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      • Le Nozze di Figaro by Mozart at the Grand Théâtre de Genéve

        Le nozze di Figaro, opera buffa in four acts by Wolfgang Amadeus Mozart (1756 - 1791); Libretto by Lorenzo Da Ponte based on 'La folle journée, ou le Mariage de Figaro' by Pierre-Augustin Caron de Beaumarchais; First performance in Vienna, Burgtheater, 1 May 1786; Orchestre de la Suisse Romande, Marko Letonja (Conductor); Chorus of the Grand Théâtre de Genéve, Alan Woodbridge (Chorus Master); Tobias Richter (Stage Director); Ildebrando D'Arcangelo (Il Conte di Almaviva); Nicole Cabell (La contessa di Almaviva); Regula Mühlemann (Susanna); Guido Loconsolo (Figaro); Avery Amereau (Cherubino); Monica Bacelli (Marcellina); Bruce Rankin (Don Basilio); Fabrice Farina (Don Curzio); Balint Szabo (Bartolo); Mélody Louledjian (Barbarina); Romaric Braun (Antonio); Recorded on September 21, 2017 at the Grand Théâtre de Genéve; Directed by Andy Sommer (182 min)

      • InterMezzo

        (54 min)

      • Rinaldo Alessandrini and the Concerto Italiano: Vivaldi, Leo, Bononcini

        Concerto Italiano, Rinaldo Alessandrini (Conductor); Chór Polskiego Radia; Sonia Tedla (soprano), Enrico Torre (alto), Luca Cervoni (tenor), Salvo Vitale (bass); Antonio Vivaldi (1678 - 1741); Credo in E minor RV 591; Leonardo Leo (1694 - 1744); Miserere for double choir, 8 voices and continuo; Antonio Maria Bononcini (1677 - 1726); Stabat Mater in C minor; Recorded at the ICE Kraków Congress Centre, 18 April 2019, as part of the Misteria Paschalia Festival; TV Director, Jean-Pierre Loisil (59 min)

      • Laboratorio '600 and Pino de Vittorio: Lu Cuntu de la Passiuni

        Laboratorio '600, Franco Pavan (theorbo, leader); Pino de Vittorio (tenor); Flora Papadopoulos (harp), Elisa La Marca (lute); Lu Cuntu de la Passiuni; Chi é devoto (anonimo); Tarantella della Passione (anonimo); Passacaglio delle ore de la Passiuni (anonimo); Si part? la Madonna (anonimo); Gagliarda del Principe (Gesualdo da Venosa); Passioni Nostro Signuri (anonimo); Canzona a morto / Sonata dopo la canzone (anonimo); La morte di Gesú (anonimo); Stava a pié della Croce (anonimo); Tarantella (anonimo); Stabat Mater di Santo Stefano di Camastra (tradizionale); Misericordes sicut pater; Madonna della Grazia; Recorded at the Wieliczka Salt Mine, 20 April 2019, as part of the Misteria Paschalia Festival; TV Director, Jean-Pierre Loisil; 13.03.2020 (59 min)

      • InterMezzo

        (54 min)

      • Monty Alexander & The Harlem Kingston Express - Philharmonie de Paris

        Monty Alexander & The Harlem Kingston Express; Monty Alexander, piano; Andy Bassford, Guitar; Hassan Shakur, Double bass; Leon Duncan, Bass; Wayne Escoffery, Saxophone tenor; Andrae Murchison, trombone; Jason Brown, Drums; Karl Wright, Drums; In a career spanning fifty years, Monty Alexander-a great ambassador for Jamaican music-has played with the best of the best. From Dizzy Gillespie to Ernest Ranglin, many of the greats have called on his exceptional sense of improvisation. Here, at the head of a group of American and Jamaican musicians, he explores two facets of his musical heritage: the jazz of Harlem and the reggae of Kingston. Recorded on 2017, April 23rd at the Grande Salle Pierre Boulez, Philarmonie de Paris; TV Director, Samuel Petit; 15.03.2020 (75 min)

      • InterMezzo

        (42 min)

      • Il Giasone by Cavalli at the Grand Théâtre de Genéve

        Il Giasone; Dramma musicale in a prologue and 3 acts by Francesco Cavalli (1602 - 1676); Libretto by Giacinto Andrea Cicognini. First performance in Venise, Teatro San Cassiano, 5 January 1649. Edited by Leonardo García Alarcón. Cappella Mediterranea, Leonardo García Alarcón (Conductor); Serena Sinigaglia (Stage Director); Ezio Toffolutti (sets, costumes, lighting), Simon Trottet (lighting); Valer Sabadus (Giasone); Kristina Hammarström (Medea); Kristina Mkhitaryan (Isifile, Sole); Alexander Milev (Ercole); Günes Gürle (Besso); Raúl Giménez (Egeo); Willard White (Oreste, Giove); Migran Agadzhanyan (Demo, Volano); Dominique Visse (Delfa, Eolo); Mariana Flores (Alinda); Mary Feminear (Amore); Recorded at the Grand Théâtre, Geneva, February 2017; Directed by Isabelle Soulard; 15.03.2020 (182 min)

