Mezzo Live HD
Mezzo Live HD od do
Gustavo Dudamel conducts Mahler at the Philharmonie de Paris
Orquesta Sinfónica Simón Bolívar de Venezuela, Gustavo Dudamel (direction); Julián Orbón; Tres Versiones Sinfónicas; Gustav Mahler; Symphony n° 5 in C sharp minor; Recorde at the Philharmonie de Paris on January 25th 2015; Directed by Corentin Leconte (104 min)
InterMezzo
(32 min)
José James - Jazz? vienne
José James; José James (voice, guitar); Marcus Machado (guitar); Aneesa Strings (bass, voice); Aaron Steele (drums); Since bursting onto the international scene a little over a decade ago, José James and his honey-sweet voice are still as bewitching. The Minneapolis artist admits to being inspired by Marvin Gaye, the producer Flying Lotus and John Coltrane for his stylish blend of what makes up Great Black Music. Flitting between raw soul, soul folk, hip hop and jazz, James is in the microcosm of vocalists capable of keeping the crossover created by Ray Charles in the 50s alive. His first album (The Dreamer, 2008) pays tribute to Martin Luther King. The next one, Blackmagic, features the beatboxer Taylor McFerrin. His fourth album (in the meantime he recorded with Junior Mance, Chico Hamilton, Flying Lotus and the pianist Jef Neve), No Beginning No End, is on Blue Note. The more soulful than ever singer is back with Lean On Me (2018). After leaning on Billie Holiday and John Coltrane, this time he pays tribute to the living legend of American pop and the immense soulman Bill Withers. There are twelve unforgettable tracks by Withers, who celebrates his 80th birthday in July, produced by Don Was and recorded by a dream band: bassist Pino Palladino, Kris Bowers (fabulous Rhodes on the cover of Ain't No Sunshine), Brad Allen Williams and Nate Smith. Recorded on July 02, 2019 at Jazz? Vienne; TV Director, Mikaël Favard (60 min)
Omar Sosa & Yillian Canizares - Jazz? vienne
Omar Sosa & Yillian Canizares; Omar Sosa (piano); Yilian Ca?izares (voix, violin), Gustavo Ovalles (percussions); Since leaving Cuba in 1993 and his first albums (Omar Omar and Free Roots, in 1997), Omar Sosa has been on quite a journey. The pianist's thrilling melting pot music is rooted in his Afro-Cuban background, jazz, hip hop, electro, world music and Yoruba spirituality. He formed an incredible trio with Paolo Fresu and Trilok Gurtu to visit us in 2016 for his thirtieth album (Eros). Following Transparent Water bottled with Seckou Keita's kora and the faithful Cuban percussionist Gustavo Ovalles, the Es:sensual (2018) escape with the NDR Bigband and Jacques Morelenbaum, the pianist in white is back with the singer and violinist Yilian Ca?izares (born in Havana, based in Switzerland). They've just recorded Agua together, another album devoted to water and specifically Oshun, the goddess of love and spirit of rivers. Something special was sparked with Yilian who came into the public eye with two vibrant albums (Ochumare and Invocacíon). Omar Sosa: 'Agua reflects our traditions, our emotions and our nostalgia. I'm 53, Yilian is 35, and together we create meditative music that exudes modesty, peace and dignity. No gimmicks! Everyone thinks that Cuban music is fabulous and should make you want to dance but Cuba has so much more to offer.'; Recorded on July 08, 2019 at Jazz? Vienne; TV Director, Mikaël Favard (76 min)
Yom & The Wonder Rabbis - Jazz? vienne
