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An Evening with the NDT 2
Nederlands Dans Theater (NDT 2); Mutual Comfort; Choreography, Edward Clug; Piece for 4 dancers - Creation on 2015; Lighting, Tom Visser; Sets & costumes, Edward Clug; Music, PErpeTuumOVIA de Milko Lazar; Short Cut; Choreography, Hans Van Manen; Ballet for 4 dancers - Creation on 1999; Scenography & costumes, Keso Dekker; Lighting, Jan Hofstra; Music, Jacob ter Veldhuis; Subtle Dust; Choreography, Sol León & Paul Lightfoot; Piece for 8 dancers - Creation on 2018; Lighting, Tom Bcvoort; Video work, Sol León, Paul Lightfoot, Rahi Rezvani; Costume, Joke Visser, Hermien Hollander; Sets, Sol León & Paul Lightfoot; Music, Johann Sebastian Bach; Midnight Raga; Choreography, Marco Goecke; Piece for 2 dancers - Creation on 2017; Lighting, Udo Haberland; Sets & costumes, Marco Goecke; Dramaturgy, Nadja Kadel; Music, Ravi Shankar and Etta James [I'd Rather Go Blind et At Last, Trust in Me, A Sunday Kind of Love (medley)]; Recorded on June 8,9 & 10, 2018 at the Lucent Theater, The Hague, Netherlands; TV Director, Louise Narboni (67 min)
InterMezzo
(50 min)
Der Freischütz by Weber at La Scala, Milan
Der Freischütz, opera in three acts by Carl Maria von Weber (1786 - 1826); Libretto by Friedrich Kind; First performance in Berlin, Schauspielhaus, 18 June 1821; Teatro alla Scala Chorus and Orchestra, Myung-Whun Chung (Conductor); Matthias Hartmann (Stage Director); Raimund Voigt (Sets), Marco Filibeck (Lights), Michael Küster (Dramaturgy), Susanne Bisovsky, Josef Gerger (Costumes); Julia Kleiter (Agathe); Michael König (Max); Günther Groissböck (Kaspar); Michael Kraus (Ottokar); Eva Liebau (Äennchen); Franck van Hove (Kuno); Stephen Milling (Ein Eremit); Till Von Orlowsky (Kilian); Recorded on October 17, 2017 at the Teatro alla Scala, Milano; TV Director, Jean-Pierre Loisil (136 min)
We Love Ella | The Amazing Keystone Big Band
We Love Ella; The Amazing Keystone Big Band; Bastien Ballaz, Alois Benoit, Loic Bacheveillier, Sylvain Thomas (trombones); Jon Boutellier, Pierre Desassis, Kenny Jeanney, Eric Prost, Ghyslain Regard (saxophones); David Enhco, Thierry Sénéau, Vincent Labarre, Félicien Bouchot (trumpets); Fred Nardin (piano), François Thibaut (Guitar); Patrick Maradan (Double Bass); Romain Sarron (Drums); Guests; Célia Kaméni (vocal); China Moses (vocal); Sarah McKenzie (vocal, piano); The Amazing Keystone Big Band loves Ella and pays more than a simple vibrant homage to she who loved big bands so much (she sang with those of Chick Weeb, Duke Ellington and Count Basie)and identified with the same vein as the one of the same name that the PBS Radio had???? with Jon Faddis, James Moody, Lizz Wright, Patti Austin. The guest singer, Célia Kaméni, does not attempt either to compete with or to imitate, that would be impossible anyway, the first lady of song gets to grips with her world in order to sing it better. And it works perfectly, and it has to be said that the orchestra is absolutely irreproachable with its waves of intensity, its stresses, an expressive clarity which gives it a very lare range of expression. It's all there, the phrasing, the accents, the rhythm, the groove, the drive this swing, this je ne sais quoi between individual liberty and collective happiness, put simply...Jazz! Recorded on March 23, 2019 at the Salle Pleyel; TV Director,Laurent Hasse (53 min)
