• Mezzo Live HD

    • Mezzo Live HD od do

      • Jonathan Nott and the Orchestre de la Suisse Romande: Tchaikovsky, Mussorgsky, Stravinsky

        Orchestre de la Suisse Romande, Jonathan Nott (Conductor); Asmik Grigorian (soprano); Pyotr Tchaikovsky (1840 - 1893); Eugene Onegine, Polonaise; Pique Dame, scene and aria of Lisa, third act; Voyevoda, op. 78; Iolanta, aria of Iolanta; Eugene Onegine, waltz and aria of Tatiana (Letter Scene); Modest Mussorgsky (1839 - 1881); A Night on the Bald Mountain; Igor Stravinsky (1882 - 1971); Firebird, suite no 2 (1919); Recorded at the Victoria Hall, Geneva, 30 November 2018; TV Director, Andy Sommer (89 min)

      • InterMezzo

        (27 min)

      • Faust by Charles Gounod at the Teatro Real Madrid

        Faust, opera in five acts by Charles Gounod (1818-1893); Libretto by Jules Barbier and Michel Carré, based upon the play 'Faust et Marguerite' (1850) by Michel Carré and 'Faust' (1808) by Johann Wolfgang Goethe; Fist performance in Paris, Théâtre Lyrique, 19 March 1859; Principal Chorus and Orchestra of the Teatro Real (Coro Intermezzo / Orquesta Sinfónica de Madrid), Dan Ettinger (Conductor); Andrés Máspero (Chorus Master); ?lex Ollé (La Fura dels Baus) (Stage Direction); Alfons Flores (Set designer), Lluc Castells (Costume designer), Urs Schönebaum (Lighting designer); Piotr Beczala (Dr. Faust); Luca Pisaroni (Méphistophél?s); Marina Rebeka (Marguerite); Stéphane Degout (Valentin); Isaac Galán (Wagner); Serena Malfi (Siébel) Sep); Sylvie Brunet-Grupposo (Marthe); Recorded at the Teatro Real, Madrid, on October 7, 2018; TV Director, Xavi Bové (186 min)

      • Bilal - MOODS Jazz Club

        Bilal Oliver (voice), Micah Robinson (voice), Corey Bernhard (keyboards), Ed Riches (guitare), Conley Whitfield Jr. (bass), Steve Mckie (drums) (44 min)

      • InterMezzo

        (48 min)

      • The Dead Queen by Kader Berlarbi, Capitole de Toulouse Ballet

        The Dead Queen (La Reine Morte); Choreography and stage by Kader Belarbi; Ballet in two acts after ' La Reine morte' by Henry de Montherlant (1942) and after 'Reinar después de morir' by Luis Vélez de Guevara (1652); Orchestre national du Capitole; Koen Kessels, Conductor; Music, Piotr Ilitch Tcha?kovski; Set, Bruno de Laven?re; Costume, Olivier Bériot; Lights, Sylvain Chevallot; Withe; The Capitole Ballet; Recorde on February 8th at the Capitole of Toulouse Theater; TV Director, Luc Riolon (110 min)

      • La Bayad?re, choreography by Nacho Duato at the Mikhailovsky Theater, Saint-Petersburg

        La Bayad?re; Ballet in three acts; Music by Ludwig Minkus; Choreography by Nacho Duato; Stage Designer, Costume Designer: Angelina Atlagić; Lighting Design: Brad Fields; Conductor: Pavel Sorokin; Recorded at the Mikhailovsky Theatre, Saint Petersburg, 16 November 2019 (135 min)

      • Faust by Charles Gounod at the Teatro Real Madrid

        Faust, opera in five acts by Charles Gounod (1818-1893); Libretto by Jules Barbier and Michel Carré, based upon the play 'Faust et Marguerite' (1850) by Michel Carré and 'Faust' (1808) by Johann Wolfgang Goethe; Fist performance in Paris, Théâtre Lyrique, 19 March 1859; Principal Chorus and Orchestra of the Teatro Real (Coro Intermezzo / Orquesta Sinfónica de Madrid), Dan Ettinger (Conductor); Andrés Máspero (Chorus Master); ?lex Ollé (La Fura dels Baus) (Stage Direction); Alfons Flores (Set designer), Lluc Castells (Costume designer), Urs Schönebaum (Lighting designer); Piotr Beczala (Dr. Faust); Luca Pisaroni (Méphistophél?s); Marina Rebeka (Marguerite); Stéphane Degout (Valentin); Isaac Galán (Wagner); Serena Malfi (Siébel) Sep); Sylvie Brunet-Grupposo (Marthe); Recorded at the Teatro Real, Madrid, on October 7, 2018; TV Director, Xavi Bové (186 min)

      • InterMezzo

        (20 min)

      • Haendel's Messiah in Versailles

        Le Concert Spirituel, Hervé Niquet (Conductor); Sandrine Piau (Soprano); Anthea Pichanick (Mezzo-soprano); Kresimir Spicer (Tenor); Bozidar Smiljanic (Bass-baritone); Georg Friedrich Haendel (1685-1759); Messiah, HWV 56; Recorded at the Chapelle Royale, Château de Versailles, 15 December 2018; TV Director, Julien Condemine (117 min)

