• Mezzo Live HD

    • Mezzo Live HD od do

      • InterMezzo

        (120 min)

      • Sadeh 21 by Ohad Naharin | Batsheva - The young Ensemble Ohad Naharin, Théâtre national de Chaillot

        Sadeh 21; Choreography, Ohad Naharin; Lights and scenography, Avi Yona Bueno (Bambi); Music, Maxim Waratt; Costume, Ariel Cohen; Video surtitling, Raz Friedman; With; Batsheva - The young Ensemble Ohad Naharin; The Young Ensemble is a nursery for young performers coming from the four corners of the globe, some of whom will go on to swell the ranks of the Batsheva Danse Company. But as far as Ohad Naharin is concerned, it is also and above all a class of excellence: the proof through Sadeh21, one of the major pieces of the Batsheva 's repertoire. Created by Ohad Naharin in collaboration with his dancers, Sadeh21 shows movement in its simple nakedness. Dance, with slowing down effects and sudden accelerations takes on the look of a quasi cinematographic odyssey: 'a journey by body'.Sadeh21in the end turns out to be one of the most endearing pieces amongst those by Maestro Naharin. Speaking of experience 'Radiating and radioactive, dangerous and exciting', the artistic director of the Batsheva gets it right. Everything in Sadeh21 is exceptional. To the point that this choreography, acclaimed from its beginnings, plunges the spectator into a unique emotional state. An effect of pleasure and addiction are guaranteed. Recorded on October 21, 2018 at the Théâtre national de la Danse Chaillot; TV Director, Tommy Pascal (76 min)

      • Constellation by Alonzo King, Lines Ballet

        Constellation; Choreography by Alonzo King; Lines Ballet; With Alonzo King, Paris has invited a great master of American dance. His company, Lines Ballet, is probably one of the most exciting in the United States, and has just celebrated its thirtieth birthday with this new production featuring magician of lights Jim Campbell. TV Director, Denis Caiozzi; Recorded at the Théâtre National de Chaillot in December 2013; 20.07.2020 (75 min)

      • Ron Carter, Golden Striker Trio - Jazz á vienne

        Golden Striker Trio; Ronald L. Carter (bass guitar ); Russel L. Malone (guitar); Donald Vega (piano); A hugely talented double bassist, gifted with a remarkable sense of melody and widely recognised for the finesse and elegance of his playing style, the American Ron Carter is a living legend. A musician of genius, he started out playing with Gil Evans, Lena Horne, Bill Evans, B.B. King, Dexter Gordon, Wes Montgomery, Eric Dolphy and Bobby Timmons. He then went on to win fame alongside Cannonball Adderley and Thelonious Monk and, of course, from 1963 to 1968, in the famous quintet formed by Miles Davis. Closer to us in time, Ron Carter became a respected musical leader in his own right in the Golden Striker Trio with Russell Malone and Mulgrew Miller ('Golden Striker' album, 2003) and opted, like Ray Brown towards the end of his life, for the legendary trio of piano/guitar/bass, first used by Nat King Cole and Art Tatum. This classical tradition is fully assumed by Miles' former bassist. In concert, the emotion often reaches a climax with one of his favourite songs, the standard 'My Funny Valentine'. A native of Michigan (born in 1937), Ron Carter won a Grammy Award in 1998 for the instrumental 'Call Sheet Blues' from the soundtrack of the film 'Round Midnight'. In 2010, he was made a Commander in the Order of Arts and Letters in France. Last year, his virtuoso association with the accordionist Richard Galliano enjoyed great success in France. A musical sense forged with tungsten, like the strings on his bass, and with all his elegance and freshness intact, the legend is back. Recorded on July 5, at the Festival Jazz á Vienne; TV Director, Fabien Raymond (60 min)

      • InterMezzo

        (60 min)