InterMezzo
(60 min)
John Eliot Gardiner conducts Berlioz's Benvenuto Cellini
Orchestre Révolutionnaire et Romantique, Monteverdi Choir, John Eliot Gardiner (Conductor); Michael Spyres (tenor) (Benvenuto Cellini); Sophia Burgos (soprano) (Teresa); Maurizio Muraro (bass) (Giacomo Balducci); Lionel Lhote (baritone) (Fieramosca); Tareq Nazmi (bass) (Pape Clément); Adéle Charvet (mezzo-soprano) (Ascanio); Vincent Delhoume (tenor) (Francesco); Ashley Riches (baritone) (Bernardino); Hector Berlioz (1803-1869); Benvenuto Cellini; 'Opéra-comique' in two acts and four tableaux; Libretto by Léon de Wailly and Auguste Barbier; First performance in Paris, 1838. Recorded on 7 & 8 September 2019 at the Opéra Royal, Château de Versailles; TV Director, Sébastien Glas (173 min)
InterMezzo
(60 min)
Orfeo by Luigi Rossi conducted by Raphaël Pichon
Orfeo; Tragicommedia in a prologue and three acts by Luigi Rossi (1597 - 1653); Libretto by Francesco Buti; First performance in Paris, Palais Royal, 2 March 1647; Edited by Raphaël Pichon and Miguel Henry; Ensemble Pygmalion, Raphaël Pichon (Conductor); Jetske Mijnssen (Stage Director); Ben Baur (Sets), Gideon Davey (Costumes), Bernd Purkrabek (Lighting); Judith van Wanroij (Orfeo); Francesca Aspromonte (Euridice); Giuseppina Bridelli (Aristeo); Giulia Semenzato (Venere, Proserpina); Luigi de Donato (Augure, Plutone); Ray Chenez (Nutrice, Amore); Renato Dolcini (Satiro); Dominique Visse (Vecchia); Victor Torres (Endimione, Caronte); Marc Mauillon (Momo); David Tricou (Apollo); Recorded on February 9, 2016 at the Opéra de Nancy; Directed by Stéphane Vérité (180 min)
InterMezzo
(30 min)
Tugan Sokhiev and the Orchestre National du Capitole de Toulouse: Berlioz, Saint-Saëns, Shostakovich, Debussy
Orchestre National du Capitole de Toulouse, Tugan Sokhiev (Conductor); Bertrand Chamayou (piano), Lucienne Renaudin Vary (trumpet); Hector Berlioz (1803 - 1869); Le Carnaval Romain, Overture; Camille Saint-Saëns (1835 - 1921); Piano Concerto no. 5 in F major, op. 103 ''Egyptian''; Dmitri Shostakovich (1906 - 1975); Festive Overture, op. 96; Piano Concerto no 1 op. 35; Claude Debussy (1862 - 1918); La Mer; Recorded on October 23 & 25, 2017 at the Teatro Colón, Buenos Aires; Directed by Jean-Pierre Loisil (114 min)
Tugan Sokhiev and the Orchestre National du Capitole de Toulouse: Rimsky-Korsakov
Orchestre National du Capitole de Toulouse, Tugan Sokhiev (Conductor); Nikolai Rimsky-Korsakov; Scheherazade; Recorded on October 23, 2017 at the Teatro Colón, Buenos Aires; Directed by Jean-Pierre Loisil (52 min)
InterMezzo
(30 min)
Les Siécles and François-Xavier Roth: Mozart
Les Siécles, François-Xavier Roth (Conductor); Renaud Capuçon (violin), Adrien La Marca (viola); Wolfgang Amadeus Mozart (1756 - 1791); Le Nozze di Figaro, Overture K. 492; Sinfonia Concertante for violin and viola in E flat major K. 364/320d; Symphony no 41 in C major K. 551 'Jupiter'; Recorded 26 Januery 2019 at the Saanen Church, as part of the 19th festival edition of the Sommets Musicaux de Gstaad; TV Director, Olivier Simonnet (74 min)
