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      • Gilberto Gil - Jazz in Marciac

        Gilberto Gil; Gilberto Gil guitar, voice; Thiagô Queiroz saxophone, flute; Diogo Gomes trumpet, bugle; Bem Gil musical director, guitar, voice; Danilo Andrade keyboard, piano; Bruno Di Lullo bass; Jose Gil batterie, percussion; Domenico Lancellotti drums, percussion; Nara Gil voice, chorus; Roberta Sá voice; Guitarist, singer and composer, emblematic figure of Brazilian music, Gilberto Passos Gil Moreira, known as Gilberto Gil, began as a bossa nova singer, but above all made a name for himself by composing and performing with his friend Caetano Veloso, songs focusing on politics and social engagement. Made famous by his participation in the 1960's, in the Tropicalist Movement, he was imprisoned, and forced into exile by the military regime established in 1964. Once back in Brazil, he went into politics whilst continuing his artistic career. Municipal Councilor in Salvador de Bahia he then became Minister of culture for the government of Lula da Silva. His return to Marciac where he presented his latest album marked the apotheosis of an evening entirely devoted to popular Brazilian music. From muted sambas to classy bossas, they are part of popular Brazilian music that the musician in his seventies has always stood up for. An accessible, captivating, natural music which from the first notes already appears to be familiar to us. Recorded on August 05, 2019 at Jazz in Marciac; TV Director, (60 min)

      • InterMezzo

        (60 min)

      • David Parsons Dance Company - Teatro Malibran, La Fenice

        David Parsons Dance Company; Choreographer, David Parsons; Lights, Howell Bimkley; The Envelope (1986); Music, Gioachino Rossini; Costume, Judy Wirkula; Hand Dance (2003); Original music, Kenji Bunch; Costume, David Parsons; Finding center (2015); Music, Thomas Newman; Visual Art, Rita Blitt; Costume, Natomi Luppescu; Caught (1982); Music, Robert Fripp 'Let the Power fall'; Costume, Judy Wirkula; Lighting concept, David Parsons; In the End (2005); Music, Dave Matthews Band; Costume, Mia McSwain; Recorded on March 17th and 18tg 2017 at the Theatro Malibran (Fenice), Venice; TV Director, Yan Proefrock (88 min)

      • The Nutcracker - Choreography Ben Stevenson - La Fenice

        The Nutcracker; Music composer; Pyotr Ilyich Tchaikovsky; Choreography; Ben Stevenson; Libretto; Marius Petipa - Ivan Aleksandrovic Vsevolozskij; Based on; The Nutcracker and the Mouse King; Ernst Theodor Amadeus Hoffmann; And; The story of a Nutcracker; Alexandre Dumas Pére; Creation in Saint Petersburg, Mariinsky Theatre, on December 18th, 1892; First performance with Ben Stevenson's choreography in Houston, Jones Hall, on December 5th, 1976; Production Estonian National Ballet; Stage director; Timothy O'Keefe; Costume designer and set; Thomas Boyd; Light designer; Tiit Urvik; Music direction; Mihhail Gerts; Orchestra; Orchestra del Teatro La Fenice; Choir; Piccoli Cantori Veneziani; Choir Maestro; Diana D'Alessio; The Prince; Vladislav Lantratov; (The Bolshoi Theatre); Snow Queen; Galina Laush; Sugar Plum Fairy; Alena Shkatula; Clara; Svetlana Danilova; Fritz; Bruno Micchiardi; Drosselmeyer; Viktor Yelisseyev; The Nutcracker; Michele Pellegrini; Spanish dance; Daria Günter; Viktor Yelisseyev; Matteo Di Loreto; Arabian dance; Heidi Kopti; Alexander Kanaplyov; Chinese dance; Daniel Kirspuu; Michele Pellegrini; Mirlitons; Nanae Maruyama; Anastassia Savela; Jonathan Hanks; Trepak; Sergey Upkin; Mme Bonbonaire; Vitaly Nikolayev; Flower waltz soloists; Marika Muiste; Maxim Chukaryov; Troupe of the Estonian National Ballet; Tallinn Ballet School students; Film director / Réalisation; Stéphane Vérité; GENERIQUE FIN; Film director / Réalisation; Stéphane Vérité; Executive producer / Production déléguée; Jean-Romain Sales; 31.05.2020 (93 min)

