• Mezzo Live HD

    • Mezzo Live HD od do

      • InterMezzo

        (74 min)

      • La Bayadére by Marius Petipa, Kiev ballet

        La Bayadére; Marius Petipa, Libretto and choreography, Ludwig Minkus, music; Valery Kovtun's version; Ballet Master of the production, Valery Kovtun; Staging, Alla Vysotska; Scenography, Vyacheslav Okunev; Lights desinger, Taras Shevchenko National Academic Opera and Ballet Theatre of Ukraine orchestra; Mykola Diadiura, Conductor; With the Kiev ballet; And; Nataliia Matsak (Nikiya); Vladyslav Ivashchenko (Dugmanta, Rajah of Golconde); Olga Golytisia (Gamzatti, Dugmanta's daughter); Matthew Golding (Solor, noble warrior); Sergii Lytvynenko (Hight Brahmin); Vitalii Netrunenko (Magedaveya, fakir); Lina Volodina (Manu); Nadiia Malenko (Aya, slave); Raisa Betankourt, Mariia Nelen (Gumpe); Ieliza Veta Gogidze, Volodymyr Kutuzov, Viacheslav Stelmakh (Dance with drum); Oleksandr Skulkin (Bronze idol); Iryna Borysova, Kateryna Kurchenko, Ganna Muromtseva (pas de trois); Iryna Borysova, Alina Dulesova, Kateryna Kurchenko, Ganna Muromtseva (Pas d'action); Denys Odintsov (Solor's friend); Recorded on February 17th 2018 at the Taras Shevchenko National Academic Opera and Ballet Theatre of Ukraine; TV Director, Laurent Gentot (127 min)

      • InterMezzo

        (47 min)

      • The Sun Ra Centennial Arkestra with Marshall Allen - Banlieues Bleues

        Marshall Allen (saxophone, director); Knoel Scott (saxophones, vocals); Charles Davis (tenor saxophone); Danny Ray Thompson (baritone saxophone); Dave Davis (trombone); Cecil Brooks (trumpet); Farid Barron (piano); Tyler Mitchell (bass); Elson Nascimiento (percussions, surdo); Wayne A. Smith (drums) (58 min)

      • InterMezzo

        (60 min)

      • Antonio Sanchez & Migration - Jazz á Junas

        Antonio Sanchez & Migration; Antonio Sanchez, drums; Seamus Blake, sax; John Escreet, piano; Matt Brewer, bass; Thana Alexa, song; A virtuoso sideman with Chick Corea, Avishai Cohen, Kenny Werner and Pat Metheny, whose faithful drummer he has been for fifteen years, Antonio Sanchez won international fame with the soundtrack to the oscar-winning film 'Birdman', directed by his fellow-countryman, Mexican film director Alejandro González Iňárritu. At the helm of the Migration quartet since 2011, Antonio Sanchez is a true visionary on the contemporary jazz scene. Recorded on 2017, July 19th at the Festival Jazz in Junas; TV Director, Giuseppe de Vechi; 17.03.2020 (53 min)

      • Danilo Perez, John Patitucci, Brian Blade Trio, Children of the light - Jazz á Junas

        Danilo Perez, john Patitucci, Brian Blade Trio; 'Children of the light'; Danilo Pérez, piano; John Patitucci, double bass; Brian Blade, drums; What a trio! These musicians have been the heart of the Wayne Shorter Quartet's formidable rhythm section for the past fifteen years: Danilo Pérez on piano, John Patitucci on bass, Brian Blade on drums. Each is of course a true master in his own right. And their reunion is an amazing gift to jazz lovers. The stylistic unity and level of communication never fail to impress. The three musicians know each other perfectly, as is apparent throughout the album, with a unique sense of narration. Pérez has rarely played so well, while Patitucci and Blade constantly experiment and innovate. Some of their compositions/improvisations can be very dense melodically and harmonically, but they also enjoy the beauty of a simple melody. A treat! Recorded on 2017, July 19th at the 1 Festival Jazz in Junas; TV Director, Giuseppe de Vechi (52 min)

      • Omar Sosa, Quarteto Afrocubano - Jazz á Junas

        Omar Sosa, Quarteto Afrocubano; Omar Sosa, piano, Fender Rhodes; Lukmil Perez, drums; Childo Thomas: electric bass; Leandro Saint-hill: percussion, flute, saxophone; Cuban pianist and travelling musician Omar Sosa dazzles with his musical maturity and delicate arrangements, mixing jazz, urban music and Afro-caribbean rhythms. Since the 1990's, with each new album, Omar Sosa has been developing his own identity, mixing influences from Africa, the Caribbean and Latin America. Between jazz and world music, Omar Sosa invents a far-ranging form of jazz, magnificent music, constantly in motion, sounding like a universal language. Recorded on 2017, July 21th at the Festival Jazz in Junas; TV Director, Giuseppe de Vechi (53 min)