John Eliot Gardiner and the Orchestre Révolutionnaire et Romantique: Berlioz
Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner (Conductor); Lucile Richardot (mezzo-soprano); Hector Berlioz (1803 - 1869); Le Corsaire, overture; La Mort de Cléopâtre; Les Troyens: Chasse royale et Orage, Didon Aria; Symphonie fantastique, op. 14; Recorded on 21 October 2018 at the Opéra Royal, Château de Versailles; TV Director, Stéphan Aubé (107 min)
InterMezzo
(55 min)
Antonin Tri-Hoang - Ornette | Apparitions - Banlieues Bleues
Ornette | Apparitions; Antonin Tri Hoangn, Alto saxophone, clarinet, Geoiffroy Gesser, Tenor saxophone, Pierre Borel, Amtp saxophone, Aymeric Avice, trompet, Isabel Sörling, voice, Romain Clerc-Renaud, piano, Keyboard, Thibault Cellier, double bass, Yann Joussein, drums, Elie Duris, drums; La musique d'Ornette Coleman a changé le cours des choses. On a parlé de free jazz, mais ' ce n'est pas un autre jazz, c'est une musique autre, créative '. Depuis ses débuts (dans l'ONJ de Daniel Yvinec), Antonin Tri Hoang n'est pas sans évoquer Ornette: meme lyrisme tarabiscoté, meme gout du dérapage contrôlé. Au lieu d'une dissertation sur l'œuvre, il a proposé des reves, des ponts évocateurs, ' pas un revival, mais un survival '. Avec, aux manettes, le quartette Novembre et des invités qui maîtrisent á la perfection l'art du zapping et du collage. Ce qui n'est pas sans rappeler John Zorn, un autre grand fils (spirituel) d'Ornette. Recorde on April 19 avril 2016 at Banlieues Bleues, MC93; TV Director, Stéphane Jourdain 11.07.2020 (56 min)
ONJ | Dancing in your Head(s) | La Galaxie Ornette - Banlieues Bleues
Orchestre National de Jazz | Dancing in your Head (s) |Ornette Galaxy; Fred Maurin, Artistic direction, guitar, Fred Pallem, orchestration; Jean-Michel Couchet, Alto saxophone, Anna-Lena Schnabel, Alto saxophone, Julien Soro, Tenor saxophone, Fabien Debellefontaine, Tenor saxophone, Morgane Carnet, Baritone saxophone, Fabien Norbert, trUmpet, Susan Santos Silva, trUmpet, Mathilde Fevre, Horn, Daniel Zimmerman, trombone, Judith Wekstein, bass trombone, Pierre Durand, guitar, Bruno Ruder, Fender Rhodes, Sylvain Daniel, Electric bass, Rafaël Koerner, Drums; Recorded on April 19, 2019 at the Banlieues Bleues festival, MC93; TV Director, Guillaume Dero 13.07.2020 (54 min)
Rifflet, Irabagon, Boisseau, Black Rebellion(s) - Banlieues Bleues
Rifflet, Irabagon, Boisseau, Black Rebellion (s); Sylvain Rifflet, saxophone, composition, Jon Irabagon, saxophone, composition, Sébastien Boisseau, contrebasse, Jim Black,batterie; Playlist; 'Jean Moulin', Sylvain Rifflet; 'Greta T. ', Sylvain Rifflet; ' Olympe ', Sylvain Rifflet; ' Factory Girl ' - Trad. Irlandais; 'The Adults in the room ', Jon Irabagon; ' Paul Robeson ', Sylvain Rifflet & Jon Irabagon; Pour le 30éme festival Banlieues Bleues, Sylvain Rifflet et Jon Irabagon avaient créé une passionnante célébration de la musique de Moondog. Les voici á nouveau réunis, au sein d'un quartet exceptionnel (avec Jim Black et Sébastien Boisseau) avec une nouvelle idée fixe: explorer un théme plutôt qu'un compositeur, quitte á se laisser surprendre. C'est dans l'histoire et l'actualité qu'ils se sont inspirés, d'Olympe de Gouges á Emma Gonzales, des droits civiques á la justice climatique, á la recherche de grands discours de rébellion (s) á mettre en sons, pour souffler dans leurs saxophones comme sur des braises... Recorded on April 3, 2019 at the Banlieues Bleues festival; TV Director, Arthur Riflet 11.07.2020 (52 min)
