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      • Don Giovanni by Mozart at the Festival d'Aix-en-Provence

        Don Giovanni; Opera buffa in two acts by Wolfgang Amadeus Mozart (17656 - 1791); Libretto by Lorenzo da Ponte; First performancein Prague, National Theatre, 29 October 1787; Le Cercle de l'Harmonie, Jérémie Rhorer (Conductor); English Voices; Jean-François Sivadier (Stage Direction); Alexandre de Dardel (Sets), Virginie Gervaise (Costumes), Philippe Berthomé (Lighting); Philippe Sly (Don Giovanni); Nahuel di Pierro (Leporello); Eleonora Buratto (Donna Anna); Pavol Breslik (Don Ottavio); Isabel Leonard (Donna Elvira); Julie Fuchs (Zerlina); Krzysztof Baczyk (Masetto); David Leigh (Il Commendatore); Recorded on July 8th and 10the 2017 at the Festival d'Aix-en-Provence, Archeveché Theater; TV Director, Philippe Béziat (171 min)

      • InterMezzo

        (60 min)

      • Raphaël Pichon and Pygmalion: Bach's Motets

        Pygmalion, Raphaël Pichon (Conductor); Johann Sebastian Bach (1685 - 1750); Singet dem Herrn ein neues Lied BWV 225; Giovanni Gabrieli (1557 - 1612); Jubilate deo; Johann Sebastian Bach; Der Geist hilft unser Schwachheit auf BWV 226; Jacobus Gallus (1550 - 1591); Ecce, quomodo moritur iustus; Johann Sebastian Bach; Jesu meine Freude BWV 227; Vincenzo Bertolusi (ca 1550 - 1608); Osculetur meo; Johann Sebastian Bach; Komm Jesu komm BWV 229; Johann Sebastian Bach; Fürchte dich nicht, ich bin bei dir BWV 228; Hieroymus Praetorius (1560 - 1629); Tulerunt Dominum meum; Johann Sebastian Bach; Lobet den Herrn BWV 230; Recorded at the Festival d'Ambronay, 13 September 2019 (101 min)

      • Mahler Chamber Orchestra & Jakub Hrůša: Mendelssohn, Mozart, Schumann

        Mahler Chamber Orchestra, Jakub Hrůša (conductor); Emmanuel Pahud (flute); Felix Mendelssohn (1809 - 1847); The Hebrides or Fingal's Cave. Concert Overture, Op. 26; Wolfgang Amadeus Mozart (1756 - 1791); Flute Concerto in G major, K. 313 (285c); Robert Schumann (1810 - 1856); Symphony No. 2 in C major, Op. 61; Recorded at the KKL Luzern, Concert Hall, as part of the Lucerne Festival, 27 August 2019 (83 min)

      • Donny McCaslin - Festival International de Jazz de Montréal

        Donny McCaslin; Donny McCaslin, saphoxone according to the album 'Beyond Now'; Donny McCaslin is a tenor sax player. Influenced by his father, pianist and vibraphonist, he starts playing saxophone at the age of 12. After stopping by Berklee College of Music of Boston, he joins a quintet of a teacher from his school, Gary Burton, with whom he will tour for a few years. He moves to New York in 1991 and joins the band Steps Ahead. He will play with several more important music ensembles such as the Ken Schaphorst's big band or the Maria Schneider Ahead. In 2005, he joins trumpeter Dave Douglas'quintet. In 2010, he explores for the first time electric, funk, R&B and soul music. Moreover, David Bowie chose Mc Caslin's band to support his very last album Blackstar. In the past years, he was three times nominated for Grammys Awards. Recorded on, 2017, June 30th at Gesú, Montreal Jazz Festival; TV Director, Mathieu Mastin (68 min)

      • InterMezzo

        (40 min)

      • Orfeo by Luigi Rossi conducted by Raphaël Pichon

        Orfeo; Tragicommedia in a prologue and three acts by Luigi Rossi (1597 - 1653); Libretto by Francesco Buti; First performance in Paris, Palais Royal, 2 March 1647; Edited by Raphaël Pichon and Miguel Henry; Ensemble Pygmalion, Raphaël Pichon (Conductor); Jetske Mijnssen (Stage Director); Ben Baur (Sets), Gideon Davey (Costumes), Bernd Purkrabek (Lighting); Judith van Wanroij (Orfeo); Francesca Aspromonte (Euridice); Giuseppina Bridelli (Aristeo); Giulia Semenzato (Venere, Proserpina); Luigi de Donato (Augure, Plutone); Ray Chenez (Nutrice, Amore); Renato Dolcini (Satiro); Dominique Visse (Vecchia); Victor Torres (Endimione, Caronte); Marc Mauillon (Momo); David Tricou (Apollo); Recorded on February 9, 2016 at the Opéra de Nancy; Directed by Stéphane Vérité (180 min)

