• Mezzo Live HD

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      • Tristan und Isolde by Richard Wagner at the Staatsoper Berlin

        Tristan und Isolde; Drama in three acts by Richard Wagner (1813 - 1883); Libretto by Richard Wagner; First performance in Munich, Hof- und Nationaltheater, 10 June 1865; Staatskapelle Berlin, Daniel Barenboim (Conductor); Dmitri Tcherniakov (Stage Direction); Andreas Schager (Tristan); Stephen Milling (King Marke); Anja Kampe (Isolde); Boaz Daniel (Kurwenal); Stephan Rügamer (Melot); Ekaterina Gubanova (Brangäne); Recorded on March 18, 2018 at the Staatsoper unter der Linden, Berlin; TV Director, Andy Sommer (253 min)

      • InterMezzo

        (16 min)

      • Riccrado Muti and the Berlin Philharmonic Orchestra: Requiem by Verdi

        Berliner Philharmoniker, Riccardo Muti (conductor); Chor des Bayerischen Rundfunks; Elina Garanca (mezzo-soprano), Vittoria Yeo (soprano), Francesco Meli (tenor), Ildar Abdrazakov (bass); Giuseppe Verdi (1813 - 1901); Messa da Requiem; Recorded at the Festspielhaus, Baden-Baden, 14 & 20 April 2019; Directed by Nele Münchmeyer (92 min)

      • Valery Gergiev and the Munich Philharmonic: Brahms and Bruckner

        Munich Phiharmonic Orchestra, Valery Gergiev (conductor); Janine Jansen (violin); Johannes Brahms (1833 - 1897); Violin Concerto in D major op. 77; Anton Bruckner (1824 - 1896); Symphony no. 4 in E flat major 'Romantic'; Recoded on September 22 nd and 23rd, 2015 at the Philharmonie im Gasteig, Munich; TV Director, François-René Martin (119 min)

      • Roy Hargrove Quintet - Jazz en Tete

        Roy Hargrove quintet; Roy Hargrove, Bugle, Trumpet; Justin Robinson, Flute, Saxophone; Ameen Saleem, Bass; Quincy Phillips, drums; Tadataka Unno, Piano; The trumpeter and singer Roy Hargrove has asserted himself as one of the most important jazz musicians for thirty years. Always there where you are least expecting him to be, Roy Hargrove refines his music by invention and reinvention. He is immensely seductive and gives mammoth concerts and happiness to all generations...His flamboyant post-bop quintet tinted with groove is the very quintessence of the original jazz movement. Recorded on October 28th at the Festival Jazz en Tete; TV Director, Guillaume Dero 31.05.2020 (57 min)

      • InterMezzo

        (16 min)

      • Luisa Miller by Verdi at the Metropolitan Opera

        Luisa Miller; 'Melodramma tragico' in three acts by Giuseppe Verdi (1813 - 1901); Libretto by Salvator Cammarano, after Friedrich von Schiller's play 'Kabale un Liebe'. First performance in Naples, Teatro San Carlo, 8 December 1849; The Metropolitan Opera Orchestra & Chorus, Bertrand de Billy (Conductor); Elijah Moshinsky, Gregory Keller (Stage Director); Santo Loquasto (Sets), Duane Schuler (Lighting Designer), Sonya Yoncheva (Luisa); Piotr Beczala (Rodolfo); Plácido Domingo (Miller); Alexander Vinogradov (Count Walter); Dmitry Belosselskiy (Wurm); Olesya Petrova (Federica); Rihab Chaieb (Laura); Patrick Miller (Peasant); Recorded at the Metropolitan Opera, New York, 14 April 2018; Directed by Matthew Diamond (147 min)

      • InterMezzo

        (86 min)