Yom & The Wonder Rabbis; Yom (clarinet, composition); Léo Jassef (keaboard); Guillaume Magne (guitar); Sylvain Daniel (bass); Mathieu Penot (drums); Yom is a talented and inspired clarinet player from Paris who is always exploring an extensive array of musical styles. From the revived Central European klezmer grafted onto jazz and electro music to rock, Americana and contemporary music, this insatiable all-rounder never loses sight of the edges of his musical vision. His debut album, New King of Klezmer Clarinet, came out in 2008. Here he steps into the shoes of his idol Naftule Brandwein with relish. Yom soon stepped away from ready-to-wear to venture into something more bespoke with Unue, an album featuring Wang Li, Ibrahim Maalouf, Denis Cuniot and Farid D. Nouveau then returned two years later with The Wonder Rabbis. At the same time, a series of collaborations with Wang Li, the Chinese mouth harp player, produced the album Green Apocalypse (2012). The clarinet player now wants to move into universality and spirituality. Yom delves into sacred music for inspiration, a central theme running through his duo with Wang Li (album Green Apocalypse), Le Silence de l'Exode and Pri?re (2018). Last but not least, last year's Lingua Ignota celebrates the mystical saint Hildegard of Bingen. The Wonder Rabbis getting back together is also a chance for Yom to celebrate a decade on stage. Recorded on July 11, 2019 at Jazz? Vienne; TV Director, Mikaël Favard (60 min)
Rosario Giuliani Quartet - Skoda Jazz Festival
Rosario Giuliani - alto sax; Roberto Tarenzi - piano, Dario Deidda - bass, Mim? Verderame - drums. (58 min)
InterMezzo
(42 min)
Bach: Cantatas BWV 21, 82 - Pygmalion, Raphaël Pichon
Ensemble Pygmalion, Raphaël Pichon (Conductor); Robin Johannsen (soprano), Lucile Richardot (alto), Robin Tritschler (tenor), Stéphane Degout (baritone), Tomáš Král (bass), Anne Alvaro (reading); Johann Sebastian Bach (1685 - 1750); Motet BWV deest 'Der Gerechte kömmt um'; Cantata BWV 82 'Ich habe genug ' Aria 1 & Récitatif 2; Johann Christoph Bach (1642 - 1703); 'Mit weinen hebt sich's an'; Johann Sebastian Bach; Cantata BWV 82 'Ich habe genug' Aria 3 & Récitatif 4; Johann Christoph Bach; Es ist nun aus; Johann Sebastian Bach; Cantata BWV 82 'Ich habe genug' Aria 5; Sven-David Sandström (b. 1942); Es ist genug; Johann Sebastian Bach; Cantata BWV 21 'Ich hatte viel Bekümmernis'; Recorded on May 14, 2018 at la Cité de la Musique, Paris; Directed by Colin Laurent (76 min)
Bach in Italy: Concerto Köln in Malta
Concerto Köln; Markus Hoffmann (violin); Antonio Vivaldi (1678 - 1741); Concerto for Strings and Basso Continuo in C minor RV 120; Pietro Antonio Locatelli (1695 - 1764); Concerto grosso in G minor Op. 1 No. 12; Evaristo Felice Dall'Abaco (1675 - 1742); Concerto a pi? Istrumenti in D major Op. 5 No. 6; Johann Sebastian Bach (1685 - 1750); Concerto for Harpsichord, No. 4 in A major BWV 1055; Giovanni Battista Sammartini (1700 - 1775); Sinfonia in A major; Antonio Vivaldi; Violin Concerto in E minor RV 277 'Il favorito'; Johann Sebastian Bach; Sinfonia in C major from Cantata Der Herr denket an uns (The Lord careth for us) BWV 196; Johann Sebastian Bach; Brandenburg Concerto No. 4 in G major BWV 1049; Recorded at the Teatru Manoel Valletta International Baroque Festival, Malta, on January 14, 2018; Directed by Julien Condemine (84 min)
InterMezzo
(78 min)
The Dead Queen by Kader Berlarbi, Capitole de Toulouse Ballet
The Dead Queen (La Reine Morte); Choreography and stage by Kader Belarbi; Ballet in two acts after ' La Reine morte' by Henry de Montherlant (1942) and after 'Reinar después de morir' by Luis Vélez de Guevara (1652); Orchestre national du Capitole; Koen Kessels, Conductor; Music, Piotr Ilitch Tcha?kovski; Set, Bruno de Laven?re; Costume, Olivier Bériot; Lights, Sylvain Chevallot; Withe; The Capitole Ballet; Recorde on February 8th at the Capitole of Toulouse Theater; TV Director, Luc Riolon (110 min)