      • InterMezzo

        (60 min)

      • Antonin Tri-Hoang - Ornette | Apparitions - Banlieues Bleues

        Ornette | Apparitions; Antonin Tri Hoangn, Alto saxophone, clarinet, Geoiffroy Gesser, Tenor saxophone, Pierre Borel, Amtp saxophone, Aymeric Avice, trompet, Isabel Sörling, voice, Romain Clerc-Renaud, piano, Keyboard, Thibault Cellier, double bass, Yann Joussein, drums, Elie Duris, drums; La musique d'Ornette Coleman a changé le cours des choses. On a parlé de free jazz, mais ' ce n'est pas un autre jazz, c'est une musique autre, créative '. Depuis ses débuts (dans l'ONJ de Daniel Yvinec), Antonin Tri Hoang n'est pas sans évoquer Ornette: meme lyrisme tarabiscoté, meme gout du dérapage contrôlé. Au lieu d'une dissertation sur l'œuvre, il a proposé des reves, des ponts évocateurs, ' pas un revival, mais un survival '. Avec, aux manettes, le quartette Novembre et des invités qui maîtrisent á la perfection l'art du zapping et du collage. Ce qui n'est pas sans rappeler John Zorn, un autre grand fils (spirituel) d'Ornette. Recorde on April 19 avril 2016 at Banlieues Bleues, MC93; TV Director, Stéphane Jourdain 11.07.2020 (56 min)

      • ONJ | Dancing in your Head(s) | La Galaxie Ornette - Banlieues Bleues

        Orchestre National de Jazz | Dancing in your Head (s) |Ornette Galaxy; Fred Maurin, Artistic direction, guitar, Fred Pallem, orchestration; Jean-Michel Couchet, Alto saxophone, Anna-Lena Schnabel, Alto saxophone, Julien Soro, Tenor saxophone, Fabien Debellefontaine, Tenor saxophone, Morgane Carnet, Baritone saxophone, Fabien Norbert, trUmpet, Susan Santos Silva, trUmpet, Mathilde Fevre, Horn, Daniel Zimmerman, trombone, Judith Wekstein, bass trombone, Pierre Durand, guitar, Bruno Ruder, Fender Rhodes, Sylvain Daniel, Electric bass, Rafaël Koerner, Drums; Recorded on April 19, 2019 at the Banlieues Bleues festival, MC93; TV Director, Guillaume Dero (54 min)

      • Rifflet, Irabagon, Boisseau, Black Rebellion(s) - Banlieues Bleues

        Rifflet, Irabagon, Boisseau, Black Rebellion (s); Sylvain Rifflet, saxophone, composition, Jon Irabagon, saxophone, composition, Sébastien Boisseau, contrebasse, Jim Black,batterie; Playlist; 'Jean Moulin', Sylvain Rifflet; 'Greta T. ', Sylvain Rifflet; ' Olympe ', Sylvain Rifflet; ' Factory Girl ' - Trad. Irlandais; 'The Adults in the room ', Jon Irabagon; ' Paul Robeson ', Sylvain Rifflet & Jon Irabagon; Pour le 30éme festival Banlieues Bleues, Sylvain Rifflet et Jon Irabagon avaient créé une passionnante célébration de la musique de Moondog. Les voici á nouveau réunis, au sein d'un quartet exceptionnel (avec Jim Black et Sébastien Boisseau) avec une nouvelle idée fixe: explorer un théme plutôt qu'un compositeur, quitte á se laisser surprendre. C'est dans l'histoire et l'actualité qu'ils se sont inspirés, d'Olympe de Gouges á Emma Gonzales, des droits civiques á la justice climatique, á la recherche de grands discours de rébellion (s) á mettre en sons, pour souffler dans leurs saxophones comme sur des braises... Recorded on April 3, 2019 at the Banlieues Bleues festival; TV Director, Arthur Riflet 11.07.2020 (52 min)

      • InterMezzo

        (30 min)