InterMezzo
(60 min)
Shoot the Moon chorégraphie de Sol León & Paul Lightfoot
Shoot The Moon; Sol León & Paul Lightfoot (choreography); Philip Glass (Music), Movement II from Tirol Concerto for piano and orchestra; Tom Bevoort (Ligth design); Sol León & Paul Lightfoot (sets & costume); Nederland Dans Theater company; With; Chloé Albaret, Olivier Coëffard, Jorge Nozal, Roger van der Poel, Meng-Ke Wu; Recorded from February 11 to 16, 2019 at the Lucent Theater, The Hague; TV Director, Tommy Pascal (24 min)
Walk The Demon by Marco Goecke - Nederland Dans Theater (NDT)
Walk The Demon; Marco Goecke (chorographu); Antony & the Johnsons (Music), The Lake; Everything is new. Pavel Haas (music), From String Quartet no. 2, Opus 7 (Arrangement by Marijn van Prooijen) The Moon and I, Part 3 'From the monkey Mountains'; Pehr Henrik Nordgren (music), From String Quartet, opus 54, Part 2: 'Dance Away your Worries'; Jan Pieter Koch (Musical Advisor ); Udo Haberland (Llgth design); Marco Goecke (sets & costume); Ralitza Malehounova (assistant to choreographer); Nederland Dans Theater Company; With; Lydia Bustinduy. Olivier Coëffard, Prince Credell, Guido Dutilh, Madoka Kariya, Gregory Lau, Jorge Nozal, Roger van der Poel, Luca Tessarini, Meng-Ke Wu; Recorded from February 11 to 16, 2019 at the Lucent Theater, The Hague; TV Director, Tommy Pascal (30 min)
An Evening with the NDT 1
Nederlands Dans Theater (NDT 1); The Statement (creation on 2016); Piece for 4 dancers; Choreography, Crystal Pite; Lighting, Tom Visser; Sets, Jay Gower Taylor; Costume, Crystal Pite, Joke Visser; Dramaturgy, Jonathon Young; Lyrics, Meg Roe, Colleen Wheeler, Andrew Wheeler, Jonathon Young; Music, Owen Belton; Stop-Motion (creation on 2014); Piece for 8 dancers; Choreography, Sol Leόn et Paul Lightfoot; Lighting, Tom Bevoort; Sets, Sol Leόn et Paul Lightfoot; Costume, Joke Visser et Hermien Hollander; Video Conception, Sol Leόn et Paul Lightfoot; Video direction, Rahi Rezvani; Music, Max Richter; Recorded on May 29 & 30, July 3, 2018 at the Lucent Theater, The Hague, Netherlands; TV Director, Tommy Pascal (58 min)
An Evening with the NDT 2
Nederlands Dans Theater (NDT 2); Mutual Comfort; Choreography, Edward Clug; Piece for 4 dancers - Creation on 2015; Lighting, Tom Visser; Sets & costumes, Edward Clug; Music, PErpeTuumOVIA de Milko Lazar; Short Cut; Choreography, Hans Van Manen; Ballet for 4 dancers - Creation on 1999; Scenography & costumes, Keso Dekker; Lighting, Jan Hofstra; Music, Jacob ter Veldhuis; Subtle Dust; Choreography, Sol León & Paul Lightfoot; Piece for 8 dancers - Creation on 2018; Lighting, Tom Bcvoort; Video work, Sol León, Paul Lightfoot, Rahi Rezvani; Costume, Joke Visser, Hermien Hollander; Sets, Sol León & Paul Lightfoot; Music, Johann Sebastian Bach; Midnight Raga; Choreography, Marco Goecke; Piece for 2 dancers - Creation on 2017; Lighting, Udo Haberland; Sets & costumes, Marco Goecke; Dramaturgy, Nadja Kadel; Music, Ravi Shankar and Etta James [I'd Rather Go Blind et At Last, Trust in Me, A Sunday Kind of Love (medley)]; Recorded on June 8,9 & 10, 2018 at the Lucent Theater, The Hague, Netherlands; TV Director, Louise Narboni (67 min)
