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Prince Igor by Borodin at the Opéra national de Paris
Prince Igor; Opera in a prologue and four acts by Alexander Borodin (1833 - 1887); Libretto by Alexander Borodin; First performance in Saint Petersburg, Mariinsky Theatre, 4 November 1890; Ch?ur et Orchestre de l'Opéra National de Paris, Philippe Jordan (Conductor); José Luis Basso (Chorus Master); Barrie Kosky (Stage Direction); Rufus Didwiszus (Sets), Klaus Bruns (Costumes), Franck Evin (Lighting), Otto Pichler (Choreography); Evgeny Nikitin (Prince Igor); Elena Stikhina (Yaroslavna); Pavel Černoch (Vladimir); Dmitry Ulyanov (Prince Galitsky); Dimitry Ivashchenko (Konchak); Anita Rachvelishvili (Konchakovna); Adam Palka (Skula); Andrei Popov (Yeroshka); Vasily Efimov (Ovlur); Marina Haller (Nurse); Irina Kopylova (Polovtsian Maiden); Recorded at the Opera National de Paris, Opéra-Bastille, 17 December 2019 (195 min)
InterMezzo
(44 min)
Zubin Mehta and the Israel Philharmonic Orchestra: Haydn
Israel Philharmonic Orchestra, Zubin Mehta (conductor); David Radzynski (violin), Emanuele Silvestri (cello), Dudu Carmel (oboe), Daniel Mazaki (bassoon); Joseph Haydn; Symphony no. 88 in G major, Hob.I:88; Joseph Haydn; Sinfonia Concertante for violin, cello, oboe and bassoon in B-flat major, Hob.I:105; Recorded at the Charles Bronfman Auditorium (Heichal Hatarbut), Tel-Aviv on May 27, 2017; Directed by Christophe Boula (46 min)
Manfred Honeck and the Israel Philharmonic Orchestra: Weinberg, Brahms
Israel Philharmonic Orchestra, The Prague Philharmonic Choir, Manfred Honeck (conductor); David Radzynski (violin); Sunhae Im (soprano), Shenyang (baritone); Mieczysław Weinberg (1919 - 1996); Violin Concerto in G minor, op. 67; Johannes Brahms (1833 - 1897); Ein Deutsches Requiem, op. 45; Recorded at the Charles Bronfman Auditorium, Tel Aviv, 14 April 2019; TV Director, Christophe Boula (75 min)
InterMezzo
(54 min)
Jaime Woods - Festival International de Jazz de Montréal
Jaime Woods at the International Jazz Festival of Montréal 2016; Like many before her, Jaime Woods' career began in a church. Learning and sharpening her work on the Gospel scene, in Chicago, she moved in the East Coast for a brief schooling at Berklee College. The opportunity there to explore different types of music pushed her towards New York, and in particular Brooklyn. Jaime has since been into strong collaborations with Bilal, Casey Benjamin, Gadget, Cloche Jennah, Jose James, Emily King, Nick Hakim, Roy Hargrove, Kendra Foster, Gary Bartz, Lalah Hathaway, Haitus Kaiyote... Leaning on her soul voice, upon a precise and delicate instrumentation, Jaime is undoubtedly a stand-out artist who shows, despite her 25 years, a great maturity and true sensitivity. Recorded on June 29th at the Théâtre Maisonneuve, Montréal; TV direction by Mathieu Mastin (47 min)
InterMezzo
(72 min)
I Vespri Siciliani by Verdi at the Mariinsky Theatre
I Vespri Siciliani; Opéra in fice acts by Guiseppe Verdi (1813 - 1901); Libretto by Eugéne Scribe and Charles Duveyrier, Italian version by Eugenio Caimi; First performance in Paris, Opéra, 13 June 1855; Mariinsky Theatre Orchestra, Valery Gergiev (Conductor); Arnaud Bernard (Stage Direction, Lighting); Arnaud Bernard, Marianna Stranska (Costumes), Gianni Santucci (Choreography); Vladislav Sulimsky (Monforte); Oleg Sychov (Bethune); Yevgeny Chernyadiev (Vaudemont); Migran Agadzhanian (Arrigo); Ildar Abdrazakov (Giovanni da Procida); Irina Churilova (Elena); Svetlana Kapicheva (Ninetta); Mikhail Makarov (Danieli); Oleg Balashov (Manfredo); Oleg Losev (Tebaldo); Alexander Gerasimov (Roberto); Recorded at the Mariinsky Theatre, Saint Petersburg, on May 23 & June 24, 2017; Direted by Vincent Massip; 31.01.2020 (205 min)