      • InterMezzo

        (74 min)

      • Rinaldo Alessandrini and the Concerto Italiano: Vivaldi, Leo, Bononcini

        Concerto Italiano, Rinaldo Alessandrini (Conductor); Chór Polskiego Radia; Sonia Tedla (soprano), Enrico Torre (alto), Luca Cervoni (tenor), Salvo Vitale (bass); Antonio Vivaldi (1678 - 1741); Credo in E minor RV 591; Leonardo Leo (1694 - 1744); Miserere for double choir, 8 voices and continuo; Antonio Maria Bononcini (1677 - 1726); Stabat Mater in C minor; Recorded at the ICE Kraków Congress Centre, 18 April 2019, as part of the Misteria Paschalia Festival; TV Director, Jean-Pierre Loisil (59 min)

      • Laboratorio '600 and Pino de Vittorio: Lu Cuntu de la Passiuni

        Laboratorio '600, Franco Pavan (theorbo, leader); Pino de Vittorio (tenor); Flora Papadopoulos (harp), Elisa La Marca (lute); Lu Cuntu de la Passiuni; Chi é devoto (anonimo); Tarantella della Passione (anonimo); Passacaglio delle ore de la Passiuni (anonimo); Si part? la Madonna (anonimo); Gagliarda del Principe (Gesualdo da Venosa); Passioni Nostro Signuri (anonimo); Canzona a morto / Sonata dopo la canzone (anonimo); La morte di Gesú (anonimo); Stava a pié della Croce (anonimo); Tarantella (anonimo); Stabat Mater di Santo Stefano di Camastra (tradizionale); Misericordes sicut pater; Madonna della Grazia; Recorded at the Wieliczka Salt Mine, 20 April 2019, as part of the Misteria Paschalia Festival; TV Director, Jean-Pierre Loisil; 13.03.2020 (59 min)

      • InterMezzo

        (88 min)

      • La Bayadére by Marius Petipa, Kiev ballet

        La Bayadére; Marius Petipa, Libretto and choreography, Ludwig Minkus, music; Valery Kovtun's version; Ballet Master of the production, Valery Kovtun; Staging, Alla Vysotska; Scenography, Vyacheslav Okunev; Lights desinger, Taras Shevchenko National Academic Opera and Ballet Theatre of Ukraine orchestra; Mykola Diadiura, Conductor; With the Kiev ballet; And; Nataliia Matsak (Nikiya); Vladyslav Ivashchenko (Dugmanta, Rajah of Golconde); Olga Golytisia (Gamzatti, Dugmanta's daughter); Matthew Golding (Solor, noble warrior); Sergii Lytvynenko (Hight Brahmin); Vitalii Netrunenko (Magedaveya, fakir); Lina Volodina (Manu); Nadiia Malenko (Aya, slave); Raisa Betankourt, Mariia Nelen (Gumpe); Ieliza Veta Gogidze, Volodymyr Kutuzov, Viacheslav Stelmakh (Dance with drum); Oleksandr Skulkin (Bronze idol); Iryna Borysova, Kateryna Kurchenko, Ganna Muromtseva (pas de trois); Iryna Borysova, Alina Dulesova, Kateryna Kurchenko, Ganna Muromtseva (Pas d'action); Denys Odintsov (Solor's friend); Recorded on February 17th 2018 at the Taras Shevchenko National Academic Opera and Ballet Theatre of Ukraine; TV Director, Laurent Gentot (127 min)

      • InterMezzo

        (80 min)

      • Semyon Bychkov and the Czech Philharmonic: Martinu, Dutilleux

        Czech Philharmonic, Semyon Bychkov (Conductor); Katia & Marielle Labéque (pianos); Bohuslav Martinů (1890 - 1959); Double Concerto for two string orchestras, piano, and tympani, H 271; Concerto for two pianos and orchestra, H 292; Henri Dutilleux (1916 - 2013); Symphony no 2 'Le Double'; Live from the Rudolfinum, Prague; TV Director, Ute Feudel (145 min)

      • Ian Bostridge, John Butt and the Dunedin Consort at the Misteria Paschalia Festival: Haendel

