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      • Das Kapital, Eisler explostion - Jazzdor

        Das Kapital 'Eissler explosion'; Edward Perraud - drums; Daniel Herdmann - saxophone; Hasse Poulsen - guitar; and; The Orchestre d'Harmonie du Conservatoire et de l'Académie supérieur de musique de Strasbourg; 'Eisler's hand' (Tim Garland); Recorded on November 9 & 10, 2018 at the Auditorium de la Cité de la Musique et de la Danse de Strasbourg; TV Director, Josselin Carré (52 min)

      • InterMezzo

        (45 min)

      • Constellation by Alonzo King, Lines Ballet

        Constellation; Choreography by Alonzo King; Lines Ballet; With Alonzo King, Paris has invited a great master of American dance. His company, Lines Ballet, is probably one of the most exciting in the United States, and has just celebrated its thirtieth birthday with this new production featuring magician of lights Jim Campbell. TV Director, Denis Caiozzi; Recorded at the Théâtre National de Chaillot in December 2013 (75 min)

      • Sadeh 21 by Ohad Naharin | Batsheva - The young Ensemble Ohad Naharin, Théâtre national de Chaillot

        Sadeh 21; Choreography, Ohad Naharin; Lights and scenography, Avi Yona Bueno (Bambi); Music, Maxim Waratt; Costume, Ariel Cohen; Video surtitling, Raz Friedman; With; Batsheva - The young Ensemble Ohad Naharin; The Young Ensemble is a nursery for young performers coming from the four corners of the globe, some of whom will go on to swell the ranks of the Batsheva Danse Company. But as far as Ohad Naharin is concerned, it is also and above all a class of excellence: the proof through Sadeh21, one of the major pieces of the Batsheva 's repertoire. Created by Ohad Naharin in collaboration with his dancers, Sadeh21 shows movement in its simple nakedness. Dance, with slowing down effects and sudden accelerations takes on the look of a quasi cinematographic odyssey: 'a journey by body'.Sadeh21in the end turns out to be one of the most endearing pieces amongst those by Maestro Naharin. Speaking of experience 'Radiating and radioactive, dangerous and exciting', the artistic director of the Batsheva gets it right. Everything in Sadeh21 is exceptional. To the point that this choreography, acclaimed from its beginnings, plunges the spectator into a unique emotional state. An effect of pleasure and addiction are guaranteed. Recorded on October 21, 2018 at the Théâtre national de la Danse Chaillot; TV Director, Tommy Pascal (76 min)

      • Gilad Hekselman trio with Mark Turner - Festival International de Jazz de Montréal

        Gilad Hekselman trio with Mark Turner; Gilad Hekselman (Guitare); Rick Rosato (double bass); Jonathan Pinson (drums); Mark Turner (Saxophone); Heading up his trio, promising, élégant guitarist Gilad Hekselman brings us his new album, a work of masterful inventiveness. The Israeli-born musician, a recurring presence at the Festival, rolls in to once again showcase the full range of his talent. Recorded on July 2nd, 2018 at the Montrel Jazz Festival, Gesu; TV Director, Mathieu Mastin (88 min)

      • InterMezzo

        (30 min)

      • Con Brio - Jazz á Vienne

        Con Brio; Ziek McCarter, vocal; Brendan Liu, trumpet; Marcus Stephens, saxopone; Benjamin Andrews, guitar; Patrick Glynn, keyboard; Jonathan Kirchner, bass; Andrew Laubacher, percussion; Seven musicians formed Con Brio in 2003 with the same passion for the Bay Area's signature funk and psychedelic soul. San Francisco is where Sly and The Family Stone, Tower Of Power, The Headhunters and Darondo flourished. Con Brio produced their first EP, Kiss The Sun, in 2015 and are already famous on the West Coast for their electric concerts and Ziek McCarter's velvety vocals. After touring the US and Europe alongside veterans Galactic and Fishbone, the Californians headed to the studio to put their buzzing live energy on record in 2016. The result is called Paradise, an album in which 'We tried to create a narrative arc in the same way as we link tracks when we play live,' says McCarter. Con Brio has set the stages at the top US festivals Bonnaroo, Lollapalooza and Summerfest on fire. A good omen. Recorded on 2017, July 13th at the Jazz Festival in Vienne; TV Director, Nicolas Micha 04.08.2020 (84 min)