      • Zhenya Strigalev's Never Group - EFG London Jazz Festival

        Zhenya Strigalev's Never Group; Zhenya Strigalev, alto sax & alto box; Michael Janisch, electric bass / effects; Marc Ayza, drums; Recorded on November 10th 2017 at the London Milton Court, London Jazz Festival; TV Director, Mathieu Mastin 20.07.2020 (43 min)

      • Henry Spencer & Juncture - EFG London Jazz Festival

        Henry Spencer & Juncture; The Reasons Don't Change; Henry Spencer, trumpet; Nick Costley-White, guitar; Matt Robinson, piano, Fender rhodes, Wurlitzer; Andrew Robb, double bass; David Ingamells, drums; Award-winning trumpeter Henry Spencer's 'gleaming tone' (Jazzwise) lies at the core of an exciting young band playing out of the tradition with an invigorating c and attitude, whose debut album has been called 'one of the early contenders for album of the year' by All About Jazz. Recorded on November 10th 2017 at Rich Mix London Jazz Festival; TV Director, Mathieu Mastin (25 min)

      • Michael Janisch Band - EFG London Jazz Festival

        Michael Janisch Band; Michael Janisch, double/electric bass; John O'Gallagher, alto saxophone; Jason Palmer, trumpet; Rez Abbasi, guitar; Clarence Penn, drums; Whirlwind head honcho, bassist, composer and producer Michael Janisch (nominated in 2016 for a MOBO Award in the Jazz category after releasing his latest solo album 'Paradigm Shift' (see below), premieres a terrific Stateside band on their first European tour-date with guitarist Rez Abbasi - rapidly emerging as one of today's major new voices on his instrument - alongside Grammy-winning alto saxophonist John O'Gallagher (Joe Henderson, Maria Schneider), trumpeter Jason Palmer (Herbie Hancock, Kurt Rosenwinkel) and the brilliant drummer Clarence Penn (Michael Brecker, Maria Schneider). Recorded on November 10th 2017 au Rich Mix, London Jazz Festival; TV Director, Mathieu Mastin (46 min)

      • InterMezzo

        (120 min)

      • Raphaël Pichon and Pygmalion: Bach's Motets

        Pygmalion, Raphaël Pichon (Conductor); Johann Sebastian Bach (1685 - 1750); Singet dem Herrn ein neues Lied BWV 225; Giovanni Gabrieli (1557 - 1612); Jubilate deo; Johann Sebastian Bach; Der Geist hilft unser Schwachheit auf BWV 226; Jacobus Gallus (1550 - 1591); Ecce, quomodo moritur iustus; Johann Sebastian Bach; Jesu meine Freude BWV 227; Vincenzo Bertolusi (ca 1550 - 1608); Osculetur meo; Johann Sebastian Bach; Komm Jesu komm BWV 229; Johann Sebastian Bach; Fürchte dich nicht, ich bin bei dir BWV 228; Hieroymus Praetorius (1560 - 1629); Tulerunt Dominum meum; Johann Sebastian Bach; Lobet den Herrn BWV 230; Recorded at the Festival d'Ambronay, 13 September 2019 (101 min)

      • Mahler Chamber Orchestra & Jakub Hrůša: Mendelssohn, Mozart, Schumann

        Mahler Chamber Orchestra, Jakub Hrůša (conductor); Emmanuel Pahud (flute); Felix Mendelssohn (1809 - 1847); The Hebrides or Fingal's Cave. Concert Overture, Op. 26; Wolfgang Amadeus Mozart (1756 - 1791); Flute Concerto in G major, K. 313 (285c); Robert Schumann (1810 - 1856); Symphony No. 2 in C major, Op. 61; Recorded at the KKL Luzern, Concert Hall, as part of the Lucerne Festival, 27 August 2019 (83 min)

      • InterMezzo

        (14 min)

      • Sadeh 21 by Ohad Naharin | Batsheva - The young Ensemble Ohad Naharin, Théâtre national de Chaillot

