
Mezzo Live HD
Mezzo Live HD od do
Gergiev conducts the Munich Philharmonic: Strauss and Bruckner
Munich Philharmonic Orchestra, Valery Gergiev (Conductor); Richard Strauss (1864 - 1949); Also sprach Zarathustra, op. 30; Anton Bruckner (1824 - 1896); Symphony no. 9 in D minor; Recorded on December 15 & 16, 2016 at the Philharmonie im Gasteig, Munich; TV Director, Corentin Leconte (102 min)
InterMezzo
(45 min)
Lady Macbeth of Mtsensk by Shostakovich at the Opéra national de Paris
Lady Macbeth of Mtsensk; Opera in four acts op. 29 by Dmitri Shostakovich (1906 - 1975); Libretto by Dmitry Shostakovich and Alexander Preis from Nikolai Leskov's story; Creation in Leningrad, Maliy Operniy Teatr, 22 January 1934; Chorus and Orchestra of the Paris National Opera, Ingo Metzmacher (Conductor); José Luis Basso (Chorus Master); Krzysztof Warlikowski (Stage Direction); Małgorzata Szczęśniak (sets, costumes), Felice Ross (lighting), Claude Bardouil (choreography), Christian Longchamp (dramaturgy); Dmitry Ulyanov (Boris Timofeevich Ismailov); John Daszak (Zinovy Borisovich Ismailov); Aušrinė Stundytė (Katerina Lvovna Ismailova); Pavel Černoch (Sergey); Sofija Petrovic (Aksinya); Wolfgang Ablinger-Sperrhacke (Shabby Peasant); Oksana Volkova (Sonetka); Andrei Popov (Teacher); Krzysztof Baczyk (A Pope, un gardien); Marianne Croux (Woman Convict); Alexander Tsymbalyuk (Chief of Police, Old Convict); Sava Vemić (Officer); Florent Mbia (Le Régisseur); Julien Joguet (Porter); Hyun-Jong Roh, Antonel Boldan, Paolo Bondi (Workers); Jian-Hong Zhao (Millhand); John Bernard (Coachman); Pierpaolo Palloni (Policemant); Fernando Velasquez (Drunken Guest); Recorded at the Opéra National de Paris, Opéra-Bastille, on 13 & 16 April 2019; TV Director, Stétphane Metge (178 min)
Emile Parisien celebrates the 40 years of Europajazz
Emile Parisien celebrates the 40 years of Europajazz; Emile Parisien, saxophone; Vincent Peirani, accordion; Michel Portal, clarinet; Fabrice Martinez, trompet; Manu Codjia, guitar; Roberto Negro, piano; Julien Touery, piano; Simon Tailleu, double-bass; Ivan Gelugne, double-bass; Mario Costa, drums; Julien Loutelier, drums; Recorded on May 11 & 12, 2019 á the Epa Abbey; TV Director, Jean-Marc Birraux 10.10.2020 (54 min)
InterMezzo
(60 min)
The Orchestre symphonique de Montréal and Susanna Mälkki: Debussy, Schubert, Wagner
Orchestre symphonique de Montréal, Susanna Mälkki (Conductor); Claude Debussy (1862 - 1918); Prélude á l'aprés-midi d'un faune; Franz Schubert (1797 - 1728); Symphony no. 8, D 759 in B minor 'Unfinished'; Richard Wagner (1813 - 1883); Siegfried-Idyll, WWV 103; Live from the Maison symphonique, Montréal; LIVE (75 min)
The Czech Philharmonic and Simon Rattle: Dvořák, Mahler
Czech Philharmonic, Simon Rattle (Conductor); Magdalena Kožená (mezzo-soprano), Simon O'Neill (tenor); Antonín Dvořák (1841 - 1904); The Golden Spinning Wheel, symphonic poem, Op. 109; Gustav Mahler; Das Lied von der Erde; Recorded at the Rudolfinum, Prague, 27 February 2019 (96 min)
InterMezzo
(38 min)
The Czech Philharmonic and Semyon Bychkov: Mahler's Ninth Symphony
Czech Philharmonic, Semyon Bychkov (Conductor); Gustav Mahler (1860 - 1911); Symphony No. 9 in D Major; Recorded at the Rudolfinum, Prague, 5 April 2019 (95 min)
The Czech Philharmonic and Semyon Bychkov: Smetana, Martinů, Dvořák
Czech Philharmonic, Semyon Bychkov (Conductor); Ivo Kahánek (piano), Michael Kroutil (timpani); Bedřich Smetana (1824 - 1884); The Bartered Bride, overture to the opera; Polka, Furiant, Skočná, dances from the opera 'The Bartered Bride'; Bohuslav Martinů (1890 - 1959); Concerto for Two String Orchestras, Piano, and Timpani, H 271; Antonín Dvořák (1841 - 1904); Symphony No. 9 in E Minor, Op. 95 ('From the New World'); Recorded at the Rudolfinum, Prague, 3 October 2018 (112 min)
Valery Gergiev and the Munich Philharmonic Orchestra: Debussy, Berg, Ravel
Münchner Philharmoniker, Philharmonischer Chor München, Valery Gergiev (Conductor); Andreas Herrmann (Chorus Master); Mariinsky Ballet; Claude Debussy (1862 - 1918); Prélude á l'aprés-midi d'un faune; Alban Berg (1885 - 1935); Seven Early Songs; Maurice Ravel (1875 - 1937); Daphnis et Chloé; Recorded at the Philharmonie im Gasteig, Munich, 31 January 2020; Directed by Vincent Massip (89 min)
