        (84 min)

      • Sadeh 21 by Ohad Naharin, Batsheva - The young Ensemble Ohad Naharin, Théâtre national de Chaillot

        Sadeh 21; Choreography, Ohad Naharin; Lights and scenography, Avi Yona Bueno (Bambi); Music, Maxim Waratt; Costume, Ariel Cohen; Video surtitling, Raz Friedman; With; Batsheva - The young Ensemble Ohad Naharin; The Young Ensemble is a nursery for young performers coming from the four corners of the globe, some of whom will go on to swell the ranks of the Batsheva Danse Company. But as far as Ohad Naharin is concerned, it is also and above all a class of excellence: the proof through Sadeh21, one of the major pieces of the Batsheva 's repertoire. Created by Ohad Naharin in collaboration with his dancers, Sadeh21 shows movement in its simple nakedness. Dance, with slowing down effects and sudden accelerations takes on the look of a quasi cinematographic odyssey: 'a journey by body'.Sadeh21in the end turns out to be one of the most endearing pieces amongst those by Maestro Naharin. Speaking of experience 'Radiating and radioactive, dangerous and exciting', the artistic director of the Batsheva gets it right. Everything in Sadeh21 is exceptional. To the point that this choreography, acclaimed from its beginnings, plunges the spectator into a unique emotional state. An effect of pleasure and addiction are guaranteed. Recorded on October 21, 2018 at the Théâtre national de la Danse Chaillot; TV Director, Tommy Pascal (75 min)

      • Deca Dance by the Batsheva Dance Company - Théâtre national de Chaillot

        Deca Dance; Choreography, Ohad Naharin; Dancers of the Batsheva Dance Company; Lights, Avi Yona Bueno (Bambi); Costumes, Rakefet Levi (except Seder Sharon Eyal); Designed for the first time in 2000, the program then celebrated the 10 years worth of creations of Ohad Naharin with the company, offering a striking collage of excerpts from his work. The piece has been steadily reworked and enhanced, and now gives the Israeli choreographer a chance to display his various inspirations - from the most demonstrative movement to very intimate expression - as well as to interrogate the key elements of his work. More than a collection of selected works, it is a genuine recreation whose repertoire provides continuously revisited material. Energetic and sensual, always walking a fine line between body and soul emotions, dance becomes its own theater. An enthralling experience for spectators, caught up in a whirlwind of unforgettable movements, sounds and images delivered by a company at its best. The visionary choreographer also devised the music (Maxim Waratt, Maurice Ravel, Arvo Pärt, Seefeel, Chari Chari, Antonio Vivaldi, Ali Hassan Kuban, Avi Belleli, Dan Makov...), the lights and the scenography. Directed for video by Luc Riolon - 2013 (75 min); Recorded on 2013 at the Théâtre national de Chaillot (74 min)

      • InterMezzo

        (90 min)

      • Valery Gergiev and the Mariinsky Orchestra: Debussy and Mussorgsky

        Mariinsky Theatre Orchestra, Valery Gergiev (conductor); Claude Debussy; La Mer; Prélude á l'aprés-midi d'un faune; Modest Mussorgsky; Pictures at an exposition; Recorded on December 8, 2014 at the Tchaikovsky Concert Hall, Moscow; Directed by Don Kent (73 min)

      • Julia Fischer, Lionel Bringuier and the Tonhalle Orchestra: Sibelius, Tchaikovsky, Beethoven

        Tonhalle-Orchester Zürich, Lionel Bringuier (Conductor); Julia Fischer (violin); Jean Sibelius; Finlandia op. 26; Pyotr I. Tchaikovsky, Romeo and Juliet (overture-fantasia); Ludwig van Beethoven; Concerto for violin and orchestra in D major, op. 61; Recorded on 12 June, 2015, at the Tonhalle, Zurich; Directed by Sébastien Glas (86 min)

      • InterMezzo

        (76 min)

      • Massenet's Cendrillon at the Glyndebourne Festival

        Cendrillon; Conte de fées in four acts by Jules Massenet (1842 - 1912); Libretto by Henri Cain after Charles Perrault's fairy-tale; First performance in Paris, Opéra Comique, 24 May 1899; London Philharmonic Orchestra, John Wilson (Conductor); The Glyndebourne Chorus; Fiona Shaw (Stage Director); Jon Bausor (Set Designer), Nicky Gillibrand (Costume Designer), Anna Watson (Lighting Designer); Danielle de Niese (Cendrillon); Kate Lindsey (Le Prince Charmant); Nina Minasyan (La Fée); Lionel Lhote (Pandolfe); Agnes Zwierko (Madame de la Haltiére); Eduarda Melo (Noémie); Julie Pasturaud (Dorothée); Recorded at the Glyndebourne Festival, 30 June 2019 (150 min)

      • InterMezzo

        (26 min)

      • Chris Potter Trio featuring James Francies & Eric Harland - Jazz á Porquerolles

        Circuits; Chris Potter Trio Feat James Francies & Eric Harland; Chris Potter, sax; Eric Harland, drums; James Francies, keyboard; After twenty years of a brilliant career, Chris Potter is now established as one of the best saxophonists on the jazz scene. A master of chiaroscuro, as well as the most lyrical, even epic modes, he encompasses the whole palette of contemporary jazz. Supported by world-class sidemen, this singular voice in a new generation of tenor saxophonists takes us on a voyage to the farthest horizons. Recorded on 2017, July 06th at the Jazz Festival in Porquerolles; TV Director, Yvan Schreck (52 min)

      • InterMezzo

        (60 min)

      • Christian Zacharias and the Orchestre National de Lille: Schumann

        Orchestre national de Lille, Christian Zacharias (Conductor and Piano); Robert Schumann; Manfred, Overture op. 115; Piano Concerto in A minor op. 54; Symphony no. 4 in D minor op. 120; Recorded on 6,7 & 8 October 2016 at the Nouveau Siécle, Lille; Directed by Nicolas Foulon (77 min)

      • Esa-Pekka Salonen conducts the Tonhalle Orchestra: Sibelius, Salonen

        Tonhalle-Orchester Zürich, Esa-Pekka Salonen (Conductor); Leila Josefowicz (violin); Jean Sibelius; Pohjolan tytär (Pohjola's Daughter), op. 49; Esa-Pekka Salonen; Violin Concerto (2008/09); Jean Sibelius; Symphony no. 5 in E flat major, op. 82; Recorded on February the 1st, 2015 at the Tonhalle, Zürich; Directed by Sébastien Glas (84 min)