
Mezzo Live HD
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Federico Segun Lorca by Eva Yerbabuena
Fedrico Segun Lorca; Eva Yerbabuena, choreography, Juan Diego, voix off; Paco Jarana, musical creation & conductor; Vicente Palacios, scnography; Lopez de Santos, costume; Sandra Diaz, puppet; Atico 7, projection; With; Eva Yerbabuena, dance; Paco Jarana,Guitar; Enrique El Extremeno, voice; Jeromo Sgura, voice; José Valencia, voice; Antonio Coronel, percussion; Raul Dominguez, percussion; Asime Can Ozozer, special featuring; Ballet; Mercedes de Cordoba, Lorena Franco, Maria Moreno, Eduardo Guerrero, Moises Navarro, Cristian Lozano; Recorded on 2013 at the Théâtre national de Chaillot; TV Director, Louise Narboni (90 min)
InterMezzo
(60 min)
Puccini's Tosca at the Salzburg Easter Festival
Tosca; Melodramma in three acts by Giacomo Puccini (1858 - 1924); Libretto by Giuseppe Giacosa and Luigi Illica after Victorien Sardou's play 'La Tosca'; First performance in Rome, Teatro Costanzi,14 January 1900; Sächsische Staatskapelle Dresden, Christian Thielemann (Conductor); Salzburger Bachchor, Salzburger Festspiele und Theater Kinderchor; Alois Glaßner, Wolfgang Götz (Chorus master); Michael Sturminger (Stage Direction); Renate Martin, Andreas Donhauser (Sets, Costumes); Anja Harteros (Floria Tosca); Aleksandrs Antonenko (Mario Cavaradossi); Ludovic Tézier (Scarpia); Andrea Mastroni (Cesare Angelotti); Matteo Peirone (Il Sagrestano); Mikeldi Atxalandabaso (Spoletta); Rupert Grössinger (Sciarrone); Levente Páll (Un carceriere); Directed by Tiziano Mancini; Recorded at the Grosses Festspielhaus, Salzburg, 2018 (122 min)
Manu Katché, Richard Bona, Mike Stern, Niels Lan Doky - Jazz in Marciac
Mike Stern (guitar); Niels Lan Doky (piano); Richard Bona (bass); Manu Katché (drums); The Cameroonian international artist Richard Bona at first became known as a bass player in the company of jazz musicians before beginning a career as a singer and composer in 1999. He interprets his own songs and now has more than half a dozen albums under his belt. Jazz Grand Prix winner of the SACEM, Richard Bona never cheats, but then, he doesn't need to. For those who may be unaware, Mike Stern is one of the greatest jazz-rock guitarists, and has been for more than twenty years now. Pupil of Pat Metheny, he was at first spotted by Billy Cobham and then by Miles Davis at the beginning of the 1980's, he was then taken on by Jaco Pastorius and an active member of 'Steps Ahead' with Danny Sanborn before starting out on a promising solo career. The drummer and percussionist Manu Katché has been for some thirty years one of the most sought after musicians at an international level on the jazz, rock and pop scenes. He became known in 1986 thanks to his participation in the album 'So' by Peter Gabriel and since then has been performing non-stop in groups or for recordings, as leader or as sideman. Whatever the context he demonstrates his magnificent technique. Recorded at Jazz in Marciac Festival (Circus top), on August 6, 2018; TV Director, Jean-Marc Birraux (60 min)
InterMezzo
(58 min)
Seong-Jin Cho at the Verbier Festival: Debussy, Schumann, Chopin
Seong-Jin Cho (piano); Claude Debussy (1862-1918); Images, Books 1 & 2; Robert Schumann (1810-1856); Fantasiestücke op.12; Frédéric Chopin (1810-1849); Piano Sonata no 3 in B minor op.58; Franz Liszt (1811-1886); Etude d'exécution transcendante No.10; Recorded 23 July 2018 at the Verbier Festival; TV Director, Pierre-Martin Juban (90 min)
Javier Perianes in Granada: Falla, Debussy, Albéniz
Javier Perianes (piano); Manuel de Falla (1876-1946); Le tombeau de Claude Debussy; Claude Debussy (1862-1918); La soirée dans Grenade; La Puerta del Vino, Préludes - Book II; La sérénade interrompue, Préludes - Book I; Isaac Albéniz (1860-1909); El Albayzín, Suite Iberia; Manuel de Falla; El amor brujo, piano suite; Fantasía Baetica; Recorded 5 July 2020 at the Festival de Granada, Pórtico del Palacio del Partal (Alhambra) (60 min)
InterMezzo
(82 min)
Anna Bolena by Donizetti at the Opéra Royal de Wallonie-Liége