      • Ari Hoenig Trio - Melbourne International Jazz Festival

        Ari Hoenig Trio; Ari Hoenig, drums; Nitai Hershkovits, piano; Or Bareket, bass; Ari Hoenig's thrilling live performances are renowned for being whole-of-body, whole-of-mind experiences. An intensely creative musician who is continuously exploring the melodic possibilities of the drum set, both as a player and a composer, Hoenig is unmatched for his 'expansive technique, propulsive time and deep musicality' (New York Times). Don't miss Hoenig's boldly uncompromising new trio as they take live improvisation into exhilarating new territories. Recorded on June 4th 2017 at The Jazzlab, Melbourne International Jazz Festival, Australia; TV Director, Mathieu Mastin (45 min)

      • InterMezzo

        (70 min)

      • El Comité - Jazz in Marciac

        El Comité; Carlos Sarduy trumpet; Irving Acao saxophone; Harold López-nussa keyboard, piano; Rolando Luna claviers, piano; Gaston Joya basse, double bass; Rodney Barreto drums; Yaroldy Abreu percussion; Here are at least are 7 good reasons to listen to El Comité: Harold Lopez-Nussa, Rolando Luna, Rodney Barreto, Yaroldy Abreu, Gaston Joya, Carlos Sarduy and Irving Acao! Considered as being part of the most brilliant and renowned Cuban musicians of their generation, this band of 7 had the excellent idea of composing an album entitled ' Y que!? (So What) ', nine pieces which reflect the diversity of influences and rhythms of El Comité. Afrobeat, funk, Latin jazz, ballades a ' Cuban groove Siglo 21 ' to put between all ears, impressive compositions, revivals marked El Comité, always stamped with the fluidity and energy which characterises this group. Despite their youth, their 15 or 20 years on the international stage for most of them, gives a veritable maturity to this album. The harmonies and thematic structures are an ample illustration. And finally, on stage, it is always a real pleasure to see El Comité developing where their overflowing energy and musical generosity rapidly becomes contagious. Recorded on July 29, 2019 at Jazz in Marciac; TV Director, (60 min)

      • The Rosenberg Family Project - Jazz in Marciac

        The Rosenberg Family Project; The Rosenbergs; Mozes Rosenberg guitar solo; Johnny Rosenberg rythmic guitar; Sani van Mullem double bass; The Rosenberg trio; Stochelo Rosenberg guitar solo; Nous'che Rosenberg rythmic guitar; Nonnie Rosenberg double bass; In the world of gipsy jazz, Stochelo Rosenberg stands out as a virtuoso tempered by a natural elegance meaning he never overdoes things. With him, the competitive cutting guitar playing mixes in with a kind of nervous and swinging poetry where the themes from the traditional repertoire alternate with the most unexpected revivals. In the Rosenberg family, everyone is made for extended improvisation, they devote themselves to their high-speed chases with such elegance and implication that we find ourselves rediscovering pleasures procured through this craftsmanship of oral transmission, served up by devils who play like gods; Recorded on July 31, 2019 at Jazz in Marciac; TV Director, 02.06.2020 (60 min)

      • Gilberto Gil - Jazz in Marciac

        Gilberto Gil; Gilberto Gil guitar, voice; Thiagô Queiroz saxophone, flute; Diogo Gomes trumpet, bugle; Bem Gil musical director, guitar, voice; Danilo Andrade keyboard, piano; Bruno Di Lullo bass; Jose Gil batterie, percussion; Domenico Lancellotti drums, percussion; Nara Gil voice, chorus; Roberta Sá voice; Guitarist, singer and composer, emblematic figure of Brazilian music, Gilberto Passos Gil Moreira, known as Gilberto Gil, began as a bossa nova singer, but above all made a name for himself by composing and performing with his friend Caetano Veloso, songs focusing on politics and social engagement. Made famous by his participation in the 1960's, in the Tropicalist Movement, he was imprisoned, and forced into exile by the military regime established in 1964. Once back in Brazil, he went into politics whilst continuing his artistic career. Municipal Councilor in Salvador de Bahia he then became Minister of culture for the government of Lula da Silva. His return to Marciac where he presented his latest album marked the apotheosis of an evening entirely devoted to popular Brazilian music. From muted sambas to classy bossas, they are part of popular Brazilian music that the musician in his seventies has always stood up for. An accessible, captivating, natural music which from the first notes already appears to be familiar to us. Recorded on August 05, 2019 at Jazz in Marciac; TV Director, (60 min)