      • Michael Wollny - Jazzdor

        Michael Wollny; Pierre Cocq-Amann, saxophones; Arthur Possing, piano, compositions; stian 'Schlapbe' Flach, double basse; Pit Huberty, batterie; Playlist; Atavus (Eric Schaefer); Phlesma Phighter (Eric Schaefer); Big Louise (Scott Walker); Farbenlehre (Michael Wollny); Gravité (Eric Schaefer); Sleeper (Michael Wollny); Hiroshima mon amour (Eric Schaefer); Little Person (Jon Brion); Gorilla Bsicuits (Eric Schaefer); Lassel (Machant); Recorded on November 11, 2018 at the auditorium de la Cité de la Musique et de la Danse de Strasbourg; TV Director, Josselin Carré 04.08.2020 (50 min)

      • Das Kapital, Eisler explostion - Jazzdor

        Das Kapital 'Eissler explosion'; Edward Perraud - drums; Daniel Herdmann - saxophone; Hasse Poulsen - guitar; and; The Orchestre d'Harmonie du Conservatoire et de l'Académie supérieur de musique de Strasbourg; 'Eisler's hand' (Tim Garland); Recorded on November 9 & 10, 2018 at the Auditorium de la Cité de la Musique et de la Danse de Strasbourg; TV Director, Josselin Carré 04.08.2020 (52 min)

      • InterMezzo

        (45 min)

      • Tugan Sokhiev and the Orchestre National du Capitole de Toulouse: Rimsky-Korsakov

        Orchestre National du Capitole de Toulouse, Tugan Sokhiev (Conductor); Nikolai Rimsky-Korsakov; Scheherazade; Recorded on October 23, 2017 at the Teatro Colón, Buenos Aires; Directed by Jean-Pierre Loisil (52 min)

      • Tugan Sokhiev and the Orchestre National du Capitole de Toulouse: Berlioz, Saint-Saëns, Shostakovich, Debussy

        Orchestre National du Capitole de Toulouse, Tugan Sokhiev (Conductor); Bertrand Chamayou (piano), Lucienne Renaudin Vary (trumpet); Hector Berlioz (1803 - 1869); Le Carnaval Romain, Overture; Camille Saint-Saëns (1835 - 1921); Piano Concerto no. 5 in F major, op. 103 ''Egyptian''; Dmitri Shostakovich (1906 - 1975); Festive Overture, op. 96; Piano Concerto no 1 op. 35; Claude Debussy (1862 - 1918); La Mer; Recorded on October 23 & 25, 2017 at the Teatro Colón, Buenos Aires; Directed by Jean-Pierre Loisil (114 min)

      • InterMezzo

        (30 min)

      • Constellation by Alonzo King, Lines Ballet

        Constellation; Choreography by Alonzo King; Lines Ballet; With Alonzo King, Paris has invited a great master of American dance. His company, Lines Ballet, is probably one of the most exciting in the United States, and has just celebrated its thirtieth birthday with this new production featuring magician of lights Jim Campbell. TV Director, Denis Caiozzi; Recorded at the Théâtre National de Chaillot in December 2013 (75 min)

      • Sadeh 21 by Ohad Naharin | Batsheva - The young Ensemble Ohad Naharin, Théâtre national de Chaillot

        Sadeh 21; Choreography, Ohad Naharin; Lights and scenography, Avi Yona Bueno (Bambi); Music, Maxim Waratt; Costume, Ariel Cohen; Video surtitling, Raz Friedman; With; Batsheva - The young Ensemble Ohad Naharin; The Young Ensemble is a nursery for young performers coming from the four corners of the globe, some of whom will go on to swell the ranks of the Batsheva Danse Company. But as far as Ohad Naharin is concerned, it is also and above all a class of excellence: the proof through Sadeh21, one of the major pieces of the Batsheva 's repertoire. Created by Ohad Naharin in collaboration with his dancers, Sadeh21 shows movement in its simple nakedness. Dance, with slowing down effects and sudden accelerations takes on the look of a quasi cinematographic odyssey: 'a journey by body'.Sadeh21in the end turns out to be one of the most endearing pieces amongst those by Maestro Naharin. Speaking of experience 'Radiating and radioactive, dangerous and exciting', the artistic director of the Batsheva gets it right. Everything in Sadeh21 is exceptional. To the point that this choreography, acclaimed from its beginnings, plunges the spectator into a unique emotional state. An effect of pleasure and addiction are guaranteed. Recorded on October 21, 2018 at the Théâtre national de la Danse Chaillot; TV Director, Tommy Pascal (76 min)