        Sadeh 21; Choreography, Ohad Naharin; Lights and scenography, Avi Yona Bueno (Bambi); Music, Maxim Waratt; Costume, Ariel Cohen; Video surtitling, Raz Friedman; With; Batsheva - The young Ensemble Ohad Naharin; The Young Ensemble is a nursery for young performers coming from the four corners of the globe, some of whom will go on to swell the ranks of the Batsheva Danse Company. But as far as Ohad Naharin is concerned, it is also and above all a class of excellence: the proof through Sadeh21, one of the major pieces of the Batsheva 's repertoire. Created by Ohad Naharin in collaboration with his dancers, Sadeh21 shows movement in its simple nakedness. Dance, with slowing down effects and sudden accelerations takes on the look of a quasi cinematographic odyssey: 'a journey by body'.Sadeh21in the end turns out to be one of the most endearing pieces amongst those by Maestro Naharin. Speaking of experience 'Radiating and radioactive, dangerous and exciting', the artistic director of the Batsheva gets it right. Everything in Sadeh21 is exceptional. To the point that this choreography, acclaimed from its beginnings, plunges the spectator into a unique emotional state. An effect of pleasure and addiction are guaranteed. Recorded on October 21, 2018 at the Théâtre national de la Danse Chaillot; TV Director, Tommy Pascal (76 min)

      • Constellation by Alonzo King, Lines Ballet

        Constellation; Choreography by Alonzo King; Lines Ballet; With Alonzo King, Paris has invited a great master of American dance. His company, Lines Ballet, is probably one of the most exciting in the United States, and has just celebrated its thirtieth birthday with this new production featuring magician of lights Jim Campbell. TV Director, Denis Caiozzi; Recorded at the Théâtre National de Chaillot in December 2013; 20.07.2020 (75 min)

      • InterMezzo

        (55 min)

      • Tugan Sokhiev and the Orchestre National du Capitole de Toulouse: Berlioz, Saint-Saëns, Shostakovich, Debussy

        Orchestre National du Capitole de Toulouse, Tugan Sokhiev (Conductor); Bertrand Chamayou (piano), Lucienne Renaudin Vary (trumpet); Hector Berlioz (1803 - 1869); Le Carnaval Romain, Overture; Camille Saint-Saëns (1835 - 1921); Piano Concerto no. 5 in F major, op. 103 ''Egyptian''; Dmitri Shostakovich (1906 - 1975); Festive Overture, op. 96; Piano Concerto no 1 op. 35; Claude Debussy (1862 - 1918); La Mer; Recorded on October 23 & 25, 2017 at the Teatro Colón, Buenos Aires; Directed by Jean-Pierre Loisil (114 min)

      • Tugan Sokhiev and the Orchestre National du Capitole de Toulouse: Rimsky-Korsakov

        Orchestre National du Capitole de Toulouse, Tugan Sokhiev (Conductor); Nikolai Rimsky-Korsakov; Scheherazade; Recorded on October 23, 2017 at the Teatro Colón, Buenos Aires; Directed by Jean-Pierre Loisil; 15.07.2020 (52 min)

      • InterMezzo

        (60 min)

      • La Clemenza di Tito by Mozart at the Salzburg Festival

        La Clemenza di Tito; Opera seria in two acts by Wolfgang Amadeus Mozart (1756 - 1791); Libretto by Pietro Mestastasio adapted by Caterino Mazzolá; First performance in Prague, National Theatre, 6 September 1791; musicAeterna, Teodor Currentzis (Conductor); Vitaly Polonsky (Chorus master); Peter Sellars (Stage Direction); George Tsypin (Sets), Robby Duiveman (Costumes), James F Ingalls (Lighting); Russell Thomas (Tito Vespasiano); Golda Schultz (Vitellia); Christina Gansch (Servilia); Marianne Crebassa (Sesto); Jeanine de Bique (Annio); Willard White (Publio); Directed by Peter Sellars; Recorded at the Felsenreitschule, Salzburg, 2017 (169 min)