Shurale choreography by Leonid Jakobson
Shurale; Leonid Jakobson ('Choreography); Ahmed Faizi et Leonid Jakobson (Libreto); Andrey Knoblok (Sets design, scenography & costumes design); Farid Yarullin (composer); Renat Salavatov (Conductor and musical Director); Orchestra of the Tatar State Academic Opera; Ballet of the Tatar State Academic Opera; With; Kristina Andreeva (Syuyumbike); Mikhail Timaev (Byltyr); Oleg Ivenko (Shurale); Olga Alekiseeva (Fire witch); Alessandro Kaggedji (Shaitan); Recorded on June 13 & 14, 2019 at the Tatar State Academic Opera, Kazan, Russia; TV Director, Isabelle Julien (95 min)
José James - Jazz? vienne
José James; José James (voice, guitar); Marcus Machado (guitar); Aneesa Strings (bass, voice); Aaron Steele (drums); Since bursting onto the international scene a little over a decade ago, José James and his honey-sweet voice are still as bewitching. The Minneapolis artist admits to being inspired by Marvin Gaye, the producer Flying Lotus and John Coltrane for his stylish blend of what makes up Great Black Music. Flitting between raw soul, soul folk, hip hop and jazz, James is in the microcosm of vocalists capable of keeping the crossover created by Ray Charles in the 50s alive. His first album (The Dreamer, 2008) pays tribute to Martin Luther King. The next one, Blackmagic, features the beatboxer Taylor McFerrin. His fourth album (in the meantime he recorded with Junior Mance, Chico Hamilton, Flying Lotus and the pianist Jef Neve), No Beginning No End, is on Blue Note. The more soulful than ever singer is back with Lean On Me (2018). After leaning on Billie Holiday and John Coltrane, this time he pays tribute to the living legend of American pop and the immense soulman Bill Withers. There are twelve unforgettable tracks by Withers, who celebrates his 80th birthday in July, produced by Don Was and recorded by a dream band: bassist Pino Palladino, Kris Bowers (fabulous Rhodes on the cover of Ain't No Sunshine), Brad Allen Williams and Nate Smith. Recorded on July 02, 2019 at Jazz? Vienne; TV Director, Mikaël Favard (60 min)
Omar Sosa & Yillian Canizares - Jazz? vienne
Omar Sosa & Yillian Canizares; Omar Sosa (piano); Yilian Ca?izares (voix, violin), Gustavo Ovalles (percussions); Since leaving Cuba in 1993 and his first albums (Omar Omar and Free Roots, in 1997), Omar Sosa has been on quite a journey. The pianist's thrilling melting pot music is rooted in his Afro-Cuban background, jazz, hip hop, electro, world music and Yoruba spirituality. He formed an incredible trio with Paolo Fresu and Trilok Gurtu to visit us in 2016 for his thirtieth album (Eros). Following Transparent Water bottled with Seckou Keita's kora and the faithful Cuban percussionist Gustavo Ovalles, the Es:sensual (2018) escape with the NDR Bigband and Jacques Morelenbaum, the pianist in white is back with the singer and violinist Yilian Ca?izares (born in Havana, based in Switzerland). They've just recorded Agua together, another album devoted to water and specifically Oshun, the goddess of love and spirit of rivers. Something special was sparked with Yilian who came into the public eye with two vibrant albums (Ochumare and Invocacíon). Omar Sosa: 'Agua reflects our traditions, our emotions and our nostalgia. I'm 53, Yilian is 35, and together we create meditative music that exudes modesty, peace and dignity. No gimmicks! Everyone thinks that Cuban music is fabulous and should make you want to dance but Cuba has so much more to offer.'; Recorded on July 08, 2019 at Jazz? Vienne; TV Director, Mikaël Favard (76 min)
Yom & The Wonder Rabbis - Jazz? vienne