        Dunedin Consort, John Butt (Conductor); Ian Bostridge (tenor); Georg Friedrich Haendel (1685 - 1759); Concerto Grosso, Op. 6 no. 4 in A minor; Waft her, Angels through the Sky (Jephtha); As Steals the morn; Ode for St. Cecilia's Day; Recorded on April 2, 2018 at the Misteria Paschalia Festival, Cracovie; Directed by Jean-Pierre Loisil (65 min)

      • InterMezzo

        (27 min)

      • Il Giasone by Cavalli at the Grand Théâtre de Genéve

        Il Giasone; Dramma musicale in a prologue and 3 acts by Francesco Cavalli (1602 - 1676); Libretto by Giacinto Andrea Cicognini. First performance in Venise, Teatro San Cassiano, 5 January 1649. Edited by Leonardo García Alarcón. Cappella Mediterranea, Leonardo García Alarcón (Conductor); Serena Sinigaglia (Stage Director); Ezio Toffolutti (sets, costumes, lighting), Simon Trottet (lighting); Valer Sabadus (Giasone); Kristina Hammarström (Medea); Kristina Mkhitaryan (Isifile, Sole); Alexander Milev (Ercole); Günes Gürle (Besso); Raúl Giménez (Egeo); Willard White (Oreste, Giove); Migran Agadzhanyan (Demo, Volano); Dominique Visse (Delfa, Eolo); Mariana Flores (Alinda); Mary Feminear (Amore); Recorded at the Grand Théâtre, Geneva, February 2017; Directed by Isabelle Soulard; 15.03.2020 (182 min)

      • InterMezzo

        (57 min)

      • Samson by Haendel at the Misteria Paschalia Festival in Krakow

        Dunedin Consort, Polish Radio Choir, John Butt (conductor); Eleanor Dennis (Dalila), Fflur Wyn (Virgin - Israelite), Charlotte Ashley (Virgin - Philistine), Caitlin Hulcup (Micah), James Way (Samson), Hugo Hymas (Israelite), Matthew Brook (Manoah), Vitali Rozynko (Harapha); Georg Friderich Haendel (1685- 1759); Samson; Recorded on April 1st, 2018, at the Misteria Paschalia Festival, Krakow; TV Director, Jean-Pierre Loisil (197 min)

      • David Murray Infinity Quartet feat. Saul Williams - Banlieues Bleues

        After soul sister Macy Gray, with whom he recorded an album, the ever-inventive saxophonist brings us a brand new body of work inspired by the slam poetry of Saul Williams. DAVID MURRAY tenor saxophone, bass clarinett, ORIN EVANS piano, JARIBU SHAHID bass, NASHEET WAITS drums, SAUL WILLIAMS voice; He appears with the Infinity Quartet, named after his early years at the Infinity loft-studio in New York, and with Saul Williams himself. A great choice: over the past fifteen years, the star of the independent film 'Slam' has been standing out among rappers and slam poets with the quality of his writing and the intensity of his performances. His punch lines make him a unique performer - a remarkable poet with a powerful rap-soul voice. In David Murray, who previously worked with writers Amiri Baraka and Ishmael Reed, Williams has found an ideal partner. A match made in heaven. (55 min)

      • InterMezzo

        (38 min)

      • La Bayadére by Marius Petipa, Kiev ballet

        La Bayadére; Marius Petipa, Libretto and choreography, Ludwig Minkus, music; Valery Kovtun's version; Ballet Master of the production, Valery Kovtun; Staging, Alla Vysotska; Scenography, Vyacheslav Okunev; Lights desinger, Taras Shevchenko National Academic Opera and Ballet Theatre of Ukraine orchestra; Mykola Diadiura, Conductor; With the Kiev ballet; And; Nataliia Matsak (Nikiya); Vladyslav Ivashchenko (Dugmanta, Rajah of Golconde); Olga Golytisia (Gamzatti, Dugmanta's daughter); Matthew Golding (Solor, noble warrior); Sergii Lytvynenko (Hight Brahmin); Vitalii Netrunenko (Magedaveya, fakir); Lina Volodina (Manu); Nadiia Malenko (Aya, slave); Raisa Betankourt, Mariia Nelen (Gumpe); Ieliza Veta Gogidze, Volodymyr Kutuzov, Viacheslav Stelmakh (Dance with drum); Oleksandr Skulkin (Bronze idol); Iryna Borysova, Kateryna Kurchenko, Ganna Muromtseva (pas de trois); Iryna Borysova, Alina Dulesova, Kateryna Kurchenko, Ganna Muromtseva (Pas d'action); Denys Odintsov (Solor's friend); Recorded on February 17th 2018 at the Taras Shevchenko National Academic Opera and Ballet Theatre of Ukraine; TV Director, Laurent Gentot (127 min)