      • InterMezzo

        (60 min)

      • Valery Gergiev and the Mariinsky Orchestra: Prokofiev, Shostakovich

        Mariinsky Orchestra, Valery Gergiev (Conductor); Denis Matsuev (piano); Sergei Prokofiev (1891 - 1953); Piano Concerto no 2; Dmitri Shostakovich (1906 - 1975); Symphony no 5; Recorded at the Zaryadye Hall, Moscow, 4 November 2019; Directed by Corentin Leconte (76 min)

      • Opening concert of the Zaryadye Hall in Moscow

        Mariinsky Theater Orchestra, Valery Gergiev (Conductor); Daniil Trifonov (piano), Denis Matsuev (piano), Anna Netrebko (soprano), Yusif Eyvazov (tenor), Ildar Abdrazakov (bass); Modest Mussorgsky; Prelude to Khovantchina; Pictures of an exhibition; Nikolai Rimsky-Korsakov; The Tsar's Bride, Air of Marfa; Piotr Tchaikovsky; Iolanta, duo and final; Sergei Rachmaninov; Variations on a theme of Paganini; Modest Mussorgsky; Boris Godounov, air of Boris; Sergei Prokofiev; Concerto for piano and orchestra n ° 2; Rodion Shchedrin; Solemn Overture; Recorded at the Zaryadye Hall, Moscow, 8 September 2018; TV Director, François-René Martin 29.05.2020 (108 min)

      • InterMezzo

        (21 min)

      • David Parsons Dance Company - Teatro Malibran, La Fenice

        David Parsons Dance Company; Choreographer, David Parsons; Lights, Howell Bimkley; The Envelope (1986); Music, Gioachino Rossini; Costume, Judy Wirkula; Hand Dance (2003); Original music, Kenji Bunch; Costume, David Parsons; Finding center (2015); Music, Thomas Newman; Visual Art, Rita Blitt; Costume, Natomi Luppescu; Caught (1982); Music, Robert Fripp 'Let the Power fall'; Costume, Judy Wirkula; Lighting concept, David Parsons; In the End (2005); Music, Dave Matthews Band; Costume, Mia McSwain; Recorded on March 17th and 18tg 2017 at the Theatro Malibran (Fenice), Venice; TV Director, Yan Proefrock (88 min)

      • The Nutcracker - Choreography Ben Stevenson - La Fenice

        The Nutcracker; Music composer; Pyotr Ilyich Tchaikovsky; Choreography; Ben Stevenson; Libretto; Marius Petipa - Ivan Aleksandrovic Vsevolozskij; Based on; The Nutcracker and the Mouse King; Ernst Theodor Amadeus Hoffmann; And; The story of a Nutcracker; Alexandre Dumas Pére; Creation in Saint Petersburg, Mariinsky Theatre, on December 18th, 1892; First performance with Ben Stevenson's choreography in Houston, Jones Hall, on December 5th, 1976; Production Estonian National Ballet; Stage director; Timothy O'Keefe; Costume designer and set; Thomas Boyd; Light designer; Tiit Urvik; Music direction; Mihhail Gerts; Orchestra; Orchestra del Teatro La Fenice; Choir; Piccoli Cantori Veneziani; Choir Maestro; Diana D'Alessio; The Prince; Vladislav Lantratov; (The Bolshoi Theatre); Snow Queen; Galina Laush; Sugar Plum Fairy; Alena Shkatula; Clara; Svetlana Danilova; Fritz; Bruno Micchiardi; Drosselmeyer; Viktor Yelisseyev; The Nutcracker; Michele Pellegrini; Spanish dance; Daria Günter; Viktor Yelisseyev; Matteo Di Loreto; Arabian dance; Heidi Kopti; Alexander Kanaplyov; Chinese dance; Daniel Kirspuu; Michele Pellegrini; Mirlitons; Nanae Maruyama; Anastassia Savela; Jonathan Hanks; Trepak; Sergey Upkin; Mme Bonbonaire; Vitaly Nikolayev; Flower waltz soloists; Marika Muiste; Maxim Chukaryov; Troupe of the Estonian National Ballet; Tallinn Ballet School students; Film director / Réalisation; Stéphane Vérité; GENERIQUE FIN; Film director / Réalisation; Stéphane Vérité; Executive producer / Production déléguée; Jean-Romain Sales; 31.05.2020 (93 min)

      • InterMezzo

        (24 min)

      • Valery Gergiev conducts Tchaikovsky at the Zaryadye Hall: Symphonies No 3 & 6

        Mariinsky Orchestra, Valery Gergiev (Conductor); Piotr I. Tchaikovsky (1840 - 1893); Symphony No.3 in D major, 'Polish Symphony', op. 29; Symphony No. 6 in B minor, 'Pathétique', op. 74; Recorded at the Zaryadye Hall, Moscow, 8 September 2019; TV Director, François-René Martin (98 min)

      • Simon Rattle and the Berlin Philharmonic Orchestra at the Waldbühne

        Berliner Philharmoniker, Simon Rattle (Conductor); Magdalena Kožená (mezzo-soprano); George Gershwin (1898 - 1937); Cuban Overture; Gabriel Fauré (1845 - 1924); Pavane; Joseph Canteloube de Malaret (1879 - 1957); Chants d'Auvergne (Selection); Aram Khachaturian (1903 - 1978); Suite from Gayaneh; Ottorino Respighi (1879 - 1936); Pini di Roma; Claudio Monteverdi (1567 - 1643); Si dolce il momento; Edward Elgar (1857 - 1934); Pomp and Circumstance, op. 39: March no 1; John Philip Sousa (1854 - 1932); The Liberty Bell; Paul Licke (1866 - 1946); Berliner Luft; Recorded on June 24, 2018 at the Waldbühne, Berlin; TV Director, Henning Kasten (104 min)

      • InterMezzo

        (34 min)

      • Prokofiev's Betrothal in a Monastery at the Staatsoper Berlin

        Betrothal in a Monastery; Lyrico-comic opera by Sergey Prokofiev (1891 - 1953); Libretto by Sergei Prokofiev and Mira Mendelson after 'The Duenna' by Richard Sheridan; First performance in Prague, National Opera Theatre, 5 May 1946; Staatskapelle Berlin, Daniel Barenboim (Conductor); Staatsopernchor; Martin Wright (Chorus master); Dmitri Tcherniakov (Stage Direction, Sets); Elena Zaytseva (Costumes), Gleb Filshtinsky (Lighting); Stephan Rügamer (Don Jeronimo); Aida Garifullina (Luisa); Andrei Zhilikhovsky (Don Ferdinand); Violeta Urmana (La Duenna); Goran Jurić (Mendoza); Anna Goryachova (Clara D'Almanza); Lauri Vasar (Don Carlo); Arttu Kataja (Padre Augustin); Recorded at the Staatsoper Berlin, on April 24, 2019; TV Director, Andy Sommer (169 min)

      • InterMezzo

        (64 min)

      • Simon Rattle and the Berlin Philharmonic Orchestra: Strauss, Berg, Ravel, Stravinsky

        Berliner Philharmoniker, Simon Rattle (Conductor); Elina Garanca (mezzo-soprano); Richard Strauss (1864 - 1949); Don Juan op. 20; Alban Berg (1885 - 1935); Sieben frühe Lieder for voice and orchestra; Maurice Ravel (1875 - 1937); Shéhérazade; Igor Stravinsky (1882 - 1971); Pétrouchka (1947); Recorded at the Festspielhaus, Baden-Baden, 25 March 2019; Directed by Nele Münchmeyer (92 min)

      • Victor Julien-Laferriére and Jonas Vitaud at the Fondation Louis Vuittton: Rachmaninov, Denisov, Shostakovich

        Victor Julien-Laferriére (cello), Jonas Vitaud (piano); Sergei Rachmaninov (1873 - 1943); Cello Sonata op.19; Edison Denisov (1929 - 1996); Variations on theme by Schubert; Dmitri Chostakovitch (1906 - 1975); Cello Sonata op.40; Enregistré á la Fondation Louis Vuitton, Paris, le 29 novembre 2019 (90 min)

      • Bill Frisell Trio - Melbourne International Jazz Festival

        Bill Frisell Trio; Bill Frisell, guitar; Thomas Morgan, bass; Rudy Royston, drums; One of the world's most celebrated jazz guitarists, 'Bill Frisell plays the guitar the way Miles Davis played the trumpet' (The New Yorker). His distinctive style masterfully blends the inventiveness of jazz, the warmth of folk and country, the abstraction of the avant garde and the raw emotion of blues and rock. Don't miss this rare club performance by a giant of contemporary jazz. Recorded on June 4th 2017 at The Jazzlab, Melbourne International Jazz Festival, Australia; TV Director, Mathieu Mastin (44 min)

      • InterMezzo

        (72 min)

      • David Parsons Dance Company - Teatro Malibran, La Fenice

        David Parsons Dance Company; Choreographer, David Parsons; Lights, Howell Bimkley; The Envelope (1986); Music, Gioachino Rossini; Costume, Judy Wirkula; Hand Dance (2003); Original music, Kenji Bunch; Costume, David Parsons; Finding center (2015); Music, Thomas Newman; Visual Art, Rita Blitt; Costume, Natomi Luppescu; Caught (1982); Music, Robert Fripp 'Let the Power fall'; Costume, Judy Wirkula; Lighting concept, David Parsons; In the End (2005); Music, Dave Matthews Band; Costume, Mia McSwain; Recorded on March 17th and 18tg 2017 at the Theatro Malibran (Fenice), Venice; TV Director, Yan Proefrock (88 min)

      • The Nutcracker - Choreography Ben Stevenson - La Fenice

        The Nutcracker; Music composer; Pyotr Ilyich Tchaikovsky; Choreography; Ben Stevenson; Libretto; Marius Petipa - Ivan Aleksandrovic Vsevolozskij; Based on; The Nutcracker and the Mouse King; Ernst Theodor Amadeus Hoffmann; And; The story of a Nutcracker; Alexandre Dumas Pére; Creation in Saint Petersburg, Mariinsky Theatre, on December 18th, 1892; First performance with Ben Stevenson's choreography in Houston, Jones Hall, on December 5th, 1976; Production Estonian National Ballet; Stage director; Timothy O'Keefe; Costume designer and set; Thomas Boyd; Light designer; Tiit Urvik; Music direction; Mihhail Gerts; Orchestra; Orchestra del Teatro La Fenice; Choir; Piccoli Cantori Veneziani; Choir Maestro; Diana D'Alessio; The Prince; Vladislav Lantratov; (The Bolshoi Theatre); Snow Queen; Galina Laush; Sugar Plum Fairy; Alena Shkatula; Clara; Svetlana Danilova; Fritz; Bruno Micchiardi; Drosselmeyer; Viktor Yelisseyev; The Nutcracker; Michele Pellegrini; Spanish dance; Daria Günter; Viktor Yelisseyev; Matteo Di Loreto; Arabian dance; Heidi Kopti; Alexander Kanaplyov; Chinese dance; Daniel Kirspuu; Michele Pellegrini; Mirlitons; Nanae Maruyama; Anastassia Savela; Jonathan Hanks; Trepak; Sergey Upkin; Mme Bonbonaire; Vitaly Nikolayev; Flower waltz soloists; Marika Muiste; Maxim Chukaryov; Troupe of the Estonian National Ballet; Tallinn Ballet School students; Film director / Réalisation; Stéphane Vérité; GENERIQUE FIN; Film director / Réalisation; Stéphane Vérité; Executive producer / Production déléguée; Jean-Romain Sales; 31.05.2020 (93 min)