• Mezzo Live HD

    • Mezzo Live HD od do

      • Opening concert of the Zaryadye Hall in Moscow

        Mariinsky Theater Orchestra, Valery Gergiev (Conductor); Daniil Trifonov (piano), Denis Matsuev (piano), Anna Netrebko (soprano), Yusif Eyvazov (tenor), Ildar Abdrazakov (bass); Modest Mussorgsky; Prelude to Khovantchina; Pictures of an exhibition; Nikolai Rimsky-Korsakov; The Tsar's Bride, Air of Marfa; Piotr Tchaikovsky; Iolanta, duo and final; Sergei Rachmaninov; Variations on a theme of Paganini; Modest Mussorgsky; Boris Godounov, air of Boris; Sergei Prokofiev; Concerto for piano and orchestra n ° 2; Rodion Shchedrin; Solemn Overture; Recorded at the Zaryadye Hall, Moscow, 8 September 2018; TV Director, François-René Martin 29.05.2020 (108 min)

      • InterMezzo

        (50 min)

      • Lulu by Berg at the Metropolitan Opera

        Lulu; Opera in a prologue and three acts by Alban Berg (1885 - 1935) (completed by Friedrich Cerha); Libretto by Alban Berg after Franz Wedekind's plays 'Erdgeist' and 'Die Büchse der Pandora'; First performance in Zürich, Stadtheater, 2 June 1937; The Metropolitan Opera Orchestra & Chorus, Lothar Koenigs (Conductor); William Kentridge (Stage Director); Catherine Meyburgh (Production Designer); Sabine Theunissen (Sets), Greta Goiris (Costumes), Urs Schönebaum (Lighting); Marlis Petersen (Lulu); Johan Reuter (Dr. Schön | Jack the Ripper); Susan Graham (Countess Geschwitz); Daniel Brenna (Alwa); Franz Grundheber (Schigolch); Martin Winkler (Animal Tamer | Acrobat); Paul Groves (Painter | African Prince); James Courtney (Physician | Professor | Policeman); Alan Oke (Prince | Manservant | Marquis); Elizabeth DeShong (Dresser | Schoolboy | Page); Julian Close (Theater Manager | Banker); Tyler Duncan (Journalist); Paul Corona (Servant); Kathryn Day (Designer); Ashley Emerson (Girl); Jane Shaulis (Mother); Recorded at the Metropolitan Opera, New York, 9 November 2015 (182 min)

      • E.J. Strickland Quintet - Jazz en Tete

        E.J. STrickland Quintet; Enoch Jamal 'E.J.' Strickland, drums; Godwin Louis, alto saxophone; Marcus Strickland, Saxophone; Taber Gable, Piano; Josh Ginsburg, Bass; Over about ten years, the drummer E.J. Strickland has appeared on more than 60 albums. He has toured with Cassandra Wilson, Terence Blanchard, Wynton Marsalis, Vincent Herring, Nnenna Freelon, to mention but a few. With his twin brother, the saxophonist Marcus Strickland, co-leader of the group, he is certainly one of the most innovative entertainers of the new generation. Recorded on October 27th at the Festival Jazz en Tete; TV Director, Gilles Le Mao 30.05.2020 (59 min)

      • InterMezzo

        (60 min)

      • Simon Rattle and the Berlin Philharmonic Orchestra: Strauss, Berg, Ravel, Stravinsky

        Berliner Philharmoniker, Simon Rattle (Conductor); Elina Garanca (mezzo-soprano); Richard Strauss (1864 - 1949); Don Juan op. 20; Alban Berg (1885 - 1935); Sieben frühe Lieder for voice and orchestra; Maurice Ravel (1875 - 1937); Shéhérazade; Igor Stravinsky (1882 - 1971); Pétrouchka (1947); Recorded at the Festspielhaus, Baden-Baden, 25 March 2019; Directed by Nele Münchmeyer (92 min)

      • Victor Julien-Laferriére and Jonas Vitaud at the Fondation Louis Vuittton: Rachmaninov, Denisov, Shostakovich

        Victor Julien-Laferriére (cello), Jonas Vitaud (piano); Sergei Rachmaninov (1873 - 1943); Cello Sonata op.19; Edison Denisov (1929 - 1996); Variations on theme by Schubert; Dmitri Chostakovitch (1906 - 1975); Cello Sonata op.40; Enregistré á la Fondation Louis Vuitton, Paris, le 29 novembre 2019 (90 min)

      • InterMezzo

        (55 min)

      • Alexandre Kantorow at the Fondation Louis Vuitton: Brahms, Bartok, Fauré, Liszt

        Alexandre Kantorow (piano); Johannes Brahms (1833 - 1897); Rhapsody no 1, op.79; Franz Liszt (1811 - 1886); Chasse Neige (Douze études d'exécution transcendante); Béla Bartók (1881 - 1945); Rhapsody for Piano op.1; Johannes Brahms; Piano Sonata no 2, Op. 2; Gabriel Fauré (1845 - 1924); Nocturne no 6, op. 63; Enregistré le 23 septembre 2019 á la Fondation Louis Vuitton, Paris (90 min)