Anna Bolena; Tragedia lirica in two acts by Gaetano Donizetti (1797 - 1848); Libretto by Felice Romani; First performance in Milan, Teatro Carcano, 26 December 1830; Orchestre et Chœurs de l'Opéra Royal de Wallonie-Liége, Giampaolo Bisanti (Conductor); Pierre Iodice (Chorus master); Stefano Mazzonis di Pralafera (Stage Director); Gary McCann (Sets), Fernand Ruiz (Costumes), Franco Marri (Lighting); Olga Peretyatko (Anna Bolena); Sofia Soloviy (Giovanna Seymour); Celso Albelo (Lord Riccardo Percy); Marko Mimica (Enrico VIII); Francesca Ascioti (Smeton); Luciano Montanaro (Lord Rochefort); Maxime Melnik (Sir Hervey); Recorded at the Opéra Royal de Wallonie-Liége, 17 April 2019; TV Director, Nicolas Foulon (183 min)
InterMezzo
(25 min)
Borodin Quartet, Yuri Bashmet and Florent Héau play Mozart, Shostakovich and Brahms
Borodin Quartet; Ruben Aharonian (violin), Sergei Lomovsky (violin), Igor Naidin (viola), Vladimir Balshin (cello); Florent Héau (clarinet), Yuri Bashmet (viola); Wolfgang Amadeus Mozart (1756 - 1791); Clarinet Quintet; Dmitri Shostakovich (1906 - 1975); String quartet no. 8; Johannes Brahms (1833 - 1897); String quintet no. 2 op. 111; Recorded in January 2016 at the Philharmonie 2, Cité de la Musique, Salle de Concerts, Paris; Directed by par Franck Chaudemanche (98 min)
Lionel Bringuier and the Tonhalle Orchestra: Stravinsky and Dorman
Tonhalle-Orchester Zürich, Lionel Bringuier (Conductor); Martin Grubinger (Percussions); Igor Stravinsky (1882 - 1971); The Rite of Spring; Avner Dorman (b. 1975); Frozen in Time; Recorded on September 14, 2016 at the Tonhalle, Zürich; Directed by Sébastien Glas (74 min)
InterMezzo
(30 min)
Kent Nagano and the Orchestre Symphonique de Montréal: Debussy, Wagner, Stravinsky
Orchestre Symphonique de Montréal, Kent Nagano (Conductor); Marie-Nicole Lemieux (alto); Claude Debussy (1862 - 1918); Jeux; Richard Wagner (1813 - 1883); Wesendonck Lieder; Igor Stravinsky (1882 - 1971); The Rite of Spring; Recorded 19 March 2019, Philharmonie de Paris; TV Director, Olivier Simonnet (91 min)
Jordi Savall in Granada: Dialogue of Christian, Jewish and Muslim music
Jordi Savall (viola da gamba, rebab, lyre); Rebab; Anonymous, late 14th century; Alba - Traditional Berber; Erotókritos - Byzantine dance; Rotundellus (MSC 105) - Alfonso X the Wise; Alagyeaz & Khnki tsar - Traditional (Armenian); Saltarello - Trecento mss. (Italy, 13th century); Viola da gamba soprano; Anonymous Italians, around 1490; Las estrellas de los cielos - Traditional Sephardic (Sarajevo); La Quarte Estampie Royal - Le Manuscrit du Roy (Paris, 13th century); Ya Mariam el bekr - Traditional (Syria); Hermosa muchachica - Traditional Sephardic (Jerusalem); Lyre of gambe; Anonymous Italians, around 1450; El Rey Nimrod - Traditional Sephardic (Jerusalem); Saltarello (MSC 77 & 119) - Alfonso X the Wise; Danza del viento - Traditional Berber; Lamento di Tristano - Trecento mss. (Italy, 13th century); Makām-ı Uzzäl Sakîl 'Turna' Semâ'î - Mss. D. Cantemir (324); Recorded at the Festival de Granada, Alhambra de Granada, Patio de los Arrayanes, 6 July 2020 (60 min)
InterMezzo
(79 min)
Stephane Kerecki - French Touch - Like a jazz machine
Stéphane Kerecki - French Touch; Stéphane Kerecki, double bass; Julien Lourau, saxophone; Fabrice Moreau, drums; Jozef Dumoulin, piano, Fender Rhodes; Stéphane Kerecki made a name for himself by playing with Daniel Humair, Sheila Jordan, Michel Portal, Jacky Terrasson. He is leading his own trio, with saxophonist Matthieu Donarier and drummer Thomas Grimmonprez. His recordings received many awards, including the Grand Prix de l'Académie Charles Cros, Disque d'Emoi de l'année 2007 (Jazz Magazine), Choc du Monde de la Musique a.o. Kerecki's most ambitious project to date, ' Nouvelle Vague ', an homage to the movies of Jean-Luc Godard, François Truffaut, Louis Malle, Jacques Demy, and the music it generated, features re-adapted works by Miles Davis, Martial Solal, Georges Delerue, Antoine Duhamel and Michel Legrand. His new project 'French Touch' explores the influence of contemporary French popular music, made by groups like Air, Daft Punk, Motorbass, Kavinsky and Phoenix, on today's music scene worldwide. Recode on May 11, 2018 at the Grand Auditoire, Dudelange, Luxembourg. TV Director, Samuel Thiebaut (57 min)