      • El Comité - Jazz in Marciac

        El Comité; Carlos Sarduy trumpet; Irving Acao saxophone; Harold López-nussa keyboard, piano; Rolando Luna claviers, piano; Gaston Joya basse, double bass; Rodney Barreto drums; Yaroldy Abreu percussion; Here are at least are 7 good reasons to listen to El Comité: Harold Lopez-Nussa, Rolando Luna, Rodney Barreto, Yaroldy Abreu, Gaston Joya, Carlos Sarduy and Irving Acao! Considered as being part of the most brilliant and renowned Cuban musicians of their generation, this band of 7 had the excellent idea of composing an album entitled ' Y que!? (So What) ', nine pieces which reflect the diversity of influences and rhythms of El Comité. Afrobeat, funk, Latin jazz, ballades a ' Cuban groove Siglo 21 ' to put between all ears, impressive compositions, revivals marked El Comité, always stamped with the fluidity and energy which characterises this group. Despite their youth, their 15 or 20 years on the international stage for most of them, gives a veritable maturity to this album. The harmonies and thematic structures are an ample illustration. And finally, on stage, it is always a real pleasure to see El Comité developing where their overflowing energy and musical generosity rapidly becomes contagious. Recorded on July 29, 2019 at Jazz in Marciac; TV Director, (60 min)

      • The Rosenberg Family Project - Jazz in Marciac

        The Rosenberg Family Project; The Rosenbergs; Mozes Rosenberg guitar solo; Johnny Rosenberg rythmic guitar; Sani van Mullem double bass; The Rosenberg trio; Stochelo Rosenberg guitar solo; Nous'che Rosenberg rythmic guitar; Nonnie Rosenberg double bass; In the world of gipsy jazz, Stochelo Rosenberg stands out as a virtuoso tempered by a natural elegance meaning he never overdoes things. With him, the competitive cutting guitar playing mixes in with a kind of nervous and swinging poetry where the themes from the traditional repertoire alternate with the most unexpected revivals. In the Rosenberg family, everyone is made for extended improvisation, they devote themselves to their high-speed chases with such elegance and implication that we find ourselves rediscovering pleasures procured through this craftsmanship of oral transmission, served up by devils who play like gods; Recorded on July 31, 2019 at Jazz in Marciac; TV Director, (60 min)

      • Gilberto Gil - Jazz in Marciac

        Gilberto Gil; Gilberto Gil guitar, voice; Thiagô Queiroz saxophone, flute; Diogo Gomes trumpet, bugle; Bem Gil musical director, guitar, voice; Danilo Andrade keyboard, piano; Bruno Di Lullo bass; Jose Gil batterie, percussion; Domenico Lancellotti drums, percussion; Nara Gil voice, chorus; Roberta Sá voice; Guitarist, singer and composer, emblematic figure of Brazilian music, Gilberto Passos Gil Moreira, known as Gilberto Gil, began as a bossa nova singer, but above all made a name for himself by composing and performing with his friend Caetano Veloso, songs focusing on politics and social engagement. Made famous by his participation in the 1960's, in the Tropicalist Movement, he was imprisoned, and forced into exile by the military regime established in 1964. Once back in Brazil, he went into politics whilst continuing his artistic career. Municipal Councilor in Salvador de Bahia he then became Minister of culture for the government of Lula da Silva. His return to Marciac where he presented his latest album marked the apotheosis of an evening entirely devoted to popular Brazilian music. From muted sambas to classy bossas, they are part of popular Brazilian music that the musician in his seventies has always stood up for. An accessible, captivating, natural music which from the first notes already appears to be familiar to us. Recorded on August 05, 2019 at Jazz in Marciac; TV Director, (60 min)

      • InterMezzo

        (30 min)

      • Michel Dalberto plays Ravel

        Michel Dalberto (piano); Maurice Ravel (1875 - 1937); Sonatine; Valses nobles et sentimentales; Miroirs; Gaspard de la nuit; Recorded at the Fondation Louis Vuitton, Paris, 12 April 2019; TV Director, Guillaume L'Hôte (73 min)