      • InterMezzo

        (60 min)

      • Le Concert de Paris 2019

        Orchestre National de France, Choeur de Radio France, Alain Altinoglu (conductor); Aleksandra Kurzak (soprano), Gaëlle Arquez (mezzo-soprano), Roberto Alagna (tenor), Jakub Józef Orliński (countertenor) René Pape (bass); Gautier Capuçon (cello), Xuefei Yang (guitar), Khatia Buniastishvili (piano); Hector Berlioz (1803 - 1869); The Damnation of Faust: Hungarian March; Charles Gounod; Faust: 'Le Veau d'or'; 'Anges purs, anges radieux'; Georges Bizet (1838 - 1875); Carmen: overture; Carmen: 'Seguidilla'; Jacques Offenbach (1819 - 1880); La Gaîté Parisienne: ouverture & Vivo; La Périchole: 'Vous a-t-on dit souvent'; Giuseppe Verdi (1813 - 1901); Nabucco: 'Va pensiero'; La Traviata: 'Semper libera'; Joaquín Rodrigo (1901 - 1999); Concierto de Aranjuez: Adagio; Antonio Vivaldi (1678-1741); Giustino: 'Vedro con mio diletto'; Wolfgang Amadeus Mozart (1756 - 1791); Concerto No. 23 for piano and orchestra: Adagio; Johannes Brahms (1833 - 1897); Hungarian Dance No. 5; Antonín Dvořák (1841 - 1904); Rusalka: 'Ode to the moon'; Aram Khachaturian (1903-1978); Gayaneh: Saber Dance; Charles Aznavour / Gall (orchestration Didier Benetti); La Mamma; Aram Khachaturian; Masquerade: Waltz; Fromental Halévy - (1799 - 1862); La Juive: 'Rachel, quand du Seigneur'; Johann Strauss II (1825 - 1899); Polka 'Unter Donner und Blitz'; Franz Lehár (1870 - 1948); The Merry Widow: 'Lippen schweigen'; Ludwig van Beethoven (1770 - 1827); Symphony No. 9 'Ode to Joy' (final); Recorded on July 14, 2019 at Champ-de-Mars, Paris (105 min)

      • Music and Dance for a While with l'Arpeggiata

        L'Arpeggiata, Christina Pluhar (Conductor); Céline Scheen (Soprano), Vincenzo Capezzuto (alto); Mei Hon Lin Dance Company; Dirk Hofacker (Sets & Costumes); Music and Dance for a While; Improvisations on Henry Purcell, G.F. Händel, Claudio Monteverdi. Georg Friedrich Händel / Improvisation / arr. C. Pluhar: Sinfonia - Arrival of the Queen of Sheba; Henry Purcell / Improvisation / arr. C. Pluhar: Strike the viol (Céline Scheen); Georg Friedrich Händel / Improvisation: Lascio ch'io pianga; Henry Purcell / Improvisation / arr. C. Pluhar: `Twas within a furlong (Vincenzo Capezzuto); Claudio Monteverdi: Pur ti miro (Céline Scheen, Vincenzo Capezzuto); Traditional (Venezuela): El curruchá (Vincenzo Capezzuto, Céline Scheen); Claudio Monteverdi: Lamento della Ninfa (Céline Scheen); Traditional (Sicily) / arr. C. Pluhar: Silenziu d'amuri (Vincenzo Capezzuto); Georg Friedrich Händel / Improvisation / arr. C. Pluhar: Sinfonia - Alcina; Henry Purcell / Improvisation / arr. C. Pluhar: Music for a while (Céline Scheen); Traditional (Salento): Pizzica di San Vito (Vincenzo Capezzuto); Traditional (Bulgaria): Bucimis; Giovanni Felice Sances: Stabat Mater (Céline Scheen); Improvisation: Hasapiko; Traditional (Italy): Tarantella del Gargano (Vincenzo Capezzuto); Traditional (Mexico) / arr. C. Pluhar: La Llorona (Vincenzo Capezzuto); Henry Purcell / Improvisation / arr. C. Pluhar: When I am laid (Céline Scheen); Improvisation: Canario; Maurizio Cazzati / arr. C. Pluhar: Ciaccona; Girolamo Kapsberger: Toccata L'Arpeggiata; Traditional (Italy) / arr. Christina Pluhar: Ninna, nanna sopra la Romanesca (Vincenzo Capezzuto, Céline Scheen); Georg Friedrich Händel / Improvisation / arr. C. Pluhar: O sleep, why thost thou leave me (Céline Scheen); Recorded on November 6, 2017 at the Landestheater Linz, Austria; Directed by Sonia Paramo; 21.07.2020 (100 min)