      • Don Giovanni by Mozart at the Festival d'Aix-en-Provence

        Don Giovanni; Opera buffa in two acts by Wolfgang Amadeus Mozart (17656 - 1791); Libretto by Lorenzo da Ponte; First performancein Prague, National Theatre, 29 October 1787; Le Cercle de l'Harmonie, Jérémie Rhorer (Conductor); English Voices; Jean-François Sivadier (Stage Direction); Alexandre de Dardel (Sets), Virginie Gervaise (Costumes), Philippe Berthomé (Lighting); Philippe Sly (Don Giovanni); Nahuel di Pierro (Leporello); Eleonora Buratto (Donna Anna); Pavol Breslik (Don Ottavio); Isabel Leonard (Donna Elvira); Julie Fuchs (Zerlina); Krzysztof Baczyk (Masetto); David Leigh (Il Commendatore); Recorded on July 8th and 10the 2017 at the Festival d'Aix-en-Provence, Archeveché Theater; TV Director, Philippe Béziat; 12.07.2020 (171 min)

      • InterMezzo

        (30 min)

      • Yo-Yo Ma, Mariss Jansons and the Bavarian Radio Symphony Orchestra: Strauss and Dvořák

        Bavarian Radio Symphony Orchestra, Mariss Jansons (Conductor); Yo-Yo Ma (Cello); Richard Strauss; Don Quixotte; Antonín Dvořák; Carnival Overture; Symphony no. 8; Recorded on January 30th, 2016 at the Philharmonie am Gasteig, Munich (111 min)

      • Claudio Abbado and Maurizio Pollini in Lucerne: Beethoven, Mahler

        Lucerne Festival Orchestra, Claudio Abbado (Conductor); Maurizio Pollini (piano); Ludwig van Beethoven (1770 - 1827); Piano Concerto no 4 in G major Op. 58; Gustav Mahler (1860 - 1911); Symphony no 5 in C sharp minor; Recorded at the Lucerne Festival in 2004; Directed by Michael Beyer (107 min)

      • InterMezzo

        (15 min)

      • Shoot the Moon chorégraphie de Sol León & Paul Lightfoot

        Shoot The Moon; Sol León & Paul Lightfoot (choreography); Philip Glass (Music), Movement II from Tirol Concerto for piano and orchestra; Tom Bevoort (Ligth design); Sol León & Paul Lightfoot (sets & costume); Nederland Dans Theater company; With; Chloé Albaret, Olivier Coëffard, Jorge Nozal, Roger van der Poel, Meng-Ke Wu; Recorded from February 11 to 16, 2019 at the Lucent Theater, The Hague; TV Director, Tommy Pascal (24 min)

      • Walk The Demon by Marco Goecke - Nederland Dans Theater (NDT)

        Walk The Demon; Marco Goecke (chorographu); Antony & the Johnsons (Music), The Lake; Everything is new. Pavel Haas (music), From String Quartet no. 2, Opus 7 (Arrangement by Marijn van Prooijen) The Moon and I, Part 3 'From the monkey Mountains'; Pehr Henrik Nordgren (music), From String Quartet, opus 54, Part 2: 'Dance Away your Worries'; Jan Pieter Koch (Musical Advisor ); Udo Haberland (Llgth design); Marco Goecke (sets & costume); Ralitza Malehounova (assistant to choreographer); Nederland Dans Theater Company; With; Lydia Bustinduy. Olivier Coëffard, Prince Credell, Guido Dutilh, Madoka Kariya, Gregory Lau, Jorge Nozal, Roger van der Poel, Luca Tessarini, Meng-Ke Wu; Recorded from February 11 to 16, 2019 at the Lucent Theater, The Hague; TV Director, Tommy Pascal (30 min)

      • An Evening with the NDT 1

        Nederlands Dans Theater (NDT 1); The Statement (creation on 2016); Piece for 4 dancers; Choreography, Crystal Pite; Lighting, Tom Visser; Sets, Jay Gower Taylor; Costume, Crystal Pite, Joke Visser; Dramaturgy, Jonathon Young; Lyrics, Meg Roe, Colleen Wheeler, Andrew Wheeler, Jonathon Young; Music, Owen Belton; Stop-Motion (creation on 2014); Piece for 8 dancers; Choreography, Sol Leόn et Paul Lightfoot; Lighting, Tom Bevoort; Sets, Sol Leόn et Paul Lightfoot; Costume, Joke Visser et Hermien Hollander; Video Conception, Sol Leόn et Paul Lightfoot; Video direction, Rahi Rezvani; Music, Max Richter; Recorded on May 29 & 30, July 3, 2018 at the Lucent Theater, The Hague, Netherlands; TV Director, Tommy Pascal (58 min)