      • Riccrado Muti and the Berlin Philharmonic Orchestra: Requiem by Verdi

        Berliner Philharmoniker, Riccardo Muti (conductor); Chor des Bayerischen Rundfunks; Elina Garanca (mezzo-soprano), Vittoria Yeo (soprano), Francesco Meli (tenor), Ildar Abdrazakov (bass); Giuseppe Verdi (1813 - 1901); Messa da Requiem; Recorded at the Festspielhaus, Baden-Baden, 14 & 20 April 2019; Directed by Nele Münchmeyer (92 min)

      • InterMezzo

        (40 min)

      • Alexandre Kantorow at the Fondation Louis Vuitton: Brahms, Bartok, Fauré, Liszt

        Alexandre Kantorow (piano); Johannes Brahms (1833 - 1897); Rhapsody no 1, op.79; Franz Liszt (1811 - 1886); Chasse Neige (Douze études d'exécution transcendante); Béla Bartók (1881 - 1945); Rhapsody for Piano op.1; Johannes Brahms; Piano Sonata no 2, Op. 2; Gabriel Fauré (1845 - 1924); Nocturne no 6, op. 63; Enregistré le 23 septembre 2019 á la Fondation Louis Vuitton, Paris (90 min)

      • A lute recital with Thomas Dunford: Dowland, Kapsberger, Dalza

        Thomas Dunford (Lute); John Dowland (1563 - 1623); Preludium; Fortune; A fancy; Semper Dowland semper dolens; Mrs Winter's Jump; A Dream; The King of Denmark, his Galliard; Giovanni Kapsberger (1580 - 1651); Toccata no 6 (Libro primo d'intavolatura di lauto); Toccata no 1 (Libro primo d'intavolatura di lauto); Joan Ambrosio Dalza (d. 1508); Calate ala spagnola; John Dowland (1563 - 1623); Melancholy Galliard; Round Battle Galliard; La mia Barbara; Come again! Sweet love doth now invite; The Frog Galliard; Lachrimae; Recorded on 20 & 22 April, 2017 at the Wigmore Hall, London; Directed by Frédéric Caillierez (70 min)

      • InterMezzo

        (71 min)

      • David Parsons Dance Company - Teatro Malibran, La Fenice

        David Parsons Dance Company; Choreographer, David Parsons; Lights, Howell Bimkley; The Envelope (1986); Music, Gioachino Rossini; Costume, Judy Wirkula; Hand Dance (2003); Original music, Kenji Bunch; Costume, David Parsons; Finding center (2015); Music, Thomas Newman; Visual Art, Rita Blitt; Costume, Natomi Luppescu; Caught (1982); Music, Robert Fripp 'Let the Power fall'; Costume, Judy Wirkula; Lighting concept, David Parsons; In the End (2005); Music, Dave Matthews Band; Costume, Mia McSwain; Recorded on March 17th and 18tg 2017 at the Theatro Malibran (Fenice), Venice; TV Director, Yan Proefrock (88 min)

      • The Nutcracker - Choreography Ben Stevenson - La Fenice

        The Nutcracker; Music composer; Pyotr Ilyich Tchaikovsky; Choreography; Ben Stevenson; Libretto; Marius Petipa - Ivan Aleksandrovic Vsevolozskij; Based on; The Nutcracker and the Mouse King; Ernst Theodor Amadeus Hoffmann; And; The story of a Nutcracker; Alexandre Dumas Pére; Creation in Saint Petersburg, Mariinsky Theatre, on December 18th, 1892; First performance with Ben Stevenson's choreography in Houston, Jones Hall, on December 5th, 1976; Production Estonian National Ballet; Stage director; Timothy O'Keefe; Costume designer and set; Thomas Boyd; Light designer; Tiit Urvik; Music direction; Mihhail Gerts; Orchestra; Orchestra del Teatro La Fenice; Choir; Piccoli Cantori Veneziani; Choir Maestro; Diana D'Alessio; The Prince; Vladislav Lantratov; (The Bolshoi Theatre); Snow Queen; Galina Laush; Sugar Plum Fairy; Alena Shkatula; Clara; Svetlana Danilova; Fritz; Bruno Micchiardi; Drosselmeyer; Viktor Yelisseyev; The Nutcracker; Michele Pellegrini; Spanish dance; Daria Günter; Viktor Yelisseyev; Matteo Di Loreto; Arabian dance; Heidi Kopti; Alexander Kanaplyov; Chinese dance; Daniel Kirspuu; Michele Pellegrini; Mirlitons; Nanae Maruyama; Anastassia Savela; Jonathan Hanks; Trepak; Sergey Upkin; Mme Bonbonaire; Vitaly Nikolayev; Flower waltz soloists; Marika Muiste; Maxim Chukaryov; Troupe of the Estonian National Ballet; Tallinn Ballet School students; Film director / Réalisation; Stéphane Vérité; GENERIQUE FIN; Film director / Réalisation; Stéphane Vérité; Executive producer / Production déléguée; Jean-Romain Sales; 31.05.2020 (93 min)