      • InterMezzo

        (56 min)

      • Antonio Sanchez & Migration - Jazz á Junas

        Antonio Sanchez & Migration; Antonio Sanchez, drums; Seamus Blake, sax; John Escreet, piano; Matt Brewer, bass; Thana Alexa, song; A virtuoso sideman with Chick Corea, Avishai Cohen, Kenny Werner and Pat Metheny, whose faithful drummer he has been for fifteen years, Antonio Sanchez won international fame with the soundtrack to the oscar-winning film 'Birdman', directed by his fellow-countryman, Mexican film director Alejandro González Iňárritu. At the helm of the Migration quartet since 2011, Antonio Sanchez is a true visionary on the contemporary jazz scene. Recorded on 2017, July 19th at the Festival Jazz in Junas; TV Director, Giuseppe de Vechi (53 min)

      • Danilo Perez, John Patitucci, Brian Blade Trio, Children of the light - Jazz á Junas

        Danilo Perez, john Patitucci, Brian Blade Trio; 'Children of the light'; Danilo Pérez, piano; John Patitucci, double bass; Brian Blade, drums; What a trio! These musicians have been the heart of the Wayne Shorter Quartet's formidable rhythm section for the past fifteen years: Danilo Pérez on piano, John Patitucci on bass, Brian Blade on drums. Each is of course a true master in his own right. And their reunion is an amazing gift to jazz lovers. The stylistic unity and level of communication never fail to impress. The three musicians know each other perfectly, as is apparent throughout the album, with a unique sense of narration. Pérez has rarely played so well, while Patitucci and Blade constantly experiment and innovate. Some of their compositions/improvisations can be very dense melodically and harmonically, but they also enjoy the beauty of a simple melody. A treat! Recorded on 2017, July 19th at the 1 Festival Jazz in Junas; TV Director, Giuseppe de Vechi (52 min)

      • Omar Sosa, Quarteto Afrocubano - Jazz á Junas

        Omar Sosa, Quarteto Afrocubano; Omar Sosa, piano, Fender Rhodes; Lukmil Perez, drums; Childo Thomas: electric bass; Leandro Saint-hill: percussion, flute, saxophone; Cuban pianist and travelling musician Omar Sosa dazzles with his musical maturity and delicate arrangements, mixing jazz, urban music and Afro-caribbean rhythms. Since the 1990's, with each new album, Omar Sosa has been developing his own identity, mixing influences from Africa, the Caribbean and Latin America. Between jazz and world music, Omar Sosa invents a far-ranging form of jazz, magnificent music, constantly in motion, sounding like a universal language. Recorded on 2017, July 21th at the Festival Jazz in Junas; TV Director, Giuseppe de Vechi (53 min)

      • InterMezzo

        (44 min)

      • Le Nozze di Figaro by Mozart at the Grand Théâtre de Genéve

        Le nozze di Figaro, opera buffa in four acts by Wolfgang Amadeus Mozart (1756 - 1791); Libretto by Lorenzo Da Ponte based on 'La folle journée, ou le Mariage de Figaro' by Pierre-Augustin Caron de Beaumarchais; First performance in Vienna, Burgtheater, 1 May 1786; Orchestre de la Suisse Romande, Marko Letonja (Conductor); Chorus of the Grand Théâtre de Genéve, Alan Woodbridge (Chorus Master); Tobias Richter (Stage Director); Ildebrando D'Arcangelo (Il Conte di Almaviva); Nicole Cabell (La contessa di Almaviva); Regula Mühlemann (Susanna); Guido Loconsolo (Figaro); Avery Amereau (Cherubino); Monica Bacelli (Marcellina); Bruce Rankin (Don Basilio); Fabrice Farina (Don Curzio); Balint Szabo (Bartolo); Mélody Louledjian (Barbarina); Romaric Braun (Antonio); Recorded on September 21, 2017 at the Grand Théâtre de Genéve; Directed by Andy Sommer (182 min)

      • InterMezzo

        (23 min)

      • Samson by Haendel at the Misteria Paschalia Festival in Krakow

        Dunedin Consort, Polish Radio Choir, John Butt (conductor); Eleanor Dennis (Dalila), Fflur Wyn (Virgin - Israelite), Charlotte Ashley (Virgin - Philistine), Caitlin Hulcup (Micah), James Way (Samson), Hugo Hymas (Israelite), Matthew Brook (Manoah), Vitali Rozynko (Harapha); Georg Friderich Haendel (1685- 1759); Samson; Recorded on April 1st, 2018, at the Misteria Paschalia Festival, Krakow; TV Director, Jean-Pierre Loisil (197 min)