Yom & The Wonder Rabbis; Yom (clarinet, composition); Léo Jassef (keaboard); Guillaume Magne (guitar); Sylvain Daniel (bass); Mathieu Penot (drums); Yom is a talented and inspired clarinet player from Paris who is always exploring an extensive array of musical styles. From the revived Central European klezmer grafted onto jazz and electro music to rock, Americana and contemporary music, this insatiable all-rounder never loses sight of the edges of his musical vision. His debut album, New King of Klezmer Clarinet, came out in 2008. Here he steps into the shoes of his idol Naftule Brandwein with relish. Yom soon stepped away from ready-to-wear to venture into something more bespoke with Unue, an album featuring Wang Li, Ibrahim Maalouf, Denis Cuniot and Farid D. Nouveau then returned two years later with The Wonder Rabbis. At the same time, a series of collaborations with Wang Li, the Chinese mouth harp player, produced the album Green Apocalypse (2012). The clarinet player now wants to move into universality and spirituality. Yom delves into sacred music for inspiration, a central theme running through his duo with Wang Li (album Green Apocalypse), Le Silence de l'Exode and Pri?re (2018). Last but not least, last year's Lingua Ignota celebrates the mystical saint Hildegard of Bingen. The Wonder Rabbis getting back together is also a chance for Yom to celebrate a decade on stage. Recorded on July 11, 2019 at Jazz? Vienne; TV Director, Mikaël Favard (60 min)
InterMezzo
(11 min)
La Clemenza di Tito by Mozart at the Salzburg Festival
La Clemenza di Tito; Opera seria in two acts by Wolfgang Amadeus Mozart (1756 - 1791); Libretto by Pietro Mestastasio adapted by Caterino Mazzol? First performance in Prague, National Theatre, 6 September 1791; musicAeterna, Teodor Currentzis (Conductor); Vitaly Polonsky (Chorus master); Peter Sellars (Stage Direction); George Tsypin (Sets), Robby Duiveman (Costumes), James F Ingalls (Lighting); Russell Thomas (Tito Vespasiano); Golda Schultz (Vitellia); Christina Gansch (Servilia); Marianne Crebassa (Sesto); Jeanine de Bique (Annio); Willard White (Publio); Directed by Peter Sellars; Recorded at the Felsenreitschule, Salzburg, 2017 (169 min)
InterMezzo
(60 min)
Haendel's Messiah in Versailles
Le Concert Spirituel, Hervé Niquet (Conductor); Sandrine Piau (Soprano); Anthea Pichanick (Mezzo-soprano); Kresimir Spicer (Tenor); Bozidar Smiljanic (Bass-baritone); Georg Friedrich Haendel (1685-1759); Messiah, HWV 56; Recorded at the Chapelle Royale, Château de Versailles, 15 December 2018; TV Director, Julien Condemine (117 min)
Praetorius Christmas Mass in Versailles
The Pages and the Chantres of the Centre de musique baroque de Versailles, Olivier Schneebeli (Artistic direction); Gabrieli Consort and Players; Paul McCreesh (Conductor); Michael Praetorius (1571-1621); Christmas mass; Recorded on December 8th 2017 at the Chapelle Royale, Château de Versailles; Directed by Benjamin Bleton (82 min)
InterMezzo
(39 min)
Raphaël Pichon and Pygmalion: Bach's Motets
Pygmalion, Raphaël Pichon (Conductor); Johann Sebastian Bach (1685 - 1750); Singet dem Herrn ein neues Lied BWV 225; Giovanni Gabrieli (1557 - 1612); Jubilate deo; Johann Sebastian Bach; Der Geist hilft unser Schwachheit auf BWV 226; Jacobus Gallus (1550 - 1591); Ecce, quomodo moritur iustus; Johann Sebastian Bach; Jesu meine Freude BWV 227; Vincenzo Bertolusi (ca 1550 - 1608); Osculetur meo; Johann Sebastian Bach; Komm Jesu komm BWV 229; Johann Sebastian Bach; Fürchte dich nicht, ich bin bei dir BWV 228; Hieroymus Praetorius (1560 - 1629); Tulerunt Dominum meum; Johann Sebastian Bach; Lobet den Herrn BWV 230; Recorded at the Festival d'Ambronay, 13 September 2019 (90 min)