Gergiev conducts the Munich Philharmonic: Strauss and Bruckner
Munich Philharmonic Orchestra, Valery Gergiev (Conductor); Richard Strauss (1864 - 1949); Also sprach Zarathustra, op. 30; Anton Bruckner (1824 - 1896); Symphony no. 9 in D minor; Recorded on December 15 & 16, 2016 at the Philharmonie im Gasteig, Munich; TV Director, Corentin Leconte (102 min)
InterMezzo
(15 min)
Yom & The Wonder Rabbis - Jazz á vienne
Yom & The Wonder Rabbis; Yom (clarinet, composition); Léo Jassef (keaboard); Guillaume Magne (guitar); Sylvain Daniel (bass); Mathieu Penot (drums); Recorded on July 11, 2019 at Jazz á Vienne; TV Director, Mikaël Favard (60 min)
Omar Sosa & Yilian Canizares - Jazz á Vienne
Omar Sosa & Yilian Canizares; Omar Sosa (piano); Yilian Caňizares (voix, violin), Gustavo Ovalles (percussions); Since leaving Cuba in 1993 and his first albums (Omar Omar and Free Roots, in 1997), Omar Sosa has been on quite a journey. The pianist's thrilling melting pot music is rooted in his Afro-Cuban background, jazz, hip hop, electro, world music and Yoruba spirituality. He formed an incredible trio with Paolo Fresu and Trilok Gurtu to visit us in 2016 for his thirtieth album (Eros). Following Transparent Water bottled with Seckou Keita's kora and the faithful Cuban percussionist Gustavo Ovalles, the Es:sensual (2018) escape with the NDR Bigband and Jacques Morelenbaum, the pianist in white is back with the singer and violinist Yilian Caňizares (born in Havana, based in Switzerland). They've just recorded Agua together, another album devoted to water and specifically Oshun, the goddess of love and spirit of rivers. Something special was sparked with Yilian who came into the public eye with two vibrant albums (Ochumare and Invocacíon). Omar Sosa: 'Agua reflects our traditions, our emotions and our nostalgia. I'm 53, Yilian is 35, and together we create meditative music that exudes modesty, peace and dignity. No gimmicks! Everyone thinks that Cuban music is fabulous and should make you want to dance but Cuba has so much more to offer.'; Recorded on July 08, 2019 at Jazz á Vienne; TV Director, Mikaël Favard 10.10.2020 (76 min)
José James - Jazz á vienne
José James; José James (voice, guitar); Marcus Machado (guitar); Aneesa Strings (bass, voice); Aaron Steele (drums); Since bursting onto the international scene a little over a decade ago, José James and his honey-sweet voice are still as bewitching. The Minneapolis artist admits to being inspired by Marvin Gaye, the producer Flying Lotus and John Coltrane for his stylish blend of what makes up Great Black Music. Flitting between raw soul, soul folk, hip hop and jazz, James is in the microcosm of vocalists capable of keeping the crossover created by Ray Charles in the 50s alive. His first album (The Dreamer, 2008) pays tribute to Martin Luther King. The next one, Blackmagic, features the beatboxer Taylor McFerrin. His fourth album (in the meantime he recorded with Junior Mance, Chico Hamilton, Flying Lotus and the pianist Jef Neve), No Beginning No End, is on Blue Note. The more soulful than ever singer is back with Lean On Me (2018). After leaning on Billie Holiday and John Coltrane, this time he pays tribute to the living legend of American pop and the immense soulman Bill Withers. There are twelve unforgettable tracks by Withers, who celebrates his 80th birthday in July, produced by Don Was and recorded by a dream band: bassist Pino Palladino, Kris Bowers (fabulous Rhodes on the cover of Ain't No Sunshine), Brad Allen Williams and Nate Smith. Recorded on July 02, 2019 at Jazz á Vienne; TV Director, Mikaël Favard (60 min)
InterMezzo
(10 min)
Aida by Verdi at the Grand Théâtre de Genéve