      • A lute recital with Thomas Dunford: Dowland, Kapsberger, Dalza

        Thomas Dunford (Lute); John Dowland (1563 - 1623); Preludium; Fortune; A fancy; Semper Dowland semper dolens; Mrs Winter's Jump; A Dream; The King of Denmark, his Galliard; Giovanni Kapsberger (1580 - 1651); Toccata no 6 (Libro primo d'intavolatura di lauto); Toccata no 1 (Libro primo d'intavolatura di lauto); Joan Ambrosio Dalza (d. 1508); Calate ala spagnola; John Dowland (1563 - 1623); Melancholy Galliard; Round Battle Galliard; La mia Barbara; Come again! Sweet love doth now invite; The Frog Galliard; Lachrimae; Recorded on 20 & 22 April, 2017 at the Wigmore Hall, London; Directed by Frédéric Caillierez (70 min)

      • InterMezzo

        (49 min)

      • Valery Gergiev and the Mariinsky Orchestra: Prokofiev, Shostakovich

        Mariinsky Orchestra, Valery Gergiev (Conductor); Denis Matsuev (piano); Sergei Prokofiev (1891 - 1953); Piano Concerto no 2; Dmitri Shostakovich (1906 - 1975); Symphony no 5; Recorded at the Zaryadye Hall, Moscow, 4 November 2019; Directed by Corentin Leconte (76 min)

      • Opening concert of the Zaryadye Hall in Moscow

        Mariinsky Theater Orchestra, Valery Gergiev (Conductor); Daniil Trifonov (piano), Denis Matsuev (piano), Anna Netrebko (soprano), Yusif Eyvazov (tenor), Ildar Abdrazakov (bass); Modest Mussorgsky; Prelude to Khovantchina; Pictures of an exhibition; Nikolai Rimsky-Korsakov; The Tsar's Bride, Air of Marfa; Piotr Tchaikovsky; Iolanta, duo and final; Sergei Rachmaninov; Variations on a theme of Paganini; Modest Mussorgsky; Boris Godounov, air of Boris; Sergei Prokofiev; Concerto for piano and orchestra n ° 2; Rodion Shchedrin; Solemn Overture; Recorded at the Zaryadye Hall, Moscow, 8 September 2018; TV Director, François-René Martin 29.05.2020 (108 min)

      • InterMezzo

        (10 min)

      • El Comité - Jazz in Marciac

        El Comité; Carlos Sarduy trumpet; Irving Acao saxophone; Harold López-nussa keyboard, piano; Rolando Luna claviers, piano; Gaston Joya basse, double bass; Rodney Barreto drums; Yaroldy Abreu percussion; Here are at least are 7 good reasons to listen to El Comité: Harold Lopez-Nussa, Rolando Luna, Rodney Barreto, Yaroldy Abreu, Gaston Joya, Carlos Sarduy and Irving Acao! Considered as being part of the most brilliant and renowned Cuban musicians of their generation, this band of 7 had the excellent idea of composing an album entitled ' Y que!? (So What) ', nine pieces which reflect the diversity of influences and rhythms of El Comité. Afrobeat, funk, Latin jazz, ballades a ' Cuban groove Siglo 21 ' to put between all ears, impressive compositions, revivals marked El Comité, always stamped with the fluidity and energy which characterises this group. Despite their youth, their 15 or 20 years on the international stage for most of them, gives a veritable maturity to this album. The harmonies and thematic structures are an ample illustration. And finally, on stage, it is always a real pleasure to see El Comité developing where their overflowing energy and musical generosity rapidly becomes contagious. Recorded on July 29, 2019 at Jazz in Marciac; TV Director, (60 min)

      • The Rosenberg Family Project - Jazz in Marciac

        The Rosenberg Family Project; The Rosenbergs; Mozes Rosenberg guitar solo; Johnny Rosenberg rythmic guitar; Sani van Mullem double bass; The Rosenberg trio; Stochelo Rosenberg guitar solo; Nous'che Rosenberg rythmic guitar; Nonnie Rosenberg double bass; In the world of gipsy jazz, Stochelo Rosenberg stands out as a virtuoso tempered by a natural elegance meaning he never overdoes things. With him, the competitive cutting guitar playing mixes in with a kind of nervous and swinging poetry where the themes from the traditional repertoire alternate with the most unexpected revivals. In the Rosenberg family, everyone is made for extended improvisation, they devote themselves to their high-speed chases with such elegance and implication that we find ourselves rediscovering pleasures procured through this craftsmanship of oral transmission, served up by devils who play like gods; Recorded on July 31, 2019 at Jazz in Marciac; TV Director, (60 min)