      • InterMezzo

        (38 min)

      • La Bayadére by Marius Petipa, Kiev ballet

        La Bayadére; Marius Petipa, Libretto and choreography, Ludwig Minkus, music; Valery Kovtun's version; Ballet Master of the production, Valery Kovtun; Staging, Alla Vysotska; Scenography, Vyacheslav Okunev; Lights desinger, Taras Shevchenko National Academic Opera and Ballet Theatre of Ukraine orchestra; Mykola Diadiura, Conductor; With the Kiev ballet; And; Nataliia Matsak (Nikiya); Vladyslav Ivashchenko (Dugmanta, Rajah of Golconde); Olga Golytisia (Gamzatti, Dugmanta's daughter); Matthew Golding (Solor, noble warrior); Sergii Lytvynenko (Hight Brahmin); Vitalii Netrunenko (Magedaveya, fakir); Lina Volodina (Manu); Nadiia Malenko (Aya, slave); Raisa Betankourt, Mariia Nelen (Gumpe); Ieliza Veta Gogidze, Volodymyr Kutuzov, Viacheslav Stelmakh (Dance with drum); Oleksandr Skulkin (Bronze idol); Iryna Borysova, Kateryna Kurchenko, Ganna Muromtseva (pas de trois); Iryna Borysova, Alina Dulesova, Kateryna Kurchenko, Ganna Muromtseva (Pas d'action); Denys Odintsov (Solor's friend); Recorded on February 17th 2018 at the Taras Shevchenko National Academic Opera and Ballet Theatre of Ukraine; TV Director, Laurent Gentot (127 min)

      • InterMezzo

        (105 min)

      • Il Barbiere di Siviglia by Rossini at the Grand Théâtre de Genéve

        Il Barbiere di Siviglia, opera buffa in two acts by Gioachino Rossini (1792 - 1868); Libretto by Cesare Sterbini based on 'Le Barbier de Séville' by Pierre-Augustin Caron de Beaumarchais; First performance in Rome, Teatro Argentina, 20 February 1816; Orchestre de la Suisse Romande, Jonathan Nott (Conductor); Chorus of the Grand Théâtre de Genéve, Alan Woodbridge (Chorus Master); Sam Brown (Stage Director); Bogdan Mihai (Il Conte di Almaviva); Bruno Taddia (Figaro); Lena Belkina (Rosina); Bruno de Simone (Bartolo); Marco Spotti (Basilio); Mary Feminear (Berta); Rodrigo Garcia (Fiorello); Aleksandar Chaveev (Un Ufficiale); Peter Baekeun (Ambrogio); Furio Longhi (Il Notario); Recorded on September 20, 2017 at the Grand Théâtre de Genéve; Directed by Isabelle Soulard (158 min)

      • InterMezzo

        (17 min)

      • Esbjörn Svensson Trio at Nalen, Stockholm

        Esbjörn Svensson Trio; Esbjörn Svensson (piano), Dan Berglund (bass); Magnus Oström (Drums); Playlist; Good morning Susie Soho; From Gagarin's point of view; definitio of a dog; the fce of love; bowling; dodge the dodo; 'round midnight; bernsha swing; Recorded on December 10th 2000 at Nalen, Stockholm; TV Direction, Paul Möllerstedt, Johan Larsson, Petter Persson, Bobo Ericzén, Mans Dahlkvist, Tobias Anerhult (95 min)

      • InterMezzo

        (24 min)

      • Misteria Paschalia: Sacred works by Antonio Nola

        Cappella Neapolitana, Antonio Florio (conductor); Leslie Visco (soprano), Anna Zawisza (soprano), Marta Fumagalli (alto), Alessio Tosi (tenor), Giuseppe Naviglio (bass); Antonio Nola (1642 -?); Tristes erant Apostoli; Homo et Angelus; Ecce Nunc Bened?cite; Stabat Mater; Sacramento Laudes; Pietro Marchitelli (1643 - 1729); Concerto grosso no. 11 in A minor; Recorded on April 19, 2019 at the ICE Kraków Congress Centre as part of the Misteria Paschalia Festival 2019; TV Director, Jean-Pierre Loisil (58 min)

      • Draghi: Il terremoto, by Vincent Dumestre - Misteria Paschalia

        Le Poéme Harmonique, Arte dei Suonatori, Vincent Dumestre (Conductor); Antonio Draghi (1634- 1700); Il terremoto; Recorded on April 12, 2017 at the Saint Catherine Church, Krakow, during the Misteria Paschalia Festival; Directed by Jean-Pierre Loisil (80 min)