InterMezzo
(32 min)
Gregory Porter - Festival International de jazz de Montréal
Gregory Porter at the International Jazz Festival of Montréal 2016; Gregory Porter's musical awakening came upon hearing his mother's Nat King Cole records as a child - Porter would later write a show in homage to the singer. After seeing his dreams of professional football thwarted by a major injury, the California-born artist turned to music. With the help of his mentor, the multi-instrumentalist and composer Kamau Kenyatta, Porter honed his skills in San Diego jazz clubs before landing a role in the musical It Ain't Nothing But the Blues. His resume also includes a collaboration with famed flutist Hubert Laws. A gifted songwriter, he penned most of the jazz and soul-oriented material appearing on his first albums, Water (2010), Be Good (2012) and Liquid Spirit (2013), winner of a Grammy for Best jazz vocal album. Recorded on June 29th at the Théâtre Maisonneuve, Montréal; TV direction by Mathieu Mastin (52 min)
Makaya McCraven - Festival International de Jazz de Montréal
Makaya Mc Craven; Recorded on June 30, 2019 at the Montreal Jazz Festival; Réalisateur, Sîla (60 min)
Roberto Fonseca solo - Festival International de Jazz de Montréal
Roberto Fonseca solo; Recorded on June 30, 2019 at the Montreal Jazz Festival; Réalisateur, Sîla (60 min)
InterMezzo
(35 min)
Prince Igor by Borodin at the Opéra national de Paris
Prince Igor; Opera in a prologue and four acts by Alexander Borodin (1833 - 1887); Libretto by Alexander Borodin; First performance in Saint Petersburg, Mariinsky Theatre, 4 November 1890; Ch?ur et Orchestre de l'Opéra National de Paris, Philippe Jordan (Conductor); José Luis Basso (Chorus Master); Barrie Kosky (Stage Direction); Rufus Didwiszus (Sets), Klaus Bruns (Costumes), Franck Evin (Lighting), Otto Pichler (Choreography); Evgeny Nikitin (Prince Igor); Elena Stikhina (Yaroslavna); Pavel Černoch (Vladimir); Dmitry Ulyanov (Prince Galitsky); Dimitry Ivashchenko (Konchak); Anita Rachvelishvili (Konchakovna); Adam Palka (Skula); Andrei Popov (Yeroshka); Vasily Efimov (Ovlur); Marina Haller (Nurse); Irina Kopylova (Polovtsian Maiden); Recorded at the Opera National de Paris, Opéra-Bastille, 17 December 2019 (195 min)
InterMezzo
(14 min)
Iván Fischer conducts Bartók with the Budapest Festival Orchestra
Budapest Festival Orchestra, Iván Fischer (conductor); Krisztián Gergye Company, Krisztián Gergye (Choreographer); Béla Bartók (1881 - 1945); The Miraculous Mandarin; The Wooden Prince; Recorded on 12 May 2017 at the Béla Bartók National Concert Hall, Budapest; TV Director, Sébastien Glas (94 min)
Iván Fischer conducts Prokofiev and Stravinsky with the Budapest Festival Orchestra
Budapest Festival Orchestra, Iván Fischer (Conductor); Thomas Zehetmair (violin); Sergei Prokofiev (1891 - 1953); Overture on Hebrew themes, Op. 34; Violin concerto No. 2 in G minor, Op. 63; Igor Stravinsky (1882 - 1971); Jeu de cartes; The Firebird suite, No. 2 (1919); Live from the Béla Bartók National Concert Hall, Budapest; TV direction by Sébastien Glas (93 min)
InterMezzo
(47 min)
Havana Danza! Ballet Danza Contemporanea Of Cuba
Havana Danza, Danza contemporanea de Cuba; 4 choreographies: CARMEN; Choreography by Kennetth Kvamström; Music by R. Schredin, G. Bizet; FOLIA; Choreography by Jan Linkens; Music by G. Faidit, A. Martin, G. Koehne; DEMO-N/ CRAZY; Choreography by Rafael Bonachela; Music by Bebe, J. Wolfe, E. Morente. MAMBO 3 XXI; Choreography by George Cespédes; Music by Berny Moré / Nacional Electronica; With; Michel Avalos - Heidy Batista - Daileidys Carrazana - George Céspedes - Yosmell Calderón - Yoerlis Brunet - Edson L. Cabrera - Norge Cedeňo - Osnel Delgado -Wuilleys Estacholi - Alberto González - Yelda Leyva - Daylis López -Jennifer Martín - Jenny Nocedo - Marta Ortega - Gabriela Piňeiro - Yaday Ponce - Abel Rojo - Thais Suárez - Joel Suárez -Jennifer Tejeda - Aymara Vila. Recorded on 2011 at the National Theater Garcia Lorca, La Havana, CUBA; TV Director, Sonia Paramo (109 min)