      • Gilberto Gil - Jazz in Marciac

        Gilberto Gil; Gilberto Gil guitar, voice; Thiagô Queiroz saxophone, flute; Diogo Gomes trumpet, bugle; Bem Gil musical director, guitar, voice; Danilo Andrade keyboard, piano; Bruno Di Lullo bass; Jose Gil batterie, percussion; Domenico Lancellotti drums, percussion; Nara Gil voice, chorus; Roberta Sá voice; Guitarist, singer and composer, emblematic figure of Brazilian music, Gilberto Passos Gil Moreira, known as Gilberto Gil, began as a bossa nova singer, but above all made a name for himself by composing and performing with his friend Caetano Veloso, songs focusing on politics and social engagement. Made famous by his participation in the 1960's, in the Tropicalist Movement, he was imprisoned, and forced into exile by the military regime established in 1964. Once back in Brazil, he went into politics whilst continuing his artistic career. Municipal Councilor in Salvador de Bahia he then became Minister of culture for the government of Lula da Silva. His return to Marciac where he presented his latest album marked the apotheosis of an evening entirely devoted to popular Brazilian music. From muted sambas to classy bossas, they are part of popular Brazilian music that the musician in his seventies has always stood up for. An accessible, captivating, natural music which from the first notes already appears to be familiar to us. Recorded on August 05, 2019 at Jazz in Marciac; TV Director, (60 min)

      • InterMezzo

        (28 min)

      • Tristan und Isolde by Richard Wagner at the Staatsoper Berlin

        Tristan und Isolde; Drama in three acts by Richard Wagner (1813 - 1883); Libretto by Richard Wagner; First performance in Munich, Hof- und Nationaltheater, 10 June 1865; Staatskapelle Berlin, Daniel Barenboim (Conductor); Dmitri Tcherniakov (Stage Direction); Andreas Schager (Tristan); Stephen Milling (King Marke); Anja Kampe (Isolde); Boaz Daniel (Kurwenal); Stephan Rügamer (Melot); Ekaterina Gubanova (Brangäne); Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin; TV Director, Andy Sommer (253 min)

      • InterMezzo

        (16 min)

      • Riccrado Muti and the Berlin Philharmonic Orchestra: Requiem by Verdi

        Berliner Philharmoniker, Riccardo Muti (conductor); Chor des Bayerischen Rundfunks; Elina Garanca (mezzo-soprano), Vittoria Yeo (soprano), Francesco Meli (tenor), Ildar Abdrazakov (bass); Giuseppe Verdi (1813 - 1901); Messa da Requiem; Recorded at the Festspielhaus, Baden-Baden, 14 & 20 April 2019; Directed by Nele Münchmeyer (92 min)

      • Valery Gergiev and the Munich Philharmonic: Brahms and Bruckner

        Munich Phiharmonic Orchestra, Valery Gergiev (conductor); Janine Jansen (violin); Johannes Brahms (1833 - 1897); Violin Concerto in D major op. 77; Anton Bruckner (1824 - 1896); Symphony no. 4 in E flat major 'Romantic'; Recoded on September 22 nd and 23rd, 2015 at the Philharmonie im Gasteig, Munich; TV Director, François-René Martin (119 min)

      • Roy Hargrove Quintet - Jazz en Tete

        Roy Hargrove quintet; Roy Hargrove, Bugle, Trumpet; Justin Robinson, Flute, Saxophone; Ameen Saleem, Bass; Quincy Phillips, drums; Tadataka Unno, Piano; The trumpeter and singer Roy Hargrove has asserted himself as one of the most important jazz musicians for thirty years. Always there where you are least expecting him to be, Roy Hargrove refines his music by invention and reinvention. He is immensely seductive and gives mammoth concerts and happiness to all generations...His flamboyant post-bop quintet tinted with groove is the very quintessence of the original jazz movement. Recorded on October 28th at the Festival Jazz en Tete; TV Director, Guillaume Dero 31.05.2020 (57 min)

      • InterMezzo

        (16 min)

      • Luisa Miller by Verdi at the Metropolitan Opera

        Luisa Miller; 'Melodramma tragico' in three acts by Giuseppe Verdi (1813 - 1901); Libretto by Salvator Cammarano, after Friedrich von Schiller's play 'Kabale un Liebe'. First performance in Naples, Teatro San Carlo, 8 December 1849; The Metropolitan Opera Orchestra & Chorus, Bertrand de Billy (Conductor); Elijah Moshinsky, Gregory Keller (Stage Director); Santo Loquasto (Sets), Duane Schuler (Lighting Designer), Sonya Yoncheva (Luisa); Piotr Beczala (Rodolfo); Plácido Domingo (Miller); Alexander Vinogradov (Count Walter); Dmitry Belosselskiy (Wurm); Olesya Petrova (Federica); Rihab Chaieb (Laura); Patrick Miller (Peasant); Recorded at the Metropolitan Opera, New York, 14 April 2018; Directed by Matthew Diamond (147 min)