      • Praetorius Christmas Mass in Versailles

        The Pages and the Chantres of the Centre de musique baroque de Versailles, Olivier Schneebeli (Artistic direction); Gabrieli Consort and Players; Paul McCreesh (Conductor); Michael Praetorius (1571-1621); Christmas mass; Recorded on December 8th 2017 at the Chapelle Royale, Château de Versailles; Directed by Benjamin Bleton (82 min)

      • InterMezzo

        (8 min)

      • Mozart's Idomeneo at the Teatro Real Madrid

        Idomeneo, re di Creta; Dramma per musica in three acts, K 366, by Wolfgang Amadeus Mozart (1756 - 1791); Libretto by Giovanni Battista Varesco after 'Idoménée' by Antoine Danchet; First performance in Munich, Residenztheater, January 29, 1781; Coro y Orquesta Titulares Teatro Real, Ivor Bolton (Conductor); Andrés Máspero (Chorus Master); Robert Carsen (stage direction, sets); Luis F. Carvalho (sets, costumes), Peter van Praet (lights), Marco Berriel (choreography), Will Duke (video); Eric Cutler (Idomeneo); David Portillo (Idamante); Anett Fritsch (Ilia); Eleonora Buratto (Elettra); Benjamin Hulett (Arbace); Oliver Johnston (Neptune's Great Priest); Alexander Tsymbalyuk (Voice of Neptune); Recorded at the Teatro Real, Madrid, on February 25 & 27, 2019; TV Director, François Roussilon (170 min)

      • InterMezzo

        (60 min)

      • Boris Giltburg plays Russian Masters of the Piano

        Boris Giltburg (piano); Sergei Rachmaninov (1873 - 1943); Variations on a theme by Corelli, Op.42; Dimitri Shostakovich (1906 - 1976); String Quartet no 8 in C minor, Op.110 (tr. Boris Giltburg); Nikolay Medtner (1879 - 1951); Sonata-Reminiscenza, Op.38 No.1; Alexander Scriabin (1871 - 1915); Piano Sonata no 5 in F sharp major, Op.53; Igor Stravinsky; Three movements from Petrouchka; Recorded at the Auditorium de la Maison de la Radio, Paris; Directed by Nathan Benisly (100 min)

      • Gustavo Dudamel conducts Mahler at the Philharmonie de Paris

        Orquesta Sinfónica Simón Bolívar de Venezuela, Gustavo Dudamel (direction); Julián Orbón; Tres Versiones Sinfónicas; Gustav Mahler; Symphony n° 5 in C sharp minor; Recorde at the Philharmonie de Paris on January 25th 2015; Directed by Corentin Leconte (104 min)

      • InterMezzo

        (32 min)

      • José James - Jazz? vienne

        José James; José James (voice, guitar); Marcus Machado (guitar); Aneesa Strings (bass, voice); Aaron Steele (drums); Since bursting onto the international scene a little over a decade ago, José James and his honey-sweet voice are still as bewitching. The Minneapolis artist admits to being inspired by Marvin Gaye, the producer Flying Lotus and John Coltrane for his stylish blend of what makes up Great Black Music. Flitting between raw soul, soul folk, hip hop and jazz, James is in the microcosm of vocalists capable of keeping the crossover created by Ray Charles in the 50s alive. His first album (The Dreamer, 2008) pays tribute to Martin Luther King. The next one, Blackmagic, features the beatboxer Taylor McFerrin. His fourth album (in the meantime he recorded with Junior Mance, Chico Hamilton, Flying Lotus and the pianist Jef Neve), No Beginning No End, is on Blue Note. The more soulful than ever singer is back with Lean On Me (2018). After leaning on Billie Holiday and John Coltrane, this time he pays tribute to the living legend of American pop and the immense soulman Bill Withers. There are twelve unforgettable tracks by Withers, who celebrates his 80th birthday in July, produced by Don Was and recorded by a dream band: bassist Pino Palladino, Kris Bowers (fabulous Rhodes on the cover of Ain't No Sunshine), Brad Allen Williams and Nate Smith. Recorded on July 02, 2019 at Jazz? Vienne; TV Director, Mikaël Favard (60 min)