      • Sébastien Giniaux & Dens Chang - Upstairs, Montreal

        Sébastien Giniaux & Dens Chang Live at Montreal; Sébastien Giniaux, guitar; Denis Chang, guitar; Paul van Dyk, bass; Dream Of You - Django Reinhardt; When Day Is Done - Django Reinhardt / Stéphane Grappelli; C Jam Blues - Duke Ellington; Enigma - Ginioux / Chang; Sarba Moldovareasca - Ginioux / Chang; Nuages (Clouds) - Django Reinhardt; I'll Remember April - Gene de Paul; Tiger Rag - Nick La Rocca; Clair De Lune (Moonlight) - Claude Debussy / Joseph Kosma; Swing 48 - Django Reinhardt; Indifference - Tony Murena & Joseph Colombo; Kolo Lento - Ginioux / Chang; Cocek Bugarski - standard; My one and only love - Ginioux / Chang; Night and Day - Cole Porter; Hungaria - standard; Recorded on April 17th 2015 @ Upstairs, Montreal; TV Director, Julien Condemine (61 min)

      • InterMezzo

        (25 min)

      • Sadeh 21 by Ohad Naharin | Batsheva - The young Ensemble Ohad Naharin, Théâtre national de Chaillot

        Sadeh 21; Choreography, Ohad Naharin; Lights and scenography, Avi Yona Bueno (Bambi); Music, Maxim Waratt; Costume, Ariel Cohen; Video surtitling, Raz Friedman; With; Batsheva - The young Ensemble Ohad Naharin; The Young Ensemble is a nursery for young performers coming from the four corners of the globe, some of whom will go on to swell the ranks of the Batsheva Danse Company. But as far as Ohad Naharin is concerned, it is also and above all a class of excellence: the proof through Sadeh21, one of the major pieces of the Batsheva 's repertoire. Created by Ohad Naharin in collaboration with his dancers, Sadeh21 shows movement in its simple nakedness. Dance, with slowing down effects and sudden accelerations takes on the look of a quasi cinematographic odyssey: 'a journey by body'.Sadeh21in the end turns out to be one of the most endearing pieces amongst those by Maestro Naharin. Speaking of experience 'Radiating and radioactive, dangerous and exciting', the artistic director of the Batsheva gets it right. Everything in Sadeh21 is exceptional. To the point that this choreography, acclaimed from its beginnings, plunges the spectator into a unique emotional state. An effect of pleasure and addiction are guaranteed. Recorded on October 21, 2018 at the Théâtre national de la Danse Chaillot; TV Director, Tommy Pascal (76 min)

      • Constellation by Alonzo King, Lines Ballet

        Constellation; Choreography by Alonzo King; Lines Ballet; With Alonzo King, Paris has invited a great master of American dance. His company, Lines Ballet, is probably one of the most exciting in the United States, and has just celebrated its thirtieth birthday with this new production featuring magician of lights Jim Campbell. TV Director, Denis Caiozzi; Recorded at the Théâtre National de Chaillot in December 2013; 20.07.2020 (75 min)