      • An Evening with the NDT 2

        Nederlands Dans Theater (NDT 2); Mutual Comfort; Choreography, Edward Clug; Piece for 4 dancers - Creation on 2015; Lighting, Tom Visser; Sets & costumes, Edward Clug; Music, PErpeTuumOVIA de Milko Lazar; Short Cut; Choreography, Hans Van Manen; Ballet for 4 dancers - Creation on 1999; Scenography & costumes, Keso Dekker; Lighting, Jan Hofstra; Music, Jacob ter Veldhuis; Subtle Dust; Choreography, Sol León & Paul Lightfoot; Piece for 8 dancers - Creation on 2018; Lighting, Tom Bcvoort; Video work, Sol León, Paul Lightfoot, Rahi Rezvani; Costume, Joke Visser, Hermien Hollander; Sets, Sol León & Paul Lightfoot; Music, Johann Sebastian Bach; Midnight Raga; Choreography, Marco Goecke; Piece for 2 dancers - Creation on 2017; Lighting, Udo Haberland; Sets & costumes, Marco Goecke; Dramaturgy, Nadja Kadel; Music, Ravi Shankar and Etta James [I'd Rather Go Blind et At Last, Trust in Me, A Sunday Kind of Love (medley)]; Recorded on June 8,9 & 10, 2018 at the Lucent Theater, The Hague, Netherlands; TV Director, Louise Narboni (67 min)

      • InterMezzo

        (50 min)

      • Der Freischütz by Weber at La Scala, Milan

        Der Freischütz, opera in three acts by Carl Maria von Weber (1786 - 1826); Libretto by Friedrich Kind; First performance in Berlin, Schauspielhaus, 18 June 1821; Teatro alla Scala Chorus and Orchestra, Myung-Whun Chung (Conductor); Matthias Hartmann (Stage Director); Raimund Voigt (Sets), Marco Filibeck (Lights), Michael Küster (Dramaturgy), Susanne Bisovsky, Josef Gerger (Costumes); Julia Kleiter (Agathe); Michael König (Max); Günther Groissböck (Kaspar); Michael Kraus (Ottokar); Eva Liebau (Äennchen); Franck van Hove (Kuno); Stephen Milling (Ein Eremit); Till Von Orlowsky (Kilian); Recorded on October 17, 2017 at the Teatro alla Scala, Milano; TV Director, Jean-Pierre Loisil (136 min)

      • We Love Ella | The Amazing Keystone Big Band

        We Love Ella; The Amazing Keystone Big Band; Bastien Ballaz, Alois Benoit, Loic Bacheveillier, Sylvain Thomas (trombones); Jon Boutellier, Pierre Desassis, Kenny Jeanney, Eric Prost, Ghyslain Regard (saxophones); David Enhco, Thierry Sénéau, Vincent Labarre, Félicien Bouchot (trumpets); Fred Nardin (piano), François Thibaut (Guitar); Patrick Maradan (Double Bass); Romain Sarron (Drums); Guests; Célia Kaméni (vocal); China Moses (vocal); Sarah McKenzie (vocal, piano); The Amazing Keystone Big Band loves Ella and pays more than a simple vibrant homage to she who loved big bands so much (she sang with those of Chick Weeb, Duke Ellington and Count Basie)and identified with the same vein as the one of the same name that the PBS Radio had???? with Jon Faddis, James Moody, Lizz Wright, Patti Austin. The guest singer, Célia Kaméni, does not attempt either to compete with or to imitate, that would be impossible anyway, the first lady of song gets to grips with her world in order to sing it better. And it works perfectly, and it has to be said that the orchestra is absolutely irreproachable with its waves of intensity, its stresses, an expressive clarity which gives it a very lare range of expression. It's all there, the phrasing, the accents, the rhythm, the groove, the drive this swing, this je ne sais quoi between individual liberty and collective happiness, put simply...Jazz! Recorded on March 23, 2019 at the Salle Pleyel; TV Director,Laurent Hasse (53 min)

      • InterMezzo

        (60 min)

      • John Eliot Gardiner conducts Berlioz's Benvenuto Cellini

        Orchestre Révolutionnaire et Romantique, Monteverdi Choir, John Eliot Gardiner (Conductor); Michael Spyres (tenor) (Benvenuto Cellini); Sophia Burgos (soprano) (Teresa); Maurizio Muraro (bass) (Giacomo Balducci); Lionel Lhote (baritone) (Fieramosca); Tareq Nazmi (bass) (Pape Clément); Adéle Charvet (mezzo-soprano) (Ascanio); Vincent Delhoume (tenor) (Francesco); Ashley Riches (baritone) (Bernardino); Hector Berlioz (1803-1869); Benvenuto Cellini; 'Opéra-comique' in two acts and four tableaux; Libretto by Léon de Wailly and Auguste Barbier; First performance in Paris, 1838. Recorded on 7 & 8 September 2019 at the Opéra Royal, Château de Versailles; TV Director, Sébastien Glas (173 min)