Aida; Opera in four acts by Giuseppe Verdi (1813 - 1901); Libretto by Antonio Ghislanzoni after a scenario by Auguste Mariette; First performance in Caire, Opera House, 24 December 1871; Orchestre de la Suisse Romande, Antonino Fogliani (conductor); Chœur du Grand Théâtre de Genéve; Phelim McDermott (Stage Direction); Tom Pye (Sets), Kevin Pollard (Costumes), Simon Trottet (Lighting), Basil Twist (Choreography); Yonghoon Lee (Radames); Serena Farnocchia (Aida); Marina Prudenskaya (Amneris); Alexey Markov (Amonasro); Liang Li (Ramfis); Donald Thomson (Il Re); Denzil Delaere (Un messaggero); Claire de Sévigné (Sacerdotessa); Recorded at the Grand Théâtre, Geneva, 15 & 17 October 2019; TV Director, Sébastien Glas (153 min)
The Czech Philharmonic and Semyon Bychkov: Berio, Dvořák
Czech Philharmonic, Semyon Bychkov (Conductor); London Voices; Luciano Berio (1925 - 2003); Sinfonia, for 8 voices and orchestra; Antonín Dvořák (1841 - 1904); Symphony No. 7 in D Minor, Op. 70; Recorded at the Rudolfinum, Prague, 19 October 2018 (103 min)
The Orchestre symphonique de Montréal and Susanna Mälkki: Debussy, Schubert, Wagner
Orchestre symphonique de Montréal, Susanna Mälkki (Conductor); Claude Debussy (1862 - 1918); Prélude á l'aprés-midi d'un faune; Franz Schubert (1797 - 1728); Symphony no. 8, D 759 in B minor 'Unfinished'; Richard Wagner (1813 - 1883); Siegfried-Idyll, WWV 103; Recorded 2 October 2020 at the Maison symphonique, Montréal; LIVE REBROADCAST (60 min)
Tugan Sokhiev and the Orchestre National du Capitole de Toulouse: Berlioz's Requiem
Orchestre National du Capitole de Toulouse, Orfeón Donostiarra, Tugan Sokhiev (Conductor); Bryan Hymel (tenor); Hector Berlioz (1803 - 1869); Grande messe des morts op. 5; Recorded on 5 February 2015 at the Halle aux Grains, Toulouse; Directed by Jean-Pierre Loisil (87 min)
Tony Allen - Jazz á la Villette
Tony Allen - The Source; Tony Allen (drums); Mathias Allamane (double bass); Indy Dibongue (guitar); Jean-Phi Dary (Piano - keyborad); Nicolas Giraux (trumpet); Yann Jankielewicz (Tenor saxophone); Playlist; Bad Roads; Ewajo; On Fire; Wolf eat Wolf; Push and Pull; Crusing; Cool Cats; (Album The Source (Universal >Blue Note Records); Born in 1940 in Lagos, Tony Allen had never played any of the traditional percussion instruments only to straightaway become interested in their far-off cousin, that is to say, the drum kit. Self-taught, it was by listening to the recordings of Art Blakey or Max Roach that he perfected his technique of drum playing, even though he was working as a technician at the National Radio of Nigeria. His destiny took a new turn when in 1964 he made the acquaintance of Fela Kuti, firstly as part of the Koola Lobitos, then as conductor of Africa 70 where he developed a new language known as the Afrobeat, a mixture of Yoruba rhythms, of funk and of revolutionary themes. With Fela Kuti, Tony would append his rhythmic signature to around twenty albums, a unique manner of drawing out the rhythms with caressing energy, but which is fantastically efficient. For the rest of his career, Tony would spend it remaining faithful to the original Afrobeat and a multidirectional emancipation leading him through jazz, Dub music and international Pop. Recorded on August 31, 2019 at the Grande Halle de la Villette Jazz á la Villette; TV Director, Samuel Thibaut (49 min)
InterMezzo
(60 min)
Così fan tutte by Mozart at the Opéra national de Paris
Così fan tutte, opera buffa in two acts by Wolfgang Amadeus Mozart (1756 - 1791); Libretto by Lorenzo Da Ponte; First performance in Vienna, Burgtheatrer, 26 January 1790; Orchestre et Choeurs de l'Opéra national de Paris, Philippe Jordan (Conductor); Alessandro Di Stefano (Chorus master); Anne Teresa De Keersmaeker (Stage Director, Choreography); Jan Versweyveld (Set design), An D'Huys (Costume design), Jan Versweyveld ( Lighting design), Jan Vandenhouwe ( Dramaturgy); Jacquelyn Wagner (Fiordiligi); Michéle Losier (Dorabella); Frédéric Antoun (Ferrando); Philippe Sly (Guglielmo); Paulo Szot (Don Alfonso); Ginger Costa-Jackson (Despina); Dancers; Cynthia Loemij (Fiordiligi); Samantha Van Wissen (Dorabella); Michaël Pomero (Guglielmo); Julien Monty (Ferrando); Marie Goudot (Despina); Boštjan Antončič (Don Alfonso); Recorded at the Palais Garnier, Opéra National de Paris, on February 16, 2017 (183 min)