      • InterMezzo

        (30 min)

      • Mahler Chamber Orchestra & Jakub Hrůša: Mendelssohn, Mozart, Schumann

        Mahler Chamber Orchestra, Jakub Hrůša (conductor); Emmanuel Pahud (flute); Felix Mendelssohn (1809 - 1847); The Hebrides or Fingal's Cave. Concert Overture, Op. 26; Wolfgang Amadeus Mozart (1756 - 1791); Flute Concerto in G major, K. 313 (285c); Robert Schumann (1810 - 1856); Symphony No. 2 in C major, Op. 61; Recorded at the KKL Luzern, Concert Hall, as part of the Lucerne Festival, 27 August 2019 04.08.2020 (83 min)

      • Yo-Yo Ma, Mariss Jansons and the Bavarian Radio Symphony Orchestra: Strauss and Dvořák

        Bavarian Radio Symphony Orchestra, Mariss Jansons (Conductor); Yo-Yo Ma (Cello); Richard Strauss; Don Quixotte; Antonín Dvořák; Carnival Overture; Symphony no. 8; Recorded on January 30th, 2016 at the Philharmonie am Gasteig, Munich (111 min)

      • InterMezzo

        (35 min)

      • Aida by Verdi at the Salzburg Festival

        Aida; Opera in four acts by Giuseppe Verdi (1813 - 1901); Libretto by Antonio Ghislanzoni after a scenario by Auguste Mariette; First performance in Caire, Opera House, 24 December 1871; Wiener Philharmoniker, Riccardo Muti (Conductor); Konzertvereinigung Wiener Staatsopernchor; Shirin Neshat (Stage Direction); Christian Schmidt (Sets), Tatyana van Walsum (Costumes), Reinhard Traub (Lighting); Martin Gschlacht (Video), Thomas Wilhelm (Choreographer); Roberto Tagliavini (Il Re); Ekaterina Semenchuk (Amneris); Anna Netrebko (Aida); Francesco Meli (Radamés); Dmitry Beloselskiy (Ramfis); Luca Salsi (Amonasro); Directed by Michael Beyer; Recorded at the Grosses Festspielhaus, Salzburg, 2017; 02.08.2020 (161 min)

      • InterMezzo

        (80 min)

      • Music and Dance for a While with l'Arpeggiata

        L'Arpeggiata, Christina Pluhar (Conductor); Céline Scheen (Soprano), Vincenzo Capezzuto (alto); Mei Hon Lin Dance Company; Dirk Hofacker (Sets & Costumes); Music and Dance for a While; Improvisations on Henry Purcell, G.F. Händel, Claudio Monteverdi. Georg Friedrich Händel / Improvisation / arr. C. Pluhar: Sinfonia - Arrival of the Queen of Sheba; Henry Purcell / Improvisation / arr. C. Pluhar: Strike the viol (Céline Scheen); Georg Friedrich Händel / Improvisation: Lascio ch'io pianga; Henry Purcell / Improvisation / arr. C. Pluhar: `Twas within a furlong (Vincenzo Capezzuto); Claudio Monteverdi: Pur ti miro (Céline Scheen, Vincenzo Capezzuto); Traditional (Venezuela): El curruchá (Vincenzo Capezzuto, Céline Scheen); Claudio Monteverdi: Lamento della Ninfa (Céline Scheen); Traditional (Sicily) / arr. C. Pluhar: Silenziu d'amuri (Vincenzo Capezzuto); Georg Friedrich Händel / Improvisation / arr. C. Pluhar: Sinfonia - Alcina; Henry Purcell / Improvisation / arr. C. Pluhar: Music for a while (Céline Scheen); Traditional (Salento): Pizzica di San Vito (Vincenzo Capezzuto); Traditional (Bulgaria): Bucimis; Giovanni Felice Sances: Stabat Mater (Céline Scheen); Improvisation: Hasapiko; Traditional (Italy): Tarantella del Gargano (Vincenzo Capezzuto); Traditional (Mexico) / arr. C. Pluhar: La Llorona (Vincenzo Capezzuto); Henry Purcell / Improvisation / arr. C. Pluhar: When I am laid (Céline Scheen); Improvisation: Canario; Maurizio Cazzati / arr. C. Pluhar: Ciaccona; Girolamo Kapsberger: Toccata L'Arpeggiata; Traditional (Italy) / arr. Christina Pluhar: Ninna, nanna sopra la Romanesca (Vincenzo Capezzuto, Céline Scheen); Georg Friedrich Händel / Improvisation / arr. C. Pluhar: O sleep, why thost thou leave me (Céline Scheen); Recorded on November 6, 2017 at the Landestheater Linz, Austria; Directed by Sonia Paramo (100 min)