Sébastien Daucé and the Ensemble Correspondances: The Coronation Louis XIV
Ensemble Correspondances, Sébastien Daucé (Conductor); Les Pages du Centre de musique baroque de Versailles; The Coronation of Louis XIV; Anonymous; Pavane for the wedding of Louis XIII; Antoine Boesset (1587 - 1643); Anna mater matris; Étienne Moulinié (1599 - 1676); Beata Dei genitrix; Anonymous [manuscript Deslauriers]; Virgo Dei genitrix; Tota pulchra es; Anonymous; Pavane for the wedding of Monsieur de Vandome; Jean Veillot (1600 - 1662); Sacris solemniis; Antiphon Ecce mitto Angelum meum; Psalm Domine in virtute tua; Anonymous [manuscript of Tours]; Jubilate Deo; Anonymous [Philidor manuscript]; Pavane for the wedding of Henry IV; Antiphon O pretiosum munus; Anonymous [manuscript Deslauriers]; Benedicite omnia opera; Comfortare and esto vires; Anonymous [manuscript of Tours]; Omnes Gentes Pludite Manibus; Roland de Lassus (1532 - 1594); O rex vivat! Henry Du Mont (1610 - 1684); In lectulo meo; Antiphon Gentem francorum; Francesco Cavalli (1602 - 1676); Dixit Dominus; Anonymous [Philidor]; Pavane for the coronation of Louis XIII; Antiphon Unxerunt Salomonem Sadoch; Étienne Moulinié; Cantate Domino; Thomas Gobert (1630 - 1708); Domine Salvum fac regem; Anonymous [Philidor manuscript]; Pavane La petite Guerre; Anonymous [manuscript of Tours]; Te Deum for 2 choirs; Coronation Mass; Plainsong Factus is dominated protector; Charles d'Helfer (1598 - 1661); Kyrie; Gloria; Francesco Cavalli; Sonata a 12; Charles d'Helfer; Sanctus; Anonymous; O vere digna hostia; Anonymous [manuscript of Tours]; O salutaris hostia; Étienne Moulinié; Agnus; Plainsong Pax domini; Étienne Moulinié; Flores Apparuerunt; Plainsong Ite missa is; Anonymous [manuscript Deslauriers]; Gaudete and exultate; Recorded at the Chapelle Royale, Château de Versailles, 15 June 2019; TV Director, Stephan Aubé (105 min)
Jacob Collier - Jazz? Vienne
Jacob Collier; Jazz? Vienne 2016; Recorded on July 2nd 2016 at the Théâtre Antique; TV direction by Eric Michaud (75 min)
InterMezzo
(22 min)
From the House of the Dead by Janacek at the Bayerische Staatsoper
From the House of the Dead, by Leoš Janáček (1854 - 1928); Libretto by the composter after 'Memoirs from the House of the Dead' by Fyodor Dostoyevsky; First performance in Brno, Natinla Theatre, 12 April 1930; Simone Young (Conductor); Sören Eckhoff (Chorus Master); Frank Castorf (Stage Director); Aleksandar Denic (Sets), Adriana Braga-Peretzki (Costumes), Rainer Casper (Lighting); Peter Rose (Alexandr Petrovič Gorjančikov); Evgeniya Sotnikova (Aljeja); Aleš Briscein (Filka Morozov); Manuel Günther (Big Prisoner); Tim Kuypers (Small Prisoner); Christian Rieger (Prison Governor); Ulrich Reß (Elderly Prisoner); Charles Workman (Skuratov); Johannes Kammler (Čekunov); Boris Prýgl (Cook); Alexander Milev (Blacksmith ); Peter Lobert (Priest); Heike Grötzinger (Prostitute); Callum Thorpe (Prisoner/Don Juan/The Brahmin); Matthew Grills (Kedril); Kevin Conners (Schapkin); Bo Skovhus (Šiškov); Dean Power (Čerevin); Recorded on May 18 and 26, 2018 at the Nationaltheater, Bayerische Staatsoper, Munich; TV Director, Andy Sommer (97 min)
Mariss Jansons and the Bavarian Radio Symphony Orchestra with Daniel Barenboim: Beethoven, Prokofiev
Bavarian Radio Symphony Orchestra, Mariss Jansons (Conductor); Daniel Barenboim (Piano); Ludwig van Beethoven; Piano Concerto No 5 in E-flat major, op. 73 'Emperor'; Sergei Prokofiev; Symphony No 5 in B-flat major, op. 100; Recorded at the Philharmonie im Gasteig, Munich, 9 November 2017; TV Director, Birgit Malzer (95 min)