      • Omar Sosa & Yillian Canizares - Jazz? vienne

        Omar Sosa & Yillian Canizares; Omar Sosa (piano); Yilian Ca?izares (voix, violin), Gustavo Ovalles (percussions); Since leaving Cuba in 1993 and his first albums (Omar Omar and Free Roots, in 1997), Omar Sosa has been on quite a journey. The pianist's thrilling melting pot music is rooted in his Afro-Cuban background, jazz, hip hop, electro, world music and Yoruba spirituality. He formed an incredible trio with Paolo Fresu and Trilok Gurtu to visit us in 2016 for his thirtieth album (Eros). Following Transparent Water bottled with Seckou Keita's kora and the faithful Cuban percussionist Gustavo Ovalles, the Es:sensual (2018) escape with the NDR Bigband and Jacques Morelenbaum, the pianist in white is back with the singer and violinist Yilian Ca?izares (born in Havana, based in Switzerland). They've just recorded Agua together, another album devoted to water and specifically Oshun, the goddess of love and spirit of rivers. Something special was sparked with Yilian who came into the public eye with two vibrant albums (Ochumare and Invocacíon). Omar Sosa: 'Agua reflects our traditions, our emotions and our nostalgia. I'm 53, Yilian is 35, and together we create meditative music that exudes modesty, peace and dignity. No gimmicks! Everyone thinks that Cuban music is fabulous and should make you want to dance but Cuba has so much more to offer.'; Recorded on July 08, 2019 at Jazz? Vienne; TV Director, Mikaël Favard (76 min)

      • Yom & The Wonder Rabbis - Jazz? vienne

        Yom & The Wonder Rabbis; Yom (clarinet, composition); Léo Jassef (keaboard); Guillaume Magne (guitar); Sylvain Daniel (bass); Mathieu Penot (drums); Yom is a talented and inspired clarinet player from Paris who is always exploring an extensive array of musical styles. From the revived Central European klezmer grafted onto jazz and electro music to rock, Americana and contemporary music, this insatiable all-rounder never loses sight of the edges of his musical vision. His debut album, New King of Klezmer Clarinet, came out in 2008. Here he steps into the shoes of his idol Naftule Brandwein with relish. Yom soon stepped away from ready-to-wear to venture into something more bespoke with Unue, an album featuring Wang Li, Ibrahim Maalouf, Denis Cuniot and Farid D. Nouveau then returned two years later with The Wonder Rabbis. At the same time, a series of collaborations with Wang Li, the Chinese mouth harp player, produced the album Green Apocalypse (2012). The clarinet player now wants to move into universality and spirituality. Yom delves into sacred music for inspiration, a central theme running through his duo with Wang Li (album Green Apocalypse), Le Silence de l'Exode and Pri?re (2018). Last but not least, last year's Lingua Ignota celebrates the mystical saint Hildegard of Bingen. The Wonder Rabbis getting back together is also a chance for Yom to celebrate a decade on stage. Recorded on July 11, 2019 at Jazz? Vienne; TV Director, Mikaël Favard (60 min)

      • Rosario Giuliani Quartet - Skoda Jazz Festival

        Rosario Giuliani - alto sax; Roberto Tarenzi - piano, Dario Deidda - bass, Mim? Verderame - drums. (58 min)

      • InterMezzo

        (42 min)

      • Bach: Cantatas BWV 21, 82 - Pygmalion, Raphaël Pichon

        Ensemble Pygmalion, Raphaël Pichon (Conductor); Robin Johannsen (soprano), Lucile Richardot (alto), Robin Tritschler (tenor), Stéphane Degout (baritone), Tomáš Král (bass), Anne Alvaro (reading); Johann Sebastian Bach (1685 - 1750); Motet BWV deest 'Der Gerechte kömmt um'; Cantata BWV 82 'Ich habe genug ' Aria 1 & Récitatif 2; Johann Christoph Bach (1642 - 1703); 'Mit weinen hebt sich's an'; Johann Sebastian Bach; Cantata BWV 82 'Ich habe genug' Aria 3 & Récitatif 4; Johann Christoph Bach; Es ist nun aus; Johann Sebastian Bach; Cantata BWV 82 'Ich habe genug' Aria 5; Sven-David Sandström (b. 1942); Es ist genug; Johann Sebastian Bach; Cantata BWV 21 'Ich hatte viel Bekümmernis'; Recorded on May 14, 2018 at la Cité de la Musique, Paris; Directed by Colin Laurent (76 min)

      • Bach in Italy: Concerto Köln in Malta

        Concerto Köln; Markus Hoffmann (violin); Antonio Vivaldi (1678 - 1741); Concerto for Strings and Basso Continuo in C minor RV 120; Pietro Antonio Locatelli (1695 - 1764); Concerto grosso in G minor Op. 1 No. 12; Evaristo Felice Dall'Abaco (1675 - 1742); Concerto a pi? Istrumenti in D major Op. 5 No. 6; Johann Sebastian Bach (1685 - 1750); Concerto for Harpsichord, No. 4 in A major BWV 1055; Giovanni Battista Sammartini (1700 - 1775); Sinfonia in A major; Antonio Vivaldi; Violin Concerto in E minor RV 277 'Il favorito'; Johann Sebastian Bach; Sinfonia in C major from Cantata Der Herr denket an uns (The Lord careth for us) BWV 196; Johann Sebastian Bach; Brandenburg Concerto No. 4 in G major BWV 1049; Recorded at the Teatru Manoel Valletta International Baroque Festival, Malta, on January 14, 2018; Directed by Julien Condemine (84 min)