      • InterMezzo

        (55 min)

      • Prokofiev's Betrothal in a Monastery at the Staatsoper Berlin

        Betrothal in a Monastery; Lyrico-comic opera by Sergey Prokofiev (1891 - 1953); Libretto by Sergei Prokofiev and Mira Mendelson after 'The Duenna' by Richard Sheridan; First performance in Prague, National Opera Theatre, 5 May 1946; Staatskapelle Berlin, Daniel Barenboim (Conductor); Staatsopernchor; Martin Wright (Chorus master); Dmitri Tcherniakov (Stage Direction, Sets); Elena Zaytseva (Costumes), Gleb Filshtinsky (Lighting); Stephan Rügamer (Don Jeronimo); Aida Garifullina (Luisa); Andrei Zhilikhovsky (Don Ferdinand); Violeta Urmana (La Duenna); Goran Jurić (Mendoza); Anna Goryachova (Clara D'Almanza); Lauri Vasar (Don Carlo); Arttu Kataja (Padre Augustin); Recorded at the Staatsoper Berlin, on April 24, 2019; TV Director, Andy Sommer (169 min)

      • Steve Coleman & the Council of Balance - Jazz á la Villette

        Steve Coleman & The Council of Balance; Steve Coleman - alto saxophone; Jonathan Finlayson - trumpet; Jen Shyu - lyric; Rane Moore - clarinet, bass clarinet; Maria Grand - tenor saxophone; Mike Lormand - trombone; Kristin Lee - violin; David Bryant - piano; Miles Okazaki - guitar; Anthony Tidd - bass guitar; Greg Chudzik - bass guitar; Sean Rickman - drums; Alex Lipowski - drums; Barry J. Crawford - flute; Jeffrey Missal - trompet; Elizabeth Weisser - viola; Jay Campbell - Cello; Recorded at La Villette Jazz Festival on September 5th 2015; TV Director, Samuel Thiebaut (71 min)

      • InterMezzo

        (46 min)

      • Valery Gergiev conducts Tchaikovsky at the Zaryadye Hall: Symphonies No 1 & 4

        Mariinsky Orchestra, Valery Gergiev (Conductor); Piotr I. Tchaikovsky (1840 - 1893); Symphony No. 1 in G minor, 'Winter Daydreams', op. Symphony No. 4 in F minor, op. Recorded at the Zaryadye Hall, Moscow, 7 September 2019; TV Director, François-René Martin (99 min)

      • Valery Gergiev and the Mariinsky Orchestra: Shchedrin and Mussorgsky

        Mariinsky Orchestra, Valery Gergiev (Conductor); Denis Matsuev (piano); Rodion Shchedrin (b. 1932); Piano Concerto no 2; Symphonic Diptych; Modest Mussorgsky (1839 - 1881); Pictures at an Exhibition (orch. Maurice Ravel); Recorded at the Zaryadye Hall, Moscow, 4 November 2019; Directed by Corentin Leconte (77 min)