Michel Meis Quartet - Like a jazz machine
Michel Meis 4tet; Michel Meis, drums+ compositions; Cédric Hanriot, piano; Stephan Goldbach, double bass; Alisa Klein, trombone; Born in Luxembourg Michel Meis made his first experience with the drums at the early age of 7 at the Conservatory of Luxembourg, Luxembourg City. After finishing his diploma's in Chamber Music, Classical Percussion and Jazz drums in 2014 with the teachers Guy Frisch, Paul Mootz, Rainer Kind and Al Ginter, Michel entered the Jazz section of the 'Hochschule für Musik Saar' doing his Bachelor in Jazz drums. Since 2011, Michel is also a member of the Luxembourg Military Band and has played in several Jazz-clubs and festivals like the Hong Kong Jazz Festival, Beishan Jazz Festival, Sibiu Jazz Festival, Fete de la Musique Liege and the Brussels Jazz Marathon. Michel is a drummer with ' Everwaiting Serenade ', Dock in Absolute, Juan Gonzalez Trio. He also played drums for The Grund Club Voices and the Grund Club Quartet in 2015 and 2016. Their first record 'Lost in translation' will feature 7 original tunes and a cover of 'Heaven' by Depeche Mode. This album will be relased on January 2019, on Double Moon Records. Recorded on May 11, 2018 at the Grand Auditoire, Like a jazz machine festival, Dudalange, Luxembourg; TV Director, Samuel Thiebaut (57 min)
Chlorine Free feat. Soweto Kinch + NYA
Chlorine Free feat. Soweto Kinch + NYA; Virgile Lorach, bass; David Monet, keyboard; Romain Clerc-Renaud, Fender Rhodes; Maxime Zampieri, drums; Yann Cley, flute; Benoît Giffard, trombone; Michel Escande, percussion, machines; Soweto Kinch, saxophones; Nya, lyric; Disque étonnant et incomparable, ' Free Speech ' de Chlorine Free est un mélange intelligent et bouillonnant d'univers musicaux et vocaux axés sur la communication et l'expérimentation, tout en mettant l'humain au centre de la démarche. Un projet excitant et intense, sans temps mort et aussi addictif qu'intrigant - Indiemusic; 17 pistes qui sont autant de pépites que l'on redécouvre avec le meme émerveillement á chaque nouvelle écoute. Voici un album qui vous nettoie les oreilles sans produit chloré - Djam; Les apprentis chimistes de Chlorine Free remettent le couvert avec ' Free Speech ', brillant 3e album au groove complexe. L'album nous entraîne dans une déambulation au travers de paysages sonores protéiformes, contemplatifs et subtilement rythmés. Chlorine Free affirme ici encore plus en profondeur cette alchimie si particuliére qui entre electronica, broken beat, jazz-funk avant-gardiste et hip-hop. Le groupe prend pleinement sa place dans ce courant musical refusant toute étiquette rébarbative et en plein essor qui, avec un esprit décloisonné, sait rassembler autour de lui des auditeurs de tous les horizons. Les invités Soweto Kinch et Nya étoffent et enrichissent la palette du groupe. Le groove hip-hop old-school de Chlorine Free porte des textes engagés dans leur troisiéme opus, entre hymne écolo et appel á prendre en main sa destinée. Recorded on May 11, 2018 at the Grand Auditoire, Like a jazz machine festival, Dudalange, Luxembourg; TV Director, Samuel Thiebautt (57 min)
InterMezzo
(60 min)
Bill T. Jones / Arnie Zane Dance Company - Maison de la Danse de Lyon
Play and Replay; Bill T. Jones / Arnie Zane Dance Company; Choreography by Bill T. Jones and Janet Wong; Quatuor Yako; Ravel: Landscape or Portrait? (2012); Choreography Bill T. Jones with Janet Wong and the company; Music by Maurice Ravel, strin quartet in F major (1904); Sets by Bjorn Amelan; Lighting by Robert Wierzel; Costume by Liz Prince; Video Design by Janet Wong; Story (2013); Choreography by Bill T. Jones with Janet Wong and the company; Music by Franz Schubert, String quartet No 14 in D minor (Death and the Maiden.); Sets by Bjorn Amelan; Lighting by Robert Wierzel; Costume by Liz Prince; Recorded on November 19th 2015 at the Maison de la Danse of Lyon; TV Director, Jérôme Cassou (71 min)
Federico Segun Lorca by Eva Yerbabuena
Fedrico Segun Lorca; Eva Yerbabuena, choreography, Juan Diego, voix off; Paco Jarana, musical creation & conductor; Vicente Palacios, scnography; Lopez de Santos, costume; Sandra Diaz, puppet; Atico 7, projection; With; Eva Yerbabuena, dance; Paco Jarana,Guitar; Enrique El Extremeno, voice; Jeromo Sgura, voice; José Valencia, voice; Antonio Coronel, percussion; Raul Dominguez, percussion; Asime Can Ozozer, special featuring; Ballet; Mercedes de Cordoba, Lorena Franco, Maria Moreno, Eduardo Guerrero, Moises Navarro, Cristian Lozano; Recorded on 2013 at the Théâtre national de Chaillot; TV Director, Louise Narboni (90 min)
Morten Qvenild: Personal Piano - Oslo Jazz Festival
QVENILD PERSONAL PIANO @ Oslo Jazz Festival 2016; Morten Qvenild, a member of In The Country, who also accompanies Susanna Wallumrod in Susanna & The Magical Orchestra, presents a very personal kind of music. Qvenild drifts away from jazz standards, presenting works performed on his 'HyPer (sonal) Piano', a keyboard augmented with electronics. The Norwegian musician's compositions are varied, and may include his own vocals. He sometimes reduces the accompaniment to a bare minimum, a few melodic touches to support the melancholy of his timbre (Wild Horses). He feels at liberty, for example, to break the continuity of a piece like Kick And Glide, speeding up the tempo and calling on programs to give his piano a psychedelic and futuristic touch - in the company of a distorted guitar - taking us far away from traditional jazz. Record on August 17th 2016 at the Nasjonal Jazzscene Victoria, Oslo (Oslo Jazz Festival); TV director, Jean-François Hugel (75 min)
InterMezzo
(40 min)
Stephane Kerecki - French Touch - Like a jazz machine
Stéphane Kerecki - French Touch; Stéphane Kerecki, double bass; Julien Lourau, saxophone; Fabrice Moreau, drums; Jozef Dumoulin, piano, Fender Rhodes; Stéphane Kerecki made a name for himself by playing with Daniel Humair, Sheila Jordan, Michel Portal, Jacky Terrasson. He is leading his own trio, with saxophonist Matthieu Donarier and drummer Thomas Grimmonprez. His recordings received many awards, including the Grand Prix de l'Académie Charles Cros, Disque d'Emoi de l'année 2007 (Jazz Magazine), Choc du Monde de la Musique a.o. Kerecki's most ambitious project to date, ' Nouvelle Vague ', an homage to the movies of Jean-Luc Godard, François Truffaut, Louis Malle, Jacques Demy, and the music it generated, features re-adapted works by Miles Davis, Martial Solal, Georges Delerue, Antoine Duhamel and Michel Legrand. His new project 'French Touch' explores the influence of contemporary French popular music, made by groups like Air, Daft Punk, Motorbass, Kavinsky and Phoenix, on today's music scene worldwide. Recode on May 11, 2018 at the Grand Auditoire, Dudelange, Luxembourg. TV Director, Samuel Thiebaut (57 min)
Michel Meis Quartet - Like a jazz machine
Michel Meis 4tet; Michel Meis, drums+ compositions; Cédric Hanriot, piano; Stephan Goldbach, double bass; Alisa Klein, trombone; Born in Luxembourg Michel Meis made his first experience with the drums at the early age of 7 at the Conservatory of Luxembourg, Luxembourg City. After finishing his diploma's in Chamber Music, Classical Percussion and Jazz drums in 2014 with the teachers Guy Frisch, Paul Mootz, Rainer Kind and Al Ginter, Michel entered the Jazz section of the 'Hochschule für Musik Saar' doing his Bachelor in Jazz drums. Since 2011, Michel is also a member of the Luxembourg Military Band and has played in several Jazz-clubs and festivals like the Hong Kong Jazz Festival, Beishan Jazz Festival, Sibiu Jazz Festival, Fete de la Musique Liege and the Brussels Jazz Marathon. Michel is a drummer with ' Everwaiting Serenade ', Dock in Absolute, Juan Gonzalez Trio. He also played drums for The Grund Club Voices and the Grund Club Quartet in 2015 and 2016. Their first record 'Lost in translation' will feature 7 original tunes and a cover of 'Heaven' by Depeche Mode. This album will be relased on January 2019, on Double Moon Records. Recorded on May 11, 2018 at the Grand Auditoire, Like a jazz machine festival, Dudalange, Luxembourg; TV Director, Samuel Thiebaut (57 min)