Monty Alexander - La Seine Musicale
Monty Alexander, piano; Born in Jamaca on D-Day- a sign of destiny? - Monty Alexander rapidly left his native country for the United States. In New York, he regularly accompanied Frank Sinatra and performed in the jazz clubs of Manhattan (including the famous Minton's which was the birthplace of bebop) where Duke Ellington, Count Basie and Miles Davies did not miss a chance of hearing him play. After more than fifty years of a career crowned with collaborations with Tony Bennett, Nathalie Cole, Clint Eastwood, Dizzy Gillespie, Sonny Rollins, Quincy Jones, Ernest Ranglin and Barbara Hendricks the pianist travelled around the globe thrilling audiences with his vibrant personality, which communicated an original musical message, in which the heady beat of reggae is mixed with the contagious rocking of swing. Recorded on November 23, 2018 at the Seine Musicale; TV director, Julien Faustino (57 min)
InterMezzo
(50 min)
Antonin Tri-Hoang - Ornette | Apparitions - Banlieues Bleues
Ornette | Apparitions; Antonin Tri Hoangn, Alto saxophone, clarinet, Geoiffroy Gesser, Tenor saxophone, Pierre Borel, Amtp saxophone, Aymeric Avice, trompet, Isabel Sörling, voice, Romain Clerc-Renaud, piano, Keyboard, Thibault Cellier, double bass, Yann Joussein, drums, Elie Duris, drums; La musique d'Ornette Coleman a changé le cours des choses. On a parlé de free jazz, mais ' ce n'est pas un autre jazz, c'est une musique autre, créative '. Depuis ses débuts (dans l'ONJ de Daniel Yvinec), Antonin Tri Hoang n'est pas sans évoquer Ornette: meme lyrisme tarabiscoté, meme gout du dérapage contrôlé. Au lieu d'une dissertation sur l'œuvre, il a proposé des reves, des ponts évocateurs, ' pas un revival, mais un survival '. Avec, aux manettes, le quartette Novembre et des invités qui maîtrisent á la perfection l'art du zapping et du collage. Ce qui n'est pas sans rappeler John Zorn, un autre grand fils (spirituel) d'Ornette. Recorde on April 19 avril 2016 at Banlieues Bleues, MC93; TV Director, Stéphane Jourdain 11.07.2020 (56 min)
ONJ | Dancing in your Head(s) | La Galaxie Ornette - Banlieues Bleues
Orchestre National de Jazz | Dancing in your Head (s) |Ornette Galaxy; Fred Maurin, Artistic direction, guitar, Fred Pallem, orchestration; Jean-Michel Couchet, Alto saxophone, Anna-Lena Schnabel, Alto saxophone, Julien Soro, Tenor saxophone, Fabien Debellefontaine, Tenor saxophone, Morgane Carnet, Baritone saxophone, Fabien Norbert, trUmpet, Susan Santos Silva, trUmpet, Mathilde Fevre, Horn, Daniel Zimmerman, trombone, Judith Wekstein, bass trombone, Pierre Durand, guitar, Bruno Ruder, Fender Rhodes, Sylvain Daniel, Electric bass, Rafaël Koerner, Drums; Recorded on April 19, 2019 at the Banlieues Bleues festival, MC93; TV Director, Guillaume Dero 13.07.2020 (54 min)