The Sacral Dance - Compania Danza Contemporanea de Cuba
The Sacral Dance; Choregraphy by Christophe Béranger, Jonathan Pranlas-Descours, Jorge Cespédes and Julio Cesar Iglesias; Compania Danza Contemporanea de Cuba; Music, Igor Stravinsky; Musique traditionnelle cubaine, National Electronica; Concept, scenography, Christphe Béranger a,d Jonathan Pranlas-Descourts, Jorge Cespédes and Julio Cesar Iglesias; Director of the company, Miguel Iglesias Ferrer; Manager of the company, Jorge Brooks; Recorded on May 2018 at the Gran Teatro de la Habana, Alicia Alonso, Cuba; Réalisé par Patrick Lauze (112 min)
InterMezzo
(14 min)
The Tale of Tsar Tsaltan by Rimsky-Korsakov at La Monnaie, Brussels
The Tale of Tsar Tsaltan; Opera in a prologue and four acts by Nikolay Rimsky-Korsavov (1844 - 1908); Libretto by Nikolay Andreyvich Belsky after Alexander Pushkin; Fist performance in Moscow, Solodovnikov Theatre, 3 November 1900; Symphony Orchestra and Chorus of the Monnaie Theatre, Alain Altinoglu (Conductor); Dmitri Tcherniakov (Stage direction, sets); Elena Zaytseva (Costumes), Gleb Filshtinsky (video, lighting); Ante Jerkunica (Tsar Saltan); Svetlana Aksenova (Tsaritsa Militrisa); Stine Marie Fischer (Tkatchikha); Bernarda Bobro (Povarikha); Carole Wilson (Babarikha); Bogdan Volkov (Tsarevich Gvidon); Olga Kulchynska (Tsarevna Swan-Bird / Lyebyed); Vasily Gorshkov (Old man); Alexander Vassiliev (Skomorokh / Shipman); Nicky Spence (Messenger / Shipman); Alexander Kravets (Shipman); Recorded at the Monnaie-De Munt Theatre, Brussels, 27 June 2019; TV Director, Andy Sommer (157 min)
Dhafer Youssef 'Diwan of Beauty and Odd'
Dhafer Youssef, Diwan of Beauty And Odd; Dhafer Youssef, oud and voice; Aaron Parks, piano; Ben Williams, bass; Justin Faulkner, drums; Ambrose Akinmusire, trumpet; After the phenomenal success of his previous album 'Birds Requiem', which sold over 50,000 copies, Dhafer Youssef, the master of the oud, an exceptional singer and prolific composer, returns to the concert platform with one of the most anticipated albums of 2016: 'Diwan Of Beauty And Odd'. Dhafer Youssef is definitely one of the most innovative musicians of the decade. An indefatigable explorer, his album 'Diwan Of Beauty And Odd' shows his extraordinary ability to transcend musical genres and experiment with the asymmetry of the off-beat. The result is complex and mesmerising, beautiful and universal. Recorded on April 14th at L'Olympia, Paris; TV director, Laurent Hasse (67 min)
InterMezzo
(50 min)
Mozart, Schulhoff, Beethoven: Chamber Music with musiciens of the IPO
Dudu Carmel (oboe), Ron Selka (clarinet), Daniel Mazaki (bassoon), Michal Mossek (horn), Bishara Haroni (piano); Wolfgang Amadeus Mozart (1756 - 1791); Quintet in E-flat major for piano and winds, K. 452; Erwin Schulhoff (1894 - 1942); Divertissement for oboe, clarinet and bassoon; Ludwig van Beethoven (1770 - 1827); Quintet in E-flat major for piano and winds, op. 16; Recorded at the Zucker Hall, Charles Bronfman Auditorium, Tel Aviv, 13 April 2019; TV Director, Christophe Boula (72 min)
Zubin Mehta and the Israel Philharmonic Orchestra: Mozart and Beethoven
Israel Philharmonic Orchestra, Zubin Mehta (conductor); Denis Matsuev (piano); Wolfgang Amadeus Mozart (1756 - 1791); Piano Concerto no 17 in G major, K. 453; Ludwig van Beethoven (1770 - 1827); Symphony no 8 in F major, Op. 93; Recorded at the Charles Bronfman Auditorium (Heichal Hatarbut), Tel-Aviv on May 26, 2017; Directed by Christophe Boula (68 min)