      • Prokofiev's Anniversary with Valery Gergiev: Ivan The Terrible and Alexander Nevsky

        Mariinsky Theatre Orchestra & Chorus Saint Petersburg, Valery Gergiev (Conductor); Olga Borodina (mezzosoprano), Yulia Matochkina (mezzosoprano), Mikhail Petrenko (bass); Alexei Petrenko (narrator); Sergei Prokofiev (1891 - 1953); Ivan the Terrible op. 116; Alexander Nevsky op. 78; Recorded at the Mariinsky Concert Hall, Saint Petersburg, on April 24, 2016; Directed by François-René Martin (109 min)

      • Donny McCaslin - Festival International de Jazz de Montréal

        Donny McCaslin; Donny McCaslin, saphoxone according to the album 'Beyond Now'; Donny McCaslin is a tenor sax player. Influenced by his father, pianist and vibraphonist, he starts playing saxophone at the age of 12. After stopping by Berklee College of Music of Boston, he joins a quintet of a teacher from his school, Gary Burton, with whom he will tour for a few years. He moves to New York in 1991 and joins the band Steps Ahead. He will play with several more important music ensembles such as the Ken Schaphorst's big band or the Maria Schneider Ahead. In 2005, he joins trumpeter Dave Douglas'quintet. In 2010, he explores for the first time electric, funk, R&B and soul music. Moreover, David Bowie chose Mc Caslin's band to support his very last album Blackstar. In the past years, he was three times nominated for Grammys Awards. Recorded on, 2017, June 30th at Gesú, Montreal Jazz Festival; TV Director, Mathieu Mastin (68 min)

      • InterMezzo

        (20 min)

      • Constellation by Alonzo King, Lines Ballet

        Constellation; Choreography by Alonzo King; Lines Ballet; With Alonzo King, Paris has invited a great master of American dance. His company, Lines Ballet, is probably one of the most exciting in the United States, and has just celebrated its thirtieth birthday with this new production featuring magician of lights Jim Campbell. TV Director, Denis Caiozzi; Recorded at the Théâtre National de Chaillot in December 2013 (75 min)

      • Sadeh 21 by Ohad Naharin | Batsheva - The young Ensemble Ohad Naharin, Théâtre national de Chaillot

        Sadeh 21; Choreography, Ohad Naharin; Lights and scenography, Avi Yona Bueno (Bambi); Music, Maxim Waratt; Costume, Ariel Cohen; Video surtitling, Raz Friedman; With; Batsheva - The young Ensemble Ohad Naharin; The Young Ensemble is a nursery for young performers coming from the four corners of the globe, some of whom will go on to swell the ranks of the Batsheva Danse Company. But as far as Ohad Naharin is concerned, it is also and above all a class of excellence: the proof through Sadeh21, one of the major pieces of the Batsheva 's repertoire. Created by Ohad Naharin in collaboration with his dancers, Sadeh21 shows movement in its simple nakedness. Dance, with slowing down effects and sudden accelerations takes on the look of a quasi cinematographic odyssey: 'a journey by body'.Sadeh21in the end turns out to be one of the most endearing pieces amongst those by Maestro Naharin. Speaking of experience 'Radiating and radioactive, dangerous and exciting', the artistic director of the Batsheva gets it right. Everything in Sadeh21 is exceptional. To the point that this choreography, acclaimed from its beginnings, plunges the spectator into a unique emotional state. An effect of pleasure and addiction are guaranteed. Recorded on October 21, 2018 at the Théâtre national de la Danse Chaillot; TV Director, Tommy Pascal (76 min)