• Mezzo Live HD

    • Mezzo Live HD od do

      • Victor Julien-Laferriére and Jonas Vitaud at the Fondation Louis Vuittton: Rachmaninov, Denisov, Shostakovich

        Victor Julien-Laferriére (cello), Jonas Vitaud (piano); Sergei Rachmaninov (1873 - 1943); Cello Sonata op.19; Edison Denisov (1929 - 1996); Variations on theme by Schubert; Dmitri Chostakovitch (1906 - 1975); Cello Sonata op.40; Enregistré á la Fondation Louis Vuitton, Paris, le 29 novembre 2019 (90 min)

      • InterMezzo

        (58 min)

      • El Comité - Jazz in Marciac

        El Comité; Carlos Sarduy trumpet; Irving Acao saxophone; Harold López-nussa keyboard, piano; Rolando Luna claviers, piano; Gaston Joya basse, double bass; Rodney Barreto drums; Yaroldy Abreu percussion; Here are at least are 7 good reasons to listen to El Comité: Harold Lopez-Nussa, Rolando Luna, Rodney Barreto, Yaroldy Abreu, Gaston Joya, Carlos Sarduy and Irving Acao! Considered as being part of the most brilliant and renowned Cuban musicians of their generation, this band of 7 had the excellent idea of composing an album entitled ' Y que!? (So What) ', nine pieces which reflect the diversity of influences and rhythms of El Comité. Afrobeat, funk, Latin jazz, ballades a ' Cuban groove Siglo 21 ' to put between all ears, impressive compositions, revivals marked El Comité, always stamped with the fluidity and energy which characterises this group. Despite their youth, their 15 or 20 years on the international stage for most of them, gives a veritable maturity to this album. The harmonies and thematic structures are an ample illustration. And finally, on stage, it is always a real pleasure to see El Comité developing where their overflowing energy and musical generosity rapidly becomes contagious. Recorded on July 29, 2019 at Jazz in Marciac; TV Director, 03.06.2020 (60 min)

      • The Rosenberg Family Project - Jazz in Marciac

        The Rosenberg Family Project; The Rosenbergs; Mozes Rosenberg guitar solo; Johnny Rosenberg rythmic guitar; Sani van Mullem double bass; The Rosenberg trio; Stochelo Rosenberg guitar solo; Nous'che Rosenberg rythmic guitar; Nonnie Rosenberg double bass; In the world of gipsy jazz, Stochelo Rosenberg stands out as a virtuoso tempered by a natural elegance meaning he never overdoes things. With him, the competitive cutting guitar playing mixes in with a kind of nervous and swinging poetry where the themes from the traditional repertoire alternate with the most unexpected revivals. In the Rosenberg family, everyone is made for extended improvisation, they devote themselves to their high-speed chases with such elegance and implication that we find ourselves rediscovering pleasures procured through this craftsmanship of oral transmission, served up by devils who play like gods; Recorded on July 31, 2019 at Jazz in Marciac; TV Director, 02.06.2020 (60 min)

      • Gilberto Gil - Jazz in Marciac

        Gilberto Gil; Gilberto Gil guitar, voice; Thiagô Queiroz saxophone, flute; Diogo Gomes trumpet, bugle; Bem Gil musical director, guitar, voice; Danilo Andrade keyboard, piano; Bruno Di Lullo bass; Jose Gil batterie, percussion; Domenico Lancellotti drums, percussion; Nara Gil voice, chorus; Roberta Sá voice; Guitarist, singer and composer, emblematic figure of Brazilian music, Gilberto Passos Gil Moreira, known as Gilberto Gil, began as a bossa nova singer, but above all made a name for himself by composing and performing with his friend Caetano Veloso, songs focusing on politics and social engagement. Made famous by his participation in the 1960's, in the Tropicalist Movement, he was imprisoned, and forced into exile by the military regime established in 1964. Once back in Brazil, he went into politics whilst continuing his artistic career. Municipal Councilor in Salvador de Bahia he then became Minister of culture for the government of Lula da Silva. His return to Marciac where he presented his latest album marked the apotheosis of an evening entirely devoted to popular Brazilian music. From muted sambas to classy bossas, they are part of popular Brazilian music that the musician in his seventies has always stood up for. An accessible, captivating, natural music which from the first notes already appears to be familiar to us. Recorded on August 05, 2019 at Jazz in Marciac; TV Director, (60 min)

      • Hugh Coltman - Montreux Jazz Festival

        Hugh Coltman; Recorded on July 11, 2018, at Montreux Jazz Club, at Montreux Jazz Festival; TV Drector, Marc Schütrumpf (61 min)

      • InterMezzo

        (54 min)

      • Michel Dalberto plays Ravel

        Michel Dalberto (piano); Maurice Ravel (1875 - 1937); Sonatine; Valses nobles et sentimentales; Miroirs; Gaspard de la nuit; Recorded at the Fondation Louis Vuitton, Paris, 12 April 2019; TV Director, Guillaume L'Hôte (73 min)

      • Riccrado Muti and the Berlin Philharmonic Orchestra: Requiem by Verdi

        Berliner Philharmoniker, Riccardo Muti (conductor); Chor des Bayerischen Rundfunks; Elina Garanca (mezzo-soprano), Vittoria Yeo (soprano), Francesco Meli (tenor), Ildar Abdrazakov (bass); Giuseppe Verdi (1813 - 1901); Messa da Requiem; Recorded at the Festspielhaus, Baden-Baden, 14 & 20 April 2019; Directed by Nele Münchmeyer (92 min)

      • InterMezzo

        (60 min)

      • David Parsons Dance Company - Teatro Malibran, La Fenice

        David Parsons Dance Company; Choreographer, David Parsons; Lights, Howell Bimkley; The Envelope (1986); Music, Gioachino Rossini; Costume, Judy Wirkula; Hand Dance (2003); Original music, Kenji Bunch; Costume, David Parsons; Finding center (2015); Music, Thomas Newman; Visual Art, Rita Blitt; Costume, Natomi Luppescu; Caught (1982); Music, Robert Fripp 'Let the Power fall'; Costume, Judy Wirkula; Lighting concept, David Parsons; In the End (2005); Music, Dave Matthews Band; Costume, Mia McSwain; Recorded on March 17th and 18tg 2017 at the Theatro Malibran (Fenice), Venice; TV Director, Yan Proefrock (88 min)

      • The Nutcracker - Choreography Ben Stevenson - La Fenice

        The Nutcracker; Music composer; Pyotr Ilyich Tchaikovsky; Choreography; Ben Stevenson; Libretto; Marius Petipa - Ivan Aleksandrovic Vsevolozskij; Based on; The Nutcracker and the Mouse King; Ernst Theodor Amadeus Hoffmann; And; The story of a Nutcracker; Alexandre Dumas Pére; Creation in Saint Petersburg, Mariinsky Theatre, on December 18th, 1892; First performance with Ben Stevenson's choreography in Houston, Jones Hall, on December 5th, 1976; Production Estonian National Ballet; Stage director; Timothy O'Keefe; Costume designer and set; Thomas Boyd; Light designer; Tiit Urvik; Music direction; Mihhail Gerts; Orchestra; Orchestra del Teatro La Fenice; Choir; Piccoli Cantori Veneziani; Choir Maestro; Diana D'Alessio; The Prince; Vladislav Lantratov; (The Bolshoi Theatre); Snow Queen; Galina Laush; Sugar Plum Fairy; Alena Shkatula; Clara; Svetlana Danilova; Fritz; Bruno Micchiardi; Drosselmeyer; Viktor Yelisseyev; The Nutcracker; Michele Pellegrini; Spanish dance; Daria Günter; Viktor Yelisseyev; Matteo Di Loreto; Arabian dance; Heidi Kopti; Alexander Kanaplyov; Chinese dance; Daniel Kirspuu; Michele Pellegrini; Mirlitons; Nanae Maruyama; Anastassia Savela; Jonathan Hanks; Trepak; Sergey Upkin; Mme Bonbonaire; Vitaly Nikolayev; Flower waltz soloists; Marika Muiste; Maxim Chukaryov; Troupe of the Estonian National Ballet; Tallinn Ballet School students; Film director / Réalisation; Stéphane Vérité; GENERIQUE FIN; Film director / Réalisation; Stéphane Vérité; Executive producer / Production déléguée; Jean-Romain Sales; 31.05.2020 (93 min)

      • InterMezzo

        (25 min)

      • El Comité - Jazz in Marciac

        El Comité; Carlos Sarduy trumpet; Irving Acao saxophone; Harold López-nussa keyboard, piano; Rolando Luna claviers, piano; Gaston Joya basse, double bass; Rodney Barreto drums; Yaroldy Abreu percussion; Here are at least are 7 good reasons to listen to El Comité: Harold Lopez-Nussa, Rolando Luna, Rodney Barreto, Yaroldy Abreu, Gaston Joya, Carlos Sarduy and Irving Acao! Considered as being part of the most brilliant and renowned Cuban musicians of their generation, this band of 7 had the excellent idea of composing an album entitled ' Y que!? (So What) ', nine pieces which reflect the diversity of influences and rhythms of El Comité. Afrobeat, funk, Latin jazz, ballades a ' Cuban groove Siglo 21 ' to put between all ears, impressive compositions, revivals marked El Comité, always stamped with the fluidity and energy which characterises this group. Despite their youth, their 15 or 20 years on the international stage for most of them, gives a veritable maturity to this album. The harmonies and thematic structures are an ample illustration. And finally, on stage, it is always a real pleasure to see El Comité developing where their overflowing energy and musical generosity rapidly becomes contagious. Recorded on July 29, 2019 at Jazz in Marciac; TV Director, 03.06.2020 (60 min)

      • The Rosenberg Family Project - Jazz in Marciac

        The Rosenberg Family Project; The Rosenbergs; Mozes Rosenberg guitar solo; Johnny Rosenberg rythmic guitar; Sani van Mullem double bass; The Rosenberg trio; Stochelo Rosenberg guitar solo; Nous'che Rosenberg rythmic guitar; Nonnie Rosenberg double bass; In the world of gipsy jazz, Stochelo Rosenberg stands out as a virtuoso tempered by a natural elegance meaning he never overdoes things. With him, the competitive cutting guitar playing mixes in with a kind of nervous and swinging poetry where the themes from the traditional repertoire alternate with the most unexpected revivals. In the Rosenberg family, everyone is made for extended improvisation, they devote themselves to their high-speed chases with such elegance and implication that we find ourselves rediscovering pleasures procured through this craftsmanship of oral transmission, served up by devils who play like gods; Recorded on July 31, 2019 at Jazz in Marciac; TV Director, 02.06.2020 (60 min)

      • Gilberto Gil - Jazz in Marciac

        Gilberto Gil; Gilberto Gil guitar, voice; Thiagô Queiroz saxophone, flute; Diogo Gomes trumpet, bugle; Bem Gil musical director, guitar, voice; Danilo Andrade keyboard, piano; Bruno Di Lullo bass; Jose Gil batterie, percussion; Domenico Lancellotti drums, percussion; Nara Gil voice, chorus; Roberta Sá voice; Guitarist, singer and composer, emblematic figure of Brazilian music, Gilberto Passos Gil Moreira, known as Gilberto Gil, began as a bossa nova singer, but above all made a name for himself by composing and performing with his friend Caetano Veloso, songs focusing on politics and social engagement. Made famous by his participation in the 1960's, in the Tropicalist Movement, he was imprisoned, and forced into exile by the military regime established in 1964. Once back in Brazil, he went into politics whilst continuing his artistic career. Municipal Councilor in Salvador de Bahia he then became Minister of culture for the government of Lula da Silva. His return to Marciac where he presented his latest album marked the apotheosis of an evening entirely devoted to popular Brazilian music. From muted sambas to classy bossas, they are part of popular Brazilian music that the musician in his seventies has always stood up for. An accessible, captivating, natural music which from the first notes already appears to be familiar to us. Recorded on August 05, 2019 at Jazz in Marciac; TV Director, 04.06.2020 (60 min)

      • InterMezzo

        (30 min)

      • Lulu by Berg at the Metropolitan Opera

        Lulu; Opera in a prologue and three acts by Alban Berg (1885 - 1935) (completed by Friedrich Cerha); Libretto by Alban Berg after Franz Wedekind's plays 'Erdgeist' and 'Die Büchse der Pandora'; First performance in Zürich, Stadtheater, 2 June 1937; The Metropolitan Opera Orchestra & Chorus, Lothar Koenigs (Conductor); William Kentridge (Stage Director); Catherine Meyburgh (Production Designer); Sabine Theunissen (Sets), Greta Goiris (Costumes), Urs Schönebaum (Lighting); Marlis Petersen (Lulu); Johan Reuter (Dr. Schön | Jack the Ripper); Susan Graham (Countess Geschwitz); Daniel Brenna (Alwa); Franz Grundheber (Schigolch); Martin Winkler (Animal Tamer | Acrobat); Paul Groves (Painter | African Prince); James Courtney (Physician | Professor | Policeman); Alan Oke (Prince | Manservant | Marquis); Elizabeth DeShong (Dresser | Schoolboy | Page); Julian Close (Theater Manager | Banker); Tyler Duncan (Journalist); Paul Corona (Servant); Kathryn Day (Designer); Ashley Emerson (Girl); Jane Shaulis (Mother); Recorded at the Metropolitan Opera, New York, 9 November 2015 (182 min)

      • InterMezzo

        (52 min)

      • Valery Gergiev conducts Tchaikovsky at the Zaryadye Hall: Symphonies No 1 & 4

        Mariinsky Orchestra, Valery Gergiev (Conductor); Piotr I. Tchaikovsky (1840 - 1893); Symphony No. 1 in G minor, 'Winter Daydreams', op. Symphony No. 4 in F minor, op. Recorded at the Zaryadye Hall, Moscow, 7 September 2019; TV Director, François-René Martin (99 min)

      • Valery Gergiev and the Mariinsky Orchestra: Shchedrin and Mussorgsky

        Mariinsky Orchestra, Valery Gergiev (Conductor); Denis Matsuev (piano); Rodion Shchedrin (b. 1932); Piano Concerto no 2; Symphonic Diptych; Modest Mussorgsky (1839 - 1881); Pictures at an Exhibition (orch. Maurice Ravel); Recorded at the Zaryadye Hall, Moscow, 4 November 2019; Directed by Corentin Leconte (77 min)

      • InterMezzo

        (52 min)

      • Michel Dalberto plays Ravel

        Michel Dalberto (piano); Maurice Ravel (1875 - 1937); Sonatine; Valses nobles et sentimentales; Miroirs; Gaspard de la nuit; Recorded at the Fondation Louis Vuitton, Paris, 12 April 2019; TV Director, Guillaume L'Hôte (73 min)

      • A lute recital with Thomas Dunford: Dowland, Kapsberger, Dalza

        Thomas Dunford (Lute); John Dowland (1563 - 1623); Preludium; Fortune; A fancy; Semper Dowland semper dolens; Mrs Winter's Jump; A Dream; The King of Denmark, his Galliard; Giovanni Kapsberger (1580 - 1651); Toccata no 6 (Libro primo d'intavolatura di lauto); Toccata no 1 (Libro primo d'intavolatura di lauto); Joan Ambrosio Dalza (d. 1508); Calate ala spagnola; John Dowland (1563 - 1623); Melancholy Galliard; Round Battle Galliard; La mia Barbara; Come again! Sweet love doth now invite; The Frog Galliard; Lachrimae; Recorded on 20 & 22 April, 2017 at the Wigmore Hall, London; Directed by Frédéric Caillierez (70 min)

      • InterMezzo

        (29 min)

      • Donald Brown All stars - Jazz en Tete

        Donald Brown All Stars; Donald Brown, piano; Steve Nelson, vibraphone; Ed Cherry, guitar; Darryl Hall, double bass; Jean Toussaint, saxophone; Eric Harland, drums; Line up; The early bird gets the short end of the stick (Donald Brown); Up next, soul broter herlin riley (Donald Brown); Hearts that Smile - for Trayvon, Tamir & Sandra (Donald Brown); The Only thing greater than yourself (Donald Brown); At 63 years of age, Donald Brown is not only one of the indispensable composers of his generation, the prolific author of over 400 works, but he's also one of the great thinkers of the world of jazz and blues. A highly respected personality and acknowledged by all jazz musicians, the magician of Memphis is especially bringing together an 'all stars' for the 30 years of the festival. Recorded on October 27th at the Festival Jazz en Tete; TV Director, Guillaume Dero 05.06.2020 (44 min)

      • InterMezzo

        (73 min)

      • Lulu by Berg at the Metropolitan Opera

        Lulu; Opera in a prologue and three acts by Alban Berg (1885 - 1935) (completed by Friedrich Cerha); Libretto by Alban Berg after Franz Wedekind's plays 'Erdgeist' and 'Die Büchse der Pandora'; First performance in Zürich, Stadtheater, 2 June 1937; The Metropolitan Opera Orchestra & Chorus, Lothar Koenigs (Conductor); William Kentridge (Stage Director); Catherine Meyburgh (Production Designer); Sabine Theunissen (Sets), Greta Goiris (Costumes), Urs Schönebaum (Lighting); Marlis Petersen (Lulu); Johan Reuter (Dr. Schön | Jack the Ripper); Susan Graham (Countess Geschwitz); Daniel Brenna (Alwa); Franz Grundheber (Schigolch); Martin Winkler (Animal Tamer | Acrobat); Paul Groves (Painter | African Prince); James Courtney (Physician | Professor | Policeman); Alan Oke (Prince | Manservant | Marquis); Elizabeth DeShong (Dresser | Schoolboy | Page); Julian Close (Theater Manager | Banker); Tyler Duncan (Journalist); Paul Corona (Servant); Kathryn Day (Designer); Ashley Emerson (Girl); Jane Shaulis (Mother); Recorded at the Metropolitan Opera, New York, 9 November 2015 (182 min)