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Anouar Brahem, Dave Holland, Jack Dejohnette - Philharmonie de Paris
Anouar Brahem; Blue Maqams; Anouar Brahem, oud; Dave Holland, double bass; Jack DeJohnette, drums; Django Bates, piano; For more than 25 years, Anouar Brahem has taken his oud all over far off lands. A melodic impressionist and a for ever inspired improvisor, the Tunisian musician has above all toppled the barriers which separate genres.Thanks to him, Arab music and jazz have started a very singular dialogue which approaches the sublime.A conversation between the past and the present, tradition and modernity. Anour Rahem has built up this pacified 'no man's land 'principally on Manfred Eicher's Munich record label ECM to become one of the label's most faithful artists.In the great Pierre Boulez Hall, in the company of the bass player Dave Holland, drummer Jack DeJohnette and the pianist Django Bates, he produces a blend of absolute beauty and of universal value. Playlist: Opening Day; La Nuit; Blue Maqams; Bahia; Persepolis' Mirage; Unexpected outcome; The recovered road to Al-Sham; Bom Dia Rio; Halfaouine; All compositions by Anouar Brahem; Live from the Philharmonie de Paris; TV Director, Didier Oustrie (92 min)
InterMezzo
(53 min)
Casse-Noisette Compagnie by J.C Maillot - Les Ballets de Monte-Carlo
Casse-Noisette Compagnie (Nutcracker company); Choreography by Jean-Christophe Maillot; Music By Piotr Ilitch Tchaikovski. Les Ballets de Monte-Carlo; Accompanied by The Monte-Carlo Philharmonic Orchestra; Nicolas Brochot, musical direction; Alain Lagarde, scenography; Philippe Guillotel et with the complicity of Karl Lagerfeld and Jérôme Kaplan, costume; Dominique Drillot, light; Bertrand Maillot, additional music; Jean-Christophe Maillot and Jean Rouaud, dramaturgy; With: Marianna Barabas (Drosselmeyer); George Oliveira, Alexis Oliveira (the Guardian Angels); Stephan Bourgond (Le Casse-Noisette); Alvaro Prieto (The Father); Mimoza Koike (The Mother); Anjara Ballesteros (Clara, Their Daughter); Lucien Postlewaite (Fritz, Their Son); Christian Tworzyanski (Charmant, Friend of Clara); Victoria Ananyan (Zoé, Friend of Fritz); Gabriele Corrado (Albercht); Liisa Hämäläinen (Giselle); With a special appearance by Olga Smirnova, principal at the ballet of Bolshoi Theatre & Artem Ovtcharenko, principal at the ballet of Bolshoi Theatre; Under the Presidency of H.R.H. the Princess of Hanover; The ballet of Monte-Carlo; Jean-Christophe Maillot; Recorded at the Grimaldi Forum, Monaco, December the 28th, 29th and 30th 2015; TV Director, Vincent Massip (107 min)
White Darkness de N. Duato - The Lavender Follies de J. Hernandez - Les Ballets de Monte-Carlo
White Darkness; Choreography by Nacho Duato; Music by Karl Jenkins ( Adiemus variatons, string quartet N°2); The Lavender Follies; Choreography by Joseph Hernandez; Music by Johannes Till; Wth; The Ballets de Monte Carlo, and; Asier Edeso, April Ball, Francesco Mariottini, Maude Sabourin, Kaori Tajima, Taisha Barton- Rowledge, Benjamin Stone, Simone Tribuna, Alvaro Prieto, Lennart Radtke, Anna Blackwell... Recorded on July 28 & 29, 2018 at the Monte-Carlo Opera, Garnier Hall; TV Director, Andreas Morell (74 min)
R+R=NOW (Glasper, Scott, Hodge, McFerrin...) - Jazz á Vienne
R+R=Now; Robert Glasper (keyboards), Terrace Martin (saxophone), Christian Scott aTunde Adjuah (trumpet), Derrick Hodge (bass), Justin Tyson (drums), Taylor McFerrin (keyboard, vocals); The saxophonist Terrace Martin, the multi-instrumentalist and producer from Los Angeles, who can be heard in some of the biggest hits of Kendrick Lamar and YG or backing Snoop Dogg, Billy Higgins and Herbie Hancock, has just completed a busy year. Along with the release of 'Sounds of Crenshaw Vol.1', an album by his group The Pollyseeds (with, among others, Kamasi Washington, Robert Glasper and Problem), as well as his contribution to the famous 'Loyalty' by the duo K. Lamar/Rihanna, he has produced the latest album by YG and toured with Herbie Hancock, whose current work he is also producing. To round off the year, he whipped up the crowds last year with Robert Glasper and a real Who's Who in contemporary US jazz (see line-up) in the supergroup concept named R+R=Now. The pianist Robert Glasper announced and described the project to Billboard: 'we all come from the same concrete garden and we make fluid, honest and open music ranging from jazz, hip hop and EDM to reggae!'; Recorded on July 4th at Jazz á Vienne Festival; TV Director, Fabien Raymond (60 min)
InterMezzo
(50 min)
Airelle Besson Quartet, Radio One - Philharmonie de Paris
Airelle Besson quartet - Radio One; Airelle Besson, trumpet; Isabel Sörling, lyric; Benjamin Moussay, piano, Fender Rhodes; Fabien Moreau, Drums; Recorded on June16, 2019 at the Philharmonie de Paris; TV Director, Josselin Carré (44 min)
Théo Ceccaldi Trio - Django - Philharmonie de Paris
Théo Ceccaldi Trio - Django, Anne Paceo, Vincent Peirani; Théo Ceccaldi, violon; Valentin Ceccaldi, violoncelle; Guillaume Aknine, guitare; Playlist; Fats Waller, HoneySuckle Rose; Django Reinhardt / Stéphane Grapelli, Minor Swing; Théo Ceccaldi, Gris Bleu; Django Reinhardt, Rythme Futur; Théo Ceccaldi, Currywurst, Nin-Nin je t'aime; James Price Johnson, Charleston; Josef Myrow, Blue Drag; Django Reinhardt, Manoir de mes reves, Blues en Mi; Recorded on June 15, 2019 at the Philharmonie de Paris; TV Director, Josselin Carré (47 min)
Anouar Brahem, Dave Holland, Jack Dejohnette - Philharmonie de Paris
Anouar Brahem; Blue Maqams; Anouar Brahem, oud; Dave Holland, double bass; Jack DeJohnette, drums; Django Bates, piano; For more than 25 years, Anouar Brahem has taken his oud all over far off lands. A melodic impressionist and a for ever inspired improvisor, the Tunisian musician has above all toppled the barriers which separate genres.Thanks to him, Arab music and jazz have started a very singular dialogue which approaches the sublime.A conversation between the past and the present, tradition and modernity. Anour Rahem has built up this pacified 'no man's land 'principally on Manfred Eicher's Munich record label ECM to become one of the label's most faithful artists.In the great Pierre Boulez Hall, in the company of the bass player Dave Holland, drummer Jack DeJohnette and the pianist Django Bates, he produces a blend of absolute beauty and of universal value. Playlist: Opening Day; La Nuit; Blue Maqams; Bahia; Persepolis' Mirage; Unexpected outcome; The recovered road to Al-Sham; Bom Dia Rio; Halfaouine; All compositions by Anouar Brahem; Live from the Philharmonie de Paris; TV Director, Didier Oustrie (92 min)
InterMezzo
(53 min)
Iván Fischer conducts Prokofiev and Stravinsky with the Budapest Festival Orchestra
Budapest Festival Orchestra, Iván Fischer (Conductor); Thomas Zehetmair (violin); Sergei Prokofiev (1891 - 1953); Overture on Hebrew themes, Op. 34; Violin concerto No. 2 in G minor, Op. 63; Igor Stravinsky (1882 - 1971); Jeu de cartes; The Firebird suite, No. 2 (1919); Live from the Béla Bartók National Concert Hall, Budapest; TV direction by Sébastien Glas (93 min)
Valery Gergiev conducts Tchaikovsky at the Zaryadye Hall: Symphonies No. 1 & 4
Mariinsky Orchestra, Valery Gergiev (Conductor); Alexey Lobikov (trombone); Piotr I. Tchaikovsky (1844 - 1890); Symphony No. 1 in G minor, 'Winter Daydreams', op. Symphony No. 4 in F minor, op. Mazepa's Arioso (arranged for trombone) from the Opera Mazepa; Recorded at the Zaryadye Hall, Moscow, 7 September 2019; TV Director, François-René Martin (90 min)
InterMezzo
(22 min)
Casse-Noisette Compagnie by J.C Maillot - Les Ballets de Monte-Carlo
Casse-Noisette Compagnie (Nutcracker company); Choreography by Jean-Christophe Maillot; Music By Piotr Ilitch Tchaikovski. Les Ballets de Monte-Carlo; Accompanied by The Monte-Carlo Philharmonic Orchestra; Nicolas Brochot, musical direction; Alain Lagarde, scenography; Philippe Guillotel et with the complicity of Karl Lagerfeld and Jérôme Kaplan, costume; Dominique Drillot, light; Bertrand Maillot, additional music; Jean-Christophe Maillot and Jean Rouaud, dramaturgy; With: Marianna Barabas (Drosselmeyer); George Oliveira, Alexis Oliveira (the Guardian Angels); Stephan Bourgond (Le Casse-Noisette); Alvaro Prieto (The Father); Mimoza Koike (The Mother); Anjara Ballesteros (Clara, Their Daughter); Lucien Postlewaite (Fritz, Their Son); Christian Tworzyanski (Charmant, Friend of Clara); Victoria Ananyan (Zoé, Friend of Fritz); Gabriele Corrado (Albercht); Liisa Hämäläinen (Giselle); With a special appearance by Olga Smirnova, principal at the ballet of Bolshoi Theatre & Artem Ovtcharenko, principal at the ballet of Bolshoi Theatre; Under the Presidency of H.R.H. the Princess of Hanover; The ballet of Monte-Carlo; Jean-Christophe Maillot; Recorded at the Grimaldi Forum, Monaco, December the 28th, 29th and 30th 2015; TV Director, Vincent Massip (107 min)
White Darkness de N. Duato - The Lavender Follies de J. Hernandez - Les Ballets de Monte-Carlo
White Darkness; Choreography by Nacho Duato; Music by Karl Jenkins ( Adiemus variatons, string quartet N°2); The Lavender Follies; Choreography by Joseph Hernandez; Music by Johannes Till; Wth; The Ballets de Monte Carlo, and; Asier Edeso, April Ball, Francesco Mariottini, Maude Sabourin, Kaori Tajima, Taisha Barton- Rowledge, Benjamin Stone, Simone Tribuna, Alvaro Prieto, Lennart Radtke, Anna Blackwell... Recorded on July 28 & 29, 2018 at the Monte-Carlo Opera, Garnier Hall; TV Director, Andreas Morell (74 min)
InterMezzo
(26 min)
Iván Fischer and the Budapest Festival Orchestra: Bach, Bartók, Brahms
Budapest Festival Orchestra, Iván Fisher (Conductor); Johann Sebastian Bach; Brandenburg Concerto no. 3 in G major BWV 1048; Béla Bartók; Music for strings, percussion and celesta, Sz. 106, BB 114; Johannes Brahms; Symphony no. 3 en F major, op. 90; Recorded on December 7, 2017 at the Béla Bartók National Concert Hall, Budapest; Réalisé par Sebastien Glas (91 min)
Iván Fischer conducts Bartók with the Budapest Festival Orchestra
Budapest Festival Orchestra, Iván Fischer (conductor); Krisztián Gergye Company, Krisztián Gergye (Choreographer); Béla Bartók (1881 - 1945); The Miraculous Mandarin; The Wooden Prince; Recorded on 12 May 2017 at the Béla Bartók National Concert Hall, Budapest; TV Director, Sébastien Glas (94 min)
InterMezzo
(51 min)
The Tale of Tsar Tsaltan by Rimsky-Korsakov at La Monnaie, Brussels
The Tale of Tsar Tsaltan; Opera in a prologue and four acts by Nikolay Rimsky-Korsavov (1844 - 1908); Libretto by Nikolay Andreyvich Belsky after Alexander Pushkin; Fist performance in Moscow, Solodovnikov Theatre, 3 November 1900; Symphony Orchestra and Chorus of the Monnaie Theatre, Alain Altinoglu (Conductor); Dmitri Tcherniakov (Stage direction, sets); Elena Zaytseva (Costumes), Gleb Filshtinsky (video, lighting); Ante Jerkunica (Tsar Saltan); Svetlana Aksenova (Tsaritsa Militrisa); Stine Marie Fischer (Tkatchikha); Bernarda Bobro (Povarikha); Carole Wilson (Babarikha); Bogdan Volkov (Tsarevich Gvidon); Olga Kulchynska (Tsarevna Swan-Bird / Lyebyed); Vasily Gorshkov (Old man); Alexander Vassiliev (Skomorokh / Shipman); Nicky Spence (Messenger / Shipman); Alexander Kravets (Shipman); Recorded at the Monnaie-De Munt Theatre, Brussels, 27 June 2019; TV Director, Andy Sommer (157 min)
InterMezzo
(82 min)
Mozart, Schulhoff, Beethoven: Chamber Music with musiciens of the IPO
Dudu Carmel (oboe), Ron Selka (clarinet), Daniel Mazaki (bassoon), Michal Mossek (horn), Bishara Haroni (piano); Wolfgang Amadeus Mozart (1756 - 1791); Quintet in E-flat major for piano and winds, K. 452; Erwin Schulhoff (1894 - 1942); Divertissement for oboe, clarinet and bassoon; Ludwig van Beethoven (1770 - 1827); Quintet in E-flat major for piano and winds, op. 16; Recorded at the Zucker Hall, Charles Bronfman Auditorium, Tel Aviv, 13 April 2019; TV Director, Christophe Boula (72 min)
Zubin Mehta and the Israel Philharmonic Orchestra: Mozart and Beethoven
Israel Philharmonic Orchestra, Zubin Mehta (conductor); Denis Matsuev (piano); Wolfgang Amadeus Mozart (1756 - 1791); Piano Concerto no 17 in G major, K. 453; Ludwig van Beethoven (1770 - 1827); Symphony no 8 in F major, Op. 93; Recorded at the Charles Bronfman Auditorium (Heichal Hatarbut), Tel-Aviv on May 26, 2017; Directed by Christophe Boula (68 min)
InterMezzo
(35 min)
Juan Carmona Septet - Jazz á Vienne
Juan Carmona Septet; Juan Carmona (guitar, composition); Piculabe (Voice); Noemie Humanes (Voice), Gest dancer, Paco Carmona (guitar), Domingo Patricio (flute), Kike Terron (percussions), El Bachi (bass); Juan Carmona is one of a kind in modern flamenco. A French gypsy of Andalusian origin, born in Lyon (in 1963), loyal to the Aubagne region where he plays out his passion (and where he runs the Nuits Flamencas festival), the guitarist has won countless prizes and awards and is renowned in Spain and around the world. Carmona spent ten years living in Jerez de la Frontera in Andalusia to gain in-depth knowledge of the flamenco culture. Whilst there he performed with singers such as Agujetas and Duquende and recorded with Chano Domínguez, the Cadix pianist, among others. The Frenchman's rich array of sounds, ingenious compositions, pure instrumentals and, most importantly, his talent for improvisation in this harmonic jazz-heavy piece, makes him one of the most respected guitarists in the last 30 years. Alchemya (2013) is still a flamboyant self-portrait of a record blending flamenco with jazz fusion. With his 35 guest cadors, Juan Carmona also gives us a great lesson in the art of hospitality. The borderless musician returned from an Asian tour with Perla de Oriente in 2016 with an album recorded live in the studio. A new travel journal in which the gypsy wanders the duende paths alongside El Piculabe's? raspy melismas. Recorded on July 03, 2019 at Jazz á Vienne; TV Director, MFabien Raymond (60 min)
InterMezzo
(60 min)
Casse-Noisette Compagnie by J.C Maillot - Les Ballets de Monte-Carlo
Casse-Noisette Compagnie (Nutcracker company); Choreography by Jean-Christophe Maillot; Music By Piotr Ilitch Tchaikovski. Les Ballets de Monte-Carlo; Accompanied by The Monte-Carlo Philharmonic Orchestra; Nicolas Brochot, musical direction; Alain Lagarde, scenography; Philippe Guillotel et with the complicity of Karl Lagerfeld and Jérôme Kaplan, costume; Dominique Drillot, light; Bertrand Maillot, additional music; Jean-Christophe Maillot and Jean Rouaud, dramaturgy; With: Marianna Barabas (Drosselmeyer); George Oliveira, Alexis Oliveira (the Guardian Angels); Stephan Bourgond (Le Casse-Noisette); Alvaro Prieto (The Father); Mimoza Koike (The Mother); Anjara Ballesteros (Clara, Their Daughter); Lucien Postlewaite (Fritz, Their Son); Christian Tworzyanski (Charmant, Friend of Clara); Victoria Ananyan (Zoé, Friend of Fritz); Gabriele Corrado (Albercht); Liisa Hämäläinen (Giselle); With a special appearance by Olga Smirnova, principal at the ballet of Bolshoi Theatre & Artem Ovtcharenko, principal at the ballet of Bolshoi Theatre; Under the Presidency of H.R.H. the Princess of Hanover; The ballet of Monte-Carlo; Jean-Christophe Maillot; Recorded at the Grimaldi Forum, Monaco, December the 28th, 29th and 30th 2015; TV Director, Vincent Massip (107 min)
White Darkness de N. Duato - The Lavender Follies de J. Hernandez - Les Ballets de Monte-Carlo
White Darkness; Choreography by Nacho Duato; Music by Karl Jenkins ( Adiemus variatons, string quartet N°2); The Lavender Follies; Choreography by Joseph Hernandez; Music by Johannes Till; Wth; The Ballets de Monte Carlo, and; Asier Edeso, April Ball, Francesco Mariottini, Maude Sabourin, Kaori Tajima, Taisha Barton- Rowledge, Benjamin Stone, Simone Tribuna, Alvaro Prieto, Lennart Radtke, Anna Blackwell... Recorded on July 28 & 29, 2018 at the Monte-Carlo Opera, Garnier Hall; TV Director, Andreas